Leaves of Grass by Walt Whitman.
Also: Quiet by Susan Cain; Water Margin by Shī Nài’ān; and Self-Reliance and Other Essays by Ralph Waldo Emerson
Titus Andronicus. A bit over-the-top with the familial cannibalism and all. Just sayin’.
Transient Worlds: On Translating Poetry by Arthur Sze
Thou strainest through the mountain fern,
A most exiguously thin
Burn.
For all thy foam, for all thy din,
Thee shall the pallid lake inurn,
With well-a-day for Mr. Swin-
Burne!
Take then this quarto in thy fin
And, O thou stoker huge and stern,
The whole affair, outside and in,
Burn!
But save the true poetic kin,
The works of Mr. Robert Burn'
And William Wordsworth upon Tin-
Tern!
My love is in a light attire
Among the apple trees,
Where the gay winds do most desire
To run in companies.
There, where the gay winds stay to woo
The young leaves as they pass,
My love goes slowly, bending to
Her shadow on the grass.
And where the sky’s a pale blue cup
Over the laughing land,
My love goes lightly, holding up
Her dress with dainty hand.
Although you hide in the ebb and flow
Of the pale tide when the moon has set,
The people of coming days will know
About the casting out of my net,
And how you have leaped times out of mind
Over the little silver cords,
And think that you were hard and unkind,
And blame you with many bitter words.
Wide are the meadows of night,
And daisies are shinng there,
Tossing their lovely dews,
Lustrous and fair;
And through these sweet fields go,
Wanderers amid the stars --
Venus, Mercury, Uranus, Neptune,
Saturn, Jupiter, Mars.
'Tired in their silver, they move,
And circling, whisper and say,
Fair are the blossoming meads of delight
Through which we stray.
Note: the word “shinng” seems to be spelled that way in all sources. I don’t know whether it was a typo, dialectic, or a heterodox spelling.
What is your substance, whereof are you made,
That millions of strange shadows on you tend?
Since every one hath, every one, one shade,
And you, but one, can every shadow lend.
Describe Adonis, and the counterfeit
Is poorly imitated after you;
On Helen's cheek all art of beauty set,
And you in Grecian tires are painted new.
Speak of the spring and foison of the year:
The one doth shadow of your beauty show,
The other as your bounty doth appear;
And you in every blessèd shape we know.
In all external grace you have some part,
But you like none, none you, for constant heart.
STAY, O sweet, and do not rise!
The light that shines comes from thine eyes;
The day breaks not: it is my heart,
Because that you and I must part.
Stay! or else my joys will die
And perish in their infancy.
Stay near me—do not take thy flight!
A little longer stay in sight!
Much converse do I find in Thee,
Historian of my Infancy!
Float near me; do not yet depart!
Dead times revive in thee:
Thou bring'st, gay Creature as thou art!
A solemn image to my heart,
My Father's Family!
Oh! pleasant, pleasant were the days,
The time, when in our childish plays
My sister Emmeline and I
Together chased the Butterfly!
A very hunter did I rush
Upon the prey:—with leaps and springs
I follow'd on from brake to bush;
But She, God love her! feared to brush
The dust from off its wings.
Tiger Riding for Beginners 