BOOK REVIEW: Functional Training Anatomy by Kevin Carr & Mary Kate Feit

Functional Training AnatomyFunctional Training Anatomy by Kevin Carr
My rating: 4 of 5 stars page


Exercise regimens that improve the body’s ability to coordinate movements in order to carry out particular actions relevant to the exerciser’s life have increasingly come to be valued in recent years. (Traditionally, fitness regimens often focused on one muscle / body part at a time without an eye toward whether the strengthened muscles worked well together when applied to the required motion – or sometimes regimens focused entirely on how the muscles look.) This book is designed to show muscle activation for a wide range of functional fitness training exercises. It is one volume in a series of anatomy for sports / exercise books put out by the publisher, Human Kinetics.

Each exercise under discussion features an anatomical cut-away drawing showing the muscles that are working, as well as a list of the primary and secondary muscles, a diagram showing which planes are being worked in during the exercise, a step-by-step description of how each exercise is performed, and a brief discussion of what functionality is improved by doing the exercise in question — always with a supporting drawing of a relevant action / motion. Some of the exercises offer a variation.

The book consists of nine chapters. The first chapter gives an overview of what functional training is (and how it contrasts with other approaches,) and provides the necessary background to understand the exercises explanations (e.g. the planes of the body,) the rationale for what exercises are included, and what must be kept in mind with this approach to exercise. Chapters two through five look at various types of exercise, besides strengthening exercises. These include: mobility / flexibility exercises (ch. 2,) motor control / movement preparation exercises (ch. 3,) plyometric exercises and kettle-ball (ch. 4,) and power exercises using heavy weights (ch 5.) Chapters six through eight focus on strength exercises by body part: upper body (ch. 6,) lower body (ch. 7,) and core / rotational strength (ch. 8.) The last chapter provides advice on how to put a program of functional training together.

The book doesn’t include much ancillary matter. The front matter consists of a brief preface, and the back matter provides an “exercise finder,” a detailed index to find the desired exercise rapidly. [The latter has a nice feature. It includes a drawing of the exercise. That’s useful because exercise names, while prosaically descriptive, can often be confusing (e.g. what two trainers call a “hip extension” may vary, though they will both no doubt feature extension of the hip joint in some way.)] There is a page for those who are using the book for Continuing Education (CE) credit that explains what resources are available.

I found this book to be beneficial and educational. I learned a few new exercises, and was provided with some interesting food for thought. The drawings are clear, both in their representation of the exercise and the anatomical cutaways. If you are looking for information on functional training, particularly which discusses muscle activation, I’d recommend you give this book a look.

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BOOK REVIEW: The Modern Art and Science of Mobility by Aurlien Broussel-Derval & Stephane Ganneau

The Modern Art and Science of MobilityThe Modern Art and Science of Mobility by Aurelien Broussal-Derval
My rating: 5 of 5 stars

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This book is designed to help athletes (and those who train athletes) increase mobility. The authors draw heavily upon yoga and martial arts drills (especially judo and jujutsu groundwork drills) in addition to the usual suspects of modern fitness – i.e. calisthenics, kettlebell, etc. It’s a visual book. The text is highly distributed toward the first half of the book. The heart of the book is pictures and descriptive captions of the exercises and practices described. This isn’t a complaint. I think there is sufficient discussion of the topics addressed and that said discussion was clear.

The book is organized into four parts, and — within each part — by anatomical region. The four parts are: Pain, Breathing, Movement, and Mobility. The section on pain offers many self-massage techniques, often using foam rollers or balls to counteract myofascial pain. I was particularly impressed to see an entire section devoted to breathing, and that it not only explored exercises to free up the diaphragm and intercostals (rib muscles) but also discussed issues such as the role of stress on breath. As mentioned the parts on movement and mobility are heavily oriented toward conveying exercise sequences graphically, and the chapters were oriented by parts of the body.

With a book that is so graphically-oriented, it’s important to mention that the photography, anatomical drawings, and diagrams are well done. The photos make it easy to see what is happening. It seemed to me that they used the right number of photographs to convey the movements involved, and they augmented these with arrows and lines to show direction of movement and alignments. It was usually quite clear what the movement was even before reading the captions. The photos are of varied sizes and orientations as needed to convey the exercise at hand. The anatomical drawings are clearly labeled.

