Category Archives: Standup Comedy

PROMPT: Famous Person

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If you could switch lives with a famous person for a week, who would it be and why?

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Being famous seems like it would be a drag, like it would be the worst part of being skilled at, and / or beloved for, some people-facing art. I might like to engage in some of the artistic endeavors, but only if I could pass on the fame.

PROMPT: Celebrity

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Which celebrity would you love to meet, and what would you talk about?

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Anne Carson just won the Nobel Prize for Literature. Does that count as a celebrity? She’s still in the 15 minutes of fame that comes from the recent announcement. She’d be interesting to talk to about poetry.

If it does not count, I would have to say that the more clearly a celebrity would count, probably the less interested I am in talking to them. I can’t think of any A-list actors / actresses or pop stars that appeal. Maybe a few rock stars and standup comedians — e.g. Bruce Springsteen to talk about lyrics or Louis C.K. about jokes.

BOOK: “Born Standing Up” by Steve Martin

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Born Standing Up: A Comic's LifeBorn Standing Up: A Comic’s Life by Steve Martin
My rating: 5 of 5 stars

Publisher Site – Scribener

Steve Martin opens this book, “I did stand-up comedy for eighteen years. Ten of those years were spent learning, four years were spent refining, and four were spent in wild success.” This book is about those eighteen years and the lessons learned about the comedic craft and what events drove him to it and what events drove him away.

The book is a memoir, with family drama and varied insights that come from life off (as well as on) stage. The book has pathos to temper its bathos, making an altogether more interesting and authentic read. Of course there’s humor throughout, from discussion of some of his comedic bits to humous personal stories.

I found it fascinating to learn about Martin’s philosophy of comedy. For example, his attempts to avoid punchlines to get away from the conditioned response laughs that came not necessarily from a genuine experience of mirth but because of a realization that it’s a time at which one is expected to laugh. Martin also has a unique message to tell given the nature of his comedy. It is not relatable. It’s silly — hilariously silly, but silly, just absurd and wacky. Like political comedy, one would expect a reduced size of audience willing to come along for the ride. That makes it all the more impressive to achieve what he did as a comic, because his type of work seems like it would have a smaller following than the comics who talk about family life and dating and office jobs and tax audits and their vaginas.

I enjoyed reading this book tremendously and would highly recommend it for readers with an interest in standup comedy (or those fascinated by the life cycle of celebrity.)

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PROMPT: For a Day

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Daily writing prompt
If you could be someone else for a day, who would you be, and why?
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Any successful standup comic. To gain a practical understanding of the downside and the struggle.

I wouldn’t care to be a billionaire because it would be just my luck that it’d be the day people wised up and the revolt began, and I could say the same thing with respect to world leaders.

PROMPT: Performed

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Daily writing prompt
Have you ever performed on stage or given a speech?
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Performed? Not yet. (Unless you count “Crowd Member Milling About [with No Lines] – #7” in an Elementary School Christmas Pageant.) Given a speech? Yes. Unless it is completely impromptu, it is nowhere near the top of my list of horrifying life events.

BOOKS: “Funny Stuff” ed. by Laura LaPlaca and Ryan Lintelman

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Funny Stuff: How Comedy Shaped American HistoryFunny Stuff: How Comedy Shaped American History by Laura LaPlaca
My rating: 4 of 5 stars

Publisher Site — Rutgers University Press

Release Date: May 12, 2026

As the subtitle suggests, this book explores the nexus between American History and comedy across many, varied media (i.e. writing, theater, standup, improv, radio, television, movies, etc.) It’s an interesting book, but I don’t know that it has the right title. Considering the title, a reader might expect a fuller coverage of American History, drawing on whatever humorous outlets existed at the time (e.g. op-eds and satirical articles.) This book is more of a history of comedic content in the US with a substantial discussion of how comedy addressed / participated in changing views on sex, race, and sexuality and with occasional mention of how comedy was involved in other social issues, such as changing views on free speech and expression. You’re not going to learn how comedic writers addressed Smoot-Hawley or the Sinking of the Maine. (i.e. The book leads with comedic content and leans the discussion toward societal influence [rarely toward policy influence.] It does not lead with historical events and draw on appropriate comedic content.)

