Five Great Yarns from Kahlil Gibran’s The Madman

The MadmanThe Madman by Kahlil Gibran
My rating: 5 of 5 stars

Project Gutenberg Page

The Madman is a collection of poems and short fiction (often micro-fiction) of a philosophical nature. The protagonist claims he became a madman when a thief broke into his house and stole his masks, the masks that people wear to fit into society and appear “normal.” Beyond the thread created by this mad character, the entries meander along, each with its own moral and with little discernible overarching plot.

There are many clever stories in this collection, offering food-for-thought on religion, philosophy, and psychology. I’ll discuss five of my favorites:

“The Sleepwalkers” A mother and daughter are both sleepwalkers. When they are somnambulating, they speak to each other in horribly cruel terms, but when they wake up, they display (at least a veneer of) love and affection. Besides demonstrating the nature of the aforementioned masks, the loss of which gets one designated “crazy,” this story encourages the reader to discern the differences between conscious and subconscious mental activity.

“War” This one presents an analogy for war in which a thief breaks into the wrong building, walks into a machine, pokes his own eye out, and then takes the building owner to court seeking “justice” for his lost eye. The craftsman / shop-owner says he can’t lose an eye because he won’t be able to do his work, but he knows a neighboring craftsman who could have his eye removed without great loss of productivity. This story builds upon the well-known “An eye for an eye…” Bible verse with the added absurdity of violence being doled out randomly and without concern for whether the victim had anything to do with the events in question.

“The Wise King” A disgruntled witch poisons a city well with a substance that makes drinkers insane. The King avoids the well water and is spared insanity. However, the townspeople begin to plot against the king because, in their insanity, they believe him (as one who acts differently) to be insane. The king eventually drinks the well water in order to come back into synch with his subjects. This entry speaks to the arbitrary nature of classification of sane and insane, an idea that has been discussed in modern times by mental health experts such as R.D. Laing.

“The Two Cages” A bird is caged next to a lion. The bird’s confidence provides the central lesson, knowing they’re both imprisoned separately, the bird refers to the lion as “fellow prisoner.” The power dynamic has changed from that of the jungle. Perhaps, the bird has even happily exchanged its freedom — either for safety or to tear the lion down a little.

“The Eye” In this story, the other sense organs mock the eye after it comments upon how grand a mountain is. The ear can’t hear the mountain and the skin can’t feel the mountain. Therefore, the other senses assume that the eye is either lying or is delusional. This tale speaks to the risk of denying something based on one’s own limited perception.

This book was originally published in 1918 and is in the public domain (most places.) It’s definitely worth the short time investment required to read it.

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BOOK REVIEW: The Rope Artist by Fuminori Nakamura

The Rope ArtistThe Rope Artist by Fuminori Nakamura
My rating: 5 of 5 stars

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Release Date: May 2, 2023

This is a hard-boiled detective novel centered around the mysterious death of a kinbaku artist, kinbaku is a Japanese art of tying up a person with rope, the practice sprung from the need to bind prisoners of war and criminals, but it came to be associated with the BDSM (Bondage, Domination / Submission, & Sado-Masochism) activities of kinky sex. The death of the rope artist, Kazunari Yoshikawa, is but the first of a few fatalities that are somehow connected, though the reader only learns how by following the story through to the end. There are several novel elements of the story that grab the reader’s attention, including: sex worker doppelgangers and a man with a missing finger and no known name.

I was engrossed by this novel. It captured my attention from the beginning. The psychology on display in the story is at once fascinating and bizarre. The story is told via three perspectives. The first is a junior detective, Togashi, who is a bit libido-driven and prone to ill-considered decisions. As a main character, one anticipates some of Togashi’s decisions because one knows what drives him, he’s a sucker for a pretty woman, but what the reader doesn’t know is when and how it will blow up in his face. The other main perspective is that of another detective, Hayama, who is the antithesis of Togashi. Hayama is immune to libidinous temptations and is solid as a rock where Togashi is nervous and neurotic. (The third perspective is Yoshikawa’s epistolary confession [no one has completely clean hands in this book.])

If you like crime fiction that’s a bit edgy, you may want to look into this book. That said, a warning for sensitive readers, it is sexually explicit and, while it’s not so sex-centered as to be primarily classified erotica, sex of various types occurs throughout the book.