I will say there were three exercises that I found troubling, but I gave the authors the benefit of the doubt as the book seems to be directed toward athletes. I don’t think these are things that will give most athletically-built people too much trouble especially when practice in moderation. However, as anyone may pick up such a book, I would be cautious of these three activities – especially if you haven’t been training in a while or are new. First, doing loaded lunges (i.e. barbells across the shoulders) with one’s knee way out forward of the toes. As the point of the book is mobility, I don’t have a problem with doing floor exercises on a knee this way, but that’s a lot of pressure to load onto connective tissue. Second, doing cobra (Bhujanga, or what they call “Sphinx”) with straightened arms and thighs resting on the floor. That almost always creates a sharp kink in the back with one spinal process prying into another. One can do Up-Dog (Urdhva Mukta Svanasana) with thighs off the ground or Cobra (Bhujanga) with your navel on the ground, but you shouldn’t confuse the two. Finally, they mention doing a roll up into shoulder stand. Unless you are extremely experienced, this is a bad idea because with the chin tucked into the chest there is very little room for error. Work up into shoulder stand slowly and easily. I will point out that this is what I noticed as a yoga teacher, individuals with other experience may see other issues, but I have some experience with the jujutsu drills and didn’t notice anything problematic.

That said, I thought this book was well done. The organization, explanations, and graphics were excellent and it will be a helpful resource for athletes working on mobility issues.

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5 Notes on Bending Over Backwards to be a Good Yogi

Chakrasana (Wheel Pose) in Himachal Pradesh

There are a few challenges that I observe regularly regarding back bends. Back bending poses can be difficult for a number of reasons, running from spinal processes (the bony projections on the back of a vertebrae) that simply won’t allow much range of motion to anxiety that may prevent practitioners who have the range of motion from performing these poses because of fear of falls or injury.

5.) Range of motion in the shoulders in Wheel pose (Chakrasana): The most frequent difficulty I see with wheel pose is an inability to get the hands under the shoulders when one lifts up into the pose. In the picture above, notice how one can see the face (or at least the nose and chin) forward of the arms. Often the head is well inside the arms, and this means that one is trying to hold oneself up with an unfavorable alignment. Physics isn’t on your side. Parents who’ve tried to hold a baby with a poopy diaper at arm’s length will know how heavy an otherwise light child can be when cantilevered out from the shoulders. Same idea with trying to do wheel pose with hands that aren’t under the shoulders.


Bhujangasana (Cobra Pose); note: navel on floor and arms bent

Urdhva Mukha Svanasana (Up Dog); Note: weight is all on tops of feet and palms, i.e. thighs / knees are off the ground

4.) Mixing up Cobra pose and Up Dog: This is probably the most common back bending problem that I see. Practitioners straighten out arms in Cobra pose (with thighs resting on the mat.) Why is this a problem? Because, unless the individual has the spine of a Beijing acrobat, the practitioner will have a huge kink in his or her back and one spinal process will be ramming into the spine below it. One needs to lengthen the spine as one stretches it in order to avoid kinks (all the bending coming at one point with a great deal of pressure at that spot.) One can straighten the arms in up-dog because the spine is elongating downward by virtue of the legs hanging rather than resting.

A major cause of this problem seems to be that individuals with hyper-kyphosis (excessive rounding of the chest region of the spine) have great difficulty lifting up their chest because they are working against that excessive rounding. (And increasing numbers of people have this condition.)


“Ears between the arms,” the constant refrain.

3.) Excessive neck bending: If an individual doesn’t have a large range of motion in her spine or is anxious about back bends, many times she will tilt her head back to create the impression of back bending. This can cause undue strain on the neck, not to mention delusions of spinal flexibility.


Vrischikasana (Scorpion pose)

2.) Don’t forget the psychology: I must admit, I’ve only ever taught scorpion pose in kids’ classes, but I’ve taught it in quite a few such classes. Kids love it as much as adults find it terrifying. As I’ve mentioned several times, some practitioner’s problem with back bends is rooted more in anxiety than anatomy. What I’ve come to realize is that it’s important to treat both of those causes with respect and compassion.

