Forensic Psychologist’s Limerick

There once was a forensic psychologist
Who came across as quite the apologist:
"The arsonist, you see,
Simply yearns to be free --
Hence, burning all the walls - if you get my gist."

“To One in Paradise” by Edgar Allan Poe [w/ Audio]

Thou wast that all to me, love,
For which my soul did pine --
A green isle in the sea, love,
A fountain and a shrine,
All wreathed with fairy fruits and flowers,
And all the flowers were mine.

Ah, dream to bright to last!
Ah, starry Hope! that didst arise
But to be overcast!
A voice from the Future cries,
"On! on!" -- but o'er the Past
(Dim gulf!) my spirit hovering lies
Mute, motionless, aghast!

For, alas! alas! with me
The light of Life is o'er!
No more -- no more -- no more --
(Such language holds the solemn sea
To the sands upon the shore)
Shall bloom the thunder-blasted tree,
Or the stricken eagle soar!

And all my days are trances,
And all my nightly dreams
Are where thy grey eye glances,
And where thy footstep gleams --
In what ethereal dances,
By what eternal streams.

“Requiem” by Robert Louis Stevenson [w/ Audio]

Under the wide and starry sky,
Dig the grave and let me lie.
Glad did I live and gladly die,
And I laid me down with a will.

This be the verse you grave for me:
Here he lies where he longed to be;
Home is the sailor, home from sea,
And the hunter home from the hill.

“I heard a Fly buzz – when I died” (591) by Emily Dickinson [w/ Audio]

I heard a Fly buzz - when I died -
The Stillness in the Room
Was like the Stillness in the Air -
Between the Heaves of Storm -

The Eyes around - had wrung them dry -
And Breaths were gathering firm
For that last Onset - when the King
Be witnessed - in the Room -

I willed my Keepsakes - Signed away
What portion of me be
Assignable - and then it was
There interposed a Fly -

With Blue - uncertain - stumbling Buzz -
Between the light - and me -
And then the Windows failed - and then
I could not see to see -

BOOKS: “A Child’s Garden of Verses” by Robert Louis Stevenson

A Child's Garden Of VersesA Child’s Garden Of Verses by Robert Louis Stevenson
My rating: 5 of 5 stars

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Until recently, I was only acquainted with Stevenson as a novelist, but I had a powerful experience with his poem “The Hayloft” (included in this collection.) I was intrigued by how a poem written by a nineteenth century Scot could prove so nostalgia-inducing for me, having been a 20th century American farm-boy. So, I read the collection, and found that “The Hayloft” was only one of many examples that had such an effect. Others include: “Land of Counterpane,” “Block City,” and “Land of Nod.” The nostalgic power of the poems derives from the fact that Stevenson does a phenomenal job of capturing a child’s enthusiasm for play, and in that regard I’m sure the collection will resonate more broadly than just I, or even than just farm kids.

Afterall, there’s a lot of Stevenson’s experience that is dissimilar to mine. Besides his era and his nationality, his mentions of nurses, gardeners, and cooks is surely much different from my own upbringing, being devoid of household staff. But the book only needs to draw upon that love of play and imagination to take one back.

For a work from the nineteenth century, this collection of 50+ lyric poems has aged well. There is the occasional word like “gabies” or “whin” to send one to a dictionary, but those archaic or obsolete terms are rarities. Furthermore, the lyricism of the poems makes them easily read or sung.

I’d highly recommend this collection for poetry readers, particularly children or those looking to reexperience childhood.

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“The Hayloft” by Robert Louis Stevenson [w/ Audio]

Through all the pleasant meadow-side
The grass grew shoulder-high,
Till the shining scythes went far and wide
And cut it down to dry.

These green and sweetly smelling crops
They led in wagons home;
And they piled them here in mountain tops
For mountaineers to roam.

Here is Mount Clear, Mount Rusty-Nail,
Mount Eagle and Mount High --
The mice that in these mountains dwell,
No happier are than I!

