BOOK REVIEW: Stories of Your Life and Others by Ted Chiang

Stories of Your Life and OthersStories of Your Life and Others by Ted Chiang
My rating: 5 of 5 stars

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This collection of eight smart short stories is most well-known for the eponymous story that served as the basis for the movie “Arrival.” The stories are sci-fi, but in the broadest sense of that word. “Speculative fiction” is probably a more apt descriptor. At any rate, the pieces all have nerd appeal and offer philosophical food-for-thought as well as entertaining stories.

1.) “Tower of Babylon:” The Biblical myth re-imagined. What if god didn’t sabotage construction by introducing varying languages and spreading humanity to the four winds? What if, instead, the tower did eventually reach to the heavens?

2.) “Understand:” A man who suffered severe brain damage due to a fall through thin ice, is put on an experimental medicine that begins to stimulate neurogenesis on a massive scale. The protagonist becomes preternaturally intelligent, realizes that such super-intelligence is considered a threat, but is able to keep one step ahead of the ordinary minds who pursue him. That is until he runs into another patient who had a similar accident and treatment. A thinking man’s “Lucy” (referring to the Scarlett Johansson movie), this piece considers the question of how different people would use such a gift, and whether differences could be reconciled.

3.) “Division by Zero:” If a scholar’s life was invested in an idea or way of thinking about the world, but then the scholar proved that that way was in error, might it cause a descent into madness and even a crumbling of one’s world?

4.) “Story of Your Life:” This is the story that the Amy Adams’ movie “Arrival” is based upon. The protagonist is a linguist charged with helping to communicate with a newly arrived alien species that has a very different approach to language. In the process of learning their language and interacting with them, she begins to see the world as they do – time being an illusion. Stories from her daughter’s life, which the lead character has seen in full before conception, are interspersed with the description of her work with the alien language.

5.) “Seventy-Two Letters:” This is a golem story. In this world, names have the power to animate matter and golems can be created. (A Golem is a living being created from inanimate matter; the idea comes from Jewish folklore.) The story ads a layer to the question of what would be created if humans could make a simulacrum of themselves – e.g. Frankenstein’s Monster style – and asks the reader to consider what would be the reaction to the dawn of an era in which the golems might be able to make themselves.

6.) “The Evolution of Human Science:” This is one of the shorter pieces and is also the least story-centric entry. It considers philosophical questions around the development of meta-humans.

7.) “Hell is the Absence of God:” This story is also not as story oriented as most of the others, but it is thought-provoking. It revolves around a support group for people who’ve lost significant others in tragedy and asks one to consider the various approaches to belief in the wake of tragedy.

8.) “Liking What You See: A Documentary:” This clever piece imagines a technology that prevents wearers from being able to recognized beauty (and ugliness as well.) As the subtitle suggests, it’s presented as if it were a documentary that is following a college’s debate over whether to require the student body to use said technology.

I enjoyed this collection of stories. “Understand,” “Stories of Your Life,” and “Seventy-two Letters” are gripping stories, and all eight are thought-provoking and well-written. I’d highly recommend this book for readers of short fiction, particularly speculative fiction.

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BOOK REVIEW: Ruby Slippers, Golden Tears ed. by Ellen Datlow and Terri Windling

Ruby Slippers, Golden TearsRuby Slippers, Golden Tears by Ellen Datlow
My rating: 4 of 5 stars

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This anthology consists of 22 pieces of short fiction written by 21 authors and connected by the theme of “fairy tales.” These are variations on traditional folk and fairy tales written for adult audiences. Some are more recognizable than others either because they follow the original more or less or because they start with a more or less well-known tale. (Make a note, these aren’t for bedtime reading for the kids– unless you’re willing to shell out for therapy. Some are dark and some deal in adult sexual themes.)

 

“Ruby Slippers” by Susan Wade: A modern, journalistic hearing of the “Wizard of Oz.”

