BOOK: Transient Worlds by Arthur Sze

Transient Worlds: On Translating PoetryTransient Worlds: On Translating Poetry by Arthur Sze
My rating: 5 of 5 stars

Publisher Site — Copper Canyon

Release Date: April 14, 2026

Just as people are fond of saying, “the book is always better than the movie,” there is an idea — widely accepted as truism — that goes, “a translation can never be as good as its source poem.” I don’t buy either of those views, but there’s certainly truth to the notion that a poetic translation can never perfectly echo style, tone, sound quality, and meaning at once. Each language is unique, and the more different two languages are the more one has to make decisions about what one will emulate and what one will craft. It’s also true that any translation will represent a drift away from the culture of the original (which is not identical to being worse.) In short, any poetry translation that seeks to be good had better be a work of art unto itself.

The current US Poet Laureate (as of this writing,) Arthur Sze, has written a book to help readers intelligently navigate the troubled waters of poetic translation. Sze certainly has insight, having not only translated Chinese poems himself, but also being Professor Emeritus at the Institute of American Indian Arts, he has multiple cultural lenses with which to view poetry.

This book consists of fifteen chapters exploring poems and poetry excerpts from around the globe — and their translations. The twelve diverse source languages include: Chinese, Navajo, French, Ancient Greek, Hebrew, Danish, and Russian. The original poets include Tao Qian, Guillaume Apollinaire, Homer, Kobayashi Issa, Pablo Neruda, Marina Tsvetaeva, Aime Cesaire, Najwan Darwish, and Mirabai. Many of the chapters include multiple translations, offering the reader a means to see how different translators take to the task. Others offer only a single translation but turn their attention to specific considerations of translation. In one case, there is an interview with the translator. I enjoyed this varied approach to the exploring the topic. It made for a book with zero monotony and many facets.

If you are a poet or a poetry reader who enjoys reading poetry from varied languages or source languages, I’d highly recommend this book.

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Peach Blossoms [Lyric Poem]

Photograph of Peach Blossoms taken in early March in Atlanta's Piedmont Park.
I see the Peach Blossoms of Spring,
And think of old Li Bai’s answer.

In wordless replies, the world sings;
In unpeopled worlds, there’s a dancer.

The referenced poem by Li Bai [李白] is entitled Question and Answer in the Mountains [山中问答] and is crudely translated as:

I'm asked why I live in mountains.
I laugh while giving no reply.

Peach Blossoms flow from sight & mind;
Beyond men, another Earth & Sky.

Or, in Chinese:

问余何意栖碧山,
笑而不答心自闲。

桃花流水窅然去,
别有天地非人间。

“Drinking Wine, no. 5” [饮酒·其五] by Tao Qian [陶潜] (a.k.a. Tao Yuanming [陶渊明])

Taken in Hartwell, Georgia.
I live amid a busy town,
But traffic sounds are never heard.

How can this possibly be true?

Deep in the mind, all is remote.

Picking 'mums by the eastern fence,
I peer at distant South Mountains.
Sunset flares in garish color.
Birds flock home in lines and clusters.
The scene conveys some great meaning,
But words to express it fail me.

NOTES: “Drinking Wine, no. 5” [饮酒·其五] is one of Tao Qian’s [陶潜] “Twenty Poems on Drinking Wine” [饮酒二十首.] It is the best-known piece from the collection. The original poem in Simplified Chinese script is:

结 庐 在 人 境,
而 无 车 马 喧.
问 君 何 能 尔?
心 远 地 自 偏.
采 菊 东 篱 下,
悠 然 见 南 山.
山 气 日 夕 佳,
飞 鸟 相 与 还.
此 中 有 真 意,
欲 辨 已 忘 言.

I’ve started reading a review copy of Arthur Sze’s Transient Worlds (from Copper Canyon Press, due out April 14, 2026.) The first chapter discusses this poem and various translations of it, encouraging readers to make their own translation. This is mine. For more information about the book, see: https://www.coppercanyonpress.org/books/transient-worlds-arthur-sze/

BOOK: “The Emperor in Hell” [Book 5 of the “Journey to the West” Series] ed. by Jeff Pepper; trans. by Xiao Hui Wang

The Emperor in Hell: A Story in Simplified Chinese and Pinyin, 600 Word Vocabulary LevelThe Emperor in Hell: A Story in Simplified Chinese and Pinyin, 600 Word Vocabulary Level by Jeff Pepper
My rating: 4 of 5 stars

Publisher Site – Imagin8 Press

This is the fifth volume in a series that abridges and simplifies the classic Chinese novel, Journey to the West, so that it can be read by a language learner with about a HSK 3 grasp of Chinese. It tells the story from Chapters 10 and 11 of the original novel. Like the preceding volume, this one doesn’t deal with Sun Wu Kong (i.e. the Monkey King — protagonist of the novel overall,) and doesn’t even deal with the monk Xuanzang — the protagonist of the true story on which the novel was based.) These chapters tell a story that feels like a diversion, though it will be involved in the segue back to the actions of the main cast.

