My rating: 3 of 5 stars
Sex sells. This book attempts to capitalize on that fact to achieve a foothold in the concise writing guide market, a class of books for which there is no shortage and whose entrants include established masters such as Stephen King, Ursula K. Le Guin, and Ray Bradbury. Given the nature of this market, having hinted at sexiness as a hook, it behooves the writer to boldly embrace that hook, but this isn’t done. I’m not suggesting the author needed to venture into pornographic territory, and I understand that the book is not about writing erotica, specifically [a point that is made quite clear.] However, the banal and disembodied references to sex make the material drier than it otherwise would be. In creating a book that could be read by, say, the Pope or the chairwoman of the Southern Baptist Convention Lady’s Auxiliary without so much as the hint of a blush, the book draws attention to just how much it’s failing to follow its own advice. [I would go as far as to say that if a person had a rare condition in which the slightest sexual arousal would cause his or her heart to violently explode, killing everyone in a ten-foot radius, I would feel safe sitting next to that person on the couch as they read this book.]
The book takes a soup-to-nuts approach, reflecting upon the usual range of topics including: prep work, characterization, tension building, and editing. The information is good, and it’s presented in a brief and readable fashion. That said, it would be a much better first guide than one for someone who has read extensively on the subject because there isn’t much that is novel, either in the advice or the way in which it’s presented. If you’ve read other books on writing, you’ve probably read this advice before – and, in many cases, read it stated in a much more interesting fashion. There are some odd inclusions. At one point the author discusses the parts of speech. If you don’t understand the parts of speech, no writer’s guide will help you, and you probably need to revisit elementary school.
In this kind of book, examples are essential, and, here too, some odd choices were made. One such choice was the author using her own writings. [If you’ve read writing guides by well-known authors, you’ll note that they don’t even use their own writing, and instead tend to use stories like “Macbeth” or folktales – works that are well known to the broadest imaginable readership.] Among examples that weren’t from her own writing, there was a mix of more and less obscure references. It’s not so much that insufficient information was presented to get across the author’s point, but rather that a kind of affinity is achieved with readers when they have familiarity with a story, and that is sacrificed when the couldn’t possibly.
The long and the short of it is this, I think the book was a fine concise writing guide. It presents the information clearly and in a logically arranged fashion. That said, choices were made that felt odd – mostly in using sex as a hook and then eschewing any sense of sensuality. If you’re looking for an introduction to writing, you could do worse than this one [but you could probably do better as well.]
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