Tag Archives: Book Review

BOOKS: 三字经 by 王应麟 [“Three Character Classic” by Wang Yinglin]

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三字经三字经 by 章炳麟
My rating: 5 of 5 stars

Available online — Project Gutenberg

This is a Confucian primer written in lines of three characters. It’s a children’s book in the sense that it’s aimed at children, but not necessarily with respect to being presented in a manner most conducive to childhood learning. (While it’s concise, the material isn’t presented in an interesting or memorable form. i.e. It’s intended for brute force rote memorization.)

The book consists of five sections, ranging between twenty-four and one hundred and six lines (72 to 318 characters per chapter.) The first introduces Confucian virtues. The second offers a broad overview of classics of Chinese philosophy. The third section lists the dynasties of China. The penultimate section describes ideal behavior from a Confucian perspective. The last, and briefest, section is largely a pep talk on studying hard.

As someone learning Mandarin Chinese, it’s interesting to see how sentences are formed in this sparse format, and this text offers insight into Chinese history and philosophy, in addition to providing a good early reader.

If you are interested in learning elementary Confucianism or you’re learning Chinese and looking for short and simple texts for reading, I’d recommend one look into the Three Character Classic.

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BOOKS: “The Secret of the Golden Flower” ed. / trans. by Thomas Cleary

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The Secret of the Golden Flower: The Classical Chinese Book of LifeThe Secret of the Golden Flower: The Classical Chinese Book of Life by Lü Dongbin
My rating: 4 of 5 stars

Online – Archive.org

This is a manual on Taoist inner alchemy practices, particularly a meditative practice called “turning the light around.” The book has been attributed to Lü Dongbin, said to be an immortal who lived during the Tang Dynasty, though there are differing views about the manual’s actual origins. While it is nominally a Taoist manual, it also discusses the Buddhist approach extensively (and Confucian ideas to a lesser extent) such that it could be considered a Buddhist teaching as much as a Taoist one.

The Cleary translation seems to exist not merely to provide an English translation of this Chinese manual, but to combat the misunderstandings perpetrated by the earlier English translation, that of Richard Wilhelm, a translation famously associated with the psychoanalyst Carl Jung. Neither Wilhelm nor Jung had any depth of understanding of Taoist and Buddhist methods and philosophy, and Wilhelm’s grasp of the Chinese language, itself, seems to have been fairly rudimentary. (At least the Chinese of the 1600’s, which is when the edition that Wilhelm is believed to have worked from is dated.) Thus, there is a lot of peddling of the notion that the ideas of this manual were in line with twentieth century psychotherapy in ways that were really not true — either because Wilhelm was mistaken or wanted them to be true or some combination, thereof.

The translation, itself, is quite short and makes up less than half of the text length of this book. More than half consists of extensive notes as well as an Afterward. While I have complained many times about publishers padding out pamphlet length publications to make them salable at book prices, in this case I believe the “ancillary” matter is helpful to achieving a better understanding of the text. The translation itself is not only sparse but features a bit of Taoist and Buddhist arcana that is likely to be unfamiliar — even to those with some understanding of the traditions. The notes and afterward help one to comprehend this book’s ideas much better.

If you’re interested in Taoist inner alchemy or Buddhist meditative practices, this book is worth checking out. That said, it can be a bit of a tedious read, flipping between the translation and the notes to make sense of ideas that don’t readily translate.

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BOOKS: “Letters from a Seducer” by Hilda Hilst

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Letters from a SeducerLetters from a Seducer by Hilda Hilst
My rating: 5 of 5 stars

Publisher Site – Pushkin Press Classics

Release Date: May 27, 2025

This is an upcoming English translation of a 1991 novella from Brazilian author, Hilda Hilst, from what has been called her “obscene cycle.” It is mostly an epistolary novella in which a man, Karl, writes his sister, Cordelia, informing her about his recent sexual adventures and attempting to coax a confession out of her about her own activities long in the past. We never see any replies from Cordelia. (And that is part of what makes the book fascinating.) The only indication of her responses that we get are Karl’s references to Cordelia’s comments from her last letter in his present letter. However, we can’t necessarily be certain that even those occasional suggestions of dialog represent the truth.

