BOOK REVIEW: Twain Illustrated: Three Stories by Mark Twain by Mark Twain [Ed. by Jerome Tiller]

Twain Illustrated: Three Stories by Mark TwainTwain Illustrated: Three Stories by Mark Twain by Mark Twain
My rating: 4 of 5 stars

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This collection gathers three pieces of Twain’s short fiction and presents them in an edited and illustrated volume. The stories are edited from the original published editions. My understanding is that the editing was confined to making the volume more readable to a present-day audience (and probably to younger readers, specifically.) As far as I can tell, that’s the case.

The three stories have in common that Twain, himself, features as a character. [This is less explicit for the second story than for the first and third, it being merely written in first person while the others reference Twain by name.] The first story, “Emerson, Holmes, and Longfellow,” is essentially a roast of those three important 19th century American poets. The story is written as though Twain is traveling on walkabout and happens upon a miner’s household where, as luck would have it, the three titular poets had stopped in previously. Supposedly, this was first a speech given in Boston at a celebration for another poet, John Greenleaf Whittier, and it went down like a lead balloon.

The middle story, “The Facts Concerning the Recent Carnival of Crime in Connecticut,” is about a mysterious visitor who comes calling who seems to know about all the narrator’s misdeeds. It turns out that said visitor is the narrator’s conscience. This personification of conscience is a clever plot device and makes for a hilarious story.

The final story is entitled “Running for Governor,” and it shows that fake news is far from a new phenomenon in American politics. It imagines Twain running for governor of New York and the one news story after the next presenting outlandish, contrived claims that begin to stick as Twain ignores them. This reminded me of the Twain essay that disabused me of the popular notion that we are [at any given time] in uniquely contentiously partisan times for American politics.

I enjoyed this collection. I would probably have preferred an unedited text, but it’s readable, engaging, and humorous as is. The illustrations are line-drawn, and many are cartoonishly jocular while others are more realistic caricatures. It’s certainly an entertaining read.


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BOOK REVIEW: Opium and Other Stories by Géza Csáth

Opium and Other StoriesOpium and Other Stories by Géza Csáth
My rating: 5 of 5 stars

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Release Date: December 13, 2022 [For the reviewed edition by Europa and translated by Kessler and Rogers]

Csáth was a Freudian who, in 1919 at the age of 31, murdered his wife before committing suicide. He was a brilliantly imaginative [if macabre-oriented] writer, and — as one might expect — this collection’s two dozen stories are dark, dreamy, and often detached from reality. The collection is full of hazy surreality and bleak obsessions, but it’s an intriguing and engaging read.

The book presents several recurring themes: mothers, murder, the murder of mothers, etc.; as well as repetition of surreal settings involving dreams, drugs, and demented minds. Therefore, I’ll only discuss a handful of my favorite stories in the hope they are a reasonable representation. In “Murder,” a man meets an acquaintance on the train and is told of the murder said acquaintance committed, told in a matter-of-fact tone. This prosaic approach to murder is a recurring element of Csáth’s stories as well, and it lends to both the surreal and eerie nature of the stories. “Little Emma” is about a “play hanging” committed by a group of kids. In “Young Lady,” a patient in an insane asylum tells his friend about his obsession with a young woman. “A Joseph in Egypt” is the story of a dream in which the dreamer engages in a tête-à-tête with a married woman. In “Toad” a man imagines he wakes up to find a monstrous toad in his bedroom, or so he believes. In “Matricide,” brothers attempting to rob their mother end up murdering her when she awakes during the crime. “Father, Son” is the story of a young man going to retrieve his father’s remains from the medical school that had come into possession of the body because his mother didn’t have the funds to afford a proper burial while the son was away overseas.

If you enjoy macabre and surreal stories, this collection is well worth reading. However, it will not be everyone’s cup of tea, owing to the dark tone and themes of the stories.


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BOOK REVIEW: The Complete Short Stories of Ernest Hemingway by Ernest Hemingway

The Complete Short Stories of Ernest HemingwayThe Complete Short Stories of Ernest Hemingway by Ernest Hemingway
My rating: 5 of 5 stars

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Hemingway was widely regarded as a master of short fiction, and for good reason. This book collects published and previously unpublished short stories into one volume. While the collection prominently features Hemingway’s obsessions with safari, war, and (to a lesser degree) bullfighting, it actually covers a lot of ground from what might today be called flash fiction to almost novella length pieces, from grim and gritty tales of violence to quiet stories of being and everyday life, and from crime in the big city to life in rural America.

