This book captured my attention because (I must confess) I’m delinquent when it comes to the writings of Charles Dickens. I’ve only read “A Christmas Carol” and that is admittedly sad given the profound impact of (and masterful storytelling in) Dickens’ work. The challenge confronting me is that (excepting “A Christmas Carol”) the works of Dickens tend to be huge bookshelf-cracking tomes, and so I’m seeking a strategy by which to approach his publications – given the time investments involved. Because this is a book that largely consists of excerpts from his various works, I figured it might help me devise a plan of how to tackle Dickens (figuratively.) I believe it did help me in that regard.
The book’s theme is how biblical teachings feature in the works of Dickens. While my own reading objectives tend toward the secular, I figured that knowing about the moral conundrums and growth, or lack thereof, of characters would be a good way to understand Dickens’ canon as stories and not only as reflections of religious attitudes. Moral dilemma is, after-all, a central element of storytelling — universally, and not just with regards to religious or mythological contexts. I feel I was correct in this regard, as well. I did learn about which stories were most likely to appeal to me.
I do believe the book was as much about how Dickens (not by himself, by any means, but as part of an artistic and societal movement of the day) influenced the nature of Christianity (both in his time and beyond) as it was about how the Gospel influenced Dickens. I’m not saying this with intent to blaspheme. It’s just that the nature of the problems and how they were approached is very different between the time of ancient Rome and Dickensian London. So, one has a kind of general teaching of being charitable and kind to those less fortunate and it is applied to policy questions that were nonexistent at the time of the Bible or that individuals in the Bible were silent upon.
There are three chapters or section to the book. The first looks at attitudes toward the poor. If one knows anything about the works of Charles Dickens, it’s that they virtually all deal with down-and-out characters having to make their way through worlds controlled by (often uncharitable) wealthy people. This was true of my beloved “A Christmas Carol,” but I know it’s also a major feature in “Oliver Twist,” “Great Expectations,” “Bleak House,” “The Old Curiosity Shop,” and others. This first section takes up about half the book. The second section involves the issue of redemption, and it’s about a quarter of the book. The final section is also about twenty-five percent of the book and it looks at living a good life. Each of these chapters has a series of excerpts. Generally, there is a short paragraph of editorial input before each excerpt to explain any necessary background as well as to provide some insight into why the excerpt is included (i.e. how it relates to the book’s theme.) While most of the excerpts come from Dickens’ major novels, it should be pointed out that there are some that come from other works (i.e. nonfiction and short fiction.)
There are some artistic drawings that are congruous with expectations of a Dickens book. Otherwise, there’s not much in terms of ancillary matter, though there is a Forward. I didn’t feel anything else was particularly needed (though a timeline of publications and / or an appendix with concise plot summaries might have made the book a bit easier to use.)
If you’re interested in learning more about the works of Dickens, I’d recommend this book – particularly (but not necessarily exclusively) if you have interests at the intersection of literature and religion.
Taken on July 11, 2020 in Bangalore.