BOOK: “The Lifetime Reading Plan” by Clifton Fadiman

The Lifetime Reading PlanThe Lifetime Reading Plan by Clifton Fadiman
My rating: 4 of 5 stars

Google Books Page

By the standard of most people (even most readers,) my reading life is insane, both in terms of the volume that I read and the variety of kinds of writing I consume. But – still – whenever someone comes out with one of these “100 must-read books” lists, there’re always many titles that I haven’t read. This has led me to reflect on what constitutes “essential reading,” (if such a thing exists) and what more systematic readers would consider the crucial texts to read to be a well-read person. And that lead me to this book, which is one man’s attempt to assemble such a syllabus of readings.

Fadiman arranges his 103 recommendations into seven sections: 1.) The Beginning (writings from the ancient world;) 2.) The Middle Ages; 3.) Plays; 4.) Narratives; 5.) Philosophy, Psychology, Politics, and Essays; 6.) Poetry; and 7.) History, Biography, and Autobiography. He also provides an annex of six recommendations to give a rudimentary overview of subjects not addressed in the listed works (e.g. art, mathematics, science, World History, American History, and how to read a book.) Note: When I refer to Fadiman’s ‘103 recommendations,” I’m not talking about 103 books. In many cases, Fadiman recommends one read all (or at least multiple instances of) a given author’s writings. I wouldn’t want to give the impression that one could knock out the whole syllabus in 111 books (inclusive of the annex recommendations;) it is a “lifetime” reading plan – after all.

The first edition of this book came out in 1960 and the third (and – as far as I know – final) edition came out in 1988. Fadiman’s selection is far less diverse than one might expect of such a book today. The author freely admits the book is Western-centric, but that’s not the whole story. While Fadiman’s selection is completely Western, it’s also highly Anglo-American (Anglo / American, if you prefer) with a few French, German, Russian, and Latin American authors scattered into the mix. Furthermore, the feminine voice is all but absent with only four females among the recommendations (including George Eliot who famously took a man’s name to be able to publish the work she probably couldn’t have as Mary Ann Evans [her birth name.])

One the one hand, this book did offer insights into many authors and books, including giving a few recommendations I’d never even heard of before. On the other hand, I wouldn’t call it a recipe for being a well-rounded intellect. It’s far too siloed for that purpose. That said, if you’re looking some readings to round out the Western portion of your reading list, I’d recommend you give this book a look. However, as a “lifetime reading plan,” I think it would leave the reader with some pretty broad blind spots.

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BOOK REVIEW: “Scattered Poems” by Jack Kerouac

Scattered PoemsScattered Poems by Jack Kerouac
My rating: 4 of 5 stars

Publisher Site – Open Road Media

Kerouac is best known as a novelist, particularly as the author of the groundbreaking Beat work, On the Road, but he did publish one poetry collection during his lifetime, Mexico City Blues. This book, Scattered Poems, was the first of a glut of posthumously released poetry collections. With posthumously released editions, one usually has to wonder how close the book is to the poet’s ideal, given the author’s lack of input into the final product but — given Kerouac’s penchant for spontaneous composition and airing pieces as they fell from the mind — it’s probable these poems wouldn’t have been highly edited. (Note: A number of the pieces were previously published, but many were obtained from private correspondence — notably letters to Allen Ginsberg.)

The poems are mostly free verse, and the rhyming verse (e.g. “Pull My Daisy”) is usually short line or doggerel lines falling into longer poems. The poems deal in both Kerouac’s birth religion, Christianity, and Buddhism, a philosophy which had a major influence on his thinking throughout his adult life. Some have a Zen quality that makes it hard to determine whether they are nonsense or a conduit from satori (or both.) To enjoy these poems, one must have a love of spontaneity. Readers expecting a polished collection may be displeased but will certainly have missed Kerouac’s philosophy of writing which strove to emulate the improvisation of Jazz.

I enjoyed this collection, and I think the publisher did a good job of showing the arrangement of the poems as written. I’d highly recommend this work for poetry readers who enjoy stream of consciousness experimental poetry or anyone interested in the work of the Beats.

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PROMPT: Fictional Character

Daily writing prompt
Who is the fictional character you relate to the most?

Capt. John Yossarian of Joseph Heller’s Catch-22. The only sane response to an insane world is to be insane.

PROMPT: Ending

Daily writing prompt
If you could rewrite any book’s ending, which one would you choose?

Like many, I feel that for such an excellent and powerful book, Adventures of Huckleberry Finn has a muddled ending.

Far be it for me to rewrite Twain, but I might’ve done some chopping.

BOOKS: “The Weary Blues” by Langston Hughes

The Weary BluesThe Weary Blues by Langston Hughes
My rating: 5 of 5 stars

Available online — Lehigh University

Langston Hughes was one of the greats of 20th century American poetry, and The Weary Blues was his first collection (1926,) containing some of his most beloved (and anthologized) pieces, including: “The Negro Speaks of Rivers” and “I, too, sing America” [a.k.a. Epilogue; which plays off Whitman’s “I Hear America Singing.”] I’ve always loved how Hughes used the rhythm of repetition and the technique of standing in for the everyman (as he famously did in “The Negro Speaks of Rivers,” but in other of his poems as well.) He also had a gift for concision.

These sixty-nine poems deal in a wide range of themes including race, travel, love, etc. Music, be it Jazz or Blues, is an ever-present force in Hughes work. In addition to the aforementioned classics, among my favorite pieces from the collection are: “Winter Moon,” “March Moon,” “‘The Night is Beautiful'” [a.k.a. Poem,] “When Sue Wears Red,” “Water Front Streets,” “Long Trip,” “Seascape,” “Suicide’s Note,” “Songs to the Dark,” and “Lament for Dark Peoples.”

