BOOK REVIEW: The Art of Auditioning, Second Edition by Rob Decina

The Art of Auditioning: Second EditionThe Art of Auditioning: Second Edition by Rob Decina
My rating: 4 of 5 stars

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This is a revised edition of a book about how to audition for television shows. The first edition was written in 2004 by a successful casting director (now VP for Casting at CBS) and teacher of casting, and the revision includes industry changes due to technology and the pandemic. For example, it explores the post-COVID shift toward more self-taped auditions and the best practices for them. It also has a few new notes about how the author’s perspective has changed on an issue or two with his new experiences.

This book is niche. Except for a chapter on how to become a casting director, it’s all about preparing actors to audition for a television series. While it might seem that auditioning would be auditioning, apparently television auditioning is quite different from stage auditions and even a little bit different from other on-camera auditioning (e.g. for movies.) To a neophyte, such as myself, the book might be expected to present teachings about acting, but one of the major recurring themes is that acting and auditioning are separate (if related / overlapping) skills and that the latter presents a number of additional considerations. It’s these considerations that are explored in the book – e.g. how to plan and determine your own acting choices (being undirected,) how to behave before and after the audition, how to know what are good or poor investments for a new actor, and how to not be unappealing or ridiculous with your attempts to distinguish yourself.

The book is honest and direct, to the point that the most frequently repeated advice is to not expect to get the job. That’s probably also among the book’s most controversial advice, but the author feels it helps new actors to get out of their heads, to deal with the tons of rejection all of them will face, and to not fall into the bad behaviors that some novice actors think will help to separate him from the pack [while such behaviors often only serve to annoy the casting agent.]

As I said, it’s niche, but if you want to learn how auditioning works or how the sausage is made in the entertainment industry, it’s a quick and well-organized read.


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BOOK REVIEW: Iphigenia in Aulis Adapted by Edward Einhorn [from Euripides]

Iphigenia in Aulis: The Age of Bronze EditionIphigenia in Aulis: The Age of Bronze Edition by Edward Einhorn
My rating: 5 of 5 stars

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This illustrated play is an adaptation of Euripides’ drama of the same name. The title character, Iphigenia, is the daughter of King Agememnon and she’s lured to Aulis by her father to be a human sacrifice, but under the fraudulent claim that she’s to be married to Achilles. [Because, you know, people tend to not show up if you invite them to be murdered, but they’re much more amenable if you invite them to marry a hunky half-god.]

It’s a simple and straightforward story, but one that is never-the-less evocative and dramatic. Agememnon’s will to kill his daughter falters for a time and when his wife, Klytemnestra, scores Achilles’ support for the cause of saving her daughter, it’s unclear how things will unfold. It’s a story that encourages one to reflect upon fate and the virtue of sacrifice, while showing that different chains of causality applied to the same event can radically alter the perception of justness. When Iphigenia’s death is seen as the means to get back Helen (who eloped with Paris to Troy,) it’s vile and despicable. However, when it is viewed as the means to get the fleet moving in order to restore the honor of those assembled nations pledged to fight, that’s a different matter.

I found this play to be compelling and well worth reading.


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BOOK REVIEW: The Medea by Euripides [Trans. Gilbert Murray]

The Medea of EuripidesThe Medea of Euripides by Gilbert Murray
My rating: 5 of 5 stars

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Project Gutenberg

This tragedy follows up the myth of “The Golden Fleece.” That hero’s journey culminated in three trials which Jason (of Jason and the Argonauts) must complete in order to acquire the golden MacGuffin. Jason succeeds in large part because (arguably, entirely because) Medea, daughter of the fleece’s owner, i.e. King Aeetes, gives Jason some potions to make the trials a cinch. She does this in exchange for Jason’s everlasting love.

And, herein, lies the heart of this play’s conflict. Jason – like many heroes of Greek Mythology – is kind of a jerk. In flashing forward to the beginning of this play, we find Jason has traded Medea in for a younger and higher stature wife (i.e. a princess whose father doesn’t despise and disown her). [Note: Technically, Medea may not be married to Jason because of legalities, but she did bear him two boys.] To add insult to injury, Jason’s new father-in-law (King Creon) insists that Medea and her two boys be exiled, effective immediately.

What makes this play so fascinating is that we have sympathy for Medea’s plight, but then her inner monologue turns to the nuclear option she will employ – killing Jason’s new princess-wife and, more disconcertingly, her own children. Medea goes back and forth about her plan, showing reluctance to kill her boys, at least. So, the reader (viewer) ends up finding Jason loathsome because he steadfastly refuses to accept any blame for how poorly things have gone, but – on the other hand – he’s being more reasonable. (i.e. He talks kindly and isn’t murdering anyone.) It’s a fascinating reflection on the battle between rationality and passion.