 

“The Beast” by Tanith Lee: What does a woman’s new husband do when he goes out, and where does he go? A variation on the theme of “Beauty and the Beast.”

 

“Masterpiece” by Garry Kilworth: This is a deal-with-the-devil story in which an artist must make a perverse decision between his masterpiece or something else dear.

 

“Summer Wind” by Nancy Kress: This is the first of three pieces that play off the Briar Rose / Sleeping Beauty concept. A prevailing theme is one of making a less passive sleeping princess.

 

“This Century of Sleep or, Briar Rose Beneath the Sea” by Farida S. T. Shapiro: This is one of the few poetic pieces in the anthology. It reconsiders the Briar Rose [Sleeping Beauty] fable.

 

“The Crossing” by Joyce Carol Oates: This is the last of the stories built around Sleeping Beauty. It’s a period piece set neither in ancient times nor the present day.

 

“Roach in Loafers” by Roberta Lannes: This is a humorous retelling of the tale in which the elves come each night and save the over-burdened cobbler.

 

“Naked Little Men” by Michael Cadnum: This time, instead of a cockroach, it’s naked little men that come to do the work.

 

“Brother Bear” by Lisa Goldsmith: Part Goldilocks and part tale of marriage in the animal kingdom.

 

“The Emperor Who Had Never Seen a Dragon” by John Brunner: An arrogant, despicable, and dense Chinese Emperor summons an artist who draws dragons, insisting the artist introduce him to a dragon. This story goes in the “be careful what you wish for” file. It’s among my favorites of this anthology.

 

“Billy Fearless” by Nancy Collins: Another outstanding story. Billy is fearless and he’s suffered for it because his father and others think he doesn’t have any sense. (He’s not the sharpest tool.) But one day he finds himself in a situation in which his fearlessness might work to his advantage.

 

“The Death of Koshchei The Deathless” by Gene Wolfe: This is based on a Russian folk tale of the same name, but shedding the superstitious / supernatural elements to give it a bit of realism.

 

“The Real Princess” by Susan Palwick: The story’s basis is “The Princess and the Pea.” The story is built around a sadistic king of an impoverished kingdom and the “Real Princess” who comes to live with him.

 

“The Huntsman’s Story” by Milbre Burch: The Huntsman from the Snow White fairy tale, but in a brusk style and with a key difference.

 

“After Push Comes to Shove” by Milbre Burch: A poem on the Hansel & Grettel theme.

 

“Hansel & Grettel” by Gahan Wilson: This short story re-imagines the two children not as impoverished waifs but rather as wealthy trust-fund kids who travel the world, ending up at a fancy resort that represents the siblings’ second brush with stumbling into some place that could be bad for them.

 

“Match Girl” by Anne Bishop: A little abused orphan girl finds her fire. This is a prime example of a story not for the kiddies; it’s got a bit of an S&M undertone.

 

“Waking the Prince” by Kathe Koja: This is a variation on “Sleeping Beauty” with an obvious change in gender roles and the modern outlook that comports with said change.

 

“The Fox Wife” by Ellen Steiber: Based on Japanese folklore in which foxes are clever and conniving souls. A samurai’s trophy wife becomes possessed by fox spirit. This was among my favorites. It’s also one of the longer pieces.

 

“The White Road” by Neil Gaiman: A poem based on the English fairy tale of “Mr. Fox.”

 

“The Traveler and the Tale” by Jane Yolen: This one is a bit different. It’s a sci-fi tale that suggests fairy tales are injected into society in order to have some effect on behavior.

 

“The Printer’s Daughter” by Delia Sherman: This is also one of my favorites. It’s a take on the Pinocchio story. What’s fun about this version is that the totem brought to life is made out of proofing sheets. Since the printer mostly prints booklets of bawdy tales and, on the other hand, religious tracts, the girl that comes to life can only speak in two ways: one that would make a sailor blush and the other is quoting scripture.

