BOOK REVIEW: Philosophy in the Bedroom by Marquis de Sade

Philosophy in the BoudoirPhilosophy in the Boudoir by Marquis de Sade
My rating: 4 of 5 stars

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This seven-part dialogue tells the story of a young woman’s education in libertinage (“libertine” shouldn’t be confused with liberal or libertarian.) The book mixes action sequences of a pornographic nature with philosophical discussions on ethics, law, governance, relationships, and religion. A young woman, Eugenie, is sent (without objection) by her father into the care of Madame de Saint-Ange, though another character, Dolmance, serves as both the girl’s primary philosophy lecturer as well as the choreographer of the orgiastic sexual activities that take place throughout book.

Overall, the philosophy is weak, but not altogether lacking compelling ideas, at least in the context of its time – i.e. late Age of Enlightenment. Setting aside the controversial and broadly reviled nature of Sade’s philosophy, I criticize it primarily on the grounds that it misunderstands its own foundations and frequently contradicts itself. The foundations I’m referring to are the workings of the natural world. Libertine philosophy is an offshoot of Enlightenment thinking, and as such attempts to replace the superstition and the arbitrary morals of religion. The question becomes with what one replaces religion-driven bases for determining action. Sade’s argument is that we should see ourselves as part of nature and behave in synch with it. It could be argued that using natural principles as one’s guide is as fine an idea as any, but the problem is Sade doesn’t have an accurate picture of how nature really works. Ironically, he seems to have the same unsophisticated view of nature that his opponents held – i.e. that nature is always and everywhere a brutal and chaotic hellscape. [The main difference is that Sade assumed that one must surrender to this hellscape while his opponents proposed that one must subdue it.] The fact of the matter is promiscuity and intraspecies killing aren’t universal in nature, and cooperation does exist alongside competition in the natural world. (To be clear, interspecies killing is universal for many species and intraspecies killing occurs, but consider venomous snakes of a given species that wrestle for dominance while not using their poison or infantrymen who only pretend to shoot their weapons in combat. Also, I don’t mean to suggest monogamy is the rule [besides in birds, where it is,] but Sade seems to believe there is no order to mating in the natural world.) In sum, nature does not tell us to default to the most savage behavior in all situations, and while animals can be ferocious, they generally don’t go around being jerks for the sake of being a jerk.

Since I also criticized the book’s philosophy for inconsistency, I will give one example to demonstrate a more widespread problem. Dolmance tells us that humans should live checked only as nature would check us (as opposed to by religious dictates,) but tells Eugenie to not listen to the voice of nature that tells her to not behave fiendishly.

I also said this philosophy wasn’t without compelling points. Setting aside the many ideas that were well-addressed by more mainstream philosophers long before Sade entered the picture (e.g. the need to separate the activities of religion from those of government,) Sade’s arguments for seeing a purpose for sexual activity beyond procreation, against seeing the making of more humans as a grand and necessary virtue, and against attaching stigmas to nonprocreative sex are all ideas that have gained traction since the turn of the 19th century and arguably could be furthered to positive ends.

Speaking briefly to the non-philosophical side of the book, I will say that – excepting Dialogue VII (the final one) – this book was much less disturbing than some other of the Marquis’s books (e.g. 120 Days of Sodom or Justine,) Prior to the last section, the book involves consensual activities that aren’t dialed up to the maximum level of shock value. That said, Dialogue VII is as cringeworthy as they come. Also, I didn’t understand how all the orgy choreography could work, but that might be attributable to my lack of imagination.

This book will obviously not be everyone’s cup of tea (too much orgy sex for some, too much philosophy for others, and to much of both for most) but as the Marquis de Sade’s books go, it does delve most deeply into philosophy and is moderately less disturbing than some others.


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BOOK REVIEW: Hurts So Good by Leigh Cowart

Hurts So Good: The Science and Culture of Pain on PurposeHurts So Good: The Science and Culture of Pain on Purpose by Leigh Cowart
My rating: 5 of 5 stars

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Out: September 14, 2021

Humans devote a lot of effort to avoiding unpleasant sensations. I’ve even heard people philosophize that all human activity is about moving toward pleasure or away from pain, but this claim fails on two grounds. First, people don’t invariably flee from pain, sometimes they run into its arms. Second, the dichotomization of pleasure and pain, categorizing them as opposites, also fails for a wide variety of human endeavors.

This book reflects upon a diverse set of cases in which the pleasure-pain dichotomy breaks down, attempting to glimpse why this is the case. Cowart investigates pepper-eating contests, ultramarathons, Polar Bear Club mid-winter dips, flagellation by religious adherents, and sexual sadomasochism. One thing these diverse activities have in common is that individuals voluntarily and purposefully subject themselves to intensely painful sensations. Throughout the book, the author is forthright about the varied ways that she has been attracted to pain, including: ballet dancing, an eating disorder, and sexual masochism.

This book takes a story-centric approach. As the subtitle suggests, it does present scientific findings, but this information is tucked in amid the stories – both her own confessional tales and the stories of the masochists (broadly speaking, i.e. not referring only to sexual pain-seekers) she meets during her research trips.