I’d highly recommend this play. It’s a short and straightforward story, but it does present a great deal of food-for-thought.


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Shakespeare’s Tragedies, Condensed: Part, The Last

I
King Lear too much loved being praised,
and too little recognized love.
He shunned the daughter he should’ve kept,
and held tightly those in need of a shove.

II
Timon of Athens spent lavishly,
but then - in his time of great need -
no one would return the favor, so
he gave his last coin to watch Athens bleed.

III
Antony is a love-struck boy,
and plots are afoot he can't grasp.
He ends in slow suicide by sword,
while Cleopatra goes out with an Asp.

IV
Coriolanus was kind of a jerk,
and that's why he was exiled.
But he could vanquish all of Rome.
Death to the reciprocally reviled!

Shakespeare’s Tragedies, Condensed: Part, The Second

I
Oh, in Titus Andronicus,
every noteworthy character dies,
one 's raped, loses her tongue and hands --
she's the only one we don't despise.

II
Brutus's downfall is said to be
being too mellow of a guy,
but he does partake in the stab-fest --
so maybe just poor at ally.

III
Othello trips on jealousy
when Iago plants a hankie.
Iago gets all of the blame,
but it's not like it was her panties.

Shakespeare’s Tragedies Condensed to a Quatrain of Bad Poetry: Part, The First

I
Macbeth believed the Witches 'cause
they said what he wanted to hear.
Then he jumped the gun because his
ambition outstripped good sense and fear.

II
Hamlet thought he saw a ghost-dad,
but realized he might just be nuts.
Still, his uncle was schtupping his mom,
about that there's no ands, ifs, or buts.

III
Oh, Romeo, your timing sucks -
be it in breaking up a fight,
or being too quick to put vile to lip
when a pause would make timing right.

BOOK REVIEW: Henry VIII by William Shakespeare

King Henry VIIIKing Henry VIII by William Shakespeare
My rating: 5 of 5 stars

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This play takes place over a period of time, for want of a better measure, straddling the first two [of six] marriages of Henry VIII. It doesn’t reach the ill-fated end of Anne Boleyn, but rather finishes with the baptism of the girl child she birthed [Elizabeth, who will later be Queen.] [Of course, the failure to produce a male child was the downfall of Katherine of Aragon’s Queenship, so the birth of Elizabeth doesn’t bode well.]

In as much as a history has a theme, this one would be the conflict between the aristocracy and the clergy. This is first, and most extensively, seen through the rise and fall of Cardinal Wolsey, who wins the favor of the King in the Cardinal’s conflict with the Duke of Buckingham, but later Wolsey gets ousted after an aristocratic cabal diverts the Cardinal’s mail to the King. Henry discovers that Wolsey has recommended denial of an annulment of Henry’s marriage to Katherine, despite the fact that Wolsey was telling the King to his face that the marriage’s end had his endorsement. Later, we find aristocrats (the King’s Council) taking on the Archbishop of Canterbury, Cranmer, but Henry sides with the Archbishop as he once had with Wolsey.

The play’s major events are the execution of Buckingham, the divorce from Katherine, the marriage to Anne Boleyn, and the birth of Elizabeth.

This isn’t the most compelling of the Shakespearean histories, but it does have its intrigues. No doubt it would be a bolder play in the absence of the authoritarian nature of monarchy, but it’s still worth reading.

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BOOK REVIEW: Richard III by William Shakespeare

King Richard IIIKing Richard III by William Shakespeare
My rating: 5 of 5 stars

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Like Macbeth, this is the story of one man’s unchecked ambition bringing about his ruin. Richard wants to be king. The problem is that his eldest brother (Edward) is already king. The good news for Richard is that Edward is sick. The bad news is that Edward has two sons (and a daughter,) and there’s another elder brother (i.e. Clarence.) While Richard is willing to let nature take its course with Edward, he’ll have to get rid of everyone else between himself and the Crown.

Richard is different from Macbeth in that Richard’s psychopathy is more like that of Iago from “Othello.” Macbeth is conflicted and, though he keeps digging himself deeper, the burden of guilt leads to a descent into madness. Richard is anxious, but it’s not clear that he feels bad about what he’s done (i.e. having his brother’s boys killed, as well as his own brother, his wife, and a number of aristocrats.) When his own mother tells him she wishes she’d strangled him to death with his umbilical cord it rolls off him with the cool detachment one expects of a psychopath. That said, in the last act, he is visited by a series of ghosts. These visitations and his subsequent monologue might give indication that he’s realized how awful he is, but one could also argue that he’s just worried about the precarious state of his kingship.

