Walt Whitman saw the world with its ubiquitous beauty laid bare. He saw it in dock workers & painted ladies & swimmers & walkers & Presidents & paupers. He saw it in every hue & sinew, and danced it into hymns.
Whitman’s Eye [Free Verse]
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bars at your back, and their stripes permanently etched into one's field of vision. so much so, that you feel they're a ubiquitous feature of the world beyond. the cage should be a hated place, but one can grow to love the cage. the cage is shelter. the cage is delivery address for food & water disbursements. the cage forms rollbars -- like on a dune buggy -- protection in the event of a sudden & unexpected crash. the cage offers one a range -- narrow as it might be -- of distances at which one's captor may be kept, and, as long as the cage is shut, that gives one a delightful illusion of control. what a hated place a cage should be, and yet how conflicted are the captives?
Wandering through a new city, I come upon a bridge: its rails loaded with locks. They call them "love locks." It gets me wondering how many locks long outlived the love they memorialized? How many were lust locks -- linked to the bridge before the couple really knew each other's vexing peccadillos? How many were like ill-advised back tattoos, a lover's name - someone one met in Vegas - and whose name one wouldn't otherwise remember, were it not inked across one's spine in a 120-point flame-festooned font?