The complete collection offers all the well-anthologized pieces, such as: “The Short Happy Life of Francis Macomber,” “The Killers,” “A Clean, Well-Lighted Place,” “The Snows of Kilimanjaro,” and “The Gambler, the Nun, and the Radio,” but it also presents some exceptional stories that may have slipped past readers. Some of my favorites include: “The Last Good Country” (about a young man and his sister on the lam from the game warden,) “The Butterfly and the Tank,” (a drunk gets a bit too merry among men of violence,) and “The Strange Country” (Hemingway’s version of “Lolita.”)

The book is arranged into three sections. The first is “The First Forty-Nine,” a collection that gathered all of Hemingway’s fiction published to that point. The second section consists of the fourteen pieces published after “The First Forty-Nine” came out. The final section is seven unpublished stories, a few of which are connected by virtue of the fact that they were meant to be part of a novel that was never completed because of Hemingway’s untimely demise.

If you enjoy short fiction, this collection is worth reading.


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BOOK REVIEW: Animals in Our Days by Mohamed Makhzangi

Animals in Our DaysAnimals in Our Days by Mohamed Makhzangi
My rating: 5 of 5 stars

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Out: June 14, 2022

Besides being animal-themed or animal-centric to varying degrees, there are a couple of other features common to the stories in this translated collection from Egyptian author, Mohamed Makhzangi. First, it’s truly international in terms of settings. In addition to stories that take place closer to the author’s (i.e. in the Middle East,) there are tales set in Bangkok, Jaipur, Windhoek, and undefined but evocative locales that all feel based on the author’s travels. Second, the stories tend to have a dreamy, surreal quality and / or speculative elements – i.e. they aren’t strictly realist, but more magical realist. At times, stories read like Kafka (e.g. “Brass Grasshoppers”) and at other times like a fairy tale (e.g. “White Bears / Black Bears.”) Where the stories vary is with respect to theme, from war to alienation to the interconnectedness of nature.

The translation by Chip Rossetti is highly readable, and the stories are well-crafted, engaging, and often thought-provoking. I’d recommend this for all readers of short fiction.


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BOOK REVIEW: Shock Treatment by Cullen Bunn, Peter Milligan, & Aaron Douglas

Shock TreatmentShock Treatment by Cullen Bunn
My rating: 5 of 5 stars

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Out: June 7, 2022

This graphic novel consists of three unrelated pieces of short fiction. All of the stories are of the horror / dark speculative fiction genres, but – otherwise – they are distinct both with respect to story and art. I enjoyed them all, but definitely felt there was a variation in quality.

“Piecemeal” (Cullen Bunn) is about a clique of teenagers who stumble onto a long-deserted house, and find formaldehyde-preserved body parts. It’s got a “Final Destination” meets “Freddie Krueger” kind of vibe. I would rate it as my least favorite. Despite an intriguing (if simple) premise, it never achieved a high creepiness factor, and it resolved too easily / cleanly for my tastes. It also had the most chaotic art, which I’m sure was on purpose, but it didn’t do much for me.

“God of Tremors” (Peter Milligan) this is a period piece set in the 19th century household of a prominent Anglican vicar. It’s about a boy with epilepsy whose anti-science father wants to beat the demon out of him (because that’s what used to cause medical conditions.) While his mother tries with limited success to protect the boy, he ultimately gets help from an unexpected source. This was my favorite because it generated emotional resonance and offered evocative character development. It also had the cleanest artistic style of the three, though I don’t know how important that was to my liking it.

“10 Years to Death” (Aaron Douglas) shows a boy’s uncle telling him a disturbing tale that took place at a prison where the uncle works as the head jailer. That may seem completely unbelievable, unless you’ve had an uncle who didn’t know how to interact with kids so he just – for good or ill – treated them like adults. This was my favorite as far as story premise is concerned. The way the story unfolds is compelling and well-presented.

If you like short fiction of the dark / horror genre, you may want to look into this one.

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BOOK REVIEW: A Bad Business by Fyodor Dostoevsky

A Bad BusinessA Bad Business by Fyodor Dostoevsky
My rating: 5 of 5 stars

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This collection gathers six pieces of Dostoevsky’s short fiction, each brilliant in its own way. The stories vary in length and genre, but share an interesting insight into humanity.

