Tag Archives: literature

BOOKS: “The Weary Blues” by Langston Hughes

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The Weary BluesThe Weary Blues by Langston Hughes
My rating: 5 of 5 stars

Available online — Lehigh University

Langston Hughes was one of the greats of 20th century American poetry, and The Weary Blues was his first collection (1926,) containing some of his most beloved (and anthologized) pieces, including: “The Negro Speaks of Rivers” and “I, too, sing America” [a.k.a. Epilogue; which plays off Whitman’s “I Hear America Singing.”] I’ve always loved how Hughes used the rhythm of repetition and the technique of standing in for the everyman (as he famously did in “The Negro Speaks of Rivers,” but in other of his poems as well.) He also had a gift for concision.

These sixty-nine poems deal in a wide range of themes including race, travel, love, etc. Music, be it Jazz or Blues, is an ever-present force in Hughes work. In addition to the aforementioned classics, among my favorite pieces from the collection are: “Winter Moon,” “March Moon,” “‘The Night is Beautiful'” [a.k.a. Poem,] “When Sue Wears Red,” “Water Front Streets,” “Long Trip,” “Seascape,” “Suicide’s Note,” “Songs to the Dark,” and “Lament for Dark Peoples.”

I’d highly recommend this collection for poetry readers.

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PROMPT: Sequel

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Daily writing prompt
What’s a book you think deserves a sequel?
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I think sequelization is a pox upon the literary world. I would hazard to say that anything good I’ve ever read was a standalone work. Seldom does the “resolution-to-hook” ratio lead to a satisfying, let alone illuminating, reading experience. A popular book series is far more likely to end like the television series Lost than to pull all its outstanding narrative strings together coherently.

Unless you’re talking nonfiction, in which case I would be open to another volume of The Complete History of the World at some point.

BOOK: 齐天大圣 by Yinuo Wang

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齐天大圣 Monkey King: A Bilingual Chinese Storybook (Pinyin & English) with HSK Vocabulary (Learn Chinese with Mythology：Bilingual Pinyin Edition 9)齐天大圣 Monkey King: A Bilingual Chinese Storybook (Pinyin & English) with HSK Vocabulary by Yinuo Wang
My rating: 4 of 5 stars

Amazon Page

This book collects episodes from the classic Chinese novel, Journey to the West, and condenses each into a page or two. Specifically, these are episodes from early in the story of Journey to the West, before the protagonist (a.k.a. Sun Wu Kong / the Monkey King / the Great Sage Equal to Heaven) actually departs on his journey to the west with a monk to get Buddhist scriptures. It is Sun Wu Kong’s origin story in a highly condensed form.

The illustrations of the book are aesthetically pleasing and are colorful and non-threatening (i.e. suitable for young readers.) Also, the book has quizzes and vocabulary building exercises at the back.

My biggest criticism of the book would be that it bites off more than it can chew. With single pages for major events and no room for transitions, the plates are a bit incongruous and don’t feel like a story as much as like viewing someone’s scrapbook. A lesser criticism would be that with a loose translation style (which is fine,) it sometimes translates the same characters in two different ways. (As it does with the title card which it translates quite literally as “The Great Sage Equal to Heaven” and the opening page where it translates the same four-character phrase quite loosely as “The Great Monkey King.”) This would not be an issue if the book were not a book for learning to read.

As I said, this is more like Sun Wu Kong’s scrapbook than his life story, but it is a nice way to practice beginner level reading. I’d recommend it for those beginning to read Chinese, particularly if one already knows the Journey to the West story.

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BOOK: “Fight Club” by Chuck Palahniuk

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Fight ClubFight Club by Chuck Palahniuk
My rating: 5 of 5 stars

Publisher Site – W.W. Norton

Through a weird and wild storyline, Palahniuk offers insight into two (intertwined) crises of identity that have only grown more prominent since the book (and the David Fincher film adapted from it) came out in the late 90’s. First and foremost, there is a craving for, yet confusion about the nature of, masculinity. As men raised by women struggle to ape masculine behavior only to over-emphasize conspicuous features such as violence and aggression while missing more subtle aspects such as the instinct to protect and a grasp of responsibility, self-empowerment, and fortitude. The second identity crisis is self as consumer, wherein people start linking who they are to their consumption, and this becomes demoralizing because it’s such a hallow way of seeing oneself. (I say the crises are “intertwined” because it’s a long and painful fall to go from “protector” to “consumer-” the latter having nothing at all to feel good about.)

This is one of those books that people either find illuminating or unreadable. There is a lot in the book that is stomach-turning. For many, this will be the violence, but — for me, and I suspect many others, — it’s the “mischievous” pranks that Tyler Durden and the unnamed lead “play” as they work as waiters. Upton Sinclair once said of The Jungle that he aimed for the reader’s heart (i.e. to bring awareness to labor issues in the meat packing industry) and hit them square in the stomach (i.e. people’s main takeaway was that how their food was made was gross and needed to be corrected.) This may be a similar situation. Palahniuk, I suspect, is trying to show how these full-grown men in some ways haven’t escaped the grossest era of boyhood as they attempt to find their power in the world, but it mostly reminded me to not eat at banquets or other gatherings of rich people.

I found this to be an insightful book and would highly recommend it for anyone trying to figure out some of the oddities of the world in which we find ourselves living.