 

Short story anthologies usually don’t included much in the way of ancillary matter beyond an introduction (and sometimes an epilogue,) but this one has a several pages of recommended reading at the end for those who are interested in learning more about fairy tales and how they come to be translated into modern forms.

 

I’d recommend this book for those interested in fairy tales of a form suitable for adults.

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BOOK REVIEW: The Cat’s Pajamas by Ray Bradbury

The Cat's PajamasThe Cat’s Pajamas by Ray Bradbury
My rating: 5 of 5 stars

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This is a collection of 20 short stories by Ray Bradbury written between 1946 and 2004. Bradbury was the master. Besides his imaginative gift for storytelling, he was a torch-bearer for language that was both beautifully crafted and highly readable. Bradbury often used words poetically but without detracting from story. I believe he did so through sparing and careful use. I also appreciate the way Bradbury smoothly moved between genres, and the fact that his stories could have a moral without being moralistic.

I’ll list the stories in this collection with just a few words about each.

 

1.) “Chrysalis”: An unlikely friendship develops. A story about race.

 

2.) “The Island”: The dangers of isolation. Tension skillfully ratcheted up.

 

3.) “Sometime Before the Dawn”: Why does the neighbor cry late at night?

 

4.) “Hail to the Chief”: What if Senators wagered America at an Indian casino?

 

5.) “We’ll Just a CT Natural”: This is one of my favorites, but it doesn’t have a complex story or involve clever sci-fi elements. It’s just a woman waiting for a visit from a man who she used to nanny, but who’s made it big as a writer. Two simple questions keep one glued to this story. Will he show up? If not, how will she handle it?

 

6.) “Olé, Orozco! Siqueiros, Sí!”: This is a commentary on what is art in the modern art scene.

 

7.) “The House”: A couple buys a fixer-upper, but there are mixed feelings between them.

 

8.) “The John Wilkes Booth / Warner Bros / MGM / NBC Funeral Train”: How time travel would spawn a history-entertainment complex.

 

9.) “A Careful Man Dies”: A hemophiliac author who’s writing a tell-all meets his match.

 

10.) “The Cat’s Pajamas”: A couple of lonely cat people vie for ownership of a stray that they happen upon simultaneously.

 

11.) “Triangle”: As in, “love triangle.” A take on the story of X loves Y, but Y is indifferent to X; while Z loves X, but X is indifferent to Z.

 

12.) “The Mafioso Cement-Mixing Machine”: It’s a metaphorical cement mixer, but it’s useful for—as a mobster might say—“takin’ out da trash.”

 

13.) “The Ghosts”: The children are enchanted with them, but their father wants to drive them off. The difference between how children and adults see the natural world, in a nutshell.

 

14.) “Where’s My Hat, What’s the Hurry”: A man goes through his little black book to find a woman more responsive to the “city of love” than his wife has been.

 

15.) “The Transformations”: This is another story about race and walking in the shoes of another.

 

16.) “Sixty-six”: This is a prime example of the genre-fluidity of Bradbury. It’s a murder mystery, but not just a murder mystery.

 

17.) “A Matter of Taste”: Human space explorers travel to a distant world and meet a species that is wise, benevolent, helpful, but they can’t get past the alien’s creepy appearance.

 

18.) “I Get the Blues When it Rains”: The fickle nature of nostalgia.

 

19.) “All My Enemies Are Dead”: A man tries to console a friend who believes it’s time to die upon seeing the obituary of the last of his enemies.

 

20.) “The Completist”: Having everything may include things one doesn’t want.

 

I’d highly recommend this collection for readers of short fiction. While some of the stories are over sixty years old, they’ve aged well.

