Tag Archives: Book Review

BOOKS: “Sightseeing” by Rattawut Lapcharoensap

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SightseeingSightseeing by Rattawut Lapcharoensap
My rating: 5 of 5 stars

Publisher Site – Atlantic

This collection of seven short stories offers insight into Thailand and its culture, but the stories are also gripping and clever. It’s a rare thing for stories to so engage with issues such as poverty, class, the refugee experience, the human experience, and foreignness and to still be highly entertaining.

Farangs is about the interaction of Thais and foreigners in the form of a love triangle featuring a Thai protagonist, a Western girl, and the girl’s erstwhile (also foreign) boyfriend.

At the Cafe Lovely is about two brothers, the older of whom takes the younger brother to a “cafe” that is more of a bar with built-in brothel. The story shows the seedy side of Bangkok, but also the bond between brothers.

Draft Day is about two friends, one from a wealthy family and the other not, who have to go to the draft lottery to determine whether they will have to serve in the military or not. This story is potent observation on social justice.

Sightseeing is about a mother and son’s last trip before the mother loses her vision.

Priscilla and the Cambodians is about a Cambodian girl who, in a rough-and-tumble manner, befriends two geeky Thai boys. The story explores the woes of being poor outsiders in a world that cares neither for the poor, nor for outsiders.

Don’t Let Me Die in this Place is about an old American man who moves in with his son and the son’s Thai wife and their children in Bangkok after the man has suffered a stroke and is in recovery. It’s about the old man’s struggle to adapt to a very different life while at the same time coping with not being able to take care of himself.

Cockfighter is the longest and also probably the most visceral of the stories. It centers on a teenaged girl whose father is the titular “Cockfighter” and whose mother makes hand-sewn bras. It’s an intensely psychological work of fiction with some hilarious moments, as well.

I’d highly recommend this collection for all readers of short fiction. I chose it as my travel literature for Thailand (I read a work [or works] of literature from all countries I visit,) but I don’t think one has to have a particular interest in Thailand to find the stories fascinating and profound.

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BOOKS: “Wen-Tzu” Trans. by Thomas Cleary

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Wen-TzuWen-Tzu by Lao-Tzu
My rating: 5 of 5 stars

Publisher Site – Shambhala

This work is presented as “further thoughts of Laozi [老子].” Readers of the Dàodé jīng [道德经] will recognize many a familiar statement of that work, but this book is much more extensive and detailed. I say “presented as” because scholars no longer believe this was a product of Laozi and his lifetime (if such an individual ever existed.) For one thing, the book seems more syncretic than the Dàodé jīng, that is to say there are points at which it sounds strikingly Confucian — rather than purely Taoist.

As with the Dàodé jīng the Wénzǐ [文子] covers a lot of ground from metaphysics to individual ethics to political philosophy, but this book has more room to sprawl on each subject.

As with other Cleary translations, it’s a pretty readable translation.

I’d recommend it for readers interested in Chinese Philosophy.

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BOOKS: “The Last Brother” by Nathacha Appanah

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The Last BrotherThe Last Brother by Nathacha Appanah
My rating: 5 of 5 stars

Publisher Site — Gray Wolf Press

When Mauritius made it onto my shortlist for upcoming travel, I needed to find an enlightening work of Mauritian literature, and this book was prominently discussed as one that might fit the bill.

The book is narrated by an old man telling a story from his boyhood. It is a poignant and riveting tale. The book’s title, The Last Brother reflects the protagonist’s (Raj’s) first tragedy, losing his two brothers in a natural disaster in Mapou, Mauritius. Raj’s family then moved south where his father got work in a prison.

Much of the book revolves around a strange historical event — the imprisonment of a large number of Jews on Mauritius during World War II. These Jews had fled Europe and were trying to make their way to Palestine but were not granted entry because of a lack of acceptable documentation. They were then sent to Mauritius where they were imprisoned in a detention camp.

The reader only sees this event through the relationship of Raj and David. Raj is taken to the prison infirmary after being beaten by his alcoholic father. There he meets David, a Jewish boy in the detention camp. It isn’t until the very end of the book that the author presents the facts of the historic event. I think this is a wise move, allowing the reader only knowledge of what the characters would know (which – as nine-year-olds – is not much.) The late reveal adds to the tension and makes some of the characters’ decisions more understandable.

The last part of the book is a little reminiscent of Huck Finn, except without Twain’s lightheartedness and with a more melancholic and tragic tone and ending, but featuring two young men on the lam for different reasons.

I found this novel to be a potent read and would highly recommend it for readers of global literature — especially if you expect to find yourself in Mauritius at some point.