In this book, the Jing River Dragon King gets in trouble when he makes a bet with a fortune-teller. The Dragon King has to cheat to save his pride, but this runs him afoul of the Jade Emperor. The Dragon King appeals to the human Emperor, Taizong, who agrees to help. When wires get crossed, Taizong ends up in the underworld for judgement. With the help of others and with promises made, Taizong is allowed to return to earth.

It’s an interesting story and gives some insight into Chinese mythology. As is always the case with a book such as this, events of the story must be cut or rushed. Readers may vary in their views about whether the right material was cut or thinned.

I continue to enjoy this series. This book was a little more challenging to read than earlier volumes, not because the vocabulary was harder. I think it was more that contextual cues were fewer, owing to it not being so tightly tied to the overall story.

If you’re just learning to read Chinese, I’d recommend this series as an interesting story made readable to a language learner.

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BOOK: “Stories and Myths of Eight Immortals” Trans. by Li Yanjia and Nathaniel Hu

Stories and Myths of Eight ImmortalsStories and Myths of Eight Immortals by Anonymous
My rating: 3 of 5 stars

Available online – Internet Archives

This is a fine collection of stories about the adventures of the Eight Immortals (mostly as individuals, but with a few stories that feature the whole group.) There are twenty-eight chapters, but a few less than that of stories because the first chapter is an introduction to the Eight Immortals, and there are a couple of chapters at the end that discuss the origins of cultural artifacts associated with the Eight Immortals.

The stories are pulled from varied sources. I would give the stories a five, but this edition is loaded with grammatical mistakes — to the point of being distracting and unpleasant to read. It reads not like a present-day Google Translate translation, but rather as if it was being spoken by someone with an uneven (remedial to elegant) grasp of English. [Not everywhere, but enough to be problematic.]

The stories themselves are engaging, often have moral, and are quick reads (mostly a page, a few more than three pages.)

If you can tolerate reading through patches of bad grammar, this is not a bad collection of stories and information about the Eight Immortals, but if it’s too much to stomach, you might want to look elsewhere. The stories themselves are widely available, though not necessarily in English and, if so, not necessarily collected into a single volume. With editing, this would be an excellent collection of stories.

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BOOK: “The Dragon King’s Daughter” Trans. by Yang Xianyi and Gladys Yang

The Dragon King's Daughter: Ten Tang Dynasty StoriesThe Dragon King’s Daughter: Ten Tang Dynasty Stories by Gladys Yang
My rating: 5 of 5 stars

Google Book Site

This thin anthology contains ten stories from varied writers of the Tang Dynasty. The stories include a mix of speculative fiction, political fiction, and love stories — some being cross-genre pieces that mix elements of more than one of these categories.

I found a wide variation in how engaging the stories were. The best of them were quite good. The Spendthrift and the Alchemist, The White Monkey, and the titular The Dragon King’s Daughter were among my favorites. Each of those stories included a supernatural element, but also a thought-provoking premise.

If you enjoy Tang Dynasty literature and would like to try some of this golden literary age’s short fiction, this book is a quick and pleasant read.

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BOOK: “The Young Monk” [Vol. 4 of the “Journey to the West” Series] ed. by Jeff Pepper / trans. by Xiao Hui Wang

The Young Monk: A Story in Simplified Chinese and Pinyin, 600 Word Vocabulary (Journey to the West Book 4)The Young Monk: A Story in Simplified Chinese and Pinyin, 600 Word Vocabulary by Jeff Pepper
My rating: 5 of 5 stars

Publisher Site — Imagin8

This book, Volume 4 of the Journey to the West series, takes a turn from the books thus far. While the first three volumes (Ch. 1-7) focus on Sun Wukong, the Monkey King, this volume leaves him under the mountain where the last volume left him, and — instead — focuses on the origin story of Xuanzang — the monk who is sent by the Buddha to India to get scriptures in the original book — based on the real-world monk who did travel to India to complete the selection of Buddhist scriptures available to Chinese Buddhists.

