
My rating: 5 of 5 stars
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This novella is atypical of Hemingway’s work in several ways. It’s one of his earlier works of fiction, so it may stand to reason that his style and genre preferences weren’t yet set. The book parodies certain works and authors and satirizes the conceits and affectations seen in some popular writers of the day. Not that Hemingway’s work is otherwise devoid of humor, but it rarely plays the central role that it does herein. The story also has plot points that feel surreal in their absurdity, which is a variation from Hemingway’s usual dramatic realism. The novella also features a number of fourth wall breaks in the form of “Notes to the Reader.”
The book combines two storylines, each featuring a different worker at a pump factory in a Michigan town. Scripps O’Neill is a writer who comes to town after wandering away from his home down a train line after his wife left him. Scripps goes native in the town, getting a job at the pump factory and marrying a local woman, but he’s perpetually restless. Yogi Johnson is already an experienced worker when Scripps arrives, and he’s shaped by his experience in World War I, which other characters continually question amongst themselves. He ends up wandering out of town down the train tracks in a way that echoes Scripps’ arrival.
The book is funny and quirky and oddly engaging. Some of the humor would probably land better for those familiar with the pretentious writers that were the book’s target, but even if one isn’t familiar with the literature of the era, one will come away with an understanding of how Hemingway viewed said writers.
I enjoyed the book and would highly recommend it for readers of American Literature.
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