Category Archives: nonfiction

PROMPT: Three Books

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List three books that have had an impact on you. Why?

Steven Kotler’s The Rise of Superman changed the way I looked at mind-body development.

Water Margin [a.k.a. Outlaws of the Marsh] convinced me a sprawling epic could be worth reading if it was done well, it kicked my love of Chinese Literature into high gear, and it started me on the path of learning Chinese.

Self-Reliance and Other Essays by Ralph Waldo Emerson had a major influence on my early philosophical development — especially the titular essay.

Now, I’m thinking I should’ve pushed one of these out for Leaves of Grass by Walt Whitman, but perhaps another time.

BOOKS: “Violence: A Very Short Introduction” by Philip Dwyer

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Violence: A Very Short Introduction (Very Short Introductions)Violence: A Very Short Introduction by Philip Dwyer
My rating: 4 of 5 stars

Publisher Site – Oxford University Press

This is a brief overview of various types of violence, starting with the question of what counts as violence. The book explores violent acts carried out by individuals, mobs, movements, governments, and religions. It reflects upon how the nature of violence has changed over the centuries while hinting at potential reasons for said changes (along with counterarguments.)

This book raised some provocative questions, such as: Why would people go to watch executions? Does Steven Pinker’s hypothesis that humanity is becoming less violent hold water? [Pinker made this argument in his book The Better Angels of Our Nature, but it has been refuted on number of grounds — definitional, methodological, etc. Though Dwyer only briefly touches on Pinker’s book and its critics in this book and a detailed critique will require looking elsewhere.] How (and why) do violent tendencies vary across cultures. And, when and how did governments end up with a monopoly on legitimate use of force.

I found this book interesting and informative and would recommend it for those looking for answers as to why and how our species is so violent.

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BOOKS: 千字文 [Thousand Character Essay] by 周兴嗣 [Zhou Xingsi]

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千字文千字文 by 周兴嗣
My rating: 4 of 5 stars

A version with English commentary can be found at the IFA Gallery

This short work, consisting of just one-thousand characters, is first and foremost a teaching tool for children. While it presents a thousand of the most important Chinese characters, it also delivers lessons on history, ethics, philosophy, and culture by way of short sayings.

It’s arranged into 250 4-character phrases (125 sentences) and reads as a lyric poem, though because it dates to the Sixth Century, the degree to which the rhyme scheme holds varies depending upon the which spoken language one speaks (e.g. Mandarin, Cantonese, or Hakka.)

There have been different versions of this work over the centuries.

This is a much beloved work of literature among Chinese, though its sayings do not necessarily hold up as well as works like Sunzi’s Art of War or Laozi’s Daodejing. Some do, but most are much less relevant than when written.

As someone learning Chinese, I’d highly recommend this work as a way to expose oneself to language while gaining insight into Chinese culture.

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BOOKS: “Live Like a Philosopher” by Massimo Pigliucci, Gregory Lopez, and Meredith Alexander Kunz

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Live Like A Philosopher: What the Ancient Greeks and Romans Can Teach Us About Living a Happy LifeLive Like A Philosopher: What the Ancient Greeks and Romans Can Teach Us About Living a Happy Life by Gregory Lopez
My rating: 4 of 5 stars

Publisher Site — Hachette / Headline Press

This book is for a person in the market for a philosophy of life, but who only knows that they want a system rooted in Ancient Greece. While the coauthors are all Stoics, the book explores twelve additional philosophies and gives each roughly equal consideration. In addition to the expected systems, such as Epicureanism, Stoicism, Platonism, and Skepticism, there are also several lesser known or defunct philosophies such as Cyrenaic hedonism, Cynicism, Pyrrhonism, and Megarianism.

The book is organized into four parts. The first examines schools that value pleasure (Cyrenaicism and Epicureanism,) the next investigates schools that focus on virtue and character (Aristotelian Peripatetics, Stoicism, Cynicism, and Political Platonism,) the penultimate focuses on systems encouraging doubt or caution in knowledge (Socratic philosophy, Academic Skepticism, Sophism, and Pyrrhonism,) and the last set are posed as questionable candidates for a life philosophy (i.e. those of the Pythagoreans, Megarians, and Neoplatonists.) The last three schools are questioned on various grounds, including: is enough known about what its practitioners believed, did they live their philosophy or just ruminate on it, and could the system be considered a full-fledged philosophy (as opposed to a stance on a specific issue or issues.)

