BOOK: “A Poetry Handbook” by Mary Oliver

A Poetry Handbook: A Prose Guide to Understanding and Writing PoetryA Poetry Handbook: A Prose Guide to Understanding and Writing Poetry by Mary Oliver
My rating: 5 of 5 stars

Publisher site — Ecco

This is an excellent soup-to-nuts primer on poetry writing. While it would be a great tool for someone just beginning their poetic journey — i.e. one who didn’t yet know iambic pentameter from trochaic tetrameter — it also offers some nuggets of wisdom for one who is farther down the road. Mary Oliver had some unique ways of thinking about, or expressing thoughts about, the art.

The book does cover ideas relevant to both modern and traditional poetry. In this regard it has an advantage over, say, Stephen Fry’s The Ode Less Traveled in that Oliver considered both free and metered verse to be poetry.

The author uses the occasional poem or fragment from a variety of poets to make her points but doesn’t get bogged down in examples or analysis of poems.

Among the discussions that seemed better or more insightful than those in other such books were reflections upon the role of imitative exercises as well as exploration of the value of workshops and feedback.

I’d highly recommend this book for poets and serious poetry readers.

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FIVE WISE LINES [September 2026]

Luck, diligence, spontaneity, and inspiration
are all needed to write a poem.

Mary oliver; A Poetry Handbook

…above all let us never accept as cause for what we do not comprehend something we comprehend even less.

Marquis de sade; Juliette

…wise people don’t tell us what to do;
they start by witnessing our story.

david brooks; How to know a person

The race is not to the swift, nor the battle to the strong,
but to those who can see it coming and jump aside. Like a frog evading a shillelagh in a midnight marsh.

Hunter s. thompson; The Rum Diary

We do not see things as they are,
we see them as we are.

Anaïs Nin

BOOK: “Senjutsu to Ninjutsu” by Doshi Shigetsu (Trans. by Eric Shahan)

Senjutsu to NinjutsuSenjutsu to Ninjutsu by Doshi Shigetsu
My rating: 4 of 5 stars

Author’s Amazon Site

This essay presents thoughts about the practices of what Taoists would call “Immortals.” (The work was apparently created as a speech or lecture.) The translation used in the book is “mountain ascetics,” which might lead readers to believe that it is talking about Shugenja or Yamabushi. I don’t know a great deal about the Japanese language or those systems, but the character used — 仙 (Xiān, in Chinese) — is almost always translated as Immortal in the Chinese language. Shugendo is a syncretic tradition of Esoteric Buddhism, Shinto, Taoism, and folk religion, and it certainly has some overlap (mountain setting, Taoist influence, harsh training practices, etc.) but I don’t know that the two systems would be viewed as equivalent. (Though maybe they were considered so at the time and place of publication.) The author does try to clarify who it is he is talking about, largely by distinguishing them from Celestial Maidens (天人) and Tengu (天狗, crow-goblin-swordsmen.)

At any rate, the primary objective of the lecture / essay is to counter the tendency to be dismissive of these systems. The piece is dated 1901, and so there was an increasing proclivity to dismiss the supernormal as mere superstition. The author argues that practitioners who develop unwavering self-confidence through the practice of intense / death-defying activities (e.g. fasting) may be capable of things that would be unfathomable by ordinary people, leading ordinary lives.

The “ninjutsu” bit of the title results from the proposition of a linkage of the methods and approaches between Japan’s famous caste of warrior-spies, i.e. the ninja, and the ascetics / immortals discussed throughout most of the book.

This is an interesting read, particularly so because of its timing (after the era of Samurai and Ninja, but before modernity so advanced that the supernatural was entirely relegated to a societal fringe.)

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PROMPT: Want to Read

How do you write what people actually want to read?

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Step 1: Accept the fact that the overwhelming majority of people don’t want to (or like to) read. The only items I put up in paragraphs (these days) are book reviews. People will read reviews to know what a book says without having to actually read it. The book review is considered the lesser of two evils by those who don’t love reading.

Step 2: Read anything that’s more than a few punchy lines for the “reader.” (i.e. use audio files or YouTube-style video segments.) 

Alternatively: Don’t give a rat’s ass and write for yourself.

PROMPT: Ending

Daily writing prompt
If you could rewrite any book’s ending, which one would you choose?

Like many, I feel that for such an excellent and powerful book, Adventures of Huckleberry Finn has a muddled ending.

Far be it for me to rewrite Twain, but I might’ve done some chopping.

BOOK: “The Writing Life” by Annie Dillard

The Writing LifeThe Writing Life by Annie Dillard
My rating: 5 of 5 stars

Publisher site – Harper

This essay lays out what it takes to write through discussion of Dillard’s first-hand experience writing. Issues discussed include the ability to not only hack away at one’s work but sometimes to wholly abandon it to restart from a blank page, the time it takes, and the need for a space of one’s own and solitude. The final chapter takes a twist, telling the story of a stunt pilot who lived in the same area as Dillard, a story that I took as an allegory for the writing life.

I’d highly recommend this book for writers, but also for those who like to read well-crafted writing.



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BOOK: “Kindred Spirits” by Edward C. Sellner

Kindred Spirits: Thomas Merton, Jack Kerouac, and ZenKindred Spirits: Thomas Merton, Jack Kerouac, and Zen by Edward C. Sellner
My rating: 5 of 5 stars

Publisher Site — Monkfish Books

Release Date: July 28,2026

This book intertwines the biographies of two prominent 2oth century American authors, Beat novelist Jack Kerouac and Trappist monk Thomas Merton. Besides the two writers’ general interest in Eastern philosophy and mysticism and the fact that they had broadly overlapping lifespans, I wouldn’t have placed them in the same basket (despite having read works by each and found both writers’ works enjoyable – though in distinct ways.) However, Sellner dives down into other points of commonality — e.g. Columbia University educated, lifelong Catholics, love of drink, ladies’ men (at some point, at least,) desire for a hermetic existence, etc. Of course, another important commonality was dying young, Kerouac at 47 and Merton at 53.

This book is a fascinating look at two authors who forever changed American perception of Zen Buddhism and Eastern philosophy more generally, though who did it through the lens of Catholicism. At its heart, however, it’s the tale of the struggles of two men to find something, something elusive yet for which they each felt a strong compulsion, something which even successes only left them hungering for more.

If you’re interested in the lives of writers, this book is an excellent read and I’d highly recommend it. Regardless of what you might feel about the connective tissue between them, both of these writers had an interesting life.

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PROMPT: Lose Yourself

Daily writing prompt
What activities do you lose yourself in?

Reading, walking, writing, swimming, thinking, and epic rap battles. You’ve only got one shot…

PROMPT: Autobiography

Daily writing prompt
You’re writing your autobiography. What’s your opening sentence?

“And that’s how you do that!”

(I’m told that in medias res is the ideal narrative approach for memoirs.)