O what a joy to clamber there,
O what a place for play,
With the sweet, the dim, the dusty air,
The happy hills of hay!

“Sympathy” by Paul Laurence Dunbar [w/ Audio]

I know what the caged bird feels, alas!
When the sun is bright on the upland slopes;
When the wind stirs soft through the springing grass,
And the river flows like a stream of glass;
When the first bird sings and the first bud opes,
And the faint perfume from its chalice steals --
I know what the caged bird feels!

I know why the caged bird beats his wing
Till its blood is red on the cruel bars;
For he must fly back to his perch and cling
When he fain would be on the bough a-swing;
And a pain still throbs in the old, old scars
And they pulse again with a keener sting --
I know why he beats his wing!

I know why the caged bird sings, ah me,
When his wing is bruised and his bosom sore, --
When he beats his bars and he would be free;
It is not a carol of joy or glee,
But a prayer that he sends from his heart's deep core,
But a plea, that upward to Heaven he flings --
I know why the caged bird sings!

“The Charge of the Light Brigade” by Alfred, Lord Tennyson [w/ Audio]

Half a league, half a league,
Half a league onward,
All in the valley of Death
Rode the six hundred.
"Forward the Light Brigade!
Charge for the guns!" he said:
Into the valley of Death
Rode the six hundred.

"Forward the Light Brigade!"
Was there a man dismay'd?
Not tho' the soldier knew
Some one had blunder'd:
Their's not to make reply,
Their's not to reason why,
Their's but to do and die:
Into the valley of Death
Rode the six hundred.

Cannon to right of them,
Cannon to left of them,
Cannon in front of them
Volley'd and thunder'd;
Storm'd at with shot and shell,
Boldly they rode and well,
Into the jaws of Death,
Into the mouth of Hell,
Rode the six hundred.

Flash'd all their sabres bare,
Flash'd as they turn'd in air
Sabring the gunners there,
Charging an army, while
All the world wonder'd:
Plunged in the battery-smoke
Right thro' the line they broke;
Cossack and Russian
Reel'd from the sabre-stroke
Shatter'd and sunder'd.
Then they rode back, but not,
Not the six hundred.

Cannon to right of them,
Cannon to left of them,
Cannon behind them
Volley'd and thunder'd;
Storm'd at with shot and shell,
While horse and hero fell,
They that had fought so well
Came thro' the jaws of Death
Back from the mouth of Hell,
All that was left of them,
Left of six hundred.

When can their glory fade?
O the wild charge they made!
All the world wonder'd.
Honour the charge they made!
Honour the Light Brigade,
Noble six hundred!

“Now Winter Nights Enlarge” by Thomas Campion [w/ Audio]

Now winter nights enlarge
The number of their hours;
And clouds their storms discharge
Upon the air towers.
Let now the chimneys blaze
And cups o'erflow with wine,
Let well-turned words amaze
With harmony divine.
Now yellow waxen lights
Shall wait on honey love
While youthful revels, masques, and courtly sights
Sleep's leaden spells remove.

This time doth well dispense
With lovers' long discourse;
Much speech hath some defense,
Though beauty no remorse.
All do not all things well;
Some measures comely tread,
Some knotted riddles tell,
Some poems smoothly read.
The summer hath his joys,
And winter his delights;
Though love and all his pleasures are but toys,
They shorten tedious nights.

“The Donkey” by G.K. Chesterton [w/ Audio]

When fishes flew and forests walked
And figs grew upon thorn,
Some moment when the moon was blood
Then surely I was born.

With monstrous head and sickening cry
And ears like errant wings,
The devil's walking parody
On all four-footed things.

The tattered outlaw of the earth,
Of ancient crooked will;
Starve, scourge, deride me: I am dumb,
I keep my secret still.

Fools! For I also had my hour;
One far fierce hour and sweet:
There was a shout about my ears,
And palms before my feet.