As a student of both martial arts and yoga, I found that the changing of one’s perception of, and relationship to, sensation is one of the most profound and empowering aspects of these practices. I, therefore, was curious what brought people to the purposeful pursuit of pain and what benefits others found. Not surprisingly, there isn’t just one reason for all cases, and Cowart discusses neurochemical, social, and psychological reasons. If you’re curious about why people engage in pain purposefully and voluntarily, this book is a must-read.

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5 Historical Figures You May Not Realize Were Super-Freaky

5.) Jean-Jacques Rousseau: This French philosopher is probably best known for his ideas about social contract in governance. At least that’s what I knew him for when I was a student of the social sciences.

Unlike the Marquis de Sade, whose philosophy and sexual proclivities were intimately intertwined, one wouldn’t necessarily guess that Rousseau was a masochist into getting spanked by dominant women from his political theories. Although, all interest in governance is about who holds the whip and what the whipee gets in exchange for being subjected to it — figuratively speaking, of course.

 

4.) Peggy Guggenheim:  This  heiress  to  an  

artistic empire had a legendary libido — and not just in her youth. What interests people is not so much that she was sexually promiscuous, but that age didn’t seem to curb her desire for sexual conquest.

Even though her memoir is filled with discussion of her sexual dalliances, she is still more well known for discovering important 20th century artists and saving art from thieving Nazis.

 

 

3.) Wolfgang Amadeus Mozart: One of the all-time greatest musical minds, his genius for composition may have helped to keep him from being known for his scatological obsession.

This may seem far-fetched (not to mention grosser than the other proclivities discussed herein) but there’s even a Wikipedia page about it — so it must be true.

I knew from discussion of the movie “Amadeus” (which I, sadly, haven’t seen) that there was something unexpectedly scandalous about Mozart, but I never would have guess this was it.

 

2.) King Edward VII: It may be well-established that King Edward had some wild times, but the fact that he had custom sex furniture made tells you just how all-consuming his passions were.

 

1.) H.G. Wells:  The author of “War of the Worlds,” “The Island of Doctor Moreau,” and “The Time Machine,” Wells was all for free love, long before there was a free love movement. He is said to have had sex atop bad reviews. While I knew him as an early sci-fi author who famously predicted the atomic bomb (Physicist, Leo Szilard, cited Wells’ “The World Set Free” as an inspiration), he was — unknown to me — legendarily promiscuous.

BOOK REVIEW: Story of the Eye by Georges Bataille

Story of the EyeStory of the Eye by Georges Bataille
My rating: 4 of 5 stars

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This story follows a couple through a destructive series of events as they chase sexual hedonism. They aren’t a couple in the romantic sense so much as friends who share in common both intense sex drives and also a particular psychology. It’s a psychology commonly associated with rebellion against a repressive upbringing. This rebellion manifests both in a longing for perverse and taboo activities, and also in an urge to debauch the virtuous. This love of depravement is first seen in the pair’s actions with a conflicted girl of their own age, Marcelle, and in the climax and conclusion with a young priest in Seville. In yet a darker turn, the two also conflate violence and sexual arousal.

Character development is not particularly strong in this book, and without the requisite background, the actions of the unnamed male narrator and his companion, Simone, can seem hard to believe at times. (To be fair, the book is more surrealism than realism.) While lack of character development and character complexity are a common problem in erotic literature, this book is also smothered in Freudian belief about how strange sexual drives always and everywhere exist in the subconscious in a struggle to break free. In other words, Bataille may not have felt he needed to set up the reader for the bizarre behavior of the narrator and Simone because he saw the pair as not as unusual, but merely as how most people would behave if they were a bit braver and less inhibited.

Marcelle is the most multi-dimensional character. We see her on a teeter-totter that balances primal urges and constraining morality, or shame and abandon. But we don’t get much depth of her either because she is treated largely as a puppet or plaything for the lead characters.

The novel shares some tendencies in common with the works of Marquis de Sade, but it also displays some differences. The eroticizing of degrading virtuous characters is a theme that holds over. It might also seem that the involvement of a Catholic priest is a continuation of Sade’s philosophy as well. However, there’s a difference. In Sade’s work (and similar works of erotic political philosophy) the priests are lecherous and are villains in league with the aristocracy. Bataille’s priest is a man minding his own business, who would like to be virtuous, but the young priest just doesn’t have the inner strength in the face of a strong-willed debaucher.

From the discussion above and the comparison with the works of the Maquis de Sade, it should be clear that there is a great deal of graphic sexual activity and even a little bit of graphic violence in this book. For readers who aren’t disturbed by that, and who are amenable to a bit of bizarre and surreal activity, the book is intriguing both as a story and for its psychological insight. If you read horror, and aren’t disturbed by fetish sexual activity, you’ll probably enjoy this book.