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BOOK REVIEW: Nightmares ed. by Ellen Datlow

Nightmares: A New Decade of Modern HorrorNightmares: A New Decade of Modern Horror by Ellen Datlow
My rating: 5 of 5 stars

Amazon page

 

This is an anthology of 24 horror short stories. Horror is a simplification; there are several cross-genre pieces (e.g. dark sci-fi, dark historical fiction, tales of the weird, etc.) as well as stories that have a realistic—but dark—tone. However, it’s all fiction linked by a visceral darkness.

These stories have all been previously published in various magazines or collections, and they were all written during the decade between 2005 and 2015.

1.) “Shallaballah” by Mark Samuels: A celebrity awakens in a hospital after a drunken crash that necessitated reconstructive surgery. It slowly dawns on him that the clinic isn’t what it seemed. This is an intriguing and distinctive tale.

2.) “Sob in the Silence” by Gene Wolfe: A horror writer has the family of an old friend to his house. He tells them that it’s the “least haunted house in the Midwest,” despite a gruesome history that suggests a place where evil comes to play. This was among my favorites. The horror writer character is well-developed.

3.) “Our Turn Too Will One Day Come” by Brian Hodge: It’s never good when someone calls you in the middle of the night and asks you to bring a shovel. But sometimes it’s even worse than expected. I’ve read this one before. It’s a great premise and an engaging story. This anthology includes both stories that feel like they are realistically set in the world we know, as well as speculative fiction pieces. This feels like the former, but makes a shift.

4.) “Dead Sea Fruit” by Kaaron Warren: There’s a myth among anorexics of the Ash Mouth Man, whose kiss robs its victims of the ability to taste pleasant flavors. A dentist of a different ilk takes up with this mythical man. I’d place this one more as a tale of the weird than horror, but it’s on the dark side of that sub-genre. It’s well-written.

5.) “Closet Dreams” by Lisa Tuttle: An abduction and abuse victim tells her story of being locked in a closet, but no one believes the part about her fantastic escape. This is a gritty and evocative piece.

6.) “Spectral Evidence” by Gemma Files: This is an unconventional approach to story. The information content is conveyed by way of a file from a parapsychology institute after a coroner’s inquest of a psychic medium’s death proves inconclusive. I sometimes like this approach. Reading through a file fills a kind of voyeuristic pleasure, and offers the challenge of piecing together events oneself. This story was solid, but not my favorite of the bunch.

7.) “Hushabye” by Simon Bestwick: A man out walking in the middle of the night stumbles onto the scene of a young girl under attack. Strangely, there seems to be a metallic substance pouring between the girl’s mouth and that of her attacker. This is crime fiction with a supernatural twist.

8.) “Very Low-Flying Aircraft” by Nicholas Royle: A Royal Air Force air crew in Zanzibar shows off for some ladies with dire consequences. This one is in the realist vein. It feels like a story one might be told in a bar by a particularly gifted storytelling veteran.

9.) “The Goosle” by Margo Lanagan: This tale seems to take place in the Hansel and Gretel universe. An unsavory merchant of the illicit woos a witch, and, surprisingly, it doesn’t work out as he’d hoped. This is a compelling story in the dark fairy tale sub-genre.

10.) “The Clay Party” by Steve Duffy: This one has a 19th century vibe, not only because that’s when it’s set, but because it’s conveyed through documentation as was a popular approach of the era. In this case it’s a newspaper’s reprinting of the diary of an individual from an ill-fated cross-continental convoy. (i.e. “Clay Party” as in Donner Party.) The diary approach worked well, being both easy to follow and having an authentic feel.

11.) “Strappado” by Laird Barron: Two hip and cosmopolitan lovers attend the performance art event of an artist deemed trendy and edgy by the in-crowd. The performance doesn’t work out for everybody. This was evocative, and was, perhaps, a cautionary tale about being too up for trendy and edgy activities.

12.) “Lonegan’s Luck” by Stephen Graham Jones: A snake-oil salesman knows something that the locals don’t, and it’s not about the efficacy of his product. This is another of my favorites. It’s a Western with a supernatural twist.

