BOOK: “The Lifetime Reading Plan” by Clifton Fadiman

The Lifetime Reading PlanThe Lifetime Reading Plan by Clifton Fadiman
My rating: 4 of 5 stars

Google Books Page

By the standard of most people (even most readers,) my reading life is insane, both in terms of the volume that I read and the variety of kinds of writing I consume. But – still – whenever someone comes out with one of these “100 must-read books” lists, there’re always many titles that I haven’t read. This has led me to reflect on what constitutes “essential reading,” (if such a thing exists) and what more systematic readers would consider the crucial texts to read to be a well-read person. And that lead me to this book, which is one man’s attempt to assemble such a syllabus of readings.

Fadiman arranges his 103 recommendations into seven sections: 1.) The Beginning (writings from the ancient world;) 2.) The Middle Ages; 3.) Plays; 4.) Narratives; 5.) Philosophy, Psychology, Politics, and Essays; 6.) Poetry; and 7.) History, Biography, and Autobiography. He also provides an annex of six recommendations to give a rudimentary overview of subjects not addressed in the listed works (e.g. art, mathematics, science, World History, American History, and how to read a book.) Note: When I refer to Fadiman’s ‘103 recommendations,” I’m not talking about 103 books. In many cases, Fadiman recommends one read all (or at least multiple instances of) a given author’s writings. I wouldn’t want to give the impression that one could knock out the whole syllabus in 111 books (inclusive of the annex recommendations;) it is a “lifetime” reading plan – after all.

The first edition of this book came out in 1960 and the third (and – as far as I know – final) edition came out in 1988. Fadiman’s selection is far less diverse than one might expect of such a book today. The author freely admits the book is Western-centric, but that’s not the whole story. While Fadiman’s selection is completely Western, it’s also highly Anglo-American (Anglo / American, if you prefer) with a few French, German, Russian, and Latin American authors scattered into the mix. Furthermore, the feminine voice is all but absent with only four females among the recommendations (including George Eliot who famously took a man’s name to be able to publish the work she probably couldn’t have as Mary Ann Evans [her birth name.])

One the one hand, this book did offer insights into many authors and books, including giving a few recommendations I’d never even heard of before. On the other hand, I wouldn’t call it a recipe for being a well-rounded intellect. It’s far too siloed for that purpose. That said, if you’re looking some readings to round out the Western portion of your reading list, I’d recommend you give this book a look. However, as a “lifetime reading plan,” I think it would leave the reader with some pretty broad blind spots.

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BOOK REVIEW: “Scattered Poems” by Jack Kerouac

Scattered PoemsScattered Poems by Jack Kerouac
My rating: 4 of 5 stars

Publisher Site – Open Road Media

Kerouac is best known as a novelist, particularly as the author of the groundbreaking Beat work, On the Road, but he did publish one poetry collection during his lifetime, Mexico City Blues. This book, Scattered Poems, was the first of a glut of posthumously released poetry collections. With posthumously released editions, one usually has to wonder how close the book is to the poet’s ideal, given the author’s lack of input into the final product but — given Kerouac’s penchant for spontaneous composition and airing pieces as they fell from the mind — it’s probable these poems wouldn’t have been highly edited. (Note: A number of the pieces were previously published, but many were obtained from private correspondence — notably letters to Allen Ginsberg.)

The poems are mostly free verse, and the rhyming verse (e.g. “Pull My Daisy”) is usually short line or doggerel lines falling into longer poems. The poems deal in both Kerouac’s birth religion, Christianity, and Buddhism, a philosophy which had a major influence on his thinking throughout his adult life. Some have a Zen quality that makes it hard to determine whether they are nonsense or a conduit from satori (or both.) To enjoy these poems, one must have a love of spontaneity. Readers expecting a polished collection may be displeased but will certainly have missed Kerouac’s philosophy of writing which strove to emulate the improvisation of Jazz.

I enjoyed this collection, and I think the publisher did a good job of showing the arrangement of the poems as written. I’d highly recommend this work for poetry readers who enjoy stream of consciousness experimental poetry or anyone interested in the work of the Beats.

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PROMPT: Fictional Character

Daily writing prompt
Who is the fictional character you relate to the most?

Capt. John Yossarian of Joseph Heller’s Catch-22. The only sane response to an insane world is to be insane.

BOOKS: “Fine Clothes to the Jew” by Langston Hughes

Fine Clothes to the JewFine Clothes to the Jew by Langston Hughes
My rating: 4 of 5 stars

Available online – Lehigh University

This, Hughes’s second poetry collection, is different from the first in that it leans more heavily into blues music structure and into dialectal language use. It’s not that these didn’t feature in Weary Blues, but in this collection one can read most of the poems with a blues shuffle riff playing in one’s head (and, if you do, you will hear how Muddy Waters might have belted them out in a Blues club.)

While it’s fun to read, this collection is not nearly so deep or evocative as the collection that preceded. Still, if you like poetry and / or the Blues, you’ll definitely find this to be a worthwhile read.

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PROMPT: Ending

Daily writing prompt
If you could rewrite any book’s ending, which one would you choose?

Like many, I feel that for such an excellent and powerful book, Adventures of Huckleberry Finn has a muddled ending.

Far be it for me to rewrite Twain, but I might’ve done some chopping.

BOOKS: “The Weary Blues” by Langston Hughes

The Weary BluesThe Weary Blues by Langston Hughes
My rating: 5 of 5 stars

Available online — Lehigh University

Langston Hughes was one of the greats of 20th century American poetry, and The Weary Blues was his first collection (1926,) containing some of his most beloved (and anthologized) pieces, including: “The Negro Speaks of Rivers” and “I, too, sing America” [a.k.a. Epilogue; which plays off Whitman’s “I Hear America Singing.”] I’ve always loved how Hughes used the rhythm of repetition and the technique of standing in for the everyman (as he famously did in “The Negro Speaks of Rivers,” but in other of his poems as well.) He also had a gift for concision.