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BOOK REVIEW: The Velderet by Cecilia Tan

The VelderetThe Velderet by Cecilia Tan
My rating: 4 of 5 stars

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The dual protagonists of this novel, Merin and Kobi, live in a society in which equality is the supreme value, and in which sexual freedom is nearly complete (except where it bumps up against the aforementioned value.) For many, this would be a utopia, but the problem for Merin and Kobi is that they crave subjugation. That might seem an unusual desire, but one need not look far to see how urges develop for little apparent reason other than a person being told that such activities are prohibited or taboo. Merin is a straight female serving as legislative worker bee. Kobi is a bisexual male who bartends at a leisure club that not only serves drinks but facilitates virtual reality cyber-sex. The two are roommates (part of equality is a pairing of unattached without consideration of gender or sexual orientation), and one evening in a buzz-fed stupor Kobi admits that he would like to know what it’s like to be enslaved.

This story in which these two try to figure out how to develop an underground community of those who revel in power dynamics as part of sexual activities, plays out in a larger geo-political and historical context. It turns out that the reason that this society (i.e. the Belledonians) is so keen on equality in all activities is that they were once a slave-owning empire, and they basically killed off another race of people who they’d enslaved (i.e. the Gehrish.) So, it’s a guilt-driven policy. As the individual level actions play out, this society is in trade and security negotiations with the Kylarans, a more technologically advanced society that still practices slavery. There is a fear that the Kylarans might decide not to trade as equals but to colonize the Belldonians.

The resolution of the story brings this sadomasochism fight club story line into contact with the larger geo-political story, and that raises the stakes and presents one with varying philosophical stances on the dominant – submissive relationship. While the Belledonians had brutally oppressed the race they subjugated (i.e. the Gehrish,) the Kylarans have a much more traditional, protocol-driven, and complex approach to these power dynamic driven relations. For example, leaders must spend time as slaves before they can progress upward in the chain of command.

As I hope has been made clear, this book combines erotica with sci-fi and sex scenes are ubiquitous and kinky. Readers who are squeamish about such matter will probably want to steer clear. However, if one isn’t disturbed by sex, and sexual power play, this story is readable and intriguing. I would recommend it for those who are intrigued by stories at the nexus of science fiction and erotica.

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BOOK REVIEW: The Claiming of Sleeping Beauty by A.N. Roquelaure (a.k.a. Anne Rice)

The Claiming of Sleeping Beauty The Claiming of Sleeping Beauty by A.N. Roquelaure
My rating: 3 of 5 stars

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This is a bawdy take on the tale of Sleeping Beauty—and, in particular, the aftermath of her rescue and awakening. There are many such adult-targeted books based on children’s fairy tales, but the reader should be particularly aware of the nature of this story because it’s fairly hard-core. Since one may associate the fairy tale with lighthearted stories, many readers won’t be ready for the wide-ranging sexual and sadistic activity that goes on in this book. If you’re a hard-core sado-masochist, you may object that this isn’t so intense in subject matter. That’s probably true for you, but for the run-of-the-mill reader, it’s pretty wild stuff. In essence, Sleeping Beauty enters into a finite period of sexual slavery (technically more sexual indentured servitude) in repayment for her rescue.

Part of the reason that there may be misunderstandings of what this book is, is how it’s been marketed. There was a cover blurb on the version I read that says “If you liked 50 Shades, you’ll love the sleeping beauty trilogy.” This statement is clearly meant to capitalize on the success of those books. While I haven’t read any of the “Fifty Shades” books, I doubt that the claim is true. This book is somewhere between “Fifty Shades” and the works of the Marquis de Sade. While E.L. James’ books work on a one-on-one dynamic that forms an S&M tinged romance, Roquelaure / Rice’s book is about sexual servitude of individuals who are essentially stabled in a more harem-like situation. While they are both books that revolve around the psychology of dominance and submission, the dynamic of the two is quite different. From what I’ve heard about James’s works, Rice’s book is probably better written and it may even be a bit more psychologically sophisticated. However, if you’re expecting that “mommy porn” dynamic in which a man who is extraordinary in every way (billionaire / 6-pack having / philanthropist / speaks ten languages fluently / and has a doctorate in quantum rocket dynamics) takes a mediocre woman merely because she completely submits to him, you’ll probably be disappointed.

Because people’s ideas of what’s hard-core varies, I’ll touch on that. There is a huge amount of bondage and physical punishment. There’s no gore, no breaking of skin, nor any permanent damage /disfigurement. There’s no horror aspect to the book. As far as sexual acts are concerned, they are both heterosexual and homosexual in nature. There are a finite number of options, and I think they’re pretty much all touched on at some point. There’s no bestiality, scat, nor pedophilia—so if those are your limits, you’re safe.

This book was clearly outlined and written with the intention of being a trilogy or multi-part work. That is to say, the story arc is not particularly satisfying as a stand-alone book. This may, in part, also be because of the lack of importance of story to hardcore erotic works, but I suspect that the author / publisher had a thick tome and needed some place to chop it into standard length books to maximize revenue. I probably won’t read the other books, in part because this trend toward putting out books that don’t stand alone as stories cheeses me off a bit. As you might expect, the ending feels abrupt and seems more about leaving the reader dissatisfied (i.e. wanting to read the rest) rather than leaving them satisfied (having seen the character grow and change.)

Instead of making an explicit statement of recommendation, I’ll say that if you read the review and are intrigued, give it a read. If you read the review and are disgusted, avoid it. It’s as simple as that.

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