Tag Archives: Illustrated

BOOK REVIEW: I Escaped a Chinese Internment Camp by Zumrat Dawut & Anthony Del Col

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I Escaped a Chinese Internment CampI Escaped a Chinese Internment Camp by Zumrat Dawut
My rating: 5 of 5 stars

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Release Date: April 11, 2023

This short but evocative graphic novella tells the story of a Uyghur woman who is sent away to a reeducation camp and who is also sterilized against her will. It shows the brutality of China’s totalitarianism at its most oppressive. It’s easy to see China as a fairly benign – if autocratic – regime until one learns about the Orwellian nightmare that exists for some minorities deep within the country.

FYI – This book won the 2022 Pulitzer Prize for “Illustrated Reporting and Commentary.”

I’d highly recommend reading this work as it shines a light deep down the rabbit hole of Chinese governance.


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BOOK REVIEW: Twain Illustrated: Three Stories by Mark Twain by Mark Twain [Ed. by Jerome Tiller]

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Twain Illustrated: Three Stories by Mark TwainTwain Illustrated: Three Stories by Mark Twain by Mark Twain
My rating: 4 of 5 stars

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This collection gathers three pieces of Twain’s short fiction and presents them in an edited and illustrated volume. The stories are edited from the original published editions. My understanding is that the editing was confined to making the volume more readable to a present-day audience (and probably to younger readers, specifically.) As far as I can tell, that’s the case.

The three stories have in common that Twain, himself, features as a character. [This is less explicit for the second story than for the first and third, it being merely written in first person while the others reference Twain by name.] The first story, “Emerson, Holmes, and Longfellow,” is essentially a roast of those three important 19th century American poets. The story is written as though Twain is traveling on walkabout and happens upon a miner’s household where, as luck would have it, the three titular poets had stopped in previously. Supposedly, this was first a speech given in Boston at a celebration for another poet, John Greenleaf Whittier, and it went down like a lead balloon.

The middle story, “The Facts Concerning the Recent Carnival of Crime in Connecticut,” is about a mysterious visitor who comes calling who seems to know about all the narrator’s misdeeds. It turns out that said visitor is the narrator’s conscience. This personification of conscience is a clever plot device and makes for a hilarious story.

The final story is entitled “Running for Governor,” and it shows that fake news is far from a new phenomenon in American politics. It imagines Twain running for governor of New York and the one news story after the next presenting outlandish, contrived claims that begin to stick as Twain ignores them. This reminded me of the Twain essay that disabused me of the popular notion that we are [at any given time] in uniquely contentiously partisan times for American politics.

I enjoyed this collection. I would probably have preferred an unedited text, but it’s readable, engaging, and humorous as is. The illustrations are line-drawn, and many are cartoonishly jocular while others are more realistic caricatures. It’s certainly an entertaining read.


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BOOK REVIEW: Arsene Lupin, Gentleman Thief by Maurice Leblanc

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Arsene Lupin, Gentleman ThiefArsene Lupin, Gentleman Thief by Maurice Leblanc
My rating: 4 of 5 stars

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Out: July 5, 2022

This is a beautifully illustrated edition of the first collection of stories featuring the fictional burglar-extraordinaire, Arsène Lupin. While some of the nine stories reference others, they each read standalone.

Arsène Lupin is the Sherlock Holmes of crime. Like Holmes, he’s extremely intelligent, gifted in observation, with deep insight into human nature, and with a range of practical skills from hand-to-hand combat to disguise, but Lupin puts these talents to use for the purpose of theft. While one might think of Prof. Moriarty as “the Sherlock Holmes of crime,” Lupin operates by a code, eschewing senseless violence, carefully targeting his victims, and returning items he feels inappropriately taken. (Mirroring how Holmes occasionally lets a [technically] guilty party go free due to extenuating circumstances.) Besides cameo references to Holmes in multiple stories, the final story pits England’s greatest detective against France’s greatest burglar (though in a way that mostly allows each to retain an unblemished record and mutual admiration.)

I found these stories to be enjoyable to read, and generally clever, but – having been forced to make the comparison due to the repeated references to Holmes – I couldn’t help but see their inferiorty to the stories of Sir Arthur Conan Doyle. Lupin is more one-dimensional and fantastical than Holmes. In Holmes, one recognizes that one is unlikely to get extreme intelligence without some sort of countervailing cognitive challenges – e.g. Holmes is an addict who needs to fill his days with work lest he fill them with heroin, and for all his great observational skills, Holmes frequently doesn’t recognize when he’s offending others with his brusque nature and sense of superiority. Lupin can come off as an arrogant jerk (he recognizes that he’s being narcissistic, but doesn’t care) but it seems we’re supposed to conclude that he’s just that good. Lupin is a fantastical mix of super intelligence, preternatural charm, and zero weaknesses – i.e. a perfect being made for pure escapism.

