“What is your original face?”
Original? Does that mean I have one now?
Perhaps when I mirror gaze.
Otherwise, if I have a face, it resides in the minds of those who look upon it.
He who takes a scaffold built of patches of matter, varying distances from his eye
and reflecting various spectra of light, and fleshes it out in subjectivity owns the face.
That mean thing,
thing of glee,
that by which cantankerousness is displayed
thing of sorrow,
thing of madness,
that ugly-pretty, disheveled topography of flesh
is a faceless face,
or — perhaps — a thoughtless thought.
This book is an examination of fifteen classic Zen koans selected by John Tarrant, founder of the Pacific Zen Institute (PZI.) Koans are statements or stories that are designed to help students of Zen Buddhism escape their usual ways of thinking because the absurdity of koans cannot be meaningfully answered with the usual approach based in logic and reason. Even if the concept isn’t familiar, readers are sure to have heard the famous koan: “What is the sound of one hand clapping?” [Though one may have missed the value as a tool of the mind, and dismissed the koan as a sage’s attempt to be abstruse and esoteric.]
Each chapter addresses one koan in great detail. First, the koan is presented in a simple fashion. It should be pointed out that some of these koans are a single line and others are as long as several paragraphs. Next, there is a sort of introduction to the concept or point being addressed in the koan. Tarrant knows the value of story, and this frequently involves a narrative approach. Next, there is a section describing the koan in more detail than in which it was first introduced. Here the author elaborates and provides background. The final section of each chapter is about “working with the koan” and offers a bit of insight into how to start considering the lesson of each koan.
I enjoyed this book. It’s a good selection of koans that cover a wide range of styles and approaches. As I mentioned the author uses stories and anecdotes – both historical and contemporary – to help get his point across. The titular use of a particularly absurd koan “punchline,” gives one a taste of the author’s willingness to engage in the whimsical.
I’d highly recommend this book for those who are seeking to better understand koans, either as students of Zen or as individuals interested in the workings of the mind more generally.