Gothicness is the perfect kind of subject for the VSI series because it’s one of those areas about which everybody knows something, and yet knows nothing, really. Goth is [or has been] a people (or some people’s perception of other people,) an architectural style, a literary / cinematic genre, a contemporary lifestyle, and a political motif. Because of this diversity, even people who have a degree of expertise on some aspect of gothicness may have little understanding of other aspects or how these varied forms of gothicness relate (if they do, and – if they don’t — why enough people believe they relate to have made this well-formed, consensus view of connectedness.)
The downside of this diversity is that this book will almost certainly be dry, verging on tedious, at some point in the reading, depending upon one’s interests. For example, I found the portions on Gothic literature and cinema to be fascinating, but the part that dealt with gothicness in Whig politics to be boring. [With the architecture bit somewhere in between.] That said, one needs to follow this throughline to see how so many varied domains came to be Goth. Also, the book is quite short, so one isn’t likely to be bored to death because there’s not enough space spent on any one topic for that to happen.
I learned a lot about what it means to be “Goth” [or “goth”] from reading this book. It covers the history in some detail, but also brings it around to present-day movies and art. If you seek to know more about what “Gothic” means, you should definitely look into this brief guide.