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PROMPT: First Time

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Daily writing prompt
What’s a book, movie, or TV show that you wish you could experience again for the first time?
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I would not be the same person. It would not be the same book.

BOOK: “Shuhari” by Nobuo Suzuki

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Shuhari: The Three-Step Japanese Path to Lifelong Growth and SuccessShuhari: The Three-Step Japanese Path to Lifelong Growth and Success by Nobuo Suzuki
My rating: 5 of 5 stars

Release date: August 11, 2026

I was introduced to the concept of “shuhari” as a student of Japanese martial arts, and over time I discovered it to be one of the most useful concepts for personal growth and development. Shuhari is by no means exclusive to martial arts and is applied to arts in the broadest sense — really to endeavors of any type (as is true in this book which references not only martial arts, but literary arts, graphic arts, cinematic art, and even sciences.) The idea is this: one begins by repetitively practicing what one is taught in as close to an exemplary fashion as possible (shu,) then one starts adapting the principles one has cultivated to changing and unpredictable circumstances (ha,) and finally one abandons the forms and embraces the spontaneous (ri.) In short, we follow the rules (shu,) break the rules (ha,) and abandon the rules (ri.)

Recent years have seen a flood of books on cultural life philosophies, starting and continuing with those of the Japanese culture, but venturing out into Scandinavian (Sisu and Lagom,) Goan (Susegad,) and many others. One could easily fill a shelf each with the popular books on “ikigai” or “ganbatte.” It’s kind of a surprise to see that it’s taken this long to venture into the invaluable concept of “Shuhari.” It is an idea whose time has come to go global.

In a broad sense, this is a book on learning and creativity, and I’d highly recommend it for anyone looking to reevaluate their approach to learning and / or creating.

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BOOKS: “Four Quartets” by T. S. Eliot

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Four QuartetsFour Quartets by T.S. Eliot
My rating: 5 of 5 stars

Available online

Four Quartets is a collection of four long poems by T.S. Eliot, written over several years before and during the Second World War. The poems are: “Burnt Norton,” “East Coker,” “The Dry Salvages,” and “Little Gidding.” They share a theme of metaphysical inquiry, particularly regarding time and man’s relation therewith. The book came out about five years before Eliot won the Nobel Prize for Literature, and was the last of his major poetry collections, and so it reflects a mature phase of his poetry writing.

I loved this collection, which combines food for thought with beautiful turn of phrase. As far as I could see, most of the disgruntlement with the collection had to do with Eliot’s religious / spiritual references, which offended the sensibilities of some of the most stridently atheist / agnostic individuals in the poetic community. Besides reflecting his own Christian worldview, Eliot had clearly been moved by reading the Bhagavad Gita and makes a number of references to Krishna.

Four Quartets is a pleasant read and I’d highly recommend it for poetry readers.

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PROMPT: Overrated

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Daily writing prompt
What’s a classic book that you think is overrated?
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Joyce’s Ulysses springs to mind. I do love some of the language, but — overall — reading it was a bit like getting my teeth drilled. (But I have been known to have a different perspective upon giving a book a second chance.)

There are many long works that I thought could have used an editor (e.g. Moby Dick and Atlas Shrugged,) but still I see their literary appeal.

BOOK: “Angel at the Earth’s Extremes” by Chūya Nakahara [trans. & ed. by Jeffrey Angles]

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Angel at the Earth's Extreme: Collected PoemsAngel at the Earth’s Extreme: Collected Poems by Nakahara Chuya
My rating: 5 of 5 stars

Publisher Site — Penguin Classics

Release date: August 4, 2026

Chūya Nakahara was a Japanese poet who lived in the early twentieth century and who wrote in both classic Japanese forms (notably Tanka) as well a modern Western-influenced styles, particularly from the French avant-garde movement — e.g. Dadaism. Though he lived only to the age of thirty, Chūya left a substantial body of poems. He only published one collection during his lifetime, and had edited a second that came out posthumously, but the volume under review includes many previously uncollected poems as well.)

While only the Tanka poems early in the book are of classical Japanese form, Japanese literary influence shows up throughout, such as via seasonality. I took particular note of a focus on Autumn, followed [not chronologically, but in terms of volume,] by Winter, which may give insight into the tone of the volume. Of course, I didn’t count season words, so it might be a reflection of what resonated in my reading. But there is also a certain haiku-esque feel that appears in the author’s descriptions and juxtapositionings.

I enjoyed the language of these poems, particularly in description of sensory experience, which I presume owes both to Chūya and to the translator, Jeffrey Angles. Some examples include: “moonlight makes no sound // as it pools on the grass…”; “Rustling like rice husks, // Rough and dry as a loofa“; “dark against the night sky, // fig leaves stir in the wind // through the gaps, sky appears // –a beautiful woman // missing her front tooth, // standing gracefully // under the nighttime sky.“

I’d highly recommend this book for poetry readers.

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PROMPT: Topics

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Daily writing prompt
What topics do you like to discuss?
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Anything but myself. Unfortunately, that seems to be the main mode of social discourse in the world. People mostly want to hear enough about me that they feel justified in telling me more about them. I’m an ideas guy: philosophy, science, literature, technology, economy, international affairs, etc. (Also, travel, but that only works with travelers — a tiny segment of the population.)