BOOK REVIEW: The Abolition of Man: Deluxe Edition Carson Grubaugh, et. al.

The Abolition of Man: The Deluxe EditionThe Abolition of Man: The Deluxe Edition by Carson Grubaugh
My rating: 4 of 5 stars

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Release Date [for Deluxe Ed.]: July 25, 2023

This is marketed as the first comic book illustrated by an AI. That makes it a very different beast from the usual graphic novel or comic book, and it means the purpose for reading it is entirely different. If I were to rate this for someone who wanted to read an entertaining story (the usual purpose of a graphic novel,) I would rate it “horrible,” “worst-ever,” “unreadable,” – zero stars. However, if you bothered to read the book blurb, you probably aren’t still considering this book for the purposes of entertaining story.

What other reasons might one have for reading this book? I can think of two: one major and one minor. The major purpose is to see what an AI does with illustrations, how it “thinks” (for lack of a better word,) and how it fails. For this purpose, I’d say the book was fascinating to peruse. As a complete neophyte to both AI and graphic arts, I was struck by the “glimpse-comprehensible / close look-grotesque” nature of the illustrations. That is, if one just took a quick look, there tended to be something that felt like it made sense in the panel, but then when you looked closer it was a cabinet of curiosities freak show.

The minor reason for reading this is because one has an interest in the philosophy of mankind in the modern world, a topic that informs the first and last issues (or the philosophy of information, which informs the appendiceal essays.) In this regard the book made some thought-provoking points.

The base text the AI was fed to come up with illustrations varied across the five issues. The first was the eponymous C.S. Lewis book — i.e. “The Abolition of Man.” While this didn’t present the Lewis text word-for-word, it was certainly the most readable portion of the book. The second and third comics drew on text from a comic written by Grubaugh. I assume the AI processed this text somehow because the text presented was often incomprehensible, was full of typos (or what seemed like them,) but had a couple amusing lines by virtue of what I can only assume was unintended sexual innuendo. The fourth issue is almost textless, but what few text bubbles exist were supposedly composed by AI (they don’t have much information value.) [FYI- this penultimate issue is the stuff of nightmares. In places, it looks like a guide to fatal birth defects.] The final issue is a philosophy essay on the role of human dignity in privacy expectations. It’s an interesting enough read, but the graphics are like a PowerPoint by someone who took, but failed, a course on PowerPoint graphic design.

If you’re curious about how close AI is to drawing graphic novels and have an interest in philosophy of humanity and / or information, you’ll find this book to be a worthwhile read. If you’re expecting an interesting story, you’ll be sadly disappointed. If you’re a budding Andy Warhol, looking for a way to make the next artistic breakthrough requiring little effort or creativity on your own part, you might see the next big thing.


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BOOK REVIEW: Crabwalk by Günter Grass

CrabwalkCrabwalk by Günter Grass
My rating: 5 of 5 stars

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This story is narrated by its lead character, Paul Pokriefke, a journalist who was on the ill-fated ship, the Wilhelm Gustloff, being born on a rescue ship immediately after his pregnant mother was among the small proportion of survivors to escape that most deadly maritime disaster in history. The sinking of the Gustloff is the book’s center of gravity, it’s around that event – and the events that led to it and that sprang from it – that the story swirls.

The strange title, “crabwalk,” can be taken in a number of ways. For example, the author uses the term when he advances the story by moving in some direction that isn’t chronologically forward. However, the central crabwalk is the failure of a segment of the German population to move forward in the aftermath of the Second World War. This is shown through the narrator’s son, Konrad Pokriefke, a neo-Nazi of sorts who has an obsession with the sinking of the Wilhelm Gustloff and the incident by which that huge ship got its name (Gustloff being a Swiss Nazi who was assassinated by a Jewish student named David Frankfurter.) For much of this story, Konrad’s obsession plays out on the internet, in chatrooms and on websites that Paul covertly monitors – Paul being estranged from his son, a misfortune that he often blames on his own fatherless upbringing.

