BOOK REVIEW: The Complete American Gods by Neil Gaiman; Adapted by P. Craig Russell

The Complete American Gods (Graphic Novel)The Complete American Gods by Neil Gaiman
My rating: 5 of 5 stars

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Out: September 28, 2021

This is the graphic novelization of Neil Gaiman’s brilliant story “American Gods.” The tale begins with the protagonist, Shadow Moon, being released a few days early from his prison sentence to attend the funeral of the wife whom he has been longing to see. On the flight home, he sits next to a gregarious man named Wednesday who offers him a job and who knows way too much about Shadow. While Shadow initially rejects the offer, Wednesday is relentless. When Shadow finally gives in, he’s introduced to a world where nothing is as it seems, a world of gods, demi-gods, and folklore heroes.

The premise is simple, but magnificent. America is a hard land for gods. The country’s melting pot nature makes for so many old gods: Native American gods, Norse gods, African tribal gods, pagan gods, Hindu gods, Slavic gods, etc. Then there are the new gods like “technology” and “media.” Comparing the average American’s screen time versus time in church or in prayer, it’s not difficult to tell which side is winning the war for the affection and attention. Still, the new gods exist in an ephemeral landscape. So, Wednesday is going around trying to build support among old gods for a war between the old and new gods — no easy task as a self-confessed con man.

It’s been a while since I read the novel, but this adaptation felt true to my recollection of the original story. It seems closer to the original than, say, the Amazon Prime series (which I also enjoyed, but which often diverges, particularly to build out some of the secondary characters’ arcs.)

This is definitely worth a read, whether you’ve read the novel or not. The artwork was well-done, and I highly recommend it.

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BOOK REVIEW: Neil Gaiman’s Neverwhere Adapted by Mike Carey

Neil Gaiman's NeverwhereNeil Gaiman’s Neverwhere by Mike Carey
My rating: 5 of 5 stars

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This is a graphic novelization of one of the greatest urban fantasy novels, ever. While it’s been a while since I read the novel, this adaptation felt true to my memories of the original (one of my all-time favorite novels.) Carey did make a perspective shift from the third-person in the book to first-person in the comic book, but, otherwise, the story is substantially unchanged.

The protagonist is Richard Mayhew, a seemingly preternaturally average middle-class Londoner. Mayhew is going about his life as a suit-and-tie office worker with a domineering fiancé when he almost literally stumbles across a wildly-dressed young woman on the sidewalk. Mayhew’s decision to help the young woman will force him to reckon with a London that exists in parallel to the one he knows, a London of Marquises and angels and monsters and magically-endowed thugs for hire – any (or all) of which may present hazards to his health and well-being. The young woman is the last remaining heir to an important aristocratic family of London Below, and her problems are more dire than being passed out on the sidewalk.

Despite having read the novel, I enjoyed the graphic novel immensely and found it well worth retaking this beautifully rendered trip through the looking-glass into the London that exists beyond our world. This hero’s journey offers a satisfying character arc and many turns and surprises. Even if you’ve read the novel, I’d recommend giving this adaptation a look.

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BOOK REVIEW: The Neil Gaiman Library, Vol. 3 by Neil Gaiman

The Neil Gaiman Library Volume 3The Neil Gaiman Library Volume 3 by Neil Gaiman
My rating: 5 of 5 stars

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Out: June 1, 2021

 

This series collects short fiction of Neil Gaiman and presents it via the medium of the graphic novel. While there are four works listed, because two of these works contain multiple stories, there are actually eight stories contained in this volume. The selection is diverse both in terms of genre and artistic style. With respect to genre, the stories cut across fairy tale, fantasy, horror, supernatural, and tales of the weird. The artistic styles range from art nouveau to comic strip style. While this is the third volume, the included stories all stand on their own, and so there is no necessity to have read previous volumes. Because Gaiman draws heavily on fairy tale source material, parents might assume these are kid-friendly stories, but you should check them out first yourself as “Snow, Glass, Apples” and “The Daughter of Owls” both present somewhat sexually explicit content (the former both graphically and with respect to story events and the latter only with respect to story,) and while the horror stories are pretty calm as horror stories go, they are still works of horror.