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BOOKS: “The Cultural Revolution: A Very Short Introduction” by Richard Curt Kraus

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The Cultural Revolution: A Very Short IntroductionThe Cultural Revolution: A Very Short Introduction by Richard Curt Kraus
My rating: 4 of 5 stars

Publisher Site – OUP

The decade-long Cultural Revolution in China is generally looked upon as a bleak time and place to be alive. This brief guide reflects on the political, economic, and cultural dimensions of Mao’s attempt to root out capitalist and middle-class influence from Chinese society. The book also reflects upon other events in China during the period (e.g. detente) and how they related to the Cultural Revolution. It also explores how China came out of the Cultural Revolution.

The author makes efforts to be diplomatic and evenhanded about the event. Some readers will find this beneficial to their purposes and may even see the occasional glimmer of a bright side to a dismal period in human history. However, one should not expect to gain any visceral insight into the sadness and chaos of the era. While there was discussion of not only the end of the Cultural Revolution but what China’s continued path looked like, it didn’t get much into whether there was a long shadow to the revolution and what that shadow might look like.

I found the book informative though there were dimensions into which I would have liked to gain more insight (e.g. it doesn’t go much into the influence on religion, nor on more peripheral arts,) but that’s the challenge of such a concise guide. Also, the author is of a political science background, and this informs what elements are given more or less discussion.

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BOOKS: “Attack on Titan, Vol. 1” by Hajime Isayama

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Attack on Titan, Vol. 1Attack on Titan, Vol. 1 by Hajime Isayama
My rating: 5 of 5 stars

Publisher Site – Kodansha

A bit like Starship Troopers in that it features a group of youths drawn into military service to defend humanity from an existential threat, this series revolves around humanity besieged by giants. This introductory volume opens many questions that it leaves to be answered, such as: what are the Titans? Where do they come from? Can humanity survive them?

What this opening volume does a good job of is building a cast of characters one can connect with, as well as showing how humanity has been losing ground to its mammoth enemies. The reader enters this conflict in the middle, humanity living in walled cities that periodically come under attack, and that not only sets a tone but builds engagement with the story.

I found this volume intriguing and would highly recommend it for comic book readers. Note: the book is formatted in manga style and thus reads backwards from the perspective of an English language book reader.

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BOOKS: “George Bernard Shaw: A Very Short Introduction” by Christopher Wixson

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George Bernard Shaw: A Very Short Introduction (Very Short Introductions)George Bernard Shaw: A Very Short Introduction by Christopher Wixson
My rating: 4 of 5 stars

Publisher Site – OUP

This concise guide to George Bernard Shaw is an exploration of the works of the prolific playwright and how his philosophy and life experiences influenced the stories he created. The book is arranged by periods of Shaw’s own determining, including: Unpleasant, Pleasant, Puritan, Political, Extravagant, and Farfetched. The book does mention Shaw’s novels, literary criticism, and some of his major non-literary activities, but largely in the context of the comedies, tragedies, and histories he wrote for the stage.

If you are interested the works of George Bernard Shaw and how they came to be, I’d recommend this book. It’s a quick read and offers some fascinating insights.

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BOOKS: “Be Funny or Die” by Joel Morris

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Be Funny or Die: How Comedy Works and Why It MattersBe Funny or Die: How Comedy Works and Why It Matters by Joel Morris
My rating: 5 of 5 stars

Author Site

Release date: Sept 4, 2025 [paperback, hardcover is already out]

This is a comedy writer’s guide to how humor is crafted. It’s a bit popular psychology and a bit of a how-to guide. If one is expecting, because it’s on comedy and humor, a book that is a laugh riot on every page, this isn’t the book for you. That’s not so say Morris doesn’t pepper the book with witty commentary and humorous examples, but it’s ultimately a book about how the sausage gets made and is, thus, somewhat analytic — if in a readable style.

At the core of Morris’s theory of comedy is a three-component structure: construct, confirm, and confound. Other major ideas are the fundamental tribalism of comedy and the connections between comedy and music. It wouldn’t be a present-day book on comedy if there wasn’t some discussion of the idea of offense and the “limits” of what can be said.

I can’t say all of Morris’s ideas found immediate resonance with me, but even when I didn’t fully buy the argument, I did find the presentation thought-provoking. For example, I don’t know that I buy Morris’s argument about the importance of tribality to comedy. I do agree that one needs a common language and some overlap of experience, but all of humanity has a domain of overlap of experience. Yes, one may have an easier time the more extensive that overlap is, but ease doesn’t necessarily mean one can’t get big laughs from an audience whose worldviews and experience are radically different from one’s own. [Of course, I may just be being overly sensitive as a traveler in a tribal world.]

For writers, the end of the book has a few chapters that are more about story than comedy – per se, and – while these chapters compare and contrast comedy and drama writing – they provide information useful to any writer engaged in storytelling.

I’d highly recommend this book for any readers interested in comedy writing, be it of standup material, scripts, or other content.