13.) “Mr Pigsny” by Reggie Oliver: A Professor with some mobster relatives attends the funeral of one such gangster. The Professor is willed a Ming vase that he’d once admired, but ends up tangled up in the dealings between the deceased and a mysterious “spiritualist.” The spiritualist, Mr. Pigsny, is masterfully portrayed as both a quiet professional and spine-tinglingly creepy.

14.) “At Night, When the Demons Come” by Ray Cluley: A big, strong man and a little girl meet, and team up with, a party of four survivors in a demon-infested dystopian wasteland. Whether the odd pairing are truly allies, or, if not, what type of threat they present is not as was expected and made for a thought-provoking piece. I found this tale to be clever, and it revealed an unexpected theme.

15.) “Was She Wicked? Was She Good?” by M. Rickert: A little girl makes enemies by cruelly dispensing with little forest creatures–fairies, perhaps. Her parents debate what they should do to stave off the wrath of their neighbors of another species. The title says it all. This is one of those stories that tactically reveal information to keep the reader wondering.

16.) “The Shallows” by John Langan: It’s not so easy for me to describe this story. There’s a lot going on. It’s what I’d call busy. The part of the story that resonated with me was about a stray dog that a family adopts only to have its (apparently-negligent) owner come and retrieve it. This was among my least favorite entries, but it was solidly written.

17.) “Little Pig” by Anna Taborska: A newly-wed man waits at Heathrow airport for the grandmother of his Polish wife. That present-day event brackets a flashback from the grandmother’s youth that helps to explain what seems like inexplicable old-world behavior. This is one of the shortest pieces, but it’s an endearing tale–even with the dark events of the flashback.

18.) “Omphalos” by Livia Llewellyn: This is an intense story about a family of four who go on a vacation that’s a sham. The mom and dad pretend they are taking the kids to Canada in their RV only to detour into remote parts of the Pacific Northwest. The depravity quotient of this family is high. Much of the story is brutally realistic, but there is a supernatural element with regards maps, which appear to be marked up differently to each member of the family. The maps play an important role in the unfolding of the story. This story is well-written and gripping, but, unlike the bulk of the works herein, it’s not PG-13.

19.) “How We Escaped Our Certain Fate” by Dan Chaon: This is the story of a father and son living in a zombie apocalypse-ish—after the mother died. That may make this sound like one of the more derivative stories in the bunch, but the author creates a unique zombie “apocalypse.” This isn’t the dark and gritty world of Cormac McCarthy’s “The Road.” Here, the zombies are more of an inconvenience—like wild animals that get into one’s garden–rather than a swarming threat to life and limb. This is both an interesting take on the sub-genre, and an intriguing commentary on humanity.

20.) “That Tiny Flutter of the Heart I Used to Call Love” by Robert Shearman: A girl requires the execution of her dolls from both her brother and later her new husband. She says she cannot love them fully as long as the dolls are there taking in her love. Creepy, that’s the word for this one. It has a lower body count (of living things) than many of the stories, and yet it’s as disturbing as they come.

21.) “Interstate Love Song” by Caitlin R. Keirnan: A couple of homicidal girls pick up a hitchhiker as they ride cross-country. There are some interspersed flashbacks that show that this isn’t their first rodeo, but, still, it doesn’t go like the others. This is a page-turner.

22.) “Shay Corsham Worsted” by Garth Nix: Wouldn’t it suck to die because the post-Cold War bureaucracy didn’t have institutional memory of one of its doomsday technologies—especially one that lived next door? This is one of my favorites. Besides the fear factor, this story has a dry humor that I found amusing. Like a few of the others, this story manages to make a commentary without detracting from its entertainment value.

23.) “The Atlas of Hell” by Nathan Ballingrud: A bookstore owner / occultist who used to work for a crime boss is strong-armed back into the life. What he stumbles into is even worse than he expected, but he makes a decision that will dramatically change his life. This was also an engaging story as well as a strong entrant in the anthology.