“Snow, Glass, Apples” is a dark take on the princess-centric fairy tale. It imagines a vampiric young nymph who appears as challenger to the Queen. This is probably the most visually impressive work, being illustrated in a style that mixes art nouveau with Harry Clark’s stain glass artworks. It is definitely not the run-of-the mill graphic novel, graphically speaking. The art is exceptionally detailed and stunning.

“The Problem with Susan and Other Stories”: As the title suggests, this is one of the two multi-story entries in the collection. The titular main story features a retired Professor who is plagued by Narnia-like dreams, and who receives a visit from a reporter for a college paper. The art for this one is much more reminiscent of the typical graphic novel of today. There are three other stories included. “Locks,” the comic strip-esque illustrated story, is a take on “Goldilocks and the Three Bears” as it’s being told to – and imagined by – a little girl. “October in the Chair” imagines a kind of story competition taking place around a campfire by anthropomorphized “months.” It’s a bit more artistically rendered than the other stories in this [sub-] collection (although that may have to do with the dark tone that is used to reinforce that the stories are being told in the middle of the night in the middle of a woods.) The final story is a brief, but artistically dense, story that imagines a day in which everything goes wrong at once.

The sixth story, “Only the End of the World Again,” revolves around a man / werewolf who wakes up to find that he has clearly turned in the preceding night. The tale is set in a small and remote village, where everyone seems to know everything about everyone, and it doesn’t shock the man when select people let slip that they know his secret. As the story unfolds, it’s clear that the man / werewolf is caught up in something bigger than his own tragedy.

The last entry is a two-parter. The first is one of my favorite Neil Gaiman short stories; entitled, “The Price,” it offers an answer to the question of why some indoor / outdoor cats constantly come home battered and bleeding. The second story, “The Daughter of Owls,” revolves around “the baby left on the church steps” plot mechanism. Because the girl is enveloped in owl accoutrements, she is shunned by the village and forced into exile at a dilapidated former abbey. Both of these stories have a more brush-painted style that the usual graphic novel.

I enjoyed this collection immensely. While not all of the stories were new to me, the way they were illustrated shone a new light on the familiar tales. All of the stories are masterfully crafted and illustrated. While Gaiman draws heavily on well-known fairy tales, there is nothing banal about these stories. I’d highly recommend this book, even if you’ve read some of the stories already.

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BOOK REVIEW: The Neil Gaiman Library, Vol. 2 by Neil Gaiman

The Neil Gaiman Library Volume 2The Neil Gaiman Library Volume 2 by Neil Gaiman
My rating: 5 of 5 stars

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Out: November 24, 2020

 

This is a graphic novelization of several pieces of Neil Gaiman’s short fiction. The component works are all speculative fiction (i.e. taking place where the fantastical is possible,) and – more specifically – most would be classed urban fantasy — though there is a touch of horror.

The book contains four parts, and could be thought of as four stories. However, the first chapter, “Likely Stories,” is actually a collection of tales connected by being told in the same private after-hours club. So, the connective tissue is bar patrons trying to one-up each other with more intriguing stories. The pieces included are: “Feeders and Eaters” (the entry most likely to be classified as horror,) “Looking for a Girl,” and “Closing Time.”

The second story is “Troll Bridge,” and it shows a man’s repeated encounters with a troll who exists in the pedestrian tunnel under an abandoned rail line. These meetings begin when the protagonist is a young boy and continue until he’s middle-aged.

The penultimate story is entitled “Harlequin Valentine,” and it’s about an amorous Harlequin who develops an infatuation with a young woman and begins to stalk her. When he gives her his heart, it doesn’t go as expected.

The final story is “The Facts in the Case of the Disappearance of Miss Finch.” When a writer is roped into a double date in which his date is a dowdy and humorless scholar, the night that had been a train of misery ends in a mind-blowing (if disconcerting) fashion.