This may be an extension of my realization that it’s important to treat with compassion those whose weakness is strength, just as does one whose weakness is weakness. “Weakness is strength?” That doesn’t seem to make any sense. But the first “weakness” I’m referring to is yogic weakness — i.e. having a turbulent mind. Yogic weakness can result from weakness in terms of being frail and fearful of injury, but it can also result from delusions of grandeur and other mental handicaps that result from being strong.


Bactrian Camel in Nubra Valley

1.) Go to the Himalayas, and try a camel: The options abound.

Ustrasana (Camel pose)

BOOK REVIEW: Bodyweight Strength Training Anatomy by Bret Contreras

Bodyweight Strength Training AnatomyBodyweight Strength Training Anatomy by Bret Contreras
My rating: 4 of 5 stars

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This book combines a calisthenics manual with the anatomical drawings and descriptions necessary to explain the muscle activations involved in each exercise. It takes a very straightforward approach, being organized by body part. Each chapter discusses the component muscles of said part and their unique features, and then gives a series of exercises to work said part. For each exercise, at least one anatomical drawing is provided, showing the primary and secondary muscles being worked in the exercise. In some cases, more than one drawing is needed to convey the full range of motion of the exercise, but in many cases one drawing is sufficient. Each exercise also receives a brief bullet-point description of the action, a textual list of muscles utilized, and notes on issues and cautions to keep in mind to get the most out of the exercise.

Chapter 1 sets the stage for the rest of the book. It discusses general principles to be kept in mind like the need to balance opposing muscle groups, and it also lays out the advantages and limitations of calisthenics, or bodyweight, workouts over other approaches to fitness. Like a number of other calisthenics’ books, this one emphasizes the advantage of not necessarily needing any equipment. In other words, with a little creativity and some quality doors, robust furniture, or park access, one can do all of these exercises without either a gym membership or costly trips to the sporting goods store. Of course, one does need sturdy stationary objects to pull against, particularly to maintain a balanced upper body. What I like about this book more than some others I’ve read is that it emphasizes the need for safety in taking the equipmentless approach. I’ve cringed before in seeing some of the improvised set ups that have been jury-rigged as examples in other calisthenics manuals, but this book uses stout furniture and rafters to get the point across.

Chapters 2 through 9 each focuses on a particular body part, including (respectively): arms, neck and shoulders, chest, core, back, thighs, glutes, and calves. Each chapter starts with some general information on muscle action before launching into the exercises. If you have a particular interest in developing your glutes (i.e. your butt, your backside), then this is definitely the book for you. The author specializes in glutes, and while there are about a typical number of exercises for that musculature, the background information up front is more extensive than for most of the other chapters. For many of the exercises, the author proposes regressions and progressions — that is, easier and harder variants of a fundamental for those who either aren’t up to the basic yet or who need a harder version to challenge them.

The penultimate chapter, Ch. 10, presents whole-body exercises (e.g. burpees, mountain climbers, etc.) and discusses the benefits of including such exercises in one’s workout regimen. Included in this chapter is an introduction to both high-intensity interval training (HIIT) and to Metabolic Resistance Training (MRT.)

The final chapter offers an overview of all the factors to keep in mind when arranging exercises into a program (e.g. number of sets, repetitions per set, and how such considerations are varied depending upon one’s goals.) There’s a lot to consider when putting together a workout regimen, including: the necessary rest periods, balancing one’s workouts to avoid structural imbalances, and how to vary one’s approach depending upon one’s individual goals. A section on exercise for fat loss is included, which is important not only because there are so many people interested in that subject but also because there is so much misinformation out there.

As mentioned, most of the graphics are anatomical drawings showing the muscles in cut-away as the action of the exercise is being performed. There are a few other graphics to help clarify information, as well as tables in the last couple chapters to present information in an organized and easy to use fashion.

I found this book to be informative and well-organized. It’s a straightforward presentation of the skeleto-muscular action involved in various calisthenics exercises. If that’s what one is looking for, or even if one is just looking for a guide to bodyweight exercises, this book will meet your needs.

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5 Non-Yoga Video Channels that Are Great Resources for Yoga Teachers

As I’ve been expanding my pranayama (yogic breathing exercises) practice, I’ve found myself searching beyond traditional yogic sources of information at times. It turns out that there are several disciplines from which valuable tidbits of information about breath can be gleaned, including: martial arts, freediving, and physiology.

