Drunk, I'd keep a lamp lit to find my sword,
The blare of horns sounded throughout the camp.
Soldiers ate meat under waving banners;
The military band played boisterous tunes.
Autumn brought our troops to the battlefield.
Carried by a charger at full gallop,
My bow thwipped, sending swift arrows flying.
We restored Imperial lands, boldly,
And won great fame for fighting gallantly,
But fame grows thin and gray just like my hair.
Reeds cover the tiny island.
Shallow streams cut through the cold sand.
I see the Southern Tower for
The first time in two decades.
How many days since I moored
Under this willow tree?
Mid-Autumn Festival is almost here.
On the rocks of Yellow Crane,
Do my friends still reside?
This old place has many new sorrows.
If I bought wine and we cast off together,
Could we be young again?
Remember me when I am gone away,
Gone far away into the silent land;
When you can no more hold me by the hand,
Nor I half turn to go yet turning stay.
Remember me when no more day by day
You tell me of our future that you plann'd:
Only remember me; you understand
It will be late to counsel then or pray.
Yet if you should forget me for a while
And afterwards remember, do no grieve:
For if the darkness and corruption leave
A vestige of the thoughts that once I had,
Better by far you should forget and smile
Than that you should remember and be sad.
What makes you feel nostalgic?
In order of frequency: 1.) music; 2.) some random memory; 3.) a pattern of colors.
Twelve o'clock.
Along the reaches of the street
Held in a lunar synthesis,
Whispering lunar incantations
Dissolve the floors of memory
And all its clear relations,
Its divisions and precisions,
Every street lamp that I pass
Beats like a fatalistic drum,
And through the spaces of the dark
Midnight shakes the memory
As a madman shakes a dead geranium.
Half-past one,
The street lamp sputtered,
The street lamp muttered,
The street lamp said, 'Regard that woman
Who hesitates towards you in the light of the door
Which opens on her like a grin.
You see the border of her dress
Is torn and stained with sand,
And you see the corner of her eye
Twists like a crooked pin.'
The memory throws up high and dry
A crowd of twisted things;
A twisted branch upon the beach
Eaten smooth, and polished
As if the world gave up
The secret of its skeleton,
Stiff and white.
A broken spring in a factory yard,
Rust that clings to the form that the strength has left
Hard and curled and ready to snap.
Half-past two,
The street lamp said,
'Remark the cat which flattens itself in the gutter,
Slips out its tongue
And devours a morsel of rancid butter.'
So the hand of a child, automatic,
Slipped out and pocketed a toy that was running along the quay.
I could see nothing behind that child's eye.
I have seen eyes in the street
Trying to peer through lighted shutters,
And a crab one afternoon in a pool,
An old crab with barnacles on his back,
Gripped the end of a stick which I held him.
Half-past three,
The lamp sputtered,
The lamp muttered in the dark.
The lamp hummed:
'Regard the moon,
La lune ne garde aucune rancune,
She winks a feeble eye,
She smiles into corners.
She smoothes the hair of the grass.
The moon has lost her memory.
A washed-out smallpox cracks her face,
Her hand twists a paper rose,
That smells of dust and old Cologne,
She is alone
With all the old nocturnal smells
That cross and cross across her brain.'
The reminiscence comes
Of sunless dry geraniums
And dust in crevices,
Smells of chestnuts in the streets,
And female smells in shuttered rooms,
And cigarettes in corridors
And cocktail smells in bars.
The lamp said,
'Four o'clock,
Here is the number on the door.
Memory!
You have the key,
The little lamp spreads a ring on the stair;
Mount.
The bed is open; the tooth-brush hangs on the wall,
Put your shoes at the door, sleep, prepare for life.'
The last twist of the knife.
Two hikers on a mountain trail
pass a solitary Poppy.
One remembers a lost loved one;
one, feeling high and floppy.
What major historical events do you remember?
From the Iranian Hostage Crisis onward, pretty much all of them â given they were considered âmajorâ in whatever place I was living at the time.
My days are out of joint and shuffled up, and memories are pictures cast upon the floor, and rummaged through 'til chaos reigns, and I pick random recollections out of all the events ever to transpire. They seem no more my life than another's: a glance, a glimpse, a blank firing of mind, a wicked hope that truth will come to me. But all I see are monochrome mindscapes that could've been wrenched out of another mind, or made from AI's collage artistry to serve some distant master's deep wish to learn what hot-injected time does to a soul, and if shuffled scene stacks can make one whole?
When I was a child,
for a time,
the bridge was out.
They were replacing the rusty
iron trestle bridge
with a thick-slab concrete
monstrosity.
I could go down to the river,
and I could see the
scarred and marred
construction site,
& the big yellow machines
that sat dormant on the weekends.
But one couldn't cross the river --
not unless one was willing to get wet,
and was a better swimmer than I
(and it was autumn & the water cold.)
It was a strong current that swept
along between two steep banks.
It was not a great distance,
nor were they violent waters.
But that brown water moved with
such smooth swiftness.
I dream about the time the bridge was out,
now & again,
and wonder what it was
about those weeks
that still has meaning to my mind.
Words memorized rote are a meal wholly undigested, That's why memorization is utterly detested. Rote learning is, somehow, bloating and yet never filling. One takes it all in by way of monotonous drilling, but while you're still filling your cup you're already spilling. You pass your test and purge it all. It's so unfulfilling. If I may, please let me suggest that here's what you should do: get the gist, play with it, and find out what it means to you.
Tiger Riding for Beginners 