This was an excellent read. While it’s a second volume, because it’s short fiction, the book is completely self-contained. One doesn’t need to read the first volume beforehand to follow these tales. Each of the stories is satisfying in itself. I’d read at least one of these stories previously (possibly more) but it didn’t feel redundant because the conversion of the textual stories to graphic ones gives each an entirely different feel. The art is clear and the various styles match the tone of the respective stories nicely. If you like Neil Gaiman’s work, you should definitely check this one out. [And if you’re unfamiliar with Gaiman, I’d recommend you get familiar.]

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BOOK REVIEW: The Graveyard Book by Neil Gaiman

The Graveyard BookThe Graveyard Book by Neil Gaiman
My rating: 5 of 5 stars

This book begins with a family being murdered by Jack, a cold-hearted killer – a family all save the infant. It’s readily apparent that this isn’t a random violent crime. For one thing, the fiend is far more concerned with finding the baby so as to complete his treacherous task than he is with absconding with loot or reveling in carnage. We don’t know why the family is killed or how a baby could possibly be a worthy target for an assassin, but it’s a mystery that will play out over the course of the book. What we do know is that the boy, Bod – short for Nobody [Owens] – crawled from his crib, out of the house, and into a graveyard that night and that he was taken in by the dead [and a vampiric guardian named Silas] and granted free access to the graveyard.

While the plot is about a killer on the loose intent on murdering Bod, a lot of the book deals with the boy’s challenges as the one living human among a community of the dead. Silas and his adoptive – if deceased – parents, the Owenses, are reluctant to let the boy out of the graveyard because they know he is in danger and they can protect him there were a different set of rules apply, but he has a desire to experience the world. An abortive experiment with going to school fails because Bod sticks up for bullied kids and can’t help but employ some of the skills he’s acquired as a denizen of the graveyard. In the graveyard, he is a living person among the dead, but he is no less the outsider among the living.

This is written for a young audience, and is therefore highly readable while avoiding all the gore that one might expect of a book that begins in murder. Gaiman masterfully creates the ghoulishness and suspense without being horror, per se. I’d recommend this book for readers of low (intrusion) fantasy works.

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5 Books of 2017 that Influenced Me Greatly

It’s that year-in-review time of year. To clarify: these are the books published in 2017 that most profoundly influenced my thinking. I clarify because I’ll probably do a list of books that I read in 2017 but that were published in previous years.

5.) Norse Mythology by Neil Gaiman: Gaiman’s take on classic tales of Norse Mythology shows that one can bring great value with a fresh look at old art. However, beyond the “steal like an artist” sentiment of not getting locked into building something brand new, these stories show the Norse to be exceptional storytellers. All ancient cultures had a mythology, but not all of them were equal in producing stories that are timeless and work across cultures.

 

4.) The Lost City of the Monkey God by Douglas Preston: This book taught me two things: First, that there is still much to be discovered right on terra firma. We talk as though the only new vistas of knowledge are to be found in space or places like the Mariana Trench, but the days of terrestrial discovery are not past. Second, there is a lesson of common fates of humanity across time. A lot of this book is about a parasitic disease that infected several of the expeditionary team, as well as speculation about how the same disease might have influenced the civilization that abandoned the titularly referenced city.

 

3.) The Sun and Her Flowers by Rupi Kaur: Kaur’s books combine poetry and art. Both are crude but heartfelt and evocative. Both of Kaur’s books have struck a chord with readers, and that resonance seems to be about the candid and bold nature of her art.

 

2.) Behave by Robert Sapolsky: Sapolsky tells readers that one can’t look at something as complex and bewildering as human behavior through the lens of any one academic discipline and get a complete and satisfying picture. Sapolsky considers the best and worst human behaviors through the lenses of biology, neuroscience, endocrinology, human evolution, and more.

 

1.) Stealing Fire by Steven Kotler & Jamie Wheal: The authors of this book examine the various ways people achieve what they call ecstasis. Ecstasis is a state of mind in which one loses one’s sense of self, and all the muddling factors that go with the self, such as self-criticism, fear of failure, and the feeling of working against everyone and everything else.

