DAILY PHOTO: Adiyogi of Chikballapur

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Photograph of the Adiyogi bust at the Chikballapur Isha Center, near Nandi Hills on the outskirts of Bangalore.

DAILY PHOTO: Agartala Jaganath Mandir

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Photograph of a pink-topped temple in the Shri Jaganath Mandir Temple complex in Agartala, Tripura, India.

DAILY PHOTO: Amarin Plaza Phra Phrom Shrine, Bangkok

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Photograph of a Phra Phrom (Brahma) shrine in the Ratchaprasong area of  Bangkok, Thailand.
Amarin Plaza shrine near Chit Lom Metro Station in Bangkok, Thailand.

DAILY PHOTO: Three Views of the Well at Mul Chowk

Photograph of an ornate well in a courtyard at Mul Chowk in Patan's (Lalitpur's) Durbar Square. Taken from the front.
Photograph of an ornate well in a courtyard at Mul Chowk in Patan's (Lalitpur's) Durbar Square. Taken from the side.
Photograph of an ornate well in a courtyard at Mul Chowk in Patan's (Lalitpur's) Durbar Square. Taken from above.

DAILY PHOTO: Doddagaddavalli Lakshmi Devi Temple

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Photograph of Doddagaddavalli Lakshmi Devi Temple in Karnataka, India.

DAILY PHOTO: Kote Sri Anjaneya Swamy Temple, Mysore

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Photograph of the Kote Sri Anjaneya Swamy Temple and Palace Gates in Mysore (Mysuru,) Karnataka, India.

BOOK: “Swami Kripalu’s Ladder of Yoga” by Richard Faulds

Swami Kripalu’s Ladder of YogaSwami Kripalu’s Ladder of Yoga by Richard Faulds
My rating: 4 of 5 stars

Publisher Site – Monkfish

Release Date: April 7, 2026

This book discusses the organizational structure of yoga as described by prominent 20th century yoga guru, Swami Kripalu, an approach that draws on (but distinguishes itself from) the 8-limb (Ashtanga) framework outlined by Patanjali in the Yoga Sutras. Swami Kripalu deemphasized yogic ethics (Yama and Niyama,) and put great emphasis on hierarchy among the elements of yoga — i.e. that one must pass through the lessons of some limbs before you can begin to move up to the next. (This idea is certainly taught in Patanjali’s Sutras, but not with the same emphasis — hence Kripalu’s “ladder,” rather than “limbs” — making clear that these are not independent elements but rather are completely dependent.)

The greatest strength of this book is in distinguishing concepts like dhyana (meditation) from samadhi, distinction of which is often given short shrift with simplistic soundbite-like definitions in books on yoga. The book is not the usual yoga text in that it spends a great deal of time discussing the “higher limbs” of yoga (to resort back to Patanjali’s formulation.) Faulds adds benefit by discussing his own subjective experiences, the lack of access to subjective understanding often gives even students actively training with teachers doubts about their experiences.

I should point out that the book does also spend a good deal of page count (perhaps more space than any other subject) on pranayama (breathwork,) both covering it over several chapters in the book’s midsection and then further in a couple appendices that get into the physiology of breathwork.

One nice feature is that almost all of the chapters end with sections entitled “Be a Discerning Student” and “Applying this Chapter in Practice” to help readers with practical insights into what is by and large a philosophical discussion. There are also several appendices (the most useful one to me was a discussion of the shifting understanding of the term “samadhi” over time and across disciplines.)

If you want to explore what the higher limbs are and how they are distinguished, I’d recommend this book. (As I said, it also deals with Pranayama in some detail, but that will likely offer less new insight for students and teachers of yoga who’ve received an education in [and maintain a practice of] yoga.)

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DAILY PHOTO: Scene from Bateshwar Temple Group of Morena

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Photograph of a couple of shrines in the Bateshwar Temple Group of Morena, north of Gwalior, India.

DAILY PHOTO: Temple Art, Sri Someshwara Swamy Temple

Gate carvings, Sri Someshwara Swamy Mandir, Halasuru, Bangalore, Karnataka, India.
Temple figure; Sri Someshwara Mandir,  Halasuru, Bangalore, Karnataka, India.
Gate carvings: SrI Someshwara Swamy Mandir, Halasuru, Karnataka, India.

DAILY PHOTO: A Line of Shrines

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Photograph taken at the Bateshwar Temple Group in Morena, India (north of Gwalior) in Madhya Pradesh.