There is a vast amount of vampiric fiction available today, and no small amount of it focuses on the character of Dracula. This graphic novel sets itself apart by building the story on real world events (such as they are known, and with dramatic license to make the story exciting and the imagery evocative.) At the risk of turning people off (but not intending to,) I would go as far as to say this book leads with history, and makes the supernatural secondary. I actually liked that about it. When I say the supernatural is secondary, it’s not like its eliminated from existence or that it’s purely garnish. There are dragons and vampires, but a story exists with or without those elements.
A story of war and political intrigue in what is now Romania is bookended by the depiction of a meeting between Vlad Dracula and three clergymen. In the opening, Vlad is telling the priests that he is about to let them in on the truth of his story, which they have no doubt heard in mythologized form. At the end, he asks the clergymen to tell him whether he will be allowed into heaven. The body of the story is a flashback from the meeting with the priests. It splits focus between Vlad’s father, who is working to keep his domain under his control by playing the ends against the middle vis-à-vis his Roman Catholic neighbors (notably Hungary) and the Ottoman Empire, and the story oft Vlad, himself. Vlad is a young man. He and his brother are sent to Scholomance (a kind of Slavic Dark Arts Hogwarts) and later become prisoners of the Ottomans.
I thought the artwork was easy to follow and stylistically appealing enough. Some of the frames in the ancillary material at the back were truly beautiful. I often disregard the back-matter in comics because it usually amounts to little more than discussion of how the drafts changed over time – i.e. offering insight into the sausage-making of the book. However, this book had an extensive Notes section that I found fascinating and useful because it explained how points in the book compared with known history. Some of the points that I assumed were pure fiction had a factual basis. Sable also related points to Bram Stoker’s “Dracula.” The creators tried to be consistent with Stoker’s book, as well as with history, when they could. The former wasn’t so hard because readers of Bram Stoker’s will recognize that the titular character is kept largely a mystery, particularly with regard to his backstory.
If you are interested at all in the historical and mythological basis of the Dracula vampire, I’d recommend this book. As I said, the notes will give you a good idea of what was known to be true, what is complete fiction, and what is a kernel of truth enveloped in story sensationalism. Obviously, all the supernatural elements are pure fiction, and also there is a lot that remains unknown, but this graphic novel provides an interesting take on the origins of Vlad Dracula.