BOOK REVIEW: Norse Mythology by Neil Gaiman

Norse MythologyNorse Mythology by Neil Gaiman
My rating: 5 of 5 stars

Amazon page

 

This is the telling of a select group of Norse myths with the signature humor and down-to-earth prose of Neil Gaiman. It’s a fascinating collection of stories and is well-ordered so that the reader is often familiar with references to past events from earlier stories.

 

After an introduction that explains how Gaiman first became interested in Norse mythology both through the comics and then actual mythologies, there are a couple of chapters that largely provide background before delving into the chosen Norse myths in great detail. One of these chapters gives extended “bios”—if you will—for three of the most prominent characters: Odin, Thor, and Loki. Then there are a couple of chapters that both convey the timeline and of the spatial dimensions of the nine realms of the world the Norse created.

 

There is a brief story of how Odin lost his eye in the pursuit of wisdom that’s entitled “Mimir’s Head and Odin’s Eye.”

 

It’s from this point on that the stories are substantial and complete. The first of these stories is entitled “The Treasures of the Gods” and it’s about of how Loki created a competition among dwarf master craftsman. Loki does this in order to keep Thor from beating him with Mjöllnir after the god of mischief stole the hair of Thor’s wife, Sif (one of the items to be judged by the gods was stipulated to be a set of hair that would reattach and be as beautiful as Sif’s original hair.) The competition was Loki’s way of using a clever ploy to make the fix without it costing him anything and while at least sticking it to the dwarfs a little. The story is also well positioned as some of the items that are gifted to the gods in the competition are seen repeatedly in later stories. Loki creating mischief is a recurring theme not only in Norse mythology, but in this collection of myths specifically as they make for some particularly humorous tales.

 

“The Master Builder” is about a builder who shows up right as the Asgardians need a wall built. He claims that he can build it improbably quickly in exchange for the sun, the mood, and the hand of Freya (the most beautiful Norse goddess) in marriage. While all the other gods consider the price too high—not the least of whom being Freya—Loki convinces them that it’s an impossible task and that they can get free foundations if they give the builder a set timeline (a fraction of what he stated) and set another limitation or two. When they are on the verge of losing, the gods—suspecting the builder isn’t what he appears—agree to cheat.

 

“The Children of Loki” concerns a second family that Loki that is kept secret from the Asgardians. The three are an odd bunch: a girl who is half beauty / half corpse, the creature that becomes the Midgard serpent, and Fenrir wolf. Most of the story deals with the wolf child and the fact that they will only release the creature if they know that they can later bind it, but its strength is such that it seems to be able to break any binding. This story also explains why the Norse god Tyr has only one hand.

 

“Freya’s Unusual Wedding” This story revisits the idea of someone trying to negotiate Freya’s hand in marriage. Freya proves unwilling to take one for the team in order to fix the problems of other gods—in this case Thor’s hammer, Mjöllnir, has gone missing and the thief says he will give it back as a wedding gift. This time it is Heimdall—rather than Loki—who hatches a clever plot that will save the day.

 

“The Mead of Poets” This story revolves around a god of wisdom named Kvasir who comes into being after a strange treaty agreement between the Aesir and the Vanirs. Kvasir is killed and his blood is used to brew mead that is said to give imbibers the ability to write great poetry. This time it is Odin who saves the day and retrieves the mead. It also offers a humorous explanation of from whence bad poetry comes.

 

“Thor’s Journey to the Land of the Giants” Thor travels with Loki, and—eventually—with a bondservant named Thialfi (how Thialfi comes to be with them is part of a prank that Loki pulls that is explained at the story’s beginning.) The three were each subjected to a competition to see whether they were worthy, and it appears they weren’t.

 

“The Apples of Immortality” This is another tale that begins with a traveling trio including Thor and Loki. When Loki gets himself into hot water, he agrees to hand over the Apples of Immortality, which go hand-in-hand with the goddess who oversees them, Idunn. Without Idunn’s apples the Asgardian gods age and die like humans. Loki first has to hatch a plot to surrender Idunn, and then he’s forced by the angry and aging gods to carry out a plan to get her back.