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BOOK REVIEW: The Amazing Camel Toe by Claire Duplan

The Amazing Camel ToeThe Amazing Camel Toe by Claire Duplan
My rating: 3 of 5 stars

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Release Date: May 16, 2023

This graphic novel tells the tale of a misandrous artist who draws a comic book superhero who is meant to be a hero to harassed and harrowed females everywhere. From reading the blurb, one knows this is going to be a book with a message and a bit of edge. However, one hopes from the apparent whimsicality of title and cover that there will be enough humor to balance the anger and vitriol and make it an entertaining read. There is not.

I use the term misandrous not based on the dastardly characters her comic’s heroine kicks around, but rather based on the protagonist’s interactions with her “boyfriend.” This is the one man in the book who isn’t presented as a complete jerk, and, perhaps, the only man on the planet the protagonist doesn’t want to straight up murder (all the time.) Still, this “nice guy” can do nothing right except to always apologize and except full responsibility for every argument. The couple has a falling out at one point, and I suspect the author saw their reuniting as some sort of rom com “awe” moment, but the reader knows it’s a doomed relationship because the protagonist has a seething contempt for the boyfriend character and the fact that he went away once before means he’s probably got an iota of self-esteem in there somewhere that will not go gently.

If you enjoy the emotional pacing of being stuck in an elevator with a tantrum-prone two-year-old, this book may be for you. Otherwise, it’s kind of a one-dimensional character who’s angry all the time, and not that fun to read.


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BOOK REVIEW: The Translations of Seamus Heaney by various [Trans. by Seamus Heaney / Ed. by Marco Sonzogi]

The Translations of Seamus HeaneyThe Translations of Seamus Heaney by Seamus Heaney
My rating: 5 of 5 stars

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Release Date: March 21, 2023 [for the reviewed edition]

I’d read Heaney’s approachable yet linguistically elegant translation of Beowulf long ago, and was excited to see this collection of his translations coming out. The one hundred pieces gathered make for a diverse work, from single stanza poems to epic narratives and timed from Ancient Greece through modernity. The pieces include works from well-known poets such as Baudelaire, Cavafy, Dante, Brodsky, Horace, Sophocles, Ovid, Pushkin, Rilke, and Virgil. But most readers will find new loves among the many poets who aren’t as well-known in the English-reading world, including Irish and Old English poets. I was floored by the pieces by Ana Blandiana, a prolific Romanian poet who’s a household name in Bucharest, though not so well-known beyond.

I’d highly recommend this anthology for poetry readers. Besides gorgeous and clever use of language, the power of story wasn’t lost on Heaney and his tellings of Antigone (titled herein as “The Burial at Thebes,) Beowulf, Philoctetes (titled “The Cure at Troy,”) and others are gripping and well-told.


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BOOK REVIEW: Crabwalk by Günter Grass

CrabwalkCrabwalk by Günter Grass
My rating: 5 of 5 stars

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This story is narrated by its lead character, Paul Pokriefke, a journalist who was on the ill-fated ship, the Wilhelm Gustloff, being born on a rescue ship immediately after his pregnant mother was among the small proportion of survivors to escape that most deadly maritime disaster in history. The sinking of the Gustloff is the book’s center of gravity, it’s around that event – and the events that led to it and that sprang from it – that the story swirls.

The strange title, “crabwalk,” can be taken in a number of ways. For example, the author uses the term when he advances the story by moving in some direction that isn’t chronologically forward. However, the central crabwalk is the failure of a segment of the German population to move forward in the aftermath of the Second World War. This is shown through the narrator’s son, Konrad Pokriefke, a neo-Nazi of sorts who has an obsession with the sinking of the Wilhelm Gustloff and the incident by which that huge ship got its name (Gustloff being a Swiss Nazi who was assassinated by a Jewish student named David Frankfurter.) For much of this story, Konrad’s obsession plays out on the internet, in chatrooms and on websites that Paul covertly monitors – Paul being estranged from his son, a misfortune that he often blames on his own fatherless upbringing.

