BOOKS: “Water Margin” by Shi Nai’an

Outlaws of the marsh (the Water Margin)Outlaws of the marsh by Shi Nai’an
My rating: 5 of 5 stars

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Water Margin is one of the four classic Chinese novels. The English language translations of the novel go by many names, but in Chinese it’s called Shui Hu Zhuan (i.e. 水滸傳.) The book tells a tale of war and brotherhood in a world in which a person’s virtue and his station in life are often topsy-turvy. It’s one of the most engaging pieces of fiction I’ve read in some time. While it’s a sprawling epic (close to a thousand pages in the unabridged translation,) it draws the reader in and keeps one reading by way of clever plotting and intense intrigues.

The story revolves around 108 individuals of varied checkered pasts who end up together as a band of outlaws in the Liangshan Marsh (hence, one of the most common translated titles is “Outlaws of the Marsh.”) Under the leadership of an exceptionally virtuous and beloved leader, Song Jiang, these outlaws are united into, first, a band of outlaws and, later, (having been pardoned by the emperor) as an incomparable military force that quells threats to the nation.

About the first half of the book consists of the individual stories of the most central of the 108 outlaw chieftains. The next quarter of the book describes their time together as outlaws and, particularly, how they repeatedly defeated government attempts to crush their band. The final quarter of the book is about the band’s Imperial service: first in defeating Tartar invaders from the North and then in crushing a kingdom that arose in the south by uprising of a self-declared king.

If the reader is thinking that 108 primary characters is too many to contend with, I would say that: a.) there are a small set of characters that are so substantially discussed and developed that you’ll be able to always keep them straight; b.) not all of the 108 are crucial to keep straight to follow the flow of the story, but c.) yes, it is not easy to keep them all straight — particularly for a non-Chinese reader who will find a number of the names quite similar (e.g. Wu Yong and Wu Song.)

I should note that the book can be extremely visceral, too much so for some readers. This intensity largely has to do with the stories involving one of the chieftains, Li Kui. Li Kui is the worst. He has a horrific temper, a blood lust, is completely out of control, and almost always turns anything he touches into a bloody mess. His only saving grace is that he recognizes in Song Jiang’s virtue something that must be followed, such that he does his level best to do anything Song Jiang tells him to and (often more importantly) not do whatever he is told not to do. Many readers will hate Li Kui, finding him completely despicable. However, there is a good chance that thinking about why Li Kui is kept around and tolerated after constantly fouling things up will be a productive thought exercise for those who can get through the gore. One may want to consider that question in relationship to the fascinating fact that Song Jiang, the undisputed leader who all the men insist take the position of head chieftain, is the only member of the band who has no kung fu. The other 107 chieftains are all martial arts masters-extraordinaire, most with specialties in particular weapons or tactics.

I won’t say there aren’t clunky plot devices and repetitive elements, but they didn’t bother me much for a few of reasons. Firstly, this novel is from the fourteenth century, and — given that — the readability and emotional resonance of the book is phenomenal. Secondly, I have no way of knowing how much the cheapening plot devices are a product of the original versus of the translation. Finally, those elements are more than made up for by skilled story crafting.

I’d highly recommend this book for all readers who can feasibly get through an 850-page novel with hundreds of characters. Martial artists and travelers may find it of particular value.


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PROMPT: Teacher

Daily writing prompt
Who was your most influential teacher? Why?

By the measure of having taught still useful lessons about HOW to think (those who taught me WHAT to think are largely forgotten along with their lessons,) that would be a tie between my 11th grade Psychology teacher and an undergrad Religious Studies professor. The former, among other ideas, first exposed me to what I would come to believe is the most important lesson of human existence under his label of the “gestalt of expectations.” [I’ve never heard anyone else refer to it as such, but the lesson was sound and I would latter find it in philosophies from Buddhism to Stoicism.] The latter teacher, among other ideas, exposed me to two common opposing modes of fallacious thinking, what he called “the outhouse fallacy” and “the first-est is best-est fallacy” (he was a folksy, if erudite, professor.)

In terms of personal growth and development, generally speaking, there are numerous teachers of martial arts, yoga, and other mind-body practices that are incomparable and thus unrankable. Not to mention, a sound argument can made for the repugnantly unhumble statement that I am my most influential (and most important) teacher. (I state this claim not as though I am unique, but as one that could apply to anyone.)