One confounding element of the story is the apparent cold rationality of Konrad Pokriefke. To clarify, the young man doesn’t exhibit sound reasoning, but he has this rationale in his mind (nutty as it may be) and he is dispassionate about doing what he believes he needs to do. Konrad isn’t the red-faced, spittle-flying Neo-Nazi. At first, it felt implausible for Konrad to have such a set of views and to be so coolheaded about them. That said, I suspect the author wrote it that way intentionally, and eventually it came to feel true – if horrifying [i.e. the idea that this cold version of hatred might be more sustainable than the intensely angry variety and that it might also retain more hatred in the face of interaction with “the enemy” (it being harder to maintain generic hatred of people with which one has an up close and personal interaction.)]

I found this book, which mixes factual events with fictional characters, to be compelling and thought-provoking. It did have a slow burn at the start, but it makes up for it with greater intensity as the story climaxes.


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BOOK REVIEW: Public Domain, Vol. 1 by Chip Zdarsky

Public Domain Vol. 1Public Domain Vol. 1 by Chip Zdarsky
My rating: 4 of 5 stars

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This isn’t a superhero comic, but a meta-superhero comic. The central premise is similar to that of the popular novel “The Amazing Adventures of Kavalier & Clay,” by Michael Chabon, which is to say it’s about how comic book artists historically made work-a-day salaries while others (actors, executives, producers, etc.) became astoundingly rich off the creations of those artists. In this case, it’s the father of two middle-aged sons, one of whom has a gambling problem.

It’s a fine story, and the character development is well done. Of the two sons, there’s one that’s incredibly likable and the other makes you want to punch him in his stupid face, and – as a twist – the likable one is the man-child and the straightlaced one is the jerk.

If you’re interested in a story about comic book justice, you should check it out.


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BOOK REVIEW: All Talk by Bartosz Sztybor

All TalkAll Talk by Bartosz Sztybor
My rating: 4 of 5 stars

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Release Date: March 14, 2023

This is the tragedy of a young man, Rahim, whose need to feel esteemed and empowered leads him ever deeper into the gangster life. But in that vicious world, his desire to be seen as powerful and his inability to tolerate insult is a threat not only to his life, but to all those close to him – even those who are more emotionally mature than he. There are a couple characters that provide contrast by showing an ability to navigate that life of youth amidst inner city poverty. The reader hopes Rahim will bend their way but fears he will pull them down with him.

This is a straightforward story but is still emotionally rousing. It’s a little like watching a car crash in slow motion, one knows what will go wrong well before it does, just by virtue of the fact that it’s all been set inexorably in motion. And yet one can’t look away.

If you enjoy a modern-day tragedy, you may want to look into this one.


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BOOK REVIEW: Philosophy in the Bedroom by Marquis de Sade

Philosophy in the BoudoirPhilosophy in the Boudoir by Marquis de Sade
My rating: 4 of 5 stars

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This seven-part dialogue tells the story of a young woman’s education in libertinage (“libertine” shouldn’t be confused with liberal or libertarian.) The book mixes action sequences of a pornographic nature with philosophical discussions on ethics, law, governance, relationships, and religion. A young woman, Eugenie, is sent (without objection) by her father into the care of Madame de Saint-Ange, though another character, Dolmance, serves as both the girl’s primary philosophy lecturer as well as the choreographer of the orgiastic sexual activities that take place throughout book.

Overall, the philosophy is weak, but not altogether lacking compelling ideas, at least in the context of its time – i.e. late Age of Enlightenment. Setting aside the controversial and broadly reviled nature of Sade’s philosophy, I criticize it primarily on the grounds that it misunderstands its own foundations and frequently contradicts itself. The foundations I’m referring to are the workings of the natural world. Libertine philosophy is an offshoot of Enlightenment thinking, and as such attempts to replace the superstition and the arbitrary morals of religion. The question becomes with what one replaces religion-driven bases for determining action. Sade’s argument is that we should see ourselves as part of nature and behave in synch with it. It could be argued that using natural principles as one’s guide is as fine an idea as any, but the problem is Sade doesn’t have an accurate picture of how nature really works. Ironically, he seems to have the same unsophisticated view of nature that his opponents held – i.e. that nature is always and everywhere a brutal and chaotic hellscape. [The main difference is that Sade assumed that one must surrender to this hellscape while his opponents proposed that one must subdue it.] The fact of the matter is promiscuity and intraspecies killing aren’t universal in nature, and cooperation does exist alongside competition in the natural world. (To be clear, interspecies killing is universal for many species and intraspecies killing occurs, but consider venomous snakes of a given species that wrestle for dominance while not using their poison or infantrymen who only pretend to shoot their weapons in combat. Also, I don’t mean to suggest monogamy is the rule [besides in birds, where it is,] but Sade seems to believe there is no order to mating in the natural world.) In sum, nature does not tell us to default to the most savage behavior in all situations, and while animals can be ferocious, they generally don’t go around being jerks for the sake of being a jerk.