One confounding element of the story is the apparent cold rationality of Konrad Pokriefke. To clarify, the young man doesn’t exhibit sound reasoning, but he has this rationale in his mind (nutty as it may be) and he is dispassionate about doing what he believes he needs to do. Konrad isn’t the red-faced, spittle-flying Neo-Nazi. At first, it felt implausible for Konrad to have such a set of views and to be so coolheaded about them. That said, I suspect the author wrote it that way intentionally, and eventually it came to feel true – if horrifying [i.e. the idea that this cold version of hatred might be more sustainable than the intensely angry variety and that it might also retain more hatred in the face of interaction with “the enemy” (it being harder to maintain generic hatred of people with which one has an up close and personal interaction.)]

I found this book, which mixes factual events with fictional characters, to be compelling and thought-provoking. It did have a slow burn at the start, but it makes up for it with greater intensity as the story climaxes.


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BOOK REVIEW: Public Domain, Vol. 1 by Chip Zdarsky

Public Domain Vol. 1Public Domain Vol. 1 by Chip Zdarsky
My rating: 4 of 5 stars

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This isn’t a superhero comic, but a meta-superhero comic. The central premise is similar to that of the popular novel “The Amazing Adventures of Kavalier & Clay,” by Michael Chabon, which is to say it’s about how comic book artists historically made work-a-day salaries while others (actors, executives, producers, etc.) became astoundingly rich off the creations of those artists. In this case, it’s the father of two middle-aged sons, one of whom has a gambling problem.

It’s a fine story, and the character development is well done. Of the two sons, there’s one that’s incredibly likable and the other makes you want to punch him in his stupid face, and – as a twist – the likable one is the man-child and the straightlaced one is the jerk.

If you’re interested in a story about comic book justice, you should check it out.


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BOOK REVIEW: All Talk by Bartosz Sztybor

All TalkAll Talk by Bartosz Sztybor
My rating: 4 of 5 stars

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Release Date: March 14, 2023

This is the tragedy of a young man, Rahim, whose need to feel esteemed and empowered leads him ever deeper into the gangster life. But in that vicious world, his desire to be seen as powerful and his inability to tolerate insult is a threat not only to his life, but to all those close to him – even those who are more emotionally mature than he. There are a couple characters that provide contrast by showing an ability to navigate that life of youth amidst inner city poverty. The reader hopes Rahim will bend their way but fears he will pull them down with him.

This is a straightforward story but is still emotionally rousing. It’s a little like watching a car crash in slow motion, one knows what will go wrong well before it does, just by virtue of the fact that it’s all been set inexorably in motion. And yet one can’t look away.

If you enjoy a modern-day tragedy, you may want to look into this one.


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BOOK REVIEW: Philosophy in the Bedroom by Marquis de Sade

Philosophy in the BoudoirPhilosophy in the Boudoir by Marquis de Sade
My rating: 4 of 5 stars

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This seven-part dialogue tells the story of a young woman’s education in libertinage (“libertine” shouldn’t be confused with liberal or libertarian.) The book mixes action sequences of a pornographic nature with philosophical discussions on ethics, law, governance, relationships, and religion. A young woman, Eugenie, is sent (without objection) by her father into the care of Madame de Saint-Ange, though another character, Dolmance, serves as both the girl’s primary philosophy lecturer as well as the choreographer of the orgiastic sexual activities that take place throughout book.

Overall, the philosophy is weak, but not altogether lacking compelling ideas, at least in the context of its time – i.e. late Age of Enlightenment. Setting aside the controversial and broadly reviled nature of Sade’s philosophy, I criticize it primarily on the grounds that it misunderstands its own foundations and frequently contradicts itself. The foundations I’m referring to are the workings of the natural world. Libertine philosophy is an offshoot of Enlightenment thinking, and as such attempts to replace the superstition and the arbitrary morals of religion. The question becomes with what one replaces religion-driven bases for determining action. Sade’s argument is that we should see ourselves as part of nature and behave in synch with it. It could be argued that using natural principles as one’s guide is as fine an idea as any, but the problem is Sade doesn’t have an accurate picture of how nature really works. Ironically, he seems to have the same unsophisticated view of nature that his opponents held – i.e. that nature is always and everywhere a brutal and chaotic hellscape. [The main difference is that Sade assumed that one must surrender to this hellscape while his opponents proposed that one must subdue it.] The fact of the matter is promiscuity and intraspecies killing aren’t universal in nature, and cooperation does exist alongside competition in the natural world. (To be clear, interspecies killing is universal for many species and intraspecies killing occurs, but consider venomous snakes of a given species that wrestle for dominance while not using their poison or infantrymen who only pretend to shoot their weapons in combat. Also, I don’t mean to suggest monogamy is the rule [besides in birds, where it is,] but Sade seems to believe there is no order to mating in the natural world.) In sum, nature does not tell us to default to the most savage behavior in all situations, and while animals can be ferocious, they generally don’t go around being jerks for the sake of being a jerk.