I’d highly recommend this collection for poetry readers.

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PROMPT: Sequel

Daily writing prompt
What’s a book you think deserves a sequel?

I think sequelization is a pox upon the literary world. I would hazard to say that anything good I’ve ever read was a standalone work. Seldom does the “resolution-to-hook” ratio lead to a satisfying, let alone illuminating, reading experience. A popular book series is far more likely to end like the television series Lost than to pull all its outstanding narrative strings together coherently.

Unless you’re talking nonfiction, in which case I would be open to another volume of The Complete History of the World at some point.

BOOK: 齐天大圣 by Yinuo Wang

齐天大圣 Monkey King: A Bilingual Chinese Storybook (Pinyin & English) with HSK Vocabulary (Learn Chinese with Mythology:Bilingual Pinyin Edition 9)齐天大圣 Monkey King: A Bilingual Chinese Storybook (Pinyin & English) with HSK Vocabulary by Yinuo Wang
My rating: 4 of 5 stars

Amazon Page

This book collects episodes from the classic Chinese novel, Journey to the West, and condenses each into a page or two. Specifically, these are episodes from early in the story of Journey to the West, before the protagonist (a.k.a. Sun Wu Kong / the Monkey King / the Great Sage Equal to Heaven) actually departs on his journey to the west with a monk to get Buddhist scriptures. It is Sun Wu Kong’s origin story in a highly condensed form.

The illustrations of the book are aesthetically pleasing and are colorful and non-threatening (i.e. suitable for young readers.) Also, the book has quizzes and vocabulary building exercises at the back.

My biggest criticism of the book would be that it bites off more than it can chew. With single pages for major events and no room for transitions, the plates are a bit incongruous and don’t feel like a story as much as like viewing someone’s scrapbook. A lesser criticism would be that with a loose translation style (which is fine,) it sometimes translates the same characters in two different ways. (As it does with the title card which it translates quite literally as “The Great Sage Equal to Heaven” and the opening page where it translates the same four-character phrase quite loosely as “The Great Monkey King.”) This would not be an issue if the book were not a book for learning to read.

As I said, this is more like Sun Wu Kong’s scrapbook than his life story, but it is a nice way to practice beginner level reading. I’d recommend it for those beginning to read Chinese, particularly if one already knows the Journey to the West story.

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BOOK: “Fight Club” by Chuck Palahniuk

Fight ClubFight Club by Chuck Palahniuk
My rating: 5 of 5 stars

Publisher Site – W.W. Norton

Through a weird and wild storyline, Palahniuk offers insight into two (intertwined) crises of identity that have only grown more prominent since the book (and the David Fincher film adapted from it) came out in the late 90’s. First and foremost, there is a craving for, yet confusion about the nature of, masculinity. As men raised by women struggle to ape masculine behavior only to over-emphasize conspicuous features such as violence and aggression while missing more subtle aspects such as the instinct to protect and a grasp of responsibility, self-empowerment, and fortitude. The second identity crisis is self as consumer, wherein people start linking who they are to their consumption, and this becomes demoralizing because it’s such a hallow way of seeing oneself. (I say the crises are “intertwined” because it’s a long and painful fall to go from “protector” to “consumer-” the latter having nothing at all to feel good about.)

This is one of those books that people either find illuminating or unreadable. There is a lot in the book that is stomach-turning. For many, this will be the violence, but — for me, and I suspect many others, — it’s the “mischievous” pranks that Tyler Durden and the unnamed lead “play” as they work as waiters. Upton Sinclair once said of The Jungle that he aimed for the reader’s heart (i.e. to bring awareness to labor issues in the meat packing industry) and hit them square in the stomach (i.e. people’s main takeaway was that how their food was made was gross and needed to be corrected.) This may be a similar situation. Palahniuk, I suspect, is trying to show how these full-grown men in some ways haven’t escaped the grossest era of boyhood as they attempt to find their power in the world, but it mostly reminded me to not eat at banquets or other gatherings of rich people.

I found this to be an insightful book and would highly recommend it for anyone trying to figure out some of the oddities of the world in which we find ourselves living.

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PROMPT: First Time

Daily writing prompt
What’s a book, movie, or TV show that you wish you could experience again for the first time?

I would not be the same person. It would not be the same book.

BOOK: “Shuhari” by Nobuo Suzuki

Shuhari: The Three-Step Japanese Path to Lifelong Growth and SuccessShuhari: The Three-Step Japanese Path to Lifelong Growth and Success by Nobuo Suzuki
My rating: 5 of 5 stars

Release date: August 11, 2026

I was introduced to the concept of “shuhari” as a student of Japanese martial arts, and over time I discovered it to be one of the most useful concepts for personal growth and development. Shuhari is by no means exclusive to martial arts and is applied to arts in the broadest sense — really to endeavors of any type (as is true in this book which references not only martial arts, but literary arts, graphic arts, cinematic art, and even sciences.) The idea is this: one begins by repetitively practicing what one is taught in as close to an exemplary fashion as possible (shu,) then one starts adapting the principles one has cultivated to changing and unpredictable circumstances (ha,) and finally one abandons the forms and embraces the spontaneous (ri.) In short, we follow the rules (shu,) break the rules (ha,) and abandon the rules (ri.)

Recent years have seen a flood of books on cultural life philosophies, starting and continuing with those of the Japanese culture, but venturing out into Scandinavian (Sisu and Lagom,) Goan (Susegad,) and many others. One could easily fill a shelf each with the popular books on “ikigai” or “ganbatte.” It’s kind of a surprise to see that it’s taken this long to venture into the invaluable concept of “Shuhari.” It is an idea whose time has come to go global.

In a broad sense, this is a book on learning and creativity, and I’d highly recommend it for anyone looking to reevaluate their approach to learning and / or creating.

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