Since I also criticized the book’s philosophy for inconsistency, I will give one example to demonstrate a more widespread problem. Dolmance tells us that humans should live checked only as nature would check us (as opposed to by religious dictates,) but tells Eugenie to not listen to the voice of nature that tells her to not behave fiendishly.

I also said this philosophy wasn’t without compelling points. Setting aside the many ideas that were well-addressed by more mainstream philosophers long before Sade entered the picture (e.g. the need to separate the activities of religion from those of government,) Sade’s arguments for seeing a purpose for sexual activity beyond procreation, against seeing the making of more humans as a grand and necessary virtue, and against attaching stigmas to nonprocreative sex are all ideas that have gained traction since the turn of the 19th century and arguably could be furthered to positive ends.

Speaking briefly to the non-philosophical side of the book, I will say that – excepting Dialogue VII (the final one) – this book was much less disturbing than some other of the Marquis’s books (e.g. 120 Days of Sodom or Justine,) Prior to the last section, the book involves consensual activities that aren’t dialed up to the maximum level of shock value. That said, Dialogue VII is as cringeworthy as they come. Also, I didn’t understand how all the orgy choreography could work, but that might be attributable to my lack of imagination.

This book will obviously not be everyone’s cup of tea (too much orgy sex for some, too much philosophy for others, and to much of both for most) but as the Marquis de Sade’s books go, it does delve most deeply into philosophy and is moderately less disturbing than some others.


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BOOK REVIEW: Eastbound Maylis de Kerangal

EastboundEastbound by Maylis de Kerangal
My rating: 5 of 5 stars

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Release of Paperback Edition: February 7, 2023

This novella is translated from French but set in Russia. The story is short and simple, yet evocative. It’s about the attempt of its two main characters to conduct very different plans of escape. Aliocha is a soldier who’s traveling by train to a remote assignment in the East when he decides to desert. Aliocha’s desertion plan ends up hinging on the assistance of a foreign woman, Hélène, a French woman who – as it happens – is fleeing a failed relationship. For whatever reason, but perhaps because she knows the intense need to break free, Hélène decides to shelter Aliocha in her cabin until he can make clean getaway.

This is a quick but intense read. The lack of common language between the two escapees makes for an austere telling, one that adds to the emotional tone of the story. I recommend it for readers of literature in translation.


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BOOK REVIEW: The Catcher in the Rye by J.D. Salinger

The Catcher in the RyeThe Catcher in the Rye by J.D. Salinger
My rating: 5 of 5 stars

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This book will be familiar to most Americans as high school required reading. It’s about a teenager, Holden Caulfield, who’s just been expelled from a boarding school and who goes on the adolescent version of a bender – which involves some drinking but is more a mix of attempted escape and soul-searching. At first, it seems that Holden just wants to put off having to see his parents (this not being the first school at which he’s failed,) but then it seems like he might try to escape the transition to adult life altogether.

The core premise is that Caulfield can’t adapt to adult life. This is interesting in that, in some ways, he’s preternaturally mature. The character has an unusually accurate perception of his own nature, even when that nature is petty, childish, or lazy. He doesn’t rationalize his failures but recognizes them. Ultimately, Caulfield can’t cope with the false masks required of adult living and the ever-changing nature of adult life.

Like many, I did a shoddy (at best) job of reading this book in high school. It’s not exactly an action-packed romp, and the major happenings (e.g. a fight at school, being shaken down by a pimp on behalf of prostitute whom Caulfield had paid but hadn’t had sex with, and an unwelcomed [possibly sexual] advance from a former teacher) are few, far between, and somewhat anticlimactic. That said, as literary fiction the book is readable, makes bold choices with language, builds a fascinating character, and offers plenty of interesting psychology to ponder.

I’d highly recommend this book for readers of literary fiction (or a re-read for those who half-assed it in school.)