 

“The Story of Gerd and Frey” This is a love story in which the god Frey (brother to the aforementioned Freya) is smitten with a woman named Gerd. Frey promises his magical sword, capable of defeating any attack, to his manservant in order for him to ask for Gerd’s hand.

 

“Hymir and Thor’s Fishing Expedition” Thor needs to borrow the huge mead cauldron of a giant to make a massive banquet happen. Thor goes on a fishing trip to help grease the wheel with the giant, who is very attached to the cauldron. Thor shows both his legendary strength and dimwittedness, but ultimately wins a bet that will grant him ownership of the cauldron.

 

“The Death of Balder” Balder is one of the most beloved Norse gods, and he dies as the result of one of Loki’s vicious mischiefs. To call it a prank would seem to trivialize it, but that seems to be how Loki views these acts. When the overseer of the underworld (where the dead who didn’t die gloriously in battle go), Hel, agrees that she will release Balder if all the creatures of the world agree that he was beloved, Loki outdoes himself.

 

“The Last Days of Loki” Adding insults (literally) to the injury of having been responsible for the death of Balder, Loki heads off into exile, but is pursued by the Asgardian gods.

 

“Ragnarok: The Final Destiny of the Gods” Here we have a description of how the Asgardian end of days is to play out. The Norse gods aren’t immortal, but Ragnarok is the end of a cycle, but not the end of all existence.

 

As I mentioned, the first couple chapters offer more backstory than the extensive myths through the rest of the book. This works well as it gives the reader the necessary background in a readable and palatable fashion. Another nice feature is a glossary that includes all the named characters and major places mentioned throughout the book. The section of mini-bios at the front only covers Odin, Thor, and Loki, and so it’s beneficial to have a list of all the various other gods–a number of whom (e.g. Freya, Frigg, Heimdall, Tyr, etc.) play major roles in one or more of the stories.

 

I’d highly recommend this book. It’s extremely readable, humorous, and educational to boot.

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BOOK REVIEW: Trigger Warning by Neil Gaiman

Trigger Warning: Short Fictions and DisturbancesTrigger Warning: Short Fictions and Disturbances by Neil Gaiman
My rating: 5 of 5 stars

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“Trigger Warning” is a collection of 24 pieces of short fiction and poetry written by Neil Gaiman. If you know what a trigger warning is (I had to look it up) you may be thinking this collection is darker, edgier, and/or more risque than it really is. (For those who don’t want to look it up, a “trigger warning” is a blurb that intimates that a work has words or images that may induce a traumatic reaction.) However, these stories are Gaiman to the core, which means they are humorous, clever, and often quirky; but they are unlikely to throw one into catatonia or an apoplectic fit. The pieces include Sherlock Holmes and Doctor Who stories, spin-offs from Sleeping Beauty and American Gods, as well as a few homages to other authors, including Ray Bradbury, Gene Wolfe, and William Blake.

 

Without further ado, I’ll give a rundown of the included works:

 

1.) “Making a Chair”: This is a poem about writer’s block.

2.) “A Lunar Labyrinth”: An homage to Gene Wolfe’s work, “Solar Labyrinth.” This short story is about a maze that was destroyed, and that wasn’t to be walked on full moon nights.

3.) “The Thing About Cassandra”: This is among my favorite stories in the collection. What happens when your friends and family start bumping into the girl who you made up as a girlfriend back in school?

4.) “Down to a Sunless Sea”: This was written for a water-themed event. It’s about a person riding in a lifeboat down the Thames toward the sea.

5.) “The Truth is a Cave in the Black Mountains”: This one was inspired by an island off Scotland called Skye, but the story is fantasy with magic elements. A man strikes out in search of revenge and closing, regarding a daughter who he thought had run away. This is one of the most engaging pieces in the collection.

6.) “My Last Landlady”: This is a story, conveyed in poetic form, about a mean landlady.