As I was on a freediving site (shown below, #5) learning some lung capacity expanding exercises, it occurred to me that it might be beneficial to do a post of some of the sources of information that I’ve found useful that wouldn’t necessarily be stumbled upon by those looking for information on yoga.

5.) Adam Freediver: This enthusiastic and whimsical Aussie freediving champion offers fascinating tips on respiration — many of which are of use out of the water as well as in.

4.) Physical Therapy Video: Bob and Brad, Physical Therapists, offer advice and exercises that may be helpful for students with hyperkyphosis (excessive back rounding), duck foot (excessive external rotation of legs), or a number of other common postural / bodily challenges.

3.) SOLPM (The Science of Learning Power Move): This site offers progressions and capacity building exercises that will help one with challenging exercises, e.g. handstands, that most people can’t do without a gradual building up. As with the Adam Freediver channel, not all of the videos are relevant, but a number of them are.

2.) Crash Course:: This witty educational channel presents excellent graphics and a light-hearted and watchable commentary by Hank Green (one of the Vlog Brothers.) The Anatomy and Physiology Series is particularly relevant, but there are select videos in other series — such as Mythology — that one may find illuminating.

1.) TED Talks: Unless you’ve been living under a rock, you’re probably familiar with TED, but you may not be aware of the breadth of topics they’ve covered, including meditation, biomechanics, yogic philosophy, breathing, and more.

Honorable Mentions:
Calisthenic Movement: Like SOLPM, this channel can help build up some of the challenging maneuvers, such as handstands, but you may also find out something useful about more rudimentary exercises, such as planks.

ASAP Science: This science channel that uses line-drawn graphics has some interesting and informative videos on topics such as meditation, hypnosis, and nutrition.

5 Challenging [Int.] Standing Balances

Vīrabhadrāsana III (Warrior III)

5.) Vīrabhadrāsana III (Warrior III):

What makes it challenging?

Substantial core strength is needed to obtain the capital “T” position. Straightening the lifted leg and getting it in line with the torso is the first challenge. Also, there is a tendency for the hip of the lifted leg to angle upward into an position in between Warrior III and Half Moon Pose (see below.) The front of the pelvis should be squared toward the floor. The drishti (focal point) at the extended hands also creates more of a challenge than looking straight down at the floor.


Ardha Chandrāsana (Half Moon Pose)

4.) Ardha Chandrāsana (Half Moon Pose):

What makes it challenging?

Largely, the same challenges that make Warrior III difficult. However, “stacking the hips,” i.e. getting the front of the pelvis squared to the wall (not the floor or at a downward angle) requires a high degree of hip flexibility. Hip openers may be necessary to be able to stack the hips without the torque of lifting the top hip up throwing one off balance.


Parivrtta Ardha Chandrāsana (Twisted Half Moon Pose)

3.) Parivrtta Ardha Chandrāsana (Twisted Half Moon Pose):

What makes it challenging?

Again, this posture shares challenges with Warrior III and Half Moon. While it’s less difficult than Half Moon in that it doesn’t require hip stacking, it makes up for it in that twisting motions tend to make staying on balance difficult. This is because one has to remain stable on the standing foot as the torso rotates and if one can’t stack one’s shoulders the weight distribution may be hard to keep balanced. Also, achieving the drishti (looking at the upper hand) without breaking balance is no easy feat.


Ardha Baddha Padmōttānāsana (Bound Half Lotus Pose) [Standing]

Ardha Baddha Padmōttānāsana (Bound Half Lotus Pose) [Folded]

2.) Ardha Baddha Padmōttānāsana (Bound Half Lotus Pose):

What makes it challenging?

The knees should be next to each other, but the knee of the folded leg wants to be forward and to the outside. Also, one must get the heel aligned on one’s centerline (below the navel) so that when one folds the foot is in a position where it can compress into the soft, fleshy tissue rather than being wedged between bones.


Ūrdhva Prasārita Ekapādasana (Standing Split)

1.) Ūrdhva Prasārita Ekapādasana (Standing Split):

What makes it challenging?

Straightening the lifted leg without throwing oneself off balance is the big challenge. It’s possible to put both hands around the support leg ankle, to make it even more challenging, but one must have an exit strategy in case one loses balance.