Five Wise Lines (March 2024)

We are pattern seekers, believers in a coherent world, in which regularities appear not by accident but as a result of mechanical causality or someone’s intention.

Daniel kahneman; Thinking, Fast and slow

If you win, do not boast of your victory; if you lose, do not be discouraged. When it is safe, do not become careless; when it is dangerous, do not fear. Simply continue down the path ahead.

Kanō Jigorō; Founder of Jūdō

A writer makes new life in the void, knocks on silence to make a sound, binds space and time on a sheet of silk and pours out a river from an inch-sized heart.

Lu Ji; Wen Fu (261 – 303)

The worst kind of Virtue never stops striving for Virtue, and so never achieves Virtue.

Laozi

Moonlight floods the whole sky from horizon to horizon. // How much it can fill your room depends on its windows.

Rumi

BOOKS: “Judo Unleashed!” by Neil Ohlenkamp

Judo Unleashed!: The Ultimate Training Bible for Judoka at All Levels (Revised and Expanded Edition)Judo Unleashed!: The Ultimate Training Bible for Judoka at All Levels by Neil Ohlenkamp
My rating: 5 of 5 stars

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Release Date: July 9, 2024

This is a new and revised edition of a book that has been on the market for many years. It provides an overview of the sport and martial art of judo, with particular emphasis on the competitive version of the art. It does discuss the self-defense philosophy and approach of judo in broad brushstrokes, but the techniques that are discussed (and shown) individually are the competition-legal ones. The book does take a no-nonsense approach and focuses on a straight-forward delivery of the most crucial information for a general reader.

The book’s organization is as one would expect of a martial arts guide: an introductory overview, a detailed breakdown of the techniques by type (i.e. throwing, grappling, groundwork,) and a brief closing (i.e. “where do we go from here”) section. Among the book’s useful features is that Ohlenkamp often tells the reader which judoka were particularly noted for their adeptness with a given technique as he presents said technique. This gives the reader wanting a little more insight the opportunity to do some internet research for video clips of that particular judoka doing the technique in question.

The book has a large number of color photos that are clear and present the gist of each technique in mid-action. It also has extensive appendices discussing rules and the formally accepted techniques of Kodokan Judo.

I found this book useful and would recommend it for those interested in judo, whether as a potential student or to compare and contrast it with other grappling sports / martial arts.

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Riverly Staff [Free Verse]

Simplicity.

It flows.
 It crashes.

It employs only
 as much effort as
  conditions dictate.

It does not rush
 in a panic.

While straight,
 its movements seem
  whip-like.

When possible,
 it moves straight,

But it rolls around or over
 any obstacle.

If follows the course,
 but also carves
  the course.

Its movement, inexorable.

BOOKS: “Miyamoto Musashi’s Book of Five Rings: The Manga Edition” art by Koji Kondo; trans. by Makiko Itoh

Miyamoto Musashi's Book of Five Rings: The Manga Edition: Japan's Legendary Book on Samurai Military StrategyMiyamoto Musashi’s Book of Five Rings: The Manga Edition: Japan’s Legendary Book on Samurai Military Strategy by Miyamoto Musashi
My rating: 5 of 5 stars

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Release Date: April 30, 2024

As readers may suspect, this isn’t simply a graphically illustrated edition of The Book of Five Rings. That book, being written as an instructional manual, doesn’t lend itself to a literal manga adaptation. Rather, this work is a graphic novelization that puts Musashi’s strategic masterwork into a narrative context. While it does share many strategic and philosophical ideas from The Book of Five Rings, it’s more a telling of the story of how the manual came to be and how it was transmitted out into the world. It tells this story primarily by exploring how Musashi came to have three apprentices, and how he went about teaching them the lessons encapsulated in the manual. It also delves into Musashi’s most famous duel, the Ganryū-jima battle against Sasaki Kojirō, an event that formed a turning point in Musashi’s life.

I found this manga to be engrossing and highly readable. It is well worth reading, even if one has read one or more translations of The Book of Five Rings. The translation of ideas seemed clear and consistent with my understanding of Musashi’s worldview. I’d highly recommend this manga for readers interested in the history of martial arts, biographies of intriguing individuals, as well as strategic and philosophical ideas.