7.) “Adventure Story”: In the Introduction, Gaiman calls this a companion piece to his novella “The Ocean at the End of the Lane.” However, I didn’t make that connection, (and I’ve read that story.) At any rate, it’s a great story about an intriguing artifact left behind by a [deceased] father whose stories were always painfully dull. It’s told by a mother to a son who is incredulous that his, seemingly milquetoast, father lived through such a fascinating event.

8.) “Orange”: Like several of the pieces in this book, this one is unconventional / experimental. However, it’s creative, and it works. It consists of answers to a questionnaire, from which the reader pieces together the story. One doesn’t have the questions, but most of them are fairly clear from the context of the answer.

9.) “Calendar of Tales”: This is what it sounds like, 12 stories each matched to a month. It’s another of the unconventional and unusual pieces. Each story was spun from a tweet response to a question about a given month of the year.

10.) “The Case of Death and Honey”: Few characters in the public domain have spurred as many offshoot stories as Sherlock Holmes, and this is Gaiman’s entry in the pool. Holmes’s interest in bee-keeping is central to the story.

11.) “The Man Who Forgot Ray Bradbury”: An homage to Bradbury. If one forgets a person, did they ever exist?

12.) “Jerusalem”: This work was influenced both by a poem by William Blake and a trip the author took to said city. The story is about a couple of tourists and the unique mental illness associated with this locale.

13.) “Click-Clack the Rattlebag”: A scary bedtime story told by a child about a different kind of monster.

14.) “An Invocation of Incuriosity”: A story about one of the strange and colorful people one might meet at a flea market.

15.) “’And Weep, Like Alexander’”: A lighthearted story about an “un-inventor,” one who keeps you from having flying cars and all the other promised technology from sci-fi.

16.) “Nothing O’Clock”: This is a “Doctor Who” story. It’s not necessary to be familiar with the series (necessary backstory is provided), but it could make it more appealing—i.e. the inside joke effect.

17.) “Diamonds and Pearls: A Fairy Tale”: This is from “Who Killed Amanda Palmer?” Palmer is a cabaret-punk singer/songwriter and Gaiman’s wife, and the aforementioned booklet consists of a series of photos of Palmer looking deceased with brief stories to go along. This is one of the stories that could stand alone. It’s a fairy tale of the adults-only variety.

18.) “The Return of the Thin White Duke”: Another fairy tale, this one about a Duke that strikes out on a quest for adventure in order to rescue a Queen who doesn’t need rescuing.

19.) “Feminine Endings”: A story about a human statue—by that I mean one of those people who deck themselves out and stand on a box in the town square in touristy places in many parts of the world.

20.) “Observing the Formalities”: A poem about one who doesn’t get invited.

21.) “The Sleeper and the Spindle”: A take on the story of “Sleeping Beauty,” but from a different point of view.

22.) “Witch Work”: This is another poem. I believe it’s the only one that’s not free verse. It’s about the life of a witch.

23.) “In Relig Odhrain”: This is a true story about a saint, written in free verse.

24.) “Black Dog”: This is a spin-off from the novel “American Gods” and it features that book’s protagonist, Shadow. You don’t need to have read that book, but you might have a greater affinity for the story if you have. It should also be noted that this is the one piece that is original to this collection, and it’s one of the most substantial pieces in the collection. i.e. it gives fans a reason to pick up the book even if they’ve read a lot of it from the original source.

 

I enjoyed this book. Gaiman is a masterful story-teller. Whether it’s one of conventional pieces based in established worlds (e.g. “Doctor Who” or that of Sherlock Holmes) or one of the off-the-wall, experimental pieces, these stories and poems are a pleasure to read.

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BOOK REVIEW: The View From the Cheap Seats by Neil Gaiman

The View from the Cheap Seats: Selected NonfictionThe View from the Cheap Seats: Selected Nonfiction by Neil Gaiman
My rating: 4 of 5 stars

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Not every writer—not even many literary greats—could pull off a book like this. It’s a collection of random speeches, front matter from books (not his own), liner notes, and the occasional eulogy for individuals living and dead. While the book is organized into sections on topics like other authors, comic books, films, and music, it seems that organization derives organically from the topics on which Neil Gaiman is asked to comment–rather than a desire to tighten the book’s theme.

