Make decisions 25% more nervy than you currently see yourself having the courage to pull off.
Also, develop some uniquely human skill for the time (you are likely to see) when ai/robotics does all productive tasks better, faster, and more efficiently than humans. (Think nursing, philosophy, sex work, cage fighting, etc.)
Publisher Site
As the title suggests, this book consists of a thousand and one limericks (I didn’t count them, but at three a page, the math works -ish,) a few are well-known, most are groaners, but some are brilliant by virtue of being clever on multiple levels. I will offer two warnings by way of clarifying for whom this book is not. First, it ventures into all those corners of depravity with which the limerick is well-associated — i.e. it’s not a collection for prudes. Second, the collection shows the limerick’s unabashed joy in poking fun at the English language. There are many “misspellings” as poems use one spelling regime for all rhymes (i.e. highlighting English’s complete lack of phonetic consistency.) There are also a lot of slant rhymes and false rhymes… long story short, if you’re a grammar / spelling Nazi, this book will raise all the hackles.
Who is it for? Readers with a sense of humor who are not easily offended.
I have seen a few of these poems attributed to specific authors (e.g. Edward Lear or Ogden Nash) in other collections, but — oddly — this book offers no attribution or discussion thereof. The byline listed, Rosemary Gray, is actually in an anthologist / editor role. (She may have written some of the pieces, but I’m fairly sure I’ve seen a few published in earlier anthologies. Maybe these are all in the public domain, but — as I’ve said — I’ve seen some attributed (and I’m pretty sure some to individuals who died less than 70 years ago.) Long story short, if you can’t find a copy of this, it may be because there was a huge copyright infringement case or threat thereof.
I’d recommend this collection for limerick lovers.
The man loved travel by locomotive. It was all of the time in the throat of tunnels, so dark and deep -- one couldn't see a peep. He had night vision goggles... and motive.
The snail's friends and family were critics, claiming -- despite being hermaphroditic: so, with two ways to coit -- neither did it exploit, but read books in its shell, strange & cryptic.
Available online – Wikisource
This novel is presented as the erotically-charged memoir of a British military officer stationed in India. While separated from his wife by his assignment, he has a couple major (and many minor) dalliances with other women, one with the loose wife of another officer and the other the daughter of his commanding officer — who he is charged with mentoring.
Compared with other Victorian erotica, this book does have more story and character development than other books with which I’m familiar. In other words, what goes on between the sheets (or in the grass or on a table) is not the sum total of the book. Interesting events happen outside the sex and there is at least the pretense of emotional arcs for important characters. This makes the book feel more like a true memoir rather than a collection of “Dear Penthouse” tales.
If you like stories of the historic ex-pat life and / or Victorian erotica, you’ll likely enjoy this book.
Publisher Site – Tuttle
On sale October 14, 2025
Original Title: 好色一代男
As the title suggests, this novel is presented as the biography of a man who is — shall we say — a horndog. Actually, it would be more correct to say that it is the story of the man’s sex life, as it begins with his sexual awakening as a boy of seven and tells stories of his relationships and dalliances throughout his life until he reaches the age of sixty and is no longer physically capable of the act. Of course, the novel does describe non-amorous life events such as the protagonist’s (i.e. Yonosuke’s) brief time as a monk and as (what in modern terms would be called) a “trust-fund kid.” Yonosuke is from a wealthy merchant family, though his inability to keep his mind on task sees him disowned for many years. So, he leads lives both rich and poor, but never without lust in his heart.
Given that the book focuses on Yonosuke’s interactions with geisha and varied sex workers, one might expect that it is a work of erotica (or even pornography.) It is neither. There is no graphic description of sexual activities and often those events are glossed over altogether. This book will be of much more interest to those interested in what life in Edo Period Japan was like, and particularly how sex work operated as a regulated industry with licit and illicit domains, than to anyone wishing to read erotica for sensual or prurient purposes.
The book has a series of illustrations (one per chapter) that were drawn by the author and appeared in the original (1682) edition. There are also poems (tanka and haiku) sprinkled in here and there, many of which were invocative in their own right.
If you are interested in historical Japan and / or its “floating world,” you’ll find this book to be an interesting read. It’s highly readable and entertaining.
This is the female form, A divine nimbus exhales from it from head to foot, It attracts with fierce undeniable attraction, I am drawn by its breath as if I were no more than a helpless vapor, all falls aside but myself and it, Books, art, religion, time, the visible and solid earth, and what was expected of heaven or fear'd of hell, are now consumed, Mad filaments, ungovernable shoots play out of it, the response likewise ungovernable, Hair, bosom, hips, bend of legs, negligent falling hands all diffused, mine too diffused, Ebb stung by the flow and flow stung by the ebb, love-flesh swelling and deliciously aching, Limitless limpid jets of love hot and enormous, quivering jelly of love, white- blow and delirious juice, Bridegroom night of love working surely and softly into the prostrate dawn, Undulating into the willing and yielding day, Lost in the cleave of the clasping and sweet- flesh'd day.
This the nucleus -- after the child is born of woman, man is born of woman, This the bath of birth, this the merge of small and large, and the outlet again.
Be not ashamed women, your privilege encloses the rest, and is the exit of the rest, You are the gates of the body, and you are the gates of the soul.
The female contains all qualities and tempers them, She is in her place and moves with perfect balance, She is all things duly veil'd, she is both passive and active, She is to conceive daughters as well as sons, and sons as well as daughters.
As I see my soul reflected in Nature, As I see through a mist, One with inexpressible completeness, sanity, beauty, See the bent head and arms folded over the breast, the Female I see.
There once was a Shakespearean lover, Who, in darkness, crawled under cover. Much to his surprise, Having no use of eyes, He later learned 'tweren't his lover, but another.