PROMPT: Fictional Character

Daily writing prompt
Who is the fictional character you relate to the most?

Capt. John Yossarian of Joseph Heller’s Catch-22. The only sane response to an insane world is to be insane.

BOOKS: “Fine Clothes to the Jew” by Langston Hughes

Fine Clothes to the JewFine Clothes to the Jew by Langston Hughes
My rating: 4 of 5 stars

Available online – Lehigh University

This, Hughes’s second poetry collection, is different from the first in that it leans more heavily into blues music structure and into dialectal language use. It’s not that these didn’t feature in Weary Blues, but in this collection one can read most of the poems with a blues shuffle riff playing in one’s head (and, if you do, you will hear how Muddy Waters might have belted them out in a Blues club.)

While it’s fun to read, this collection is not nearly so deep or evocative as the collection that preceded. Still, if you like poetry and / or the Blues, you’ll definitely find this to be a worthwhile read.

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PROMPT: Ending

Daily writing prompt
If you could rewrite any book’s ending, which one would you choose?

Like many, I feel that for such an excellent and powerful book, Adventures of Huckleberry Finn has a muddled ending.

Far be it for me to rewrite Twain, but I might’ve done some chopping.

BOOKS: “The Weary Blues” by Langston Hughes

The Weary BluesThe Weary Blues by Langston Hughes
My rating: 5 of 5 stars

Available online — Lehigh University

Langston Hughes was one of the greats of 20th century American poetry, and The Weary Blues was his first collection (1926,) containing some of his most beloved (and anthologized) pieces, including: “The Negro Speaks of Rivers” and “I, too, sing America” [a.k.a. Epilogue; which plays off Whitman’s “I Hear America Singing.”] I’ve always loved how Hughes used the rhythm of repetition and the technique of standing in for the everyman (as he famously did in “The Negro Speaks of Rivers,” but in other of his poems as well.) He also had a gift for concision.

These sixty-nine poems deal in a wide range of themes including race, travel, love, etc. Music, be it Jazz or Blues, is an ever-present force in Hughes work. In addition to the aforementioned classics, among my favorite pieces from the collection are: “Winter Moon,” “March Moon,” “‘The Night is Beautiful'” [a.k.a. Poem,] “When Sue Wears Red,” “Water Front Streets,” “Long Trip,” “Seascape,” “Suicide’s Note,” “Songs to the Dark,” and “Lament for Dark Peoples.”

I’d highly recommend this collection for poetry readers.

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BOOK: “Fight Club” by Chuck Palahniuk

Fight ClubFight Club by Chuck Palahniuk
My rating: 5 of 5 stars

Publisher Site – W.W. Norton

Through a weird and wild storyline, Palahniuk offers insight into two (intertwined) crises of identity that have only grown more prominent since the book (and the David Fincher film adapted from it) came out in the late 90’s. First and foremost, there is a craving for, yet confusion about the nature of, masculinity. As men raised by women struggle to ape masculine behavior only to over-emphasize conspicuous features such as violence and aggression while missing more subtle aspects such as the instinct to protect and a grasp of responsibility, self-empowerment, and fortitude. The second identity crisis is self as consumer, wherein people start linking who they are to their consumption, and this becomes demoralizing because it’s such a hallow way of seeing oneself. (I say the crises are “intertwined” because it’s a long and painful fall to go from “protector” to “consumer-” the latter having nothing at all to feel good about.)

This is one of those books that people either find illuminating or unreadable. There is a lot in the book that is stomach-turning. For many, this will be the violence, but — for me, and I suspect many others, — it’s the “mischievous” pranks that Tyler Durden and the unnamed lead “play” as they work as waiters. Upton Sinclair once said of The Jungle that he aimed for the reader’s heart (i.e. to bring awareness to labor issues in the meat packing industry) and hit them square in the stomach (i.e. people’s main takeaway was that how their food was made was gross and needed to be corrected.) This may be a similar situation. Palahniuk, I suspect, is trying to show how these full-grown men in some ways haven’t escaped the grossest era of boyhood as they attempt to find their power in the world, but it mostly reminded me to not eat at banquets or other gatherings of rich people.

I found this to be an insightful book and would highly recommend it for anyone trying to figure out some of the oddities of the world in which we find ourselves living.

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BOOKS: “Four Quartets” by T. S. Eliot

Four QuartetsFour Quartets by T.S. Eliot
My rating: 5 of 5 stars

Available online

Four Quartets is a collection of four long poems by T.S. Eliot, written over several years before and during the Second World War. The poems are: “Burnt Norton,” “East Coker,” “The Dry Salvages,” and “Little Gidding.” They share a theme of metaphysical inquiry, particularly regarding time and man’s relation therewith. The book came out about five years before Eliot won the Nobel Prize for Literature, and was the last of his major poetry collections, and so it reflects a mature phase of his poetry writing.

I loved this collection, which combines food for thought with beautiful turn of phrase. As far as I could see, most of the disgruntlement with the collection had to do with Eliot’s religious / spiritual references, which offended the sensibilities of some of the most stridently atheist / agnostic individuals in the poetic community. Besides reflecting his own Christian worldview, Eliot had clearly been moved by reading the Bhagavad Gita and makes a number of references to Krishna.

