BOOKS: “Ali and Nino” by Kurban Said

Ali and Nino: A Love StoryAli and Nino: A Love Story by Kurban Said
My rating: 5 of 5 stars

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I read this book as travel literature for a trip to Azerbaijan and was pleased that it both met my needs as travel literature (i.e. offering insight into the local culture(s),) and it turned out to be an engrossing story, as well. You may have caught that “turned out to be.” It’s true that the first one-third to half of the book is a slow-burn on the story front. Through those early chapters, the book is the character-driven, plotless novel one frequently sees among literary fiction. Don’t get me wrong, it is still interestingly written and engaging (if you’re a literary fiction reader,) and it definitely met my needs for travel literature. But just as I’d resigned myself to this character-driven literary fiction formulation, it shifted into being a compelling and even action-packed story.

This is a tale of star-crossed lovers but set in the Caucuses in the WWI era (i.e. the time of the Armenian Genocide, when the Ottoman Empire was in its violent death throes.) Unlike Romeo and Juliet, in which the lovers came from feuding clans that were culturally quite similar, cultural divergence is the crux of the matter for Ali and Nino. While the families of the two kids get along fine enough, Nino is from an aristocratic Georgian family of progressive Western (and Christian) proclivities. The protagonist, Ali, is also from an upper-crust family, but they are of a much more conservative Muslim bent. While Ali, himself, is an educated and moderate personality and somewhat of a bridge between the old world Persian mindset of his family and the liberal European one in which he was educated, he has friends and family that it would not be unfair to call fanatics. So, while the families bless the union, it is ill-fated because the worldviews of Ali and Nino make it so there is no place they can both be happy living, except a Baku that is being contested by the Ottoman Empire and a Russia in the midst of its own transmutation. In Persia, Nino is a soulless possession who is not allowed to interact with anyone but Ali, eunuch and female servants, and her own family when they visit. On the other hand, Ali can’t bear to go to Europe or America, where he’d be so far out of his element. So, they are stuck with a Baku besieged by multiple entities.

The writer made a couple of unconventional but clever choices that I found to be brilliant. I’d highly recommend this book for readers of literary fiction and / or historical fiction.

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BOOK REVIEW: Punderworld, Vol. 1 by Linda Sejic

Punderworld, Volume 1Punderworld, Volume 1 by Linda Šejić
My rating: 4 of 5 stars

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Out: August 25, 2021

Punderworld is a disneyfied telling of the love story of Persephone and Hades from Greek Mythology. I mean that in two ways. First, the art seemed stylistically reminiscent [to my neophyte eye] of a movie like “Frozen” (all the people are preternaturally good-looking / charisma-laden and even the Underworld has the sort of charm that makes it seem like it would be a nice place to visit.) The other sense in which it reminded me of a Disney story is that, while it comes from Greek Mythology, it is written and drawn to maximize resonance with a present-day American reader, and would probably be fundamentally unrecognizable to an ancient Greek even if translated into ancient Greek. (As the “Aladdin” animated movie would not resonate with an Arab viewership as much as it would Americans.) Punderworld could also be thought of as a Rom-Com of the star couple of the Underworld. [I assume the title is a “Branjelina”-like meet cute confection of a word.]

The story dragged a bit in the first half, but made good in the second, and I ended up enjoying the book more than I expected to. If you’re up for a disney-esque telling of this ancient Greek love story, give it a look.


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BOOK REVIEW: Romeo and Juliet by William Shakespeare

Romeo and JulietRomeo and Juliet by William Shakespeare
My rating: 5 of 5 stars

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This is one of Shakespeare’s most famous works, if not the most famous love story in the history of love stories. The central challenge of this couple’s love affair isn’t the usual fare of Shakespeare’s works – e.g. unrequited love, love triangles, or class differences. [There is an issue of unrequited love early in the play between Romeo and Rosaline, but Romeo gets over that girl in a hot minute once he meets Juliet.] The problem is that he meets Juliet by crashing her father’s party while wearing a disguise (a disguise that ultimately doesn’t fool the right people,) and the reason Romeo needs a disguise is because Romeo’s father and Juliet’s father are archenemies. Otherwise, the couple meets all requirements for wooing to commence: they each have feelings for the other, and they are of similar class status. In short, they would be a marriageable couple if their families didn’t hate each other.

[Warning: My Shakespeare reviews are far more spoiler-laden than usual because the stories are well-known to most readers and some find a detailed synopsis useful to make sense of the archaic language.] After an opening that establishes the enmity between the Montagues and Capulets, Romeo and Juliet fall for each other fast and hard, and with lightening speed have wed and consummated the marriage. However, no one other than the priest who married them, Friar Laurence, knows of the wedding. They have to keep the marriage secret because it would get back to the heads of the feuding households immediately.