The book is presented in self-help fashion, with each chapter ending in a set of exercises designed to help the reader build practical understanding of each school. The goal of these exercises (as comes together in an appendix) is to help the reader determine which philosophy is best suited to their disposition and inclinations.

I enjoyed this book. The authors use stories to convey ideas and the book’s readability is kept inviting to general readers. If you’re interested in better understanding Greek schools of philosophy, I’d recommend the book as quick and easy way to get a better grasp.

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BOOKS: “The Meaning of Travel” by Emily Thomas

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The Meaning of Travel: Philosophers AbroadThe Meaning of Travel: Philosophers Abroad by Emily Thomas
My rating: 5 of 5 stars

Publisher Site – OUP

Of late, I’ve been reflecting upon the philosophical divides that exist between travelers and others (I call them “tribals,” but they are by far the majority of people — i.e. those who either don’t travel [unless required to] or who travel only in a tourist-like fashion.) As I’ve done so, I’ve been surprised to find how limited the literature is on the subject. I was, therefore, pleased to find this book. While Thomas confirmed my preliminary findings that there isn’t much of a travel-centric subdiscipline of philosophy, she also shows that it’s not for a lack of philosophers traveling and pondering travel.

While I’ve spent considerable time thinking about a philosophy of travel, I was pleasantly surprised to discover a number of topics in Thomas’s book to which I’d hardly given any thought. These were the most personally fascinating topics because they involved such uncharted territory. They include: maps as propaganda, the importance of travel to scientific discovery, the domination of male perspective in our collective understanding of travel, and the ethics of doom travel (going to vanishing places.)

The book also advanced my understanding of subjects that I’ve often contemplated — e.g. aesthetics and travel, innate / universal ideas v. culturally-tinted ones, and the connection between minimalism and travel.

If you’re interested in philosophy, travel, and the intersect of the two, this book is definitely for you. The author takes a light approach and the book’s readability is high — i.e. while it is thought-provoking, it’s aimed at a general readership rather than a scholarly one.

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BOOKS: “Wild Thing” by Mike Fairclough

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Wild Thing: Embracing Childhood Traits in Adulthood for a Happier, More Carefree LifeWild Thing: Embracing Childhood Traits in Adulthood for a Happier, More Carefree Life by Mike Fairclough
My rating: 4 of 5 stars

Publisher Site — Hay House

This short self-help guide aims to encourage adults to recapture some of the bliss-inducing traits of children. Over six chapters, it examines the virtues of play, rule-breaking behavior, imagination, resilience, gratitude, flow, daydreaming, discovery, exploration, and awe.

Each chapter, in true self-help fashion, ends with a bulleted set of practical tips and practices. The book has an Introduction and Afterward, but no other ancillary material.

I felt the book was at its strongest when the author was discussing his personal experiences. Otherwise, the book can dip into the “no-duh” plight common among self-help style books — where it seems to state the obvious without adding depth of insight.

I enjoyed reading this book. It’s a nice, short pep-talk — though it’s unlikely to leave readers with any burning revelations or new insights.

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BOOKS: “Chinese Grammar Wiki BOOK: Intermediate” ed. by John Pasden, et. al.

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Chinese Grammar Wiki BOOK: IntermediateChinese Grammar Wiki BOOK: Intermediate by John Pasden
My rating: 5 of 5 stars

Publisher Site – AllSet

I’ve found this series helpful in offering a basic guide to grammar for learning Mandarin through Simplified Characters and pinyin. It provides plenty of examples and is not dense with explanation and elaboration but rather focuses on the core principles as well as demonstrations of common pitfalls. It covers the B1 grammar points which is a designation used by, but not original to, the series. (As far as I can tell, it’s a European standard that has been applied across languages to organize the concepts one should be able to express at a given level of language learning.

This is the second book of the series that I’ve worked through (the third if one counts the “Just the Basics” level which is a subset of the Beginner level book,) and I intend to continue on to the “Upper Intermediate” guide.