BOOK REVIEW: Running Anatomy, 2nd Edition by Puleo and Milroy

Running Anatomy 2nd EditionRunning Anatomy 2nd Edition by Joseph Puleo
My rating: 4 of 5 stars

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This book explores anatomy (and to a lesser degree physiology) as it pertains to running, and shows how one can strengthen anatomy to increase one’s performance as a runner.

I will divide the book up into three parts, though that division is not explicitly made by the authors. The first three chapters discuss running fundamentals. Chapter 1 explores the nature of movement in running. The reader learns about the phases of the running gait and the muscle activation relative to said phases. The second chapter focuses heavily on the anatomy and physiology of the cardio-vascular system and the impact it has on muscle performance. Chapter 3 discusses external factors that can influence running performance such as air temperature, humidity, terrain, and altitude.

The second part of the book consists of the middle five chapters, and gets to the heart of the subject. These chapters investigate the role of musculature in running and show numerous exercises that can be used to strengthen said muscles as well as describing the activation of muscles in those exercises. Starting from the ground up, these chapters proceed as such: feet and ankles, legs, core, shoulders and arms, and chest and back. One might not think that the upper body is critical to running, but the authors demonstrate otherwise.The exercises selected assume the availability of a full range of fitness equipment: machines, free weights, as well as elastic bands and BOSU – though some bodyweight exercises are included.

The third part of the book explores some odds and ends that are crucial, but not covered in earlier chapters. Chapter nine explains how to avoid injuries. Running is an activity that offers plenty of opportunity for repetitive stress injuries because it’s an endurance activity involving iterated actions. Chapter ten explores alternative training programs (e.g. training in the swimming pool or on treadmills), and the pros and cons of such activities. The last chapter is about gear, and – not unexpectedly – much of it is devoted to shoes and questions such as whether one needs orthotics. It should be noted that the authors are firmly in the camp that favor footwear. (There are many advocates of barefoot running in recent years.)

There are many color drawings that show which muscles are activated by movements. The drawings are clear and effective. There is an index of exercises at the end that makes it easy to find various exercises.

I’d recommend this book for runners and trainers who are interested in how muscles can be strengthened and stretched to increase performance and minimize the risk of injury.

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BOOK REVIEW: Plyometric Anatomy by Derek Hansen

Plyometric AnatomyPlyometric Anatomy by Derek Hansen
My rating: 4 of 5 stars

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This book performs two tasks at once. First, it’s a guide to the broad range of plyometric exercises and how they can be conducted safely. Plyometrics take advantage of a phenomenon in which rapidly stretched muscles contract more forcefully and rapidly. However, you may recognize them as exercises involving jumping and other explosive movements that are used to build power. (Power being the ability to generate a force in as short a time as possible. This is in contrast to strength — a measure that’s only concerned with the amount of force generated.) I would go as far as to say the book could be useful for many individuals who don’t need any particular insight into anatomy, but who want to learn to do a wide range of plyometric exercises. (That said, if you are said person, you may want to shop around because you may find the one or two drawings per exercise may not be adequate for your purposes, and you may discover you need more guidance if you’re new to fitness activities.)

Second, the book educates the reader about what musculature is used in each exercise, and differentiates the primary movers from the secondary muscles. The book provides a happy medium useful for coaches and trainers. It doesn’t get bogged down in the anatomical and physiological minutiae, but provides enough information for individuals who want to see what muscles are working without drilling down into depths of great precision.

The book consists of nine chapters. Of these, the first two chapters provide fundamental background information. Chapter one examines how and why plyometric exercises work in a general sense. Chapter two gets into more logistical issues such as what equipment is needed (e.g. hurdles and medicine balls), what surfaces are ideal for practice (no small issue considering the loads generated), and how training progressions should be formulated.

Chapters three through eight are the core of the book. These are the chapters that describe exercises as I mentioned above. The first of these chapters presents foundational exercises. Plyometrics tend to be physically intense and so many individuals will need to build capacity before moving straight into a full-fledged plyometric exercise regime. The next five chapters explore (in order): bilateral lower body exercises, unilateral lower body exercises, upper body exercises, core exercises, and combination exercises (e.g. exercises that combine jumps with sprints or medicine ball throws with jumps and so forth.)