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BOOKS: The Shaolin Workout by Shi Yan Ming

The Shaolin Workout: 28 Days to Transforming Your Body and Soul the Warrior's WayThe Shaolin Workout: 28 Days to Transforming Your Body and Soul the Warrior’s Way by Yan Ming
My rating: 4 of 5 stars

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This book presents an exercise regimen based on Shaolin Kung fu as taught by a prominent New York City martial arts teacher. The book moves from gentle joint articulations suitable for anyone through to movements that require some degree of flexibility and athleticism. The sequence is presented in such a way as to build on itself, adding a bit more each time until one is doing the entire sequence.

Interspersed with the descriptions of the physical exercises are meditations, mostly of a contemplative nature. The illustrations are color pictures and provide the sequences of movement, though the textual descriptions will be necessary in many cases to clarify the transitional movements. There are a number of full-page color plates that are very well shot, though mostly for aesthetic (versus educational) purposes.

The book is probably the most pep-talk laden book I’ve ever read. That said, there’s not much discussion of modifications or capacity building for individuals who are incapable of doing the full expression of the techniques.

The practices often reminded me more of yoga than of martial arts. There are many deep stretches and low positions, e.g. similar to Warrior I (Virabhadra I.) It’s true that there are punch and kick movements, but they are done in more of a range-of-motion building way than as one would in combative arts.

It is an interesting set of movements, and I’d recommend it for those who like to work with unconventional workouts and movement systems.

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PROMPT: Physical Exercise

What is your favorite form of physical exercise?

I play no favorites. I love calisthenics, yogasana, running, swimming, functional movement, movement drills (e.g. martial arts,) etc.

I do have least favorites though, and – collectively – those are exercises where I have to go somewhere in particular to have access to some specialized equipment. So, for example, I don’t care for weight lifting or using ellipticals or climbers, etc. (I still enjoy the exercise well enough, but it’s more hassle than it needs to be.)

My whole equipment inventory consists of a yoga mat, a pull-up / dip apparatus, and a few resistance bands, and I can make do without those quite nicely — e.g. when traveling.

BOOKS: Hadaka-Jime by Moshé Feldenkrais

Hadaka-Jime: The Core Technique for Practical Unarmed CombatHadaka-Jime: The Core Technique for Practical Unarmed Combat by Moshé Feldenkrais
My rating: 5 of 5 stars

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This is an interesting little book. I’m not sure how much stock I put in its utility, but the idea of it intrigues me. That idea is a system of self-defense built around a single technique, in this case hadaka-jime — i.e. the rear naked choke. (For non-martial artists, the “naked” is based on the fact that it works with or without a gi [coat] — i.e. it doesn’t require gripping the lapels or other cloth as many chokes in jiu-jitsu do. So, get your mind out of the gutter.) When I say “a single technique,” I’m talking about that technique being applied against a variety of unarmed, knife, and bayonet attacks — hence this being a book-length endeavor. Another way of looking at this central idea is an attempt to maximize muscle memory building efforts — i.e. by having a less extensive body of techniques one can more heavily drill a few basics rather than an elaborate set of complicated moves. As Bruce Lee said, “I fear not the man who has practiced 10,000 kicks once, but I fear the man who has practiced one kick 10,000 times.”

I should point out that the version of hadaka-jime that Feldenkrais uses isn’t the one that I was taught, and I suspect that will be true for most readers. If you learned to have the crook of the choking arm in line with the opponent’s windpipe and have that arm’s hand tucked into the crook of the opposite hand (forming a triangular choke,) then Feldenkrais’s variation will seem strange. Feldenkrais’s variation seems to be both more brutal (because it drives the bone of the forearm against the windpipe) and more vulnerable (because one’s hands aren’t as well tucked in and the structure isn’t as self-reinforcing as the triangular variant, which is quite difficult to contend with even for a recipient who is much stronger.) All that being said, one could easily apply the same set ups for the more popular variant, one just has to move a little deeper.

As I say, I have mixed feelings about this single technique approach. On the one hand, one can see successes like Ronda Rousey had while using juji-gatame (a cross-body ground-based armbar) repeatedly. On the other hand, everyone had to suspect the days of that success were numbered as other fighters knew exactly for what they needed to prepare.

It’s a short and simple book, the chapters arranged by types of attack. It has adequate pictures to get across what Feldenkrais is trying to convey. Those interested in martial arts and self-defense may want to check it out.

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