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BOOK REVIEW: The Sandman, Vol. 1: Preludes and Nocturnes by Neil Gaiman

The Sandman Vol. 1: Preludes & NocturnesThe Sandman Vol. 1: Preludes & Nocturnes by Neil Gaiman
My rating: 5 of 5 stars

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In this, the first, eight-issue volume of Sandman, we’re introduced to Morpheus / Dream – the king of dreams & nightmares and one of the seven Endless – when he’s captured by an amateur occultist who was trying to kidnap Death [the (not-so Grim) Reaper and also Dream’s sister.] The story told in “Preludes and Nocturnes” is one of Dream’s captivity, escape, and the subsequent missions to reacquire three magic artifacts that were stolen from him when he was captured (i.e. his bag of sand, helmet, and ruby-like jewel.) That last sentence makes it sound like a far-out fantasy, but it’s really a relatable and human set of stories.

This imaginative and compelling opening volume is at its best with “24 Hours” (as well as “Passengers,” the issue that precedes “24 Hours” and sets up its story.) In “24 Hours,” escaped villain, John Dee, torments the occupants of a smalltown diner by manipulating their reality (a capability he achieved when he came into possession of Dream’s “ruby.”) It’s a story that’s both horrifying and thought-provoking as Dee forces the diners to shed the masks of polite society and get to know the uncensored versions of each other.

Another favorite is the concluding issue, “The Sound of Her Wings,” which is really more of an epilogue, given the story has been brought to a successful and satisfying conclusion with the penultimate issue. “The Sound of Her Wings” introduces us to Death (the kinder, more charismatic, and more articulate Gaiman-version of the Grim Reaper) and shows us interaction between Dream and Death as Dream learns a crucial lesson from his sister.

“Sandman” is an excellent series, and the volume where it all began is no exception. I’d highly recommend it for readers in general.


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BOOK REVIEW: Punishment of a Hunter by Yulia Yakovleva

Punishment of a Hunter: A Leningrad Confidential (The Leningrad Confidential Series Book 1)Punishment of a Hunter: A Leningrad Confidential by Yulia Yakovleva
My rating: 5 of 5 stars

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This is “Seven” meets “1984” — i.e. an American-style work of crime fiction where an obsessive and deceptively savvy detective attempts to solve a string of bizarre murders but set under a totalitarian regime in which the powers that be are more concerned about quashing liberties that might bloom into insurrection than solving the odd murder. Yakovleva isn’t the first to do such a fish out of water crime novel, but she does a fine job of it. The mash-up does spin things around a bit vis-a-vis the genre’s usual conventions and mechanisms. In the typical American version, the police detective teeters on roguishness, but in the Soviet Union, “going rogue” has an entirely different meaning and set of consequences. I enjoyed the psychology that plays out in this story.

This book does demand attentive reading. There are quick and dirty transitions that can make the book read in a disjoint fashion, and – if you blink – you may miss something crucial to the story. That said, it’s not a murder mystery precisely, and so it’s not like one is engaged in a clue hunt. The story has a fascinating premise and I enjoyed reading it tremendously.


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BOOK REVIEW: Batman: The Complete Hush by Jeph Loeb

Batman: The Complete HushBatman: The Complete Hush by Jeph Loeb
My rating: 5 of 5 stars

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Over the course of this twelve-chapter story, Batman is pitted against much of his rogues’ gallery, but they’re puppets to a shadowy unknown, a secret villain: Hush. Batman has to do his best detective work, and still faces twist after turn in uncovering this enemy that knows him all too well, who knows all his pressure points. Batman has to battle Killer Croc, Poison Ivy, Harley Quinn, Joker, Scarecrow, and Clayface – and even [due to mind control] Superman and Catwoman, but nothing is as it seems. One might expect that a book this packed with enemies would face problems of pacing and poignancy, but the way the story is crafted (and the villains are effectively subordinated) it’s quite the opposite.

This was one of the smartest comics I’ve read. It’s a mystery that offers foreshadowing, but also false flags. There’s a sub-plot love story between Batman and Catwoman in which the relationship matures, but the question of whether one can ever really trust someone in that world remains ever in the background.

I thought this was one of the best comics I’ve read, and if you’re a Batman fan, it’s definitely a must-read.


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