BOOK REVIEW: Neil Gaiman’s Neverwhere Adapted by Mike Carey

Neil Gaiman's NeverwhereNeil Gaiman’s Neverwhere by Mike Carey
My rating: 5 of 5 stars

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This is a graphic novelization of one of the greatest urban fantasy novels, ever. While it’s been a while since I read the novel, this adaptation felt true to my memories of the original (one of my all-time favorite novels.) Carey did make a perspective shift from the third-person in the book to first-person in the comic book, but, otherwise, the story is substantially unchanged.

The protagonist is Richard Mayhew, a seemingly preternaturally average middle-class Londoner. Mayhew is going about his life as a suit-and-tie office worker with a domineering fiancé when he almost literally stumbles across a wildly-dressed young woman on the sidewalk. Mayhew’s decision to help the young woman will force him to reckon with a London that exists in parallel to the one he knows, a London of Marquises and angels and monsters and magically-endowed thugs for hire – any (or all) of which may present hazards to his health and well-being. The young woman is the last remaining heir to an important aristocratic family of London Below, and her problems are more dire than being passed out on the sidewalk.

Despite having read the novel, I enjoyed the graphic novel immensely and found it well worth retaking this beautifully rendered trip through the looking-glass into the London that exists beyond our world. This hero’s journey offers a satisfying character arc and many turns and surprises. Even if you’ve read the novel, I’d recommend giving this adaptation a look.

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BOOK REVIEW: Neverwhere by Neil Gaiman

NeverwhereNeverwhere by Neil Gaiman

My rating: 5 of 5 stars

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Neverwhere taps into a reader’s imagination and the fantasy that beyond closed doors and locked grates, beyond the prying eyes of common men, lies something magical—not just the mundane sewers and conduits our rational mind tells us exist there. This magical world is “London Below,” and–to a lesser extent–rooftop London. It’s a world that exists below the workaday London that we know. It’s a London of angels and cutthroats, witches and warriors. It’s a London trapped in time, but unconstrained by the laws of physics or men as we know them.

The lead character is Richard Mayhew, a perfectly normal resident of London Above. He has a fine—if boring—job in the business world, and a fiancé isn’t right for him, but who he believes is close enough for an imperfect world by virtue of her being pretty, smart, and capable.

Mayhew is living an ordinary and comfortable life until he and his girlfriend come across an injured young woman on the street. While his fiancé, Jessica, steps over the girl because the couple are on their way to meet Jessica’s VIP boss, Richard refuses to leave the girl. The injured girl is a resident of London Below, and had collapsed to the sidewalk after escaping from the two London Below master assassins who killed her family. It turns out the girl, Door, is from a family whose magical gift is the ability to open doors—even doors that are locked, sealed, or that no one even recognizes the existence of. As no good deed goes unpunished, Richard’s assistance of Door pulls him into the world of London Below, and he soon finds that he’s almost invisible to the residents of London Above and that he’s been forgotten by Jessica, his friends, and his coworkers.

The rest of the book is a hero’s quest in which Door is trying to discover who ordered the assassination of her family and why, and Richard is trying to find out whether (and, if so, how) he can get back his life in London Above. Because the fates of Richard and Door are intertwined, they travel together along with a bodyguard named Hunter and a Marquis / conman in the debt of Door’s father named the Marquis de Carabas.

I enjoyed this book immensely. It’s highly readable and the reader will be drawn to the fate of the characters. It has that page-turner quality. I’d highly recommend this book for anyone who reads fantasy / speculative fiction–or who doesn’t but is willing to give it a try.

Neil Gaiman is, as always, the master storyteller. When the story calls for humor, it is genuinely funny. When it’s time to be scary, it creates shivers. The storytelling was good enough that I was willing to overlook an ending that—in less capable hands—would have felt flat and too easy.

I didn’t realize that Neverwhere was based on a BBC miniseries. In other words, for a change the book is based on the movie rather than the other way round. However, the book does concisely but vividly portray setting—a task that one might imagine being easier having gone in this developmental direction. And, of course, setting is extremely important in this book. The distinct feel of London Below, London Above, and Rooftop London must be conveyed.

Here is a link to a piece of said BBC miniseries:

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