To understand why one might have doubt, one must be aware of what else is going on in this book. There is one other narrative voice, and that is of Stamatius. Stamatius is in socio-economic terms the opposite of Karl. Karl being of the gentlemanly class — his behavior and letters to his sister notwithstanding — and Stamatius is a starving artist (a writer, to be precise.) The two men speak of each other, though always in deprecating terms. However, there’s reason to think the two men might be one. Stamatius, while condemning Karl’s sex obsession, also mostly engages in tales of his own sexual adventures as well as presenting those of others. In fact, the end of this novella is a collection of short vignettes of the nature one might see in a smutty letter magazine, only better (and sometimes poetically) written.

By the author’s own description, this novella is intentionally pornographic. While the same thing is said of Hilst’s The Obscene Madame D I did not find that book particularly graphic or sex-centric. This book, however, is quite graphic and if one took away references to sexual activities
nothing of substance would remain. (Not true of The Obscene Madame D.)

I found this book to be intriguing, despite the fact that it is quite sloppily arranged (presumably on purpose,) but it does present some splendid use of language (at least in this translation — the original is in Brazilian Portuguese) and character psychology.

I’d recommend this book for readers of literary fiction who don’t mind plotlessness and pornographicness.

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BOOKS: “Swimming: Made Easy” by Terry Laughlin

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Swimming Made Easy: The Total Immersion Way for Any Swimmer to Achieve Fluency, Ease, and Speed in Any StrokeSwimming Made Easy: The Total Immersion Way for Any Swimmer to Achieve Fluency, Ease, and Speed in Any Stroke by Terry Laughlin
My rating: 4 of 5 stars

Google Books Page

I learned a lot from this book’s emphasis on how to smooth out and lengthen one’s strokes. The author describes his approach as teaching “fishlike” swimming, and effortlessness is emphasized.

The book covers all four of the strokes one sees in competitive swimming (i.e. crawl [a.k.a. freestyle,] backstroke, breaststroke, and butterfly.) For each stroke one learns how to improve balance, stroke length, and fluidness, as well as a bit about breath and coordination.

The book is presented in two parts. The first is the more theoretical bit and the second describes drills one can use to improve one’s technique. Part one is longer, more detailed, and written in more readable prose. Part two is shorter, more picture-laden, and tends to stick to bullet points. Photos are monochrome, mostly from above water level, and of varying degrees of clarity / informational value.

My biggest peeve with the book is that it frequently breaks into advertisement for other products (i.e. DVD’s [dates the book, as I’m pretty sure no one has an operational DVD player anymore] and gear.)

I’d recommend this book for readers interested in learning to swim more efficiently. The book is geared toward competitive swimmers interested in shaving time, rather than recreational swimmers who are just interested in a move pleasant experience (e.g. if one swims for fun, one will probably not be running a sequence of drills as that kind of defeats the fun of the activity.)

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BOOKS: 孙子兵法 [Sunzi’s Art of War] by Sunzi

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孙子兵法白话全译孙子兵法白话全译 by 史哲 文
My rating: 5 of 5 stars

Available online – YellowBridge

In thirteen short chapters, Sunzi lays out a masterclass in strategy. One sees in Sunzi’s work the mark of a Taoist mindset, seeing it in the book’s emphasis on engaging in warfare only when necessary, doing things the easy way whenever possible, and never letting one’s ego write checks one isn’t able to cash in lives.

There is good reason that this is one of the world’s most well-known (if not the most well-known) treatise on warfare. Far from being complicated and technical, this guide is full of pithy teachings such as: “War is the way of deception.” “No country ever benefited from a long war.” “Defeating the enemy without fighting is supreme excellence.” “To be undefeated lies in oneself, to be victorious lies in the enemy.” “Know the enemy and yourself and victory is assured; know heaven and earth and victory is complete.” (And these teachings are even more concise in the original Chinese.)

