This short biography (under 100 pages) tells the story of the man who wrote the “Yellow River Cantata.” The subject, Guang Weiran, lived through interesting times during the early and middle 20th century when China experienced civil war, Japanese invasion, and post-revolutionary turmoil. Guang Weiran was heavily involved in the arts as a poet and leader in the arts community, but he was also a militant leader during the fight against the Japanese. The author, the subject’s son, wisely sticks to the more intriguing times of Guang Weiran’s life – particularly through his writing of the poem that would become song lyrics – and doesn’t get lost in the mundane.
Besides the short biography, the book also includes a great deal of art as well as a copy of the poem that served as the lyrics for the “Yellow River Cantata” in both English and Mandarin script. There are photos of the subject during some key life events, but the most common graphics are woodblock prints in which red is the only color displayed, which makes for an eye-popping visual effect. There are also some yellow-toned paintings interspersed with the poem / lyrics.
I found this little book to be interesting, and I enjoyed the art as well. If you’re interested in 20th century Chinese history, you might find the book worth a look.
This sculpture by Ju Ming is apparently called “Single Whip,” though it reminds me more of “Snake Creeps Down” because of it’s downward slope of the arms. At any rate, it can be found in Victoria Square in downtown Montreal.
This post requires some explanation. First, miniature paintings, as a style of Indian art, aren’t necessarily small (though they can be.) Rather, the “miniature” refers to use of fine detail and the use very fine brushwork. (Sometimes involving one hair-width brushwork.)
The historical basis of all these paintings in Udaipur was that they used to be used to adorn houses involved with weddings. Not only did they lend festive decor, but they also made it easier to find the right house.