The stories are enjoyable and the art is beautifully rendered, and if you can avoid comparing it to Sherlock Holes and take it as mere escapism, you’ll likely find this book pleasing.

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BOOK REVIEW: Iphigenia in Aulis Adapted by Edward Einhorn [from Euripides]

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Iphigenia in Aulis: The Age of Bronze EditionIphigenia in Aulis: The Age of Bronze Edition by Edward Einhorn
My rating: 5 of 5 stars

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This illustrated play is an adaptation of Euripides’ drama of the same name. The title character, Iphigenia, is the daughter of King Agememnon and she’s lured to Aulis by her father to be a human sacrifice, but under the fraudulent claim that she’s to be married to Achilles. [Because, you know, people tend to not show up if you invite them to be murdered, but they’re much more amenable if you invite them to marry a hunky half-god.]

It’s a simple and straightforward story, but one that is never-the-less evocative and dramatic. Agememnon’s will to kill his daughter falters for a time and when his wife, Klytemnestra, scores Achilles’ support for the cause of saving her daughter, it’s unclear how things will unfold. It’s a story that encourages one to reflect upon fate and the virtue of sacrifice, while showing that different chains of causality applied to the same event can radically alter the perception of justness. When Iphigenia’s death is seen as the means to get back Helen (who eloped with Paris to Troy,) it’s vile and despicable. However, when it is viewed as the means to get the fleet moving in order to restore the honor of those assembled nations pledged to fight, that’s a different matter.

I found this play to be compelling and well worth reading.


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BOOK REVIEW: The Storyteller’s Handbook by Elise Hurst

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The Storyteller's HandbookThe Storyteller’s Handbook by Elise Hurst
My rating: 5 of 5 stars

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Out: June 14, 2022

This is a book, but not one that one reads but rather one that one writes. It contains more than 50 imaginative and fantastical artworks intended to help creative parents build their own stories, while helping their children learn to become storytellers. There is a forward by Neil Gaiman (who has worked with the artist on previous occasions) and an introduction by Hurst, but otherwise there’s almost no text.

The animate subjects of the book are children and animals, but not just any animals. They are mis-sized, misplaced, mythical, imaginary, anthropomorphized, and extinct creatures in search of a clever explanation for their existence and behaviors. The usual suspects of our beloved stories are most well-represented: bears, lions, foxes, rabbits, birds, and fish – for example. But there are also less well-known creatures: mollusks, a mantis, kangaroo, koala, and armadillo. The settings are also designed to fuel the imagination: oceans, hot air balloons, impossibly floating places of all sorts, cities of gothic and fantastical architecture.

If you’re looking for a storybook where you have a graphic prompt to trigger your own story, this is a beautifully illustrated example of such a work.


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BOOK REVIEW: Philosophy for Gardeners by Kate Collyns

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Philosophy for Gardeners: Ideas and paradoxes to ponder in the gardenPhilosophy for Gardeners: Ideas and paradoxes to ponder in the garden by Kate Collyns
My rating: 5 of 5 stars

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Out: March 1, 2022

This book can benefit not only gardeners interested in philosophy, but also philosophers interested in gardening. [If you’re in the intersect of people expert in both philosophy and gardening, the book probably won’t hold a great deal of intrigue as it’s written for a more general audience.] The gist is examples and analogies from gardening applied to elucidating philosophical concepts. In a few cases, these examples feel a bit forced. In most cases, they work just fine. But in a few other cases, the gardening analogies offer a powerful and unique insight that one would be unlikely to take away from a single-axis philosophy guide. For example, I found the relating of utilitarianism to the gardener’s dilemma of whether to start with a wildly overgrown bed or a relatively clean one offered a fresh perspective on the topic.

The book’s twenty chapters are divided into four parts. The parts are labeled “Soil,” “Growth,” “Harvest,” and “Cycles;” which I took to apply to fundamentals, change, outcomes, and the cycle of life and death. Part I, “Soil,” investigates topics in metaphysics, governance, and taxonomy. The second part, “Growth,” explores evolutionary adaptation, altruism / cooperation, the blank slate (and its critique,) and Zeno’s paradoxes. The penultimate section, “Harvest,” delves into topics such as forms, aesthetics, the reliability of senses, epistemology, and economic philosophy. Finally, “Cycles” discusses identity, logic and linguistic limitations, ethics, and pragmatism.