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BOOKS: “Soseki Natsume’s Collected Haiku” trans. by Erik Lofgren

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Soseki Natsume's Collected Haiku: 1,000 Verses from Japan's Most Popular Writer (Bilingual English & Japanese Texts with Free Online Audio Readings of Each Poem)Soseki Natsume’s Collected Haiku: 1,000 Verses from Japan’s Most Popular Writer by Natsume Sōseki
My rating: 5 of 5 stars

Publisher Site — Tuttle

Natsume Soseki is widely considered one of 2oth century Japan’s greatest writers. While he is best known for his novels, such as Kokoro and I Am a Cat, Soseki wrote broadly, including the one-thousand haiku collected in this volume.

The collection, as is common among haiku volumes, is organized seasonally. Season words being a common feature of classical haiku. That said, these poems are not all classical haiku (though most are.) With respect to form, they are all haiku, but – with respect to content – some are senryū (a style that is the same as haiku in form, but uses more humor and humanistic elements and is less strictly natural and imagist) and others are more idiosyncratic experiments.

One excellent feature of this collection is that it includes both the Japanese characters and Romanized phoneticizations for each poem. This is great for readers who know some level of Japanese, but having the pronunciations allows readers to take in the sound quality of the original — even if they don’t read Japanese.

The translations are optimized for readability by English readers. By this I mean that the translator, Erik Lofgren, doesn’t pare the lines down to maximize sparseness of sound. There are different strategies for translation, and I think Lofgren’s approach is best for a general readership because the translations don’t draw attention to themselves by reading in a fashion that is clunky or tone deaf in English. That said, I suspect some readers would prefer translations more stripped of articles, conjunctions, and other function words.

If you enjoy haiku and modern Japanese literature, I’d highly recommend this book.

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BOOKS: “The Life of Hiuen-Tsiang” by Hui-li [trans. by Samuel Beal]

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The Life of Hiuen-TsiangThe Life of Hiuen-Tsiang by Hui-li
My rating: 4 of 5 stars

Available free online through the Indian Gov’t

Those familiar with Chinese Literature (or smash-hit video games) will be acquainted with the tale of Sun Wu Kong, the Monkey King. The central event of the novel Journey to the West is a Chinese Buddhist monk traveling to India to gather a complete set of the Buddhist canon. In the novel (and video game, Black Myth: WuKong,) the monk’s name is Tang Sanzang (in translations – and movie / television – he’s sometimes called Tripitaka, which is actually the name of the Pali Canon — the original Buddhist books, themselves.) In real life there was also such a monk, and his name was Xuanzang (玄奘, Romanized as Hiuen-Tsiang in an earlier system,) and this book describes his travels to, through, and back from India.

It turns out the monk was not escorted by a god-tier mythical creature and his two superpowered compatriots (i.e. Pigsy and Sandy.) For this reason, the actual Xuanzang occasionally got threatened, robbed, and was once almost killed by riverine pirates. This book is a travelogue of Xuanzang’s journeys through China, Central Asia, [present-day] Afghanistan and Pakistan, and throughout India.

Needless to say, this book isn’t as taut and thrilling as the fictional account with its gods and monsters, but – for those with historical and geographic interests – it’s not without appeal. It does have extensive description of Xuanzang’s visits with various monks and royalty that is dry reading as well as discussions of where Xuanzang’s collection stood at any given point, but there are a few intense events and harrowing moments.

If you’re interested in Buddhist history, you may want to give this book a look.

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BOOK REVIEW: “Becoming Ghost” by Cathy Linh Che

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Becoming Ghost: PoetryBecoming Ghost: Poetry by Cathy Linh Che
My rating: 5 of 5 stars

Publisher Site – Simon & Schuster

This collection is built around the surreal emotionality of the author’s parents having both lived through the war in Vietnam and also having served as extras in the film, Apocalypse Now. [For those unfamiliar, Apocalypse Now was a Francis Ford Copp0la film based loosely (and partially) on Joseph Conrad’s novel,Heart of Darkness. The film follows a military officer sent upriver to assassinate a rogue Special Operations colonel during the Vietnam War, and shows the war from various perspectives as the would-be assassin travels through the country to complete his mission.]

At times, the poems read like a poem-shaped biography, but that’s not all there is to the book. There are points that imagery and language are used to shoot beyond a mere telling of events, in order to create emotional resonance with the core strangeness of living through a traumatic event only to portray a background individual (someone like one’s own past self) in a fictional retelling of events based on those through which one lived.

The poetic forms vary somewhat, though all within the modern, free verse style. Most notably, the author uses the golden shovel approach of Terrence Hayes extensively.

This collection grabbed me both with its clever language and its thought-provoking central premise. I’d highly recommend it for readers of poetry.

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