This may not be the series you want if you’re a linguist looking for nuanced insight into Chinese grammar, but it’s excellent for your average language learner. [It also seems to be quite affordable compared to many competing grammar books and series.]

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BOOKS: “The Cultural Revolution: A Very Short Introduction” by Richard Curt Kraus

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The Cultural Revolution: A Very Short IntroductionThe Cultural Revolution: A Very Short Introduction by Richard Curt Kraus
My rating: 4 of 5 stars

Publisher Site – OUP

The decade-long Cultural Revolution in China is generally looked upon as a bleak time and place to be alive. This brief guide reflects on the political, economic, and cultural dimensions of Mao’s attempt to root out capitalist and middle-class influence from Chinese society. The book also reflects upon other events in China during the period (e.g. detente) and how they related to the Cultural Revolution. It also explores how China came out of the Cultural Revolution.

The author makes efforts to be diplomatic and evenhanded about the event. Some readers will find this beneficial to their purposes and may even see the occasional glimmer of a bright side to a dismal period in human history. However, one should not expect to gain any visceral insight into the sadness and chaos of the era. While there was discussion of not only the end of the Cultural Revolution but what China’s continued path looked like, it didn’t get much into whether there was a long shadow to the revolution and what that shadow might look like.

I found the book informative though there were dimensions into which I would have liked to gain more insight (e.g. it doesn’t go much into the influence on religion, nor on more peripheral arts,) but that’s the challenge of such a concise guide. Also, the author is of a political science background, and this informs what elements are given more or less discussion.

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BOOKS: “George Bernard Shaw: A Very Short Introduction” by Christopher Wixson

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George Bernard Shaw: A Very Short Introduction (Very Short Introductions)George Bernard Shaw: A Very Short Introduction by Christopher Wixson
My rating: 4 of 5 stars

Publisher Site – OUP

This concise guide to George Bernard Shaw is an exploration of the works of the prolific playwright and how his philosophy and life experiences influenced the stories he created. The book is arranged by periods of Shaw’s own determining, including: Unpleasant, Pleasant, Puritan, Political, Extravagant, and Farfetched. The book does mention Shaw’s novels, literary criticism, and some of his major non-literary activities, but largely in the context of the comedies, tragedies, and histories he wrote for the stage.

If you are interested the works of George Bernard Shaw and how they came to be, I’d recommend this book. It’s a quick read and offers some fascinating insights.

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BOOKS: “Be Funny or Die” by Joel Morris

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Be Funny or Die: How Comedy Works and Why It MattersBe Funny or Die: How Comedy Works and Why It Matters by Joel Morris
My rating: 5 of 5 stars

Author Site

Release date: Sept 4, 2025 [paperback, hardcover is already out]

This is a comedy writer’s guide to how humor is crafted. It’s a bit popular psychology and a bit of a how-to guide. If one is expecting, because it’s on comedy and humor, a book that is a laugh riot on every page, this isn’t the book for you. That’s not so say Morris doesn’t pepper the book with witty commentary and humorous examples, but it’s ultimately a book about how the sausage gets made and is, thus, somewhat analytic — if in a readable style.

At the core of Morris’s theory of comedy is a three-component structure: construct, confirm, and confound. Other major ideas are the fundamental tribalism of comedy and the connections between comedy and music. It wouldn’t be a present-day book on comedy if there wasn’t some discussion of the idea of offense and the “limits” of what can be said.

I can’t say all of Morris’s ideas found immediate resonance with me, but even when I didn’t fully buy the argument, I did find the presentation thought-provoking. For example, I don’t know that I buy Morris’s argument about the importance of tribality to comedy. I do agree that one needs a common language and some overlap of experience, but all of humanity has a domain of overlap of experience. Yes, one may have an easier time the more extensive that overlap is, but ease doesn’t necessarily mean one can’t get big laughs from an audience whose worldviews and experience are radically different from one’s own. [Of course, I may just be being overly sensitive as a traveler in a tribal world.]

For writers, the end of the book has a few chapters that are more about story than comedy – per se, and – while these chapters compare and contrast comedy and drama writing – they provide information useful to any writer engaged in storytelling.

I’d highly recommend this book for any readers interested in comedy writing, be it of standup material, scripts, or other content.

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