In what ways do you communicate online?
Snarkily, sincerely… all sorts of ways, really.
PROMPT: Online Communication
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Category Archives: communication
PROMPT: Performance
With respect to giving a performance, not since elementary school plays, and I was not good. As for speeches, yes, a number of them.
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BOOKS: The NEW Comedy Bible by Judy Carter
The NEW Comedy Bible: The Ultimate Guide to Writing and Performing Stand-Up Comedy by Judy CarterMy rating: 5 of 5 stars
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As the title suggests, this is a soup-to-nuts exploration of building a standup comedy act. While the bulk of the book discusses how to build jokes that work in a comedy club setting, it also gives helpful tips on relevant issues such as stage fright, hecklers, bombing and bomb recovery, set arrangement, and editing material. It offers many insights that may seem counterintuitive to a neophyte reader.
In writing, there is a common distinction made between “plotters” and “pantsers” (as in “by the seat of one’s pants.”) Plotters do a lot of research and outline everything thoroughly before beginning to write (as most people understand the writing process.) Pantsers like to get right into the typing and are willing to have a much messier process in exchange for greater feelings of spontaneity and surprise. A similar distinction seems to exist in standup comedy. Jerry Seinfeld might be the posterchild for the comedic plotter, writing and rewriting jokes on paper and having an already finely honed collection of jokes when he goes into the comedy club to revise through audience feedback. Other comedians seem to like to work by riffing and editing material on the fly. My point is: this book will definitely appeal most to plotters. That said, I think it has a lot of useful information that will save pantsers a great deal of trouble, but I suspect those with intense pantser proclivities will be skeptical of such a step-by-step approach.
The book is set up as a workbook woven into an instructional guide. That is, it has exercises throughout. It also presents a lot of jokes and partial bits by headlining comics to help the reader see how successful comics apply the principles in question.
I enjoyed reading this book and found it helpful. I thought that many of the exercises were quite helpful in triggering joke ideas. If you are looking for a book that deals in both joke writing and comedic delivery, I’d highly recommend this book.
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BOOKS: The Canceling of the American Mind by Greg Lukianoff & Rikki Schlott
The Canceling of the American Mind: Cancel Culture Undermines Trust and Threatens Us All―But There Is a Solution by Greg LukianoffMy rating: 5 of 5 stars
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This book presents an in-depth exploration of cancel culture in its many varied manifestations, from both the left and the right of the American political spectrum. The biggest part of the discussion is with respect to the educational system, and particularly higher education. Sadly, this is because the institutions that used to be among the most formidable bulwarks of free speech, expression, and academic freedom have increasingly become untenable to multiple points of view. (The authors point out that there have been more dismissals of faculty members for cancel culture speech and expression issues than there were during the McCarthy era for political stance.)
However, the book doesn’t restrict itself to education, but also investigates cancelations in journalism, publishing, the scientific community, standup comedy, and the medical and psychiatric communities. The authors also present cases of the effect that wokeness and other expression limiting activities are having in these areas. One of the most disturbing revelations to me was the role of wokeness in psychotherapy and the negative effect it may have on people getting the help they need.
The book presents a series of cases in detail to advance the discussion. It also has a couple chapters that examine the tactics that are used to apparently “win” debates by silencing / demoralizing the opposition while avoiding any actual contest of ideas. The authors go through tactics favored by the Right as well as those by the Left. (Though it’s clear that, in a race to the bottom, both sides adopt the approaches of the other side that seem to be effective. e.g. the Left is getting into book banning (historically a Conservative tactic) and the Right is getting into cancelling and shout-downs (usually Progressive tactics.)) I think it was smart to have two authors, one from the left and one from the right, in order to help ensure balance in the project. That said, as the Left has been in the cancel culture vanguard, they come up more often.
Some have called this a sequel to “The Coddling of the American Mind,” with which it shares a co-author, Greg Lukianoff. I don’t know that I’d think of it that way. While it does address some of the same issues as background, psychology and child development are not at the fore in this book (Jonathan Haidt – the other co-author of “Coddling” is a psychologist,) but rather are the legal, cultural, and political issues.
This is probably the most important book I’ve read this year (and, being late November, it’s likely to retain that status) and I’d highly recommend it for all readers.
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PROMPT: First Impression
What’s the first impression you want to give people?
There is no first impression I’d like to give everyone. For most people I’m good with “seems decent enough,” but there are people I’d be quite happy to think me a lunatic. I guess the most useful first impression would be to be seen as one who can spot someone who is manipulative, a friendship “level jumper,” or of nefarious intent so as to minimize the approach of such people in the first place. [The problem is that most such people see themselves as charismatic and gregarious rather than as manipulative. They don’t realize their stank shows through.]
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Let It Fly! [Free Verse]
Stand on a hill and howl.
Don't wait for the perfect moon.
Gather your thoughts,
& wash the:
cliches,
doublespeak,
technocratic jargon, and
weasel words
out of mind & mouth.
(Those shitty words, phrases,
and qualifiers are heavy,
and will weigh down
your message &
keep it from sailing.)
Then, belt it out.
Let your words fly.
Express your authentic self.
Huff & Puff,
and let the bricks fall
where they may.
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BOOK REVIEW: Talking to Strangers by Malcolm Gladwell
Talking to Strangers: What We Should Know About the People We Don’t Know by Malcolm GladwellMy rating: 5 of 5 stars
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This book uses a model that Gladwell has employed to great success in many books. That model goes like this: 1.) find some research findings that are counter-intuitive or otherwise in opposition to the consensus view (and preferably not well-known outside academia;) 2.) carefully select some fascinating real-world cases that seem to highlight said findings; 3.) skillfully present the cases in a highly readable and evocative narrative form, making surprising reveals for maximum effect.