Since I also criticized the book’s philosophy for inconsistency, I will give one example to demonstrate a more widespread problem. Dolmance tells us that humans should live checked only as nature would check us (as opposed to by religious dictates,) but tells Eugenie to not listen to the voice of nature that tells her to not behave fiendishly.

I also said this philosophy wasn’t without compelling points. Setting aside the many ideas that were well-addressed by more mainstream philosophers long before Sade entered the picture (e.g. the need to separate the activities of religion from those of government,) Sade’s arguments for seeing a purpose for sexual activity beyond procreation, against seeing the making of more humans as a grand and necessary virtue, and against attaching stigmas to nonprocreative sex are all ideas that have gained traction since the turn of the 19th century and arguably could be furthered to positive ends.

Speaking briefly to the non-philosophical side of the book, I will say that – excepting Dialogue VII (the final one) – this book was much less disturbing than some other of the Marquis’s books (e.g. 120 Days of Sodom or Justine,) Prior to the last section, the book involves consensual activities that aren’t dialed up to the maximum level of shock value. That said, Dialogue VII is as cringeworthy as they come. Also, I didn’t understand how all the orgy choreography could work, but that might be attributable to my lack of imagination.

This book will obviously not be everyone’s cup of tea (too much orgy sex for some, too much philosophy for others, and to much of both for most) but as the Marquis de Sade’s books go, it does delve most deeply into philosophy and is moderately less disturbing than some others.


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BOOK REVIEW: Eastbound Maylis de Kerangal

EastboundEastbound by Maylis de Kerangal
My rating: 5 of 5 stars

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Release of Paperback Edition: February 7, 2023

This novella is translated from French but set in Russia. The story is short and simple, yet evocative. It’s about the attempt of its two main characters to conduct very different plans of escape. Aliocha is a soldier who’s traveling by train to a remote assignment in the East when he decides to desert. Aliocha’s desertion plan ends up hinging on the assistance of a foreign woman, Hélène, a French woman who – as it happens – is fleeing a failed relationship. For whatever reason, but perhaps because she knows the intense need to break free, Hélène decides to shelter Aliocha in her cabin until he can make clean getaway.

This is a quick but intense read. The lack of common language between the two escapees makes for an austere telling, one that adds to the emotional tone of the story. I recommend it for readers of literature in translation.


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BOOK REVIEW: The Catcher in the Rye by J.D. Salinger

The Catcher in the RyeThe Catcher in the Rye by J.D. Salinger
My rating: 5 of 5 stars

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This book will be familiar to most Americans as high school required reading. It’s about a teenager, Holden Caulfield, who’s just been expelled from a boarding school and who goes on the adolescent version of a bender – which involves some drinking but is more a mix of attempted escape and soul-searching. At first, it seems that Holden just wants to put off having to see his parents (this not being the first school at which he’s failed,) but then it seems like he might try to escape the transition to adult life altogether.

The core premise is that Caulfield can’t adapt to adult life. This is interesting in that, in some ways, he’s preternaturally mature. The character has an unusually accurate perception of his own nature, even when that nature is petty, childish, or lazy. He doesn’t rationalize his failures but recognizes them. Ultimately, Caulfield can’t cope with the false masks required of adult living and the ever-changing nature of adult life.

Like many, I did a shoddy (at best) job of reading this book in high school. It’s not exactly an action-packed romp, and the major happenings (e.g. a fight at school, being shaken down by a pimp on behalf of prostitute whom Caulfield had paid but hadn’t had sex with, and an unwelcomed [possibly sexual] advance from a former teacher) are few, far between, and somewhat anticlimactic. That said, as literary fiction the book is readable, makes bold choices with language, builds a fascinating character, and offers plenty of interesting psychology to ponder.

I’d highly recommend this book for readers of literary fiction (or a re-read for those who half-assed it in school.)


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