The book uses retro illustrations that look like the plates one might see in a book from the 19th century. There’s a brief bibliography, primarily of philosophical classics.

I’m always on the lookout for books that consider the perspective that humans exist within nature and our ways can’t be understood divorced from our place in the natural world. In that sense, I believe the book has much to offer.

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BOOK REVIEW: Introducing Foucault: A Graphic Guide by Chris Horrocks

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Introducing Foucault: A Graphic Guide (Introducing...)Introducing Foucault: A Graphic Guide by Chris Horrocks
My rating: 5 of 5 stars

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This illustrated guide offers a brief overview of the life and philosophy of Michel Foucault in bite-sized, readable topical blocks. The book is part of a series, a series that I frequently turn to when I need a blast of information on a topic of momentary interest (because the series is readily accessible via Prime.)

Generally, I’ve found the series to be mediocre, but I found this volume to be much more engaging than most. In part this is because Foucault’s work deals in intriguing subject matter. He wrote on madness, prisons / punishment, and sexuality. Saying that the subject matter was more interesting than usual may not sound like a ringing endorsement of the book or its author, but there are a couple things that I think Horrocks can be credited for doing well to make for a more compelling book. First, he doesn’t steer away from the controversial, either in Foucault’s biography or in his work. Second, he clearly and frequently states the criticisms of Foucault, making the book more thought-provoking and useful.

And Foucault did draw his share of criticism, his multi-disciplinary style combined with an approach that didn’t result in unambiguous answers and policy recommendations made many consider him wishy-washy, or irrelevant. And, of course, his brazen willingness to take on provocative topics made many uncomfortable.

If you’re looking for a book to figure out who this Foucault guy was and why people still talk about his work, this book is worth your consideration.


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BOOK REVIEW: Introducing Ethics: A Graphic Guide by Dave Robinson [Ill. by Chris Garratt]

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Introducing Ethics: A Graphic Guide (Introducing...)Introducing Ethics: A Graphic Guide by Dave Robinson
My rating: 4 of 5 stars

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This is one title in the “A Graphic Guide” series of books, many of which (including this one) are available on Amazon Prime. The books in the series explain fundamentals for a wide range of academic subjects, using simple descriptions supported by graphics. This particular book examines the philosophy of ethics and morality.

The book consists of a large number (almost 130) short topical sections, each with supporting graphics. Each section is just a page or two in length. The book has a chronological flow, moving from Socrates through the Postmodern philosophers. The nature of the topics varies, sometimes it is the view of a particular philosopher or school of philosophy, sometimes it’s a fundamental question or point of contention, and sometimes it’s a specific ethical issue. The last twenty-ish statements elaborate on two specific cases that the book addresses in detail: animal rights and euthanasia.

I felt the author did a good job of laying out a number of fault lines, controversies at the heart of differing views of ethics. The controversy that gets the most attention is that between absolutists and relativists. (Absolutists claim there are a set of core moral rules that are universally applicable, while relativists say one can’t make such rules because the morality of every action is relative, be it: situationally, culturally, or individually. An extreme view from either perspective is inconsistent with what one tends to sees in the real world.) A second point of contention regards whether ethical constraints are determined at the individual level or the societal / tribal / group level? A third controversy consists of a subjectivity versus objectivity divide – i.e. is morality just about what feels right or is there an objective way of defining moral knowledge? A significant portion of the book deals with the rivalries about these points, and – to a lesser degree – others (e.g. is biology the root of ethics or is it a domain devoid of ethics?)

There are cartoon drawings with most of the sections that illustrate key points, and / or depict interactions between rival philosophers. There is a “further reading” section in the back that suggests books to expand one’s grasp of the subject beyond the bare fundamentals that are addressed in this book.

I thought this book did a good job of laying out the issues. The cases (animal rights and euthanasia) helped show how different schools of thought apply their ideas to specific questions. I particularly enjoyed how the book clarified the subject through discussion of key questions of contention. If you have Amazon Prime, it’s definitely worth checking this one out. If not, you may want to see how it compares to the “A Very Short Introduction” guide for Oxford University Press, which is a similar series that explains the basics of a subject in a concise fashion.