These sixty-nine poems deal in a wide range of themes including race, travel, love, etc. Music, be it Jazz or Blues, is an ever-present force in Hughes work. In addition to the aforementioned classics, among my favorite pieces from the collection are: “Winter Moon,” “March Moon,” “‘The Night is Beautiful'” [a.k.a. Poem,] “When Sue Wears Red,” “Water Front Streets,” “Long Trip,” “Seascape,” “Suicide’s Note,” “Songs to the Dark,” and “Lament for Dark Peoples.”

I’d highly recommend this collection for poetry readers.

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BOOK: “Fight Club” by Chuck Palahniuk

Fight ClubFight Club by Chuck Palahniuk
My rating: 5 of 5 stars

Publisher Site – W.W. Norton

Through a weird and wild storyline, Palahniuk offers insight into two (intertwined) crises of identity that have only grown more prominent since the book (and the David Fincher film adapted from it) came out in the late 90’s. First and foremost, there is a craving for, yet confusion about the nature of, masculinity. As men raised by women struggle to ape masculine behavior only to over-emphasize conspicuous features such as violence and aggression while missing more subtle aspects such as the instinct to protect and a grasp of responsibility, self-empowerment, and fortitude. The second identity crisis is self as consumer, wherein people start linking who they are to their consumption, and this becomes demoralizing because it’s such a hallow way of seeing oneself. (I say the crises are “intertwined” because it’s a long and painful fall to go from “protector” to “consumer-” the latter having nothing at all to feel good about.)

This is one of those books that people either find illuminating or unreadable. There is a lot in the book that is stomach-turning. For many, this will be the violence, but — for me, and I suspect many others, — it’s the “mischievous” pranks that Tyler Durden and the unnamed lead “play” as they work as waiters. Upton Sinclair once said of The Jungle that he aimed for the reader’s heart (i.e. to bring awareness to labor issues in the meat packing industry) and hit them square in the stomach (i.e. people’s main takeaway was that how their food was made was gross and needed to be corrected.) This may be a similar situation. Palahniuk, I suspect, is trying to show how these full-grown men in some ways haven’t escaped the grossest era of boyhood as they attempt to find their power in the world, but it mostly reminded me to not eat at banquets or other gatherings of rich people.

I found this to be an insightful book and would highly recommend it for anyone trying to figure out some of the oddities of the world in which we find ourselves living.

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BOOKS: “Four Quartets” by T. S. Eliot

Four QuartetsFour Quartets by T.S. Eliot
My rating: 5 of 5 stars

Available online

Four Quartets is a collection of four long poems by T.S. Eliot, written over several years before and during the Second World War. The poems are: “Burnt Norton,” “East Coker,” “The Dry Salvages,” and “Little Gidding.” They share a theme of metaphysical inquiry, particularly regarding time and man’s relation therewith. The book came out about five years before Eliot won the Nobel Prize for Literature, and was the last of his major poetry collections, and so it reflects a mature phase of his poetry writing.

I loved this collection, which combines food for thought with beautiful turn of phrase. As far as I could see, most of the disgruntlement with the collection had to do with Eliot’s religious / spiritual references, which offended the sensibilities of some of the most stridently atheist / agnostic individuals in the poetic community. Besides reflecting his own Christian worldview, Eliot had clearly been moved by reading the Bhagavad Gita and makes a number of references to Krishna.

Four Quartets is a pleasant read and I’d highly recommend it for poetry readers.

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BOOK: “Collected Sonnets” by Edna St. Vincent Millay

Collected SonnetsCollected Sonnets by Edna St. Vincent Millay
My rating: 5 of 5 stars

Publisher site – HarperCollins

NOTE: The version that I read was the earlier edition containing 161 sonnets, it did not include the sonnets from Mine the Harvest.

My earliest remembered exposure to the work of Edna St. Vincent Millay was to a couple of her more anthologized sonnets (included herein:) “I, being born a woman and distressed” and “What lips my lips have kissed, and where, and why.” I found those poems free of the sappy sentimentality that I’d often associated with the form, and that was what attracted to me to this collection, a collection which I’m happy to say shares the same tone, a tone that leans edgy and irreverent. (At least for its day.) One sees this from the opening poem, “Thou art not lovelier than lilacs, no,” which pays homage to Shakespeare’s Sonnet 130 (i.e. “My mistress’ eyes are nothing like the sun,”) the poem which began the war on hyperbole in love poetry.

Millay’s collection is not all love poetry (though it is largely so.) It does also deal in nature and includes a few epitaphs (including for the likes of mankind, [see: Sonnet cxliv.]) Millay does work in both the Petrarchan and English / Shakespearean sonnet forms.

I’d highly recommend this collection for poetry readers, particularly those who like sonnets.

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BOOK: “Forty-Three Ways of Looking at Hemingway” by Jeffrey Meyers

Forty-Three Ways of Looking at HemingwayForty-Three Ways of Looking at Hemingway by Jeffrey Meyers
My rating: 5 of 5 stars

Publisher Website – LSU Press

I enjoyed this approach to biography. Instead of telling Hemingway’s life story chronologically or even via some other form of overarching arc, Meyers gives us forty-three chapters that each shine a light on a different facet of Hemingway. In many cases, these facets are Hemingway’s relationships to other people: writers, artists, wives, and other personalities. In other cases, the facets are events or concepts, such as his suicide, war, achievements, etc.

This approach can, on occasion, lead to repetition, but I find repetition that is not overbearing to be useful in taking in key information.

If you are interested in what made Hemingway tick, I’d highly recommend that you read this book.

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