The monk’s story might not sound like it would be as thrilling as that of the superpowered immortal monkey, but it’s a gripping tale. The story begins before Xuanzang is born and ends in his eighteenth year. So, before he is assigned to travel West to get scriptures.

As I’ve said in earlier reviews, I really like the approach of this series. It has Simplified Chinese script, pinyin, an English translation, and a full glossary of terms used, and it’s organized so as to facilitate reading by a language learner.

I continue to recommend this series for language learners who need a linguistically simplified text to be able to read.

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BOOK: “The Ruins” by Ye Hui [Trans. by Dong Li]

The Ruins: PoemsThe Ruins: Poems by Hui Ye
My rating: 5 of 5 stars

Publisher Site — Deep Vellum

This is a Chinese-English bilingual edition of Ye Hui’s first poetry collection. The poems use stark imagery with occasional instances of philosophizing and surreal statements to create a vivid and provocative set of poems.

As I’m learning Chinese, it was nice to have the original poems in Simplified Chinese script next to the English translations. While I’m not up to a reading level sufficient to taking on Modern Poetry (any poetry for that matter,) it was useful to peruse the Chinese text. I did appreciate how much vibrance the author wrings out of a relatively simple vocabulary.

I’d highly recommend this collection for poetry readers.

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BOOK: “The Immortal Peaches” [Vol. 3 of “Journey to the West”] Ed. by Jeff Pepper / Trans. by Xiao Hui Wang

The Immortal Peaches: A Story in Simplified Chinese and Pinyin, 600 Word Vocabulary (Journey to the West Book 3)The Immortal Peaches: A Story in Simplified Chinese and Pinyin, 600 Word Vocabulary by Jeff Pepper
My rating: 5 of 5 stars

Publisher Site – Imagin8

This is the third volume in this Journey to the West series aimed at language learners. It covers Chapters 5, 6, and 7 of the book, which includes events from Sun Wukong’s return to heaven acknowledged with the title “Great Sage Equal to Heaven” through the conflicts that result from his lack of control and decorum to Buddha’s bet with Monkey King.

I’ve enjoyed this series. The pinyin is interspersed with an abridged and linguistically simplified Chinese telling of the story on a paragraph basis, and the English translation is at the end. This allows one relatively quick access to the pinyin without continually cheating by stray glance. Also, one can determine whether one wants to read the English translation before or after reading the Chinese, as is appropriate to one’s level and language learning strategy. The book also has a glossary of all the Chinese words it uses, and the words beyond the most basic (beyond HSK3, or so) are footnoted. (I read on kindle, so looking up translations of any words is as quick as highlighting them.)

This is a great language learning tool, featuring one of Chinese literature’s most engrossing stories. I’d highly recommend it for those learning Mandarin Chinese with Simplified script.

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BOOK: “Golden Treasury of Quatrains and Octaves” [i.e. 千家诗] Trans. by Xu Yuanchong and Xu Ming

Golden Treasury of Quatrains & OctavesGolden Treasury of Quatrains & Octaves by Xu. Yuanchong (translator)
My rating: 5 of 5 stars

Publisher Site — China Translation Corp

This is the bilingual (Chinese-English) edition of an anthology of Tang and Song Dynasty poems commonly known in Chinese as 千家诗 (it has a much longer formal title,) which was jointly translated by Xu Yuanchong and Xu Ming (no relation.) The book is organized into four parts by the form of poem: 7-character line quatrains, 7-character line octaves, 5-character line quatrains, and 5-character line octaves. The anthology includes poems by Li Bai, Du Fu, Wang Wei, Meng Haoran, Jia Dao, Ouyang Xiu, Yang Wanli, Su Shi, and many other important Tang and Song poets — from Emperors to Hermits. That said, while the aforementioned Chinese title suggests there are works of a thousand poets involved, that’s an exaggeration. (And that’s probably all the better. While this was the golden age of Chinese poetry, going that wide into surviving poetry might involve hitting the dregs.)

Each entry has a title, byline, the poem in Simplified Chinese script and pinyin (Romanized phonetic script,) an English language translation, notes in Chinese, and a line or two of commentary in English. All but the seven-character line octaves take up just one page per poem. (Seven-character line octaves take two pages per poem.)

This is a great anthology. There’s an introduction to give insight into what approach the translators took. They stuck to rhyming verse to emulate the originals in form, but more can be learned from the introduction.

I’d highly recommend this anthology for poetry readers.

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