If you’re a Neil Gaiman fanboy/girl, you’ll need no excuse to read anything that he puts out (even though–if that is the case–you’ll probably have read much of this before in separate outings.) So the question is why the rest of us—who may enjoy Gaiman’s writing tremendously but who don’t qualify as fanboys / fangirls—should read this. The reason that it’s worth reading is that Neil Gaiman is funny, has a way of framing ideas that makes them thought-provoking and interesting, and frequently writes quotable bits of text that are essentially brain candy.

The book’s title comes from an essay on Gaiman’s experience attending the Oscars from the upper balcony. As mentioned, the book is divided into thematic sections–ten of them to be precise. The book starts with “Some Things I Believe,” which presents speeches on the virtue of reading, libraries, books, and bookstores. The next section discusses people he has known and worked with—largely writers and graphic artists. Then Gaiman offers thoughts on the nature of science fiction, again mostly through book forwards on seminal works from the genre. There is a section on films and Gaiman’s experience with them—several of his works have been made into films and many others have been considered. The next part is on comic books and the works and artists that influenced Gaiman. The next section bears the title “Introductions and Contradictions” and it offers introductions for various books (not Gaiman’s but those written for other writers.) There’s a musical section about a few recording artists including They Might be Giants, Lou Reed, and—of course—Gaiman’s wife Amanda Palmer. Next, Gaiman presents some introductions and forwards for works of fantasy. One section includes only a solitary entry–a commencement speech entitled “Make Good Art.” The final section is sort of a catchall of essays that includes the title piece and one on events in Syria.

I’d recommend this book for those who enjoy reading (or writing) in the genres for which Gaiman is known. His comments offer interesting insight, and you may learn about some books and authors that you’d never heard of before.

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BOOK REVIEW: Good Omens by Terry Pratchett & Neil Gaiman

Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, WitchGood Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch by Terry Pratchett
My rating: 5 of 5 stars

Amazon page

Nature or nurture? That’s the question at the core of this funny take on the coming of the apocalypse, written by two masters of humorous speculative fiction—the late Terry Pratchett and Neil Gaiman. The end of days is coming. What if the Antichrist responsible for seeing it through had been switched at the hospital and was raised as a normal kid? Would he be evil enough? If not, how would the apocalypse play out? After a chapter that shows the reader the mix up at the hospital, the bulk of the book takes place over a few days that are supposed to be the last few days of humanity.

There’s an extensive cast of characters including the “gang” of Adam the anti-Christ, the four horse-persons of the apocalypse, angels and demons, witches and witch-hunters, and other sundry characters. However, the characters that most carry the tone and message of the book are Crowley (a demon) and Aziraphale (an angel.) With these two, the authors inject some Taoism into an otherwise Biblical world. That is to say, pure evil and pure good are rarities; there’s always a bit of good amid the bad, and vice versa. Aziraphale can be grumpy, and Crowley’s proclivity to be mischievous has its limits. Being in similar positions, the two bond as low-level managers working for Coke and Pepsi might get on because they face similar demands and have similar complaints about management.

Running through the book are mentions of a book called, “The Nice and Accurate Prophecies of Agnes Nutter, Witch.” This witch’s prophecies are quite unusual in that they are invariably correct, and yet are specific. That is, the prophecies aren’t “right” in the sense that astrologers are often “right” by making vague statements that offer no disprovable propositions. This might lead one to believe that the book would be a marvelous guide for making predictions. However, there is still the issue of having been written centuries ago. Items like automobiles and cellphones, that play a major role in life today, were unfathomable. Furthermore, it’s usually not clear who, exactly, a given prophecy applies to. In short, the medieval writing style results in the fact that the prophecies usually only make sense after the fact.

I’d recommend this book for readers of humorous speculative fiction.

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