“A Bad Business” is about a high-ranking official who decides to wedding crash one of his underlings. Like the third story in this collection, it’s the psychology that makes this tale compelling. The lead character vacillates between feeling empowered by his host’s deferential behavior and feelings of embarrassment and regret over violating norms. While it might sound like an unrelatable story, the psychological foibles shine through recognizably.

“Conversations in a Graveyard (Bobok)” is largely as the title describes, and is one of the speculative fiction pieces.

Much like the first story, “A Meek Creature” deals in subject matter that may seem unrelatable to today’s reader, but one will recognize the state of mind that drives the story. It’s about a middle-aged man who marries a teenaged girl. The story revolves around the young wife’s death, and attempts to reconcile her demise, which leads him into a dismal territory of self-discovery.

“The Crocodile” is the one piece that doesn’t at all suffer from being dated. While the details may feel retro, this absurdist dark comedy story remains both hilarious and meaningful. The underlying theme is disappointment that economic considerations have come to rule the world, but the story doesn’t beat one over the head with the politics, but rather lets the absurd situation of a man being swallowed whole by a crocodile do the work.

“The Heavenly Christmas Tree” reminded me of the fairytale “The Little Match Girl,” and is a heartfelt Christmas tale.

“The Peasant Marey” is the story of a prisoner having a flashback of the kindness of a neighborhood peasant in his childhood. It’s written in an autobiographical style. I don’t know how much license was taken, but I do know that Dostoevsky did spend time in prison as does the story’s lead.

This collection is well worth reading by any lover of short fiction.

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BOOK REVIEW: A Personal Anthology by Jorge Luis Borges

A Personal AnthologyA Personal Anthology by Jorge Luis Borges
My rating: 5 of 5 stars

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This is a collection of poetry, short fiction, essays, and other short writings (that fit into two or more of the previously mentioned categories) – all chosen by Borges as the works he wanted his literary legacy to be based upon. For those unacquainted, Borges was a brilliant Argentine author whose writings were philosophical, mystical, erudite, and brief. He was the perfect writer for those of us who love ideas and contemplation of the world, but who also suffer deficits of attention. He wrote in bitesize pieces, but those bites couldn’t have been more intensely flavored with ideas and evocative and provocative commentary. His subject matter includes lofty topics such as the lives of Homer, Shakespeare, and Buddha, but also crude, visceral experiences such as a knife fight.

Needless to say, I’m a huge fan of Borges’ work, and couldn’t resist reading his choices for his personal best – even having recently read many of the pieces – particularly the better-known ones. It’s worth noting that Borges’ choices include a great many of the works that others have called his best work, e.g. “The Aleph,” “Borges and I,” “Biography of Tadeo Isidoro Cruz (1829 – 1874,)” “The Zahir,” “The Maker,” “Averröes’ Search,” “The Golem,” “Circular Ruins,” etc. The biggest surprise of the collection was that it included much more poetry than I expected. The works I’ve read previously contained minimal poetry, but I’d say this collection is about half poems.

I can’t recommend this book enough. It’s thought-provoking and magnificently written / translated. I would normally say that I’m not qualified to comment on the skill of translation other than to say the book read well, but the two translators wrote an epilogue that I think showed they could channel the mystery and creativity of Jorge Luis Borges.


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BOOK REVIEW: Monkey: New Writing from Japan: Vol. 2: Travel ed. Ted Goosen & Motoyuki Shibata

MONKEY New Writing from Japan: Volume 2: TRAVELMONKEY New Writing from Japan: Volume 2: TRAVEL by Ted Goossen
My rating: 5 of 5 stars

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Out: December 28, 2021

This anthology of travel-themed short writings by prominent Japanese authors includes: short stories, essays, poems, excerpts from longer works, and even an illustrated story [i.e. “The Overcoat” by Satoshi Kitamura.] The nature and degree of travel varies considerably with some pieces being travelogues or setting-centric fiction, but other pieces explore travel in a more symbolic sense (e.g. “Hell” by Kikuko Tsumura or “Decline of the Aliens” by Hideo Furukawa.] And one piece, “Cardboard Boxes and Their Uses” by Taki Monma deals more with the topic of being shut in, so it might be considered a study in travel through its absence.

The anthology includes works by literary stars such as Mieko Kawakami, Haruki Murakami, and Yasunari Kawabata, and showcases translation by some of the most well-know translators of Japanese literature. [The edition ends with a dozen brief statements by translators about what they have found particularly daunting to translate — not necessarily because the literal translation is difficult but because the elegance of the origin language can be lost to clunkiness in the translated language.]