In this case, the beating heart of the book is research by a University of Alabama, Birmingham professor, Timothy Levine, that shows that people are bad at catching liars because we are wired to accept statements as true and that some portion of population present appearances out of kilter with their truthfulness. (i.e. Some people come across as liars — even when telling the truth, and others appear truthful with pants ablaze.) This contradicts earlier research that suggests liars always have tells. [Interestingly, if true, Levine’s research upends studies Gladwell used in his previous book “Blink,” research by Paul Ekman that suggested that liars have “leakage” of “micro-expressions” that reveal their true emotional state. Gladwell admits his views have changed on the Ekman work. It’s the price of dealing with ground-breaking counter-intuitive research: sometimes, it’s not going to validate as well as one would like – not unlike the controversy about the Anders Ericsson’s “10,000-hour rule” that is the core of Gladwell’s 2008 book “Outliers,” and which seems much less robust in light of subsequent research.)
Gladwell employs a number of compelling stories to show how even individuals who should be the best of us at telling truth from lies (e.g. counter-intelligence officers, industry experts, and veteran law enforcement officers) do dismally at spotting lies and at grasping the true nature of what strangers hold in their hearts. [It should be noted that people are better truth detectors than lie detectors because of the aforementioned truth bias.] Readers also learn quirky facts such as why the sitcom “Friends” is insanely popular in many non-native English-speaking countries. (e.g. In Vang Vieng, Laos, I witnessed this myself, with several cafes and restaurants playing “Friends” on a loop all day every day.) The book also presents discussion of research overturning the idea that facial expression of emotions is universal.
I found this book to be an intriguing read and would highly recommend it for those interested in learning why it’s impossible to “read” strangers. I don’t know how well the ideas will validate, but the cases are interesting and compelling.
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BOOK REVIEW: The Art of the Tale by Steven James & Tom Morrisey
The Art of the Tale: Engage Your Audience, Elevate Your Organization, and Share Your Message Through Storytelling by Steven JamesMy rating: 4 of 5 stars
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This is a fine book on storytelling, storytelling with a focus on business presentations and speeches. That said, this is a topic for which the market is glutted. There are many books available about storytelling, and while this one doesn’t distinguish itself by being exceptionally bad, neither does it distinguish itself as exceptionally good. It’s a decent book on storytelling, and if you’re interested in stories for work presentations or speeches and haven’t read other books on the subject, you might as well try this one. However, if you’ve studied up on the subject, I wouldn’t expect to discover anything profound or novel in this book.
The book does focus on some subjects more than do others. One of my favorite parts was chapter 11, “Warts and All…,” because it addresses an issue that books tend to overlook or gloss over, and that’s how to deal with the skeletons in one’s closet (or in the company’s closet.) It offers an intriguing look at the dark side of Henry Ford.
One of the strengths of this book is that it summarizes key lessons and repeatedly revisits core concepts (e.g. the StoryCube, which is these authors’ outline for presenting the fundamental elements of a story.) The book’s greatest weakness is probably oversimplifications and banal statements, particularly given that the authors critique the simplifying statements of others. For example, they offer a criticism of the common distinction between plot- and character-driven literature that misses that there is something fundamentally different between Joyce’s “Ulysses” and “The Hunger Games” that is worth understanding, and – to the degree their criticism is true – much of this book could be similarly criticized as oversimplification or false dichotomization / categorization.
Reading this book helped me think about the subject of storytelling, particularly the non-written variety of story, but I can’t say there was anything groundbreaking or of unmatched profundity.
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BOOK REVIEW: The Power of Podcasting by Siobhan McHugh
The Power of Podcasting: Telling stories through sound by Siobhan McHughMy rating: 5 of 5 stars
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This book is in part a how-to guide, and in part a history of podcasting’s rise, though a history that tries to look from within rather than from a distance as much as possible. The two major thrusts of the book are story and sound. Of the many varieties of podcasts that exist today, the focus of this book is on ones that are story-centric, be they non-fiction or fiction. [Of course, there’s an argument that all podcasts should employ story to some degree, even if they aren’t of a format that facilitates an overarching story.] McHugh, herself, uses stories and what I’d call meta-stories (i.e. the stories of how various podcast-delivered stories got told) extensively throughout the book.
With respect to sound, there’s a lot of background sound and music that makes the difference between a professional sounding podcast and one that’s not. This is a particularly difficult subject to grasp because – while one often experiences background sound and music drawing one deeper into the story (or – perhaps more accurately – one feels its absence as a vague sense of detachment,) one tends not to be aware of this background audio on a conscious level. Therefore, discussions that point out the thinking about background audio choices can be profoundly eye-opening for a neophyte, such as myself.
When I say that the book has a podcasting how-to aspect, I should emphasize it doesn’t get into the technical aspects (i.e. what kind of mic to buy and how to use it,) but rather it discusses such topics as scripting, interviewing, editing / reorganizing for effect, and starting out. The book also has chapters at the end about increasing diversity in what has been an extremely Caucasian-centric industry as well as offering insight into potential future directions of audio storytelling. Throughout. there are short interviews with individuals with expertise in the industry, and there’s an extensive appendix, listing podcasts and podcasting resources.
If you’re interested in starting a podcast or learning more about podcasting, I’d highly recommend this book.
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Patience: Casualty of Modernity [Limerick]
There was an old man, some called "ancient," who got riled everyone was so impatient. "The world was much better when we talked by letter, and you only got instant replies if adjacent."
Tiger Riding for Beginners 