24.) “Ambitious Boys Like You” by Richard Kadrey: A couple of burglars badly overestimate the ease of robbing an old man and what will come of it. It starts out a bit like a creepy version of “Home Alone”–with an old man instead of an eight-year-old, but then takes a turn into territory darker than Wild Bill of “Silence of the Lambs” fame.

This is a strong collection. There are several stories that have that cinematic quality that make for gripping reading. There weren’t any pieces that I didn’t at all care for, and there were several that hooked me.

I’d recommend this collection for those who like dark fiction.

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BOOK REVIEW: The Monstrous edited by Ellen Datlow

The MonstrousThe Monstrous by Ellen Datlow
My rating: 4 of 5 stars

Release Date: October 27, 2015

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This is a story anthology offering tales of monsters—just not your everyday monsters. In her Introduction, Editor Ellen Datlow said her solicitation for stories asked for “unusual monster stories.” She wanted neither “human monsters” (i.e. no pedophiles or serial killers) nor was she interested in your classic Transylvanian Count Dracula. With this book’s 20 stories, the authors succeed in meeting Datlow’s request—in several cases spectacularly. Some of the stories are chilling, others are creepy, and two are even humorous, but all feature monsters that are out of the ordinary, or—at least—the monsters are in extraordinary situations.

Without further ado, I’ll offer a brief synopsis of, and comments on, the stories in this anthology:

1.) A Natural History of Autumn by Jeffery Ford: Set in Japan, a salaryman takes a girl-next-door escort to a remote onsen (thermal springs bathhouse and inn.) Neither of the main characters is what they seem, and, therein, lies the story’s appeal.

2.) Ashputtle by Peter Straub: A beloved kindergarten teacher describes her life and experience of the disappearance of a bright student. This story comes closest to violating the “no human monsters” proviso, but it creates a character so intriguing that you don’t necessarily care.

3.) Giants of the Earth by Dale Bailey: Miners stumble onto something unexpected deep within the Earth. This wasn’t one of the more engaging or memorable works, though it does have an intriguing premise.

4.) The Beginning of the Year without Summer by Caitlín R. Kiernan: A professor and a young, female townie chat by lakeside, and also a discovered book is returned. This is one of two southern gothic pieces, and is more engaging for the conversation between the intelligent professor and a more “common” young woman than for monstrous or supernatural elements.

5.) A Wish from a Bone by Gemma Files: An archeological team in a war zone stumble into more than they signed up for. Like a terrestrial Aliens movie with Sumerian evil spirits in lieu of aliens.

6.) The Last Clean, Bright Summer by Livia Llewellyn: A teenaged girl in a dystopian future travels with her parents to the sea for a rite of passage of an unexpected and haunting variety. This is one of the most visceral entries, and the author captures the teenage voice to great effect. This is in my top five stories from the anthology.

7.) The Totals by Adam-Troy Castro: A get-together between monsters to discuss quarterly figures and give out performance awards. This is one of the humor-oriented pieces—though not to the extent of the Monsters animated movies. The two humor pieces (the other being How I Met the Ghoul) offer two different angles on monster humor. This piece is set in a monstrous world, but juxtaposed against that eeriness is the work-a-day feature of a staff meeting. (The other story is set in our world—or at least a very mundane world reminiscent of ours—and draws its humor from the introduction of the monster into the midst in a very banal environment.)

8.) The Chill Clutch of the Unseen by Kim Newman: The last monster killer waits for the last monster to steam into town. This is one of the entries with a wild west feel to it. A common approach in this collection is to create unusual monster stories by putting monsters that may or may not be usual (in this case they aren’t) into settings and across from characters that one wouldn’t expect to see them.