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BOOK REVIEW: The Shaman’s Apprentice by Zacharias Kunuk

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The Shaman's ApprenticeThe Shaman’s Apprentice by Zacharias Kunuk
My rating: 4 of 5 stars

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Out: May 11, 2021

This is an illustrated children’s book that takes the reader on a journey with an Inuit Shaman and her apprentice. The pair make a house call to diagnose and treat a man who is laid up in his sickbed. That diagnosis and treatment involves “visiting” a kind of spirit guide who provides them the information needed to understand the man’s ailment.

The pictures are beautiful, detailed, and rich in insight into the Inuit way of life.  They are full-page illustrations rendered in a painting-like style. The artist is Megan Kyak-Montieth.

The text consists of, at most, a paragraph on each page that opposes the respective illustration, thus making this a book that could easily be read as a bedtime story. It’s a simple and straightforward story.

The book explores the interesting issue of how our behaviors and mindset can influence our physical health. Some parents may be more comfortable than others with the supernatural way in which the patient’s ailment comes to be understood – i.e. through consultation with a spirit. However, if one is at all prone to buy a book featuring “Shaman” in the title, you’re probably not going to be disturbed by the material or the questions that might arise as a result of said material.

I found this book to be interesting and beautifully illustrated. If you’re looking for some diversity in what your children are exposed to, you may want to look into it.

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BOOK REVIEW: The Neil Gaiman Library, Vol. 3 by Neil Gaiman

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The Neil Gaiman Library Volume 3The Neil Gaiman Library Volume 3 by Neil Gaiman
My rating: 5 of 5 stars

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Out: June 1, 2021

 

This series collects short fiction of Neil Gaiman and presents it via the medium of the graphic novel. While there are four works listed, because two of these works contain multiple stories, there are actually eight stories contained in this volume. The selection is diverse both in terms of genre and artistic style. With respect to genre, the stories cut across fairy tale, fantasy, horror, supernatural, and tales of the weird. The artistic styles range from art nouveau to comic strip style. While this is the third volume, the included stories all stand on their own, and so there is no necessity to have read previous volumes. Because Gaiman draws heavily on fairy tale source material, parents might assume these are kid-friendly stories, but you should check them out first yourself as “Snow, Glass, Apples” and “The Daughter of Owls” both present somewhat sexually explicit content (the former both graphically and with respect to story events and the latter only with respect to story,) and while the horror stories are pretty calm as horror stories go, they are still works of horror.

“Snow, Glass, Apples” is a dark take on the princess-centric fairy tale. It imagines a vampiric young nymph who appears as challenger to the Queen. This is probably the most visually impressive work, being illustrated in a style that mixes art nouveau with Harry Clark’s stain glass artworks. It is definitely not the run-of-the mill graphic novel, graphically speaking. The art is exceptionally detailed and stunning.

“The Problem with Susan and Other Stories”: As the title suggests, this is one of the two multi-story entries in the collection. The titular main story features a retired Professor who is plagued by Narnia-like dreams, and who receives a visit from a reporter for a college paper. The art for this one is much more reminiscent of the typical graphic novel of today. There are three other stories included. “Locks,” the comic strip-esque illustrated story, is a take on “Goldilocks and the Three Bears” as it’s being told to – and imagined by – a little girl. “October in the Chair” imagines a kind of story competition taking place around a campfire by anthropomorphized “months.” It’s a bit more artistically rendered than the other stories in this [sub-] collection (although that may have to do with the dark tone that is used to reinforce that the stories are being told in the middle of the night in the middle of a woods.) The final story is a brief, but artistically dense, story that imagines a day in which everything goes wrong at once.

The sixth story, “Only the End of the World Again,” revolves around a man / werewolf who wakes up to find that he has clearly turned in the preceding night. The tale is set in a small and remote village, where everyone seems to know everything about everyone, and it doesn’t shock the man when select people let slip that they know his secret. As the story unfolds, it’s clear that the man / werewolf is caught up in something bigger than his own tragedy.

The last entry is a two-parter. The first is one of my favorite Neil Gaiman short stories; entitled, “The Price,” it offers an answer to the question of why some indoor / outdoor cats constantly come home battered and bleeding. The second story, “The Daughter of Owls,” revolves around “the baby left on the church steps” plot mechanism. Because the girl is enveloped in owl accoutrements, she is shunned by the village and forced into exile at a dilapidated former abbey. Both of these stories have a more brush-painted style that the usual graphic novel.

I enjoyed this collection immensely. While not all of the stories were new to me, the way they were illustrated shone a new light on the familiar tales. All of the stories are masterfully crafted and illustrated. While Gaiman draws heavily on well-known fairy tales, there is nothing banal about these stories. I’d highly recommend this book, even if you’ve read some of the stories already.

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