The hammer drops when Richmond, a nephew of Henry VI, leads forces against Richard. In part, the aforementioned ghosts (which could be interpreted as bad dreams) psychologically do in Richard. (Though the ghosts also visit Richmond with the opposite message, a positive one.) But also, Richmond has proven his leadership skill by forging alliances with the French and the Scots, and turning Lord Stanley (despite Stanley having a son held hostage by Richard.)

While this play not only lacks the character nuance of Macbeth as well as The Scottish Play’s brilliant poetic language, it does have more great lines than the other “War of the Roses” plays (i.e. Henry VI, Pt. I – III.) [e.g. It opens with “Now is the winter of our discontent” and, of course, there’s “A horse! A horse! My kingdom for a horse!”]

This conclusion to the War of the Roses story is well worth reading.

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BOOK REVIEW: The Clouds by Aristophanes

The CloudsThe Clouds by Aristophanes
My rating: 5 of 5 stars

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This play scoffs at philosophers and sophists (in general) and Socrates, in particular. An old man, Strepsiades, is beleaguered by creditors, having purchased a horse and chariot for his son, Pheidippides. Strepsiades tries to get Pheidippides to study philosophy because the old man believes it will allow his son to argue away the debt. Pheidippides refuses, and so Strepsiades takes it upon himself to enroll as Socrates’ student. After some strained conversations and ill-timed masturbation, all parties conclude that the old dog can’t learn new tricks, and so Stresiades again tries to recruit his son. This time Pheidippides does join Socrates’ “think-shop” (called “the Thinkery” in some translations.)

Socrates’ characterization isn’t fair to the philosopher in some regards. If the works of Plato and Xenophon hold water, Socrates was neither a know-it-all nor was he obsessed with grandiose topics – rather, he claimed to know little and was said to have been only concerned with questions of how to live a better life (as opposed to lordly enigmas like the origin of the universe or the nature of reality.) However, this isn’t to say that Aristophanes has no valid point. That intense and abstract philosophical debate doesn’t change the hard facts of the world is a legitimate point. Debts aren’t erased by the creditor’s inability to successfully argue niggling points of grammar. Being stabbed by a jilted lover is no less painful if love is an illusion than if it equates to beauty or is a fundamental truth.
Much of the play’s humor is weakened (if not killed) by a lack of common context, but that’s not to say there aren’t jokes that still fly in the 21st century.

This short play is worth reading, as it presents a beneficial counterpoint to the Socratic dialogues.

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BOOK REVIEW: Henry VI, Part 3 by William Shakespeare

King Henry VI, Part 3King Henry VI, Part 3 by William Shakespeare
My rating: 5 of 5 stars

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Here we witness a tug-of-war for the British monarchy that plays out to a decisive conclusion (eventually.) It begins with Henry VI as king, but the Duke of York has gained the upper-hand. Henry makes a deal that, upon his death, succession will pass back to the Duke’s line, but not before. The Duke reluctantly agrees, but the deal makes everyone else furious. Margaret (Henry’s Queen) is upset because her son has lost his right to succession. The Duke’s sons are also displeased because they think their father should strike while the iron is hot, rather than risking that Henry’s strength and popularity will rise.

The Queen’s displeasure leads her and Clifford (enemy to the Duke, who killed Clifford’s father) to go on the offensive to reacquire the line of succession. They kill the Duke’s youngest son, a child, and then the Duke, himself. This would strengthen Henry’s position, but fortune doesn’t shine for long on anyone in this play, and soon the Duke’s sons capture Henry and Edward (the Duke’s eldest son) is crowned. But then Edward lusts after the first woman he meets as King, the widow Lady Grey, and being rebuffed in his plan to make Grey his “side piece,” he proposes to her. Unfortunately, Edward has already dispatched the Earl of Warwick to propose to the sister of the French King. This leads to the humiliation of Warwick (not to mention the French King’s sister,) and Warwick (with French troops) goes back and dethrones Edward. This, too, is short-lived. Edward consolidates support, captures Henry, and defeats Warwick. As the play ends it might seem stability has been achieved, but we know Edward’s brother, Richard, has ambitions.

While this one of Shakespeare’s earliest plays and it’s constrained by events, it’s worth a read. It has a lot to say about how arrogance, lust, and timidness can all precede a downfall.

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