Four Quartets is a pleasant read and I’d highly recommend it for poetry readers.

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BOOK: “Collected Sonnets” by Edna St. Vincent Millay

Collected SonnetsCollected Sonnets by Edna St. Vincent Millay
My rating: 5 of 5 stars

Publisher site – HarperCollins

NOTE: The version that I read was the earlier edition containing 161 sonnets, it did not include the sonnets from Mine the Harvest.

My earliest remembered exposure to the work of Edna St. Vincent Millay was to a couple of her more anthologized sonnets (included herein:) “I, being born a woman and distressed” and “What lips my lips have kissed, and where, and why.” I found those poems free of the sappy sentimentality that I’d often associated with the form, and that was what attracted to me to this collection, a collection which I’m happy to say shares the same tone, a tone that leans edgy and irreverent. (At least for its day.) One sees this from the opening poem, “Thou art not lovelier than lilacs, no,” which pays homage to Shakespeare’s Sonnet 130 (i.e. “My mistress’ eyes are nothing like the sun,”) the poem which began the war on hyperbole in love poetry.

Millay’s collection is not all love poetry (though it is largely so.) It does also deal in nature and includes a few epitaphs (including for the likes of mankind, [see: Sonnet cxliv.]) Millay does work in both the Petrarchan and English / Shakespearean sonnet forms.

I’d highly recommend this collection for poetry readers, particularly those who like sonnets.

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BOOK: “Forty-Three Ways of Looking at Hemingway” by Jeffrey Meyers

Forty-Three Ways of Looking at HemingwayForty-Three Ways of Looking at Hemingway by Jeffrey Meyers
My rating: 5 of 5 stars

Publisher Website – LSU Press

I enjoyed this approach to biography. Instead of telling Hemingway’s life story chronologically or even via some other form of overarching arc, Meyers gives us forty-three chapters that each shine a light on a different facet of Hemingway. In many cases, these facets are Hemingway’s relationships to other people: writers, artists, wives, and other personalities. In other cases, the facets are events or concepts, such as his suicide, war, achievements, etc.

This approach can, on occasion, lead to repetition, but I find repetition that is not overbearing to be useful in taking in key information.

If you are interested in what made Hemingway tick, I’d highly recommend that you read this book.

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BOOKS: “The Suppressed Poems of Ernest Hemingway”

The suppressed poemsThe suppressed poems by Ernest Hemingway
My rating: 4 of 5 stars

Available online – Public Domain

I read this book because my curiosity was piqued by a reference to poems Hemingway published in Der Querschnitt, a reference that was made in a biography of Hemingway I’ve been reading recently (Forty-Three Ways of Looking at Hemingway by Jeffrey Meyers.) Five of the seventeen poems in the book are from Der Querschnitt. (Ten of the poems were published in a book entitled Three Stories and Ten Poems and a couple are odds and ends.)

The Der Quershnitt pieces are bawdy by 1920’s standards, though not particularly for today. The other poems can be a bit intense, dealing in subjects like death in war (Champs D’Honneur,) suicide (Montparnasse, and a curse upon literary critics (Valentine,) but tend to be a bit more refined (excepting Valentine. which may be the least elevated of the collected poems.)

The poems include a mix of lyric, free verse, and prose poem, though all are fairly short (the longest, The Soul of Spain, fits in three pages.)

My favorite was a short lyric poem entitled The Age Demanded, which considers the paradox of the 1920’s as a progressive age, restrained. I also found T. Roosevelt to be fascinating because in the act of critiquing Teddy Roosevelt, Hemingway (wittingly or not) gives us a bit of autobiography. (i.e.“And all the legends that he started in his life // Live on and prosper, // Unhampered now by his existence.”)

I give Hemingway more credit for saying interesting things by virtue of being bold than for saying anything in a particularly interesting way, but it’s enough to make these poems worth reading.

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BOOK: “Islands in the Stream” by Ernest Hemingway

Islands in the StreamIslands in the Stream by Ernest Hemingway
My rating: 5 of 5 stars

Publisher Site – Simon & Schuster

This novel was actually published almost a decade after Hemingway’s death. It was found among his papers, a complete — but rough — draft.

The book’s protagonist is Thomas Hudson, a divorced painter living alone in the Caribbean. The story is told in three parts. In the first, Hudson’s solitary existence is brightened by a visit from his three sons (one from one ex- and the other two from a second.) The second part is the story of a prolonged bender in Cuba. The final section follows Hudson and his crew as they track the survivors of a sunken German U-boat as said Germans try to island-hop their way to safety. The three sections are each quite different in tone. The last part reads like genre fiction (i.e. commercial fiction,) while the former two are character driven literary fiction (but of quite different tones.)

The book is mostly about loss and grief and the varied ways with which it is dealt, and the process through which the griever proceeds.

I enjoyed this book. While, like a life, it may be a bit messy, I found it compelling. I’d recommend it for those who enjoy Hemingway.

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