Soon after the wedding, Tybalt (Juliet’s hot-headed kinsman) goes out looking for Romeo. Tybalt had recognized Romeo at the party, and wanted to fight him then, but Mr. Capulet (Juliet’s father) made him chill out because he didn’t want blood spilled during his party. But the next day Tybalt goes out intent on fighting. Tybalt finds Romeo’s friend (Mercutio) and his kinsman (Benvolio,) and Mercutio ends up crossing blades Tybalt. When Romeo comes on the scene, he steps into the middle of the fray to separate the men, and Tybalt finds an opening to thrust into Mercutio. As Mercutio dies, he famously wishes a “plague on both houses” (meaning Tybalt’s Capulets and Romeo’s Montagues.) Mercutio is but one of many who are completely fed up with the feud between these two families. The Prince of Verona has had it up to his neck with the bickering.

While Romeo is generally more a lover than a fighter, he duels and kills Tybalt immediately after Mercutio’s death. After killing Tybalt, Romeo flees the scene, later to find out he’s been banished from Verona upon threat of death. (Lady Capulet petitions the Prince for Romeo to be executed but the Prince won’t go for it, figuring Tybalt got what was coming to him for picking a fight and stabbing Mercutio. Then Lady Capulet plots to have a hit put out on Romeo, but events outpace her plot.) After meeting with Friar Laurence, Romeo flees to Mantua.

When her family informs Juliet that Tybalt has been slain by Romeo, they think she is broken up about her kinsman’s death. However, she’s really worried about her husband Romeo (who, of course, none of the family knows she’s married to.) When it seems like Juliet’s sadness for Tybalt has gone on long enough, her father sets a post-haste wedding date between Juliet and County Paris (the young man that Capulet favors for his daughter.) This is a problem for Juliet because: a.) she’s already married; and, b.) she deeply loves Romeo and finds Paris sort of Meh! She gets into a tiff with her father who thinks she’s an ungrateful whelp. [In Shakespeare’s day, the debate was whether a girl’s feelings about to whom she should be wed should be empathized with or ignored altogether. The idea that her feelings should be a major consideration was deemed laughable. Her mother comes down on the former side, but Lady Capulet accepts her husband’s conclusion of the alternative.]

Juliet goes to see Friar Laurence, who is a botanical mad scientist on the side. The Friar develops an elaborate scheme. Juliet is to go home, apologize to her father for not jumping on board the marriage train with the boy that her father so dearly loves (but to do so without sarcasm,) and then before going to sleep she will take a potion. This potion, not uncommon in Shakespearean works, will make her appear dead for a time, and then she’ll wake up perfectly fine. The family will take her to their crypt, pending the funeral. Friar Laurence sends a note to Romeo explaining the plan. Romeo is to meet Juliet when she wakes up, and they can then flee to Mantua — their families none the wiser.

Up to this point, this play could be a comedy just as easily as it is a tragedy. Sure, there have been a couple stabbing fatalities, but that’s actually pretty calm stuff compared to some of the comedies. (The dead are secondary characters.) What makes it a tragedy, is that Friar Laurence’s messenger can’t get through to deliver the memo in time because of some Black Death scare. Instead, Romeo’s (the Montague family’s) servant gets there first, and, because he’s not in on the Friar’s plot, tells Romeo the truth as he understands it – i.e. that Juliet is dead. Romeo sneaks back to the Verona cemetery with some poison he got at a shady apothecary on the way. Friar Laurence doesn’t know Romeo didn’t get the priest’s message until Romeo is already rolling up on the crypt, intent on dying with is beloved and so Laurence is late arriving to the scene.

To add to the tragedy, Paris is visiting Juliet’s grave and thinks Romeo is a villain. Romeo and Paris battle it out, and Romeo kills Paris. Romeo – knowing that Paris was betrothed to Juliet but without knowledge of Romeo and Juliet’s marriage – places Paris in the crypt near Juliet. But then he takes up position immediately beside her, and drinks the poison. As soon as Romeo dies, Juliet regains consciousness. She finds Romeo dead, and discovers that there’s not enough of the poison left for her. She tries kissing some poison off him, but when that doesn’t work, she plunges a dagger into her own chest.

After Juliet dies, authorities arrive on the scene having been summoned by a person who heard the duel between Romeo and Paris. The Prince arrives and calls for the heads of the Montague and Capulet households so that they can see what tragedy their feud has caused. The sight of the two dead star-crossed lovers (plus Paris, whom Capulet seemed to love) moves Montague and Capulet to end hostilities.

This is a must read for all readers.

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