Each of the exercise descriptions consists of five parts: an anatomical drawing showing the action and the musculature involved, a description of how the exercise is safely performed, a text list of the muscles involved (divided into primary and secondary muscles as is the drawing), notes exploring unique considerations for that particular exercise, and variations for those who need to make the exercise more or less challenging.

The last chapter investigates injury prevention and rehabilitation. One learns how to evaluate some of the more high-risk behaviors and misalignments that must be corrected for exercises to be done safely. One also learns how a swimming pool can be used to help athletes rebuild their capacity after an injury, as well as how rehab activities can be done out of the pool.

There are graphics throughout the book. For the most part, these consist of anatomical drawings. These drawings show the body in transparent form so that one can see the muscles involved in each exercise. There is a reference section at the end of the book.

I found this book to be informative and thought-provoking, and I’d recommend it for anyone who is seeking to expand their depth of knowledge about exercise science – particularly coaches, trainers, and teachers.

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BOOK REVIEW: Running Flow Mihaly Csikszentmihalyi, et. al.

Running FlowRunning Flow by Mihaly Csikszentmihalyi
My rating: 5 of 5 stars

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This book examines how Flow can be achieved by runners. Flow, in this usage, means a specific state of mind in which the activity at hand becomes effortless, self-criticism quiets, and one becomes pleasantly fixated on a task. It’s a term coined by the book’s lead author, Mihaly Csikszentmihalyi, based on his research into how some people were able to slip into a mental state in which even mundane activities could become an almost blissful obsession. This was part of a broader inquiry into how people can achieve a higher quality of life at work or at home.

The book is divided into two parts. The first four chapters lay out the concept of Flow in detail, and provide the necessary background for readers who may not be familiar with the concept. These chapters describe the role Flow can play in running, examine the components of Flow (i.e. necessary conditions and outcomes), and explain what personality traits are most conducive to achieving Flow.

The second part consists of five chapters, and it delves into how a runner can achieve Flow. Chapter five explores in detail three of the nine components that were introduced in chapter two, and tailors the explanation for runners. These three are the antecedents of Flow: clear goals, a match of challenge level and skill level, and immediate feedback. Chapters six and seven suggest the ways in which Flow can be facilitated in non-competitive and competitive runs, respectively. Chapter eight discusses the limits of flow. Because Flow is associated with feelings of effortless performance, some think of it as a sort of panacea for all that plagues their running. Furthermore, it’s not a state that easily happens and consistently returns; it’s often fickle and elusive. This chapter not only disabuses one of such notions, but also explains how failing to achieve Flow need not be the end of the world (or of one’s race.) The final chapter takes Flow beyond the concept of running and suggests what it’s pursuit can do for an individual more broadly.

The chapters use mini-case studies in which the authors describe the experience of professional runners in races and the effects of Flow on their performance and their experiences of races. There are numerous graphics. Many of these are color photos of the athletes who the authors spoke to, but there are also diagrams used to clarify key concepts. There is a glossary and references section as well.

I enjoyed this book. I’ve always thought of running as a task for which Flow would be hard to achieve because the matching of skill level to the amount of challenge is so crucial to achieving Flow and the movement pattern of running is so repetitive and monotonous. (The reason this matching is important is that if one’s skill level is far beyond the challenge, then one is bored, and if it’s the other way around, one is frustrated and overwhelmed – and neither boredom nor frustration facilitates Flow.) The book is a quick read that offers runners everything they need to make their mental experience of running more enjoyable and productive.

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5 Reasons to Practice Yang Style 24 Form

With slight variations, this taijiquan (tai chi chuan) sequence is alternatively called: Yang Style 24 Form, the Yang Style Short Form, Beijing Standard Form (occasionally Peking Standard Form), or Simplified 24 Form. Here are some reasons to give it a try.


5.) Widespread: It’s the single most popular taiji form in the world. This means, if you’re the gregarious type, you can join groups in parks all over the world.

4.) Balance: It’s good for your balance and you don’t want to fall and break a hip.

3.) Moving Meditation: It’s a great way for fidgety individuals to work up to meditation. All the meditation without having to stay perfectly still.

2.) Scalability: It’s scalable to fitness level. Because taiji is popular with older people, many modifications have been developed for those who aren’t ready for the classical expression of the form.

1.) Gentleness: There’s virtually nothing to go wrong — as long as you “know thyself.” i.e. There are no contraindications, at least for the simplified form.