The book covers a lot of the same ground as Kliph Nesteroff’s The Comedians, though with quite different emphases. Nesteroff focuses on the gritty underside of comedy and the oft unseen dark side of comedians, while this book focuses on comedy as a factor in changing views on race and sex [as well as on the changing technological outlets for comedy.] Funny Stuff does spend a little more time on pre-20th century America than does Nesteroff, but not much more. Both books are heavily weighted toward the late 20th century to present. To be fair, there is much more volume of comedic output in this period. (That said, there were artists I expected coverage of, e.g. Josh Billings, that weren’t included. That’s where the book seems more like a history of comedy and its varied outlets.)

If you’re interested in the development of comedy in America, and its influence on social issues — most extensively attitudes towards race — I’d recommend this book.

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Five Wise Lines from George Carlin [April 2025]

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Have you ever noticed that anybody driving slower than you is an idiot,
and anyone going faster than you is a maniac?

Isn’t making a smoking section in a restaurant
like making a peeing section in a swimming pool?

I don’t believe there’s any problem in this country,
no matter how tough it is,
that Americans,
when they roll up their sleeves,
can’t completely ignore.

Here’s all you have to know about men and women;
women are crazy,
men are stupid.
And the main reason that women are crazy
is that men are stupid.

I like it when a flower or a little tuft of grass grows through a crack in the concrete.
It’s so fuckin’ heroic.

BOOKS: “Be Funny or Die” by Joel Morris

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Be Funny or Die: How Comedy Works and Why It MattersBe Funny or Die: How Comedy Works and Why It Matters by Joel Morris
My rating: 5 of 5 stars

Author Site

Release date: Sept 4, 2025 [paperback, hardcover is already out]

This is a comedy writer’s guide to how humor is crafted. It’s a bit popular psychology and a bit of a how-to guide. If one is expecting, because it’s on comedy and humor, a book that is a laugh riot on every page, this isn’t the book for you. That’s not so say Morris doesn’t pepper the book with witty commentary and humorous examples, but it’s ultimately a book about how the sausage gets made and is, thus, somewhat analytic — if in a readable style.

At the core of Morris’s theory of comedy is a three-component structure: construct, confirm, and confound. Other major ideas are the fundamental tribalism of comedy and the connections between comedy and music. It wouldn’t be a present-day book on comedy if there wasn’t some discussion of the idea of offense and the “limits” of what can be said.

I can’t say all of Morris’s ideas found immediate resonance with me, but even when I didn’t fully buy the argument, I did find the presentation thought-provoking. For example, I don’t know that I buy Morris’s argument about the importance of tribality to comedy. I do agree that one needs a common language and some overlap of experience, but all of humanity has a domain of overlap of experience. Yes, one may have an easier time the more extensive that overlap is, but ease doesn’t necessarily mean one can’t get big laughs from an audience whose worldviews and experience are radically different from one’s own. [Of course, I may just be being overly sensitive as a traveler in a tribal world.]

For writers, the end of the book has a few chapters that are more about story than comedy – per se, and – while these chapters compare and contrast comedy and drama writing – they provide information useful to any writer engaged in storytelling.

I’d highly recommend this book for any readers interested in comedy writing, be it of standup material, scripts, or other content.

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BOOK: “How To Be The Best Improviser On Earth” by Will Hines

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How To Be The Greatest Improviser On EarthHow To Be The Greatest Improviser On Earth by Will Hines
My rating: 5 of 5 stars

Amazon.in Page

This guide to performing improv comedy alternates chapters that explore various tenets of the art with chapters that present exercises to help one carry out said tenets in practice. So, it is both a philosophy of improv and a how-to manual. The tenets include: “be present,” “be changeable,” “be brave,” “be authentic,” and “be funny” — among others.

Being a neophyte to the subject, I knew nothing beyond the oft joked upon advice to always “Yes, and…” during a scene, a lesson intended to keep a scene moving and which also provides much material for wisecracks. This book doesn’t spend much time on that rule beyond discussing when one should break it, and how one can do so without bringing a scene to a halt. The key takeaways of the book were about pacing and the need for normality in contrast to the absurdity to make a scene funny. That is, one can’t just go to the whackiest place possible out of the gate and with all characters, instead it is the contrast between everyday conversation and the introduction of an absurd premise that makes a scene funny. As with the “straight man” of a comedic duo, one needs straight elements or characters.

I found this book to be informative. It’s a quick read and offers much food-for-thought that could benefit one offstage as well as on.

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Comic’s Limerick

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There once was a peevish standup comic.
 Whose war on hecklers would quickly go atomic.
   A heckler said, "You suck!"
   So, he hit 'em with a truck.
 A response neither timely nor economic.