9.) Down Among the Dead Men by Jack Dann and Gardner Dozois: A man discovers that his best friend in a Nazi concentration camp is a vampire. Referring to the previous entry (i.e. the Kim Newman story), this is an example of a typical monster (a vampire) given new life by placing it in a context that one would least expect to find it—a concentration camp. This was also one of my top five from this collection.

10.) Catching Flies by Carole Johnstone: A girl and her baby brother are removed from a household (by a DFACS-like entity) after their mother dies from mysterious causes. I mentioned a story done in the voice of a teenager. This is one of a few entries written in the voice of a child—which is very apropos for an anthology about monsters.

11.) Our Turn Too Will One Day Come by Brian Hodge: A man is called in the middle of the night, and asked to come and bring a shovel—which is, needless to say, never a good situation. The monsters, while fascinatingly described and unique, are almost superfluous to this story. The monsters appear only at the end, and it would be a highly readable story without them—though it would be in the wrong collection sans the monsters.

12.) Grindstone by Stephen Graham Jones: A man who’s been shot up is fleeing from something across desolate territory. This is the other entry with a very Western feel to it. This is also one of the shortest entries of the batch.

13.) Doll Hands by Adam L. G. Nevill: Set in a dystopian future, a laborer in a luxury building takes matters into his own (doll-like) hands when he can no longer accept the atrocities the super-wealthy patrons of the building are perpetrating. One of the great features of this story is that it creates visual imagery that one isn’t sure whether to take literally or just descriptively. For example, the lead baddie is an old, rich woman who’s described in avian terms. It’s clear that something has gone terribly wrong in this world, though there is strategic ambiguity as to what. This is in my top five.

14.) How I Met the Ghoul by Sofia Samatar: A reporter conducts an interview with a ghoul in an airport lounge. This is the other story that is more comedy than horror. The comedy is born of putting the monstrous creature in a mundane setting during a workaday interview. It’s not even the kind of hard-hitting story that a well-known journalist would take on, but more like a cub reporter doing a human interest featurette.

15.) Jenny Come to Play by Terry Dowling: A former Siamese twin, separated from her twin as a teenager, admits herself into a psychiatric hospital where her psychiatrist tries to separate fact from fiction and the twisted imaginings of insanity from reality. These Siamese twins shared no common organs, just muscle, and were ideal candidates for separation as infants. However, their father kept them conjoined (and much worse) so that they could be the main attraction in his cabinet of curiosities. Not only is this story in my top five, I’d have to call it my favorite of the bunch. It reminds me a little of the work of the novelist team Preston and Child at their best. It has the same combination of creepiness and dark foreboding, while keeping one in the dark as to what imaginable events have actually transpired.

16.) Miss Ill-kept Runt by Glen Hirshberg: A family drives through the night to go to stay with family as if fleeing an ill-defined threat. This is another of the stories done in a child’s voice and perspective, and it captures that voice well.

17.) Chasing Sunset by A.C. Wise: A young man flees across country in an attempt to escape a demonic father who is after his body. This story offers the most impressive use of language. It’s one of the most enjoyable pieces to read, and, while it didn’t quite make my top five, it definitely gets honorable mention.

18.) The Monster Makers by Steve Rasnic Tem: A grandfather teaches his grandkids the family magic of being able to make others turn into monsters. In a way this seems like a thinly-veiled allegory for how grandparents turn children into “monsters,” but it’s entertaining nonetheless.

19.) Piano Man by Christopher Fowler: A travel writer doing a story on New Orleans gets caught up in a local voodoo turf war. This is another Southern Gothic piece with post-Katrina New Orleans as the setting—with all its tragic, macabre undertones.

20.) Corpsemouth by John Langan: An American visits his ancestral home and old world family in Scotland and discovers that the “gibberish” last message of his dying father actually had a rather spectacular meaning. This story rounds out my top five. I found it to be engaging, highly readable, and with an intriguing premise.

This anthology is thrilling and readable, and I’d recommend it to anyone who wants to read about unusual monsters.

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