Among my favorite pieces were “The Dugong” (a historical fiction story with a “Journey to the West” feel to it,) Haruki Murakami’s essay entitled “Jogging in Southern Europe” (which anyone who’s ever exercised amid people who don’t exercise will find amusing,) “Five Modern Poets on Travel” [particularly the tanka of Kanoko Okamoto and the haiku of both Hisago Sugita and Dakotsu Iida,] and “Every Reading, Every Sound, Every Sight” by Jun’ichi Konuma. That said, I don’t think there was a clunker in the bunch, each piece was well-composed and translated, and I’d highly recommend reading this book.


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BOOK REVIEW: The Old Guard: Tales Through Time, Vol. 1 by Greg Rucka, et. al.

The Old Guard: Tales Through Time, Vol. 1The Old Guard: Tales Through Time, Vol. 1 by Greg Rucka
My rating: 5 of 5 stars

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Out: December 21, 2021

This six-issue graphic novel collects twelve standalone short stories from “The Old Guard” universe. For those who’ve neither read the comic nor watched the Netflix movie, it imagines that a few immortals walk among us, or – if not immortals – at least extremely long-lived people. The oldest known among them, Andromache the Scythian (a.k.a. Andy,) is somewhere between six and seven thousand years old. (She appears in about half the stories in some capacity or another, ranging from cameo mention to main character.)

As the subtitle suggests, the dozen stories jump through time offering vignettes from the lives of the various immortals. The locales also vary, though primarily involving places that are known for their belligerency, intrigue, or noir ambiance — e.g. the wild west, samurai era Japan, 197o’s New York City, Berlin in 1932, etc. Some of the tales, e.g. “How to Make a Ghost Town,” “Zanzibar and Other Harbors,” and “Lacus Solitudinus,” are story-driven. Other pieces are more conceptual, focusing on an intriguing idea that comes with immortality. For example, “My Mother’s Axe” explores the Theseus’s ship idea of what it means for a thing to be itself when it’s replaced piece by piece over time.

I enjoyed this collection a great deal. The artistic styles vary to be apropos to the time and place in question, and the storytelling approach also shifts, owing not only to the different settings but also to the numerous authors involved. If you’re attached to having extended story arcs told over several issues, this might not be for you. The storytelling is necessarily terse and / or truncated, owing to space constraints. But if you go in expecting the two story-per-issue flash fiction format, you’ll likely find it compelling.


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BOOK REVIEW: Death: The Deluxe Edition by Neil Gaiman

Death: The Deluxe Edition (Death of the Endless, #1-2)Death: The Deluxe Edition by Neil Gaiman
My rating: 5 of 5 stars

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This book includes seven stories featuring the character of Death from Gaiman’s Sandman series. Two of the stories are longer (three-issue) tales, and the rest are single-issue short fiction.


For those unfamiliar with character, Gaiman subverts the “Grim Reaper” persona. Instead of a cloak-enshrouded skeleton, its face obscured by hood and shadow, Gaiman’s Death is an attractive young woman who goes by Didi, Gothically pale but certainly more beautiful than terrifying. However, appearances aren’t the only way in which Didi is the polar opposite of the Grim Reaper. She’s also preternaturally likeable and gregarious.


The first tripartite story is entitled “The Hight Cost of Living,” and in it a suicidal teen, Sexton, gets drawn into Didi’s drama, but also experiences a newfound appreciation for living. The other three-part story, “The Time of Your Life,” is about a rock star [stage name, “Foxglove”] who has everything a budding pop star could want, but when she learns that you can’t have it all and no one escapes their mortality, she’s forced to reevaluate her priorities. While the collection is built around those two stories, it’s not like the shorter works are filler. I found that “Façade” and “Death and Venice,” in particular, to be quite satisfying as stories.


A couple things to keep in mind: First, the stories are pulled from a long run, and so there are discontinuities – e.g. Death in “The Wheel” looks different from the other stories. Second, one reviewer said this book wasn’t a good choice if one hadn’t read the whole “Sandman” series. Someone who’d read it all might get more Easter Eggs, but it’s not the case that the stories don’t make sense in isolation. With the exception of the opening story, “The Sound of Her Wings,” I didn’t feel I was missing anything by not having read the series.


One can’t go wrong with Gaiman, the storytelling is clever and compelling, and the art is captivating – despite the stylistic variation.


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