There was a rich businessman from Japan who'd always wanted to be his country's Batman. But his civil city was not Gotham-gritty, and the cape made him look like a madman.
Japan Limerick
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Category Archives: Japan
Noda City Limerick
There was an executive from Noda, a member of the class, high bourgeois. He was the big boss over all the soy sauce, but when he told people, they heard, "Blah, blah, blah!"
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DAILY PHOTO: Chiyoda Castle
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BOOK REVIEW: A Stranger in Tibet by Scott Berry
A Stranger In Tibet: The Adventures Of A Wandering Zen Monk by Scott BerryMy rating: 5 of 5 stars
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This book tells the story of a Japanese Zen Buddhist monk, Kawaguchi Ekai, who traveled to India, Nepal, Lo (now Upper Mustang,) Sikkim, and Tibet in the early years of the twentieth century in search of Buddhist scriptures and teachings. His ultimate goal was Tibet, which he’d heard had the complete Buddhist canon in Tibetan. However, at that time, Tibet (like some of the other nations he traveled through) was xenophobic and strictly controlled / prohibited movements of foreigners, sometimes under penalty of death. This necessitated Kawaguchi first spending a year-and-a-half in Darjeeling to become fluent in Tibetan, and then using a range of disguises to facilitate travel. There was a book published after Kawaguchi’s trip entitled, “Three Years in Tibet,” but there are reasons why one might prefer Berry’s work, reasons that will be addressed below.
Kawaguchi was an interesting figure, a skilled polyglot, a fast thinker, and an iron-willed pursuer of truth. He was also bigoted and held uncompromising moral beliefs upto which few could live. The travelogue is sometimes comic, sometimes tragic, but always interesting. Sometimes Kawaguchi comes across as a Buddhist Don Quixote, but other times he’s a valiant scholar / adventurer.
As for why one might enjoy reading Berry’s account better: first, “Three Years in Tibet” is rather bloated and wasn’t written directly by Kawaguchi but rather by way of journalists. Second, Berry explores the truth behind some of the intolerant and sectarian views of Kawaguchi. Third, Berry offers broader context into the intrigues and geopolitics of the times that led to the shunning of foreigners in the first place.
This book delves into a fascinating time in a little-known part of the world, and it’s a compelling read throughout. I’d highly recommend it for those interested in learning more about the region and its past.
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Raging Tengu [Haiku]
i walk a calm street,
but find myself facing
a rabid Tengu
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BOOK REVIEW: Monkey: New Writing from Japan: Vol. 2: Travel ed. Ted Goosen & Motoyuki Shibata
MONKEY New Writing from Japan: Volume 2: TRAVEL by Ted GoossenMy rating: 5 of 5 stars
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Out: December 28, 2021
This anthology of travel-themed short writings by prominent Japanese authors includes: short stories, essays, poems, excerpts from longer works, and even an illustrated story [i.e. “The Overcoat” by Satoshi Kitamura.] The nature and degree of travel varies considerably with some pieces being travelogues or setting-centric fiction, but other pieces explore travel in a more symbolic sense (e.g. “Hell” by Kikuko Tsumura or “Decline of the Aliens” by Hideo Furukawa.] And one piece, “Cardboard Boxes and Their Uses” by Taki Monma deals more with the topic of being shut in, so it might be considered a study in travel through its absence.
The anthology includes works by literary stars such as Mieko Kawakami, Haruki Murakami, and Yasunari Kawabata, and showcases translation by some of the most well-know translators of Japanese literature. [The edition ends with a dozen brief statements by translators about what they have found particularly daunting to translate — not necessarily because the literal translation is difficult but because the elegance of the origin language can be lost to clunkiness in the translated language.]
Among my favorite pieces were “The Dugong” (a historical fiction story with a “Journey to the West” feel to it,) Haruki Murakami’s essay entitled “Jogging in Southern Europe” (which anyone who’s ever exercised amid people who don’t exercise will find amusing,) “Five Modern Poets on Travel” [particularly the tanka of Kanoko Okamoto and the haiku of both Hisago Sugita and Dakotsu Iida,] and “Every Reading, Every Sound, Every Sight” by Jun’ichi Konuma. That said, I don’t think there was a clunker in the bunch, each piece was well-composed and translated, and I’d highly recommend reading this book.
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BOOK REVIEW: The Three-Cornered World by Natsume Sōseki
The Three-Cornered World by Natsume SōsekiMy rating: 5 of 5 stars
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This novel was originally entitled Kusamakura or “Grass Pillow,” and it’s the Alan Turney translation that bears the title The Three-Cornered World. Turney drew from a concept that Natsume presents in the book – i.e. that an artist lives in the triangle created by the collapse of a corner called common sense. It’s a poetic and philosophical novel that is very much character-centric. In other words, if you must have an intriguing story, this book is not so much for you. However, if you find ideas and clever use of language appealing, you’ll love it.
The premise is that an artist takes retreat in the mountain countryside, and becomes infatuated with a local woman with a storied past. As the book tells us of the artist’s experience, it discusses aesthetics, the philosophy of art, and the place of emotion in artistic experience. This book is often compared to Bashō’s travelogue (i.e. Narrow Road to the Deep North) as it involves a great deal of elegant imagery and the occasional interspersed poem.
While the book is light on story, I was wowed by the author’s thought process and his use of language. While I’ve never read the original in Japanese, Turney’s translation is beautiful writing in its own right and I suspect it captures the sparse beauty for which Natsume’s work is famed. It is definitely worth reading.
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DAILY PHOTO: Rainy Day at Tōshō-gū Shrine in Ueno Park
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BOOK REVIEW: Basho’s Haiku Journeys by Freeman Ng
Basho’s Haiku Journeys by Freeman NgMy rating: 4 of 5 stars
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Out: October 19, 2021
The first thing a prospective reader should be clear about is that these aren’t Basho’s haiku. Basho wrote travelogues in haibun (a spare form of prose typically matched with one or more haiku,) and so one might expect the poems to be from them. On a related note, while all of the poetry is haiku in form, not all of it is haiku in substance. That is to say, it’s all presented in a three-line 5 – 7 – 5 syllable format, but some of it reads like a prose description of events chopped up into 5 – 7 – 5 syllable bit-sized pieces. That’s not to say that there aren’t many poems that do have the feel of true haiku, presenting spare natural imagery juxtaposed but not explained, analyzed, or judgement-laden. It seemed like the further into the book I got, the more of the poems felt like proper haiku.
It is a children’s book, so I don’t think it’s a major concern that it focuses on the most rudimentary elements of haiku (i.e. syllable count and nature imagery) at the expense of subtler elements. The Zen nature of Basho’s haiku might be challenging for a young reader. I addition to the colorful and whimsical artwork, showing prominent places from Basho’s travels, there is a single page explanation of haiku to help get kids writing their own.
If you’re looking for a book to get a child interested in nature, haiku, or travel, you should give this one a look.
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After Midnight [Haiku]
after midnight the city transmogrifies; birthed anew at five
the !n(tro)verted yogi 