In addition to basics like leadership, maneuver, and terrain, the book devotes chapters to both the use of fire and spies in warfare. (One’s level of understanding is central to strategic victory throughout Sunzi’s teachings.)

I’d highly recommend this book for anyone interested in strategy, martial arts, or other strategic pursuits. The book may be ancient, but it’s not obsolete by any means.

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BOOKS: “Shaolin: How to win without fighting” by Bernhard Moestl

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Shaolin: How to win without fightingShaolin: How to win without fighting by Bernhard Moestl
My rating: 4 of 5 stars

Publisher Site

This is a self-help book that nominally draws on the philosophy of Shaolin Kung fu and its Chan Buddhist underpinnings, but – more broadly – employs quotes and examples from many, mostly Eastern, sources. For example, the ideas and stories of Miyamoto Musashi are perhaps as common as any source (Musashi was Japanese, not Chinese, and was not noted for being Buddhist. In his own words, he respected the gods and buddhas, but didn’t expect their help.)

The book offers a fine discussion of Eastern philosophic thought in action, particularly that which arose from warrior sources, but it isn’t particularly ground-breaking in any way. For those who like homework, the book does include many exercises to make the reading a more interactive experience.

I enjoyed reading this book well enough, but it didn’t distinguish itself and will soon fall into the mind-space of a fuzzy amalgamation of similar books I’ve read over the years.

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BOOKS: “Jñāna-Yoga: The Way of Knowledge” by Ramakrishna Puligandla

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Jnana-Yoga--The Way of KnowledgeJnana-Yoga–The Way of Knowledge by Ramakrishna Puligandla
My rating: 5 of 5 stars

Google Books Page

This is one of the most useful books I’ve read on the topic of Jñāna-yoga — the approach to yogic philosophy employed by the studious / inquisitive (in contrast to Bhakti-Yoga [the yoga of those for whom faith and devotion works] and Karma-Yoga [the yoga for those for whom a course of self-less action appeals.]) There are Jñāna-yogic Hindu sects and Buddhism — in general — can be thought of as a school of Jñāna-yoga. The author draws from the teachings of both, principally Sankara for Hindu thinking and Nagarjuna for the Buddhist approach.

A word of warning, the author is a scholarly philosopher, and so — while not as unreadable as many works of academic philosophy — it will be a slog for those who are not used to reading scholarly writing.

That said, Puligandla does a fine job of laying out what he views as the central tenets of Jñāna-yoga in a concise fashion and reviewing them at the end. This is not to say I would agree with all that he proposes, herein. In particular, his Chapter 3 conclusions about consciousness are insufficiently justified to be considered core principles of Jñāna-yoga (in my view.) Of course, the beauty of Jñāna-yoga is that it not only doesn’t insist upon coming to the same conclusions, it generates explanations as to how it’s perfectly possible / reasonable to come to different conclusions (see “The Principle of Superimposition,” herein.) Furthermore, since the author is reporting the ideas of Sankara and Nagarjuna, I can’t really hold these ideas against him.

If you’re interested in Jñāna-yoga, and can handle scholarly prose, I’d highly recommend this book.

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BOOKS: “The Romance of the Three Kingdoms” by Luo Guanzhong

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Three Kingdoms (4-Volume Boxed Set)Three Kingdoms by Luo Guanzhong
My rating: 5 of 5 stars

Publisher Website – Penguin

The edition that I read was the Penguin abridged version that fits this sprawling epic into a single volume of a little over 600 pages. This is one of the four Great Classics of Chinese literature (along with Journey to the West, Water Margin, and Dream of the Red Chamber.) It offers a fictionalized telling of a period of Chinese history featuring a three-way civil war, especially centered upon the Han attempt to maintain its Imperial line against challengers, a fight that would ultimately end in the reunification under the Jin.

I’ve loved reading the Chinese classics. While this book and Water Margin feature massive ensembles of characters and could become clunky and cumbersome to read, they don’t because stories are told in intense battle-sized chunks and with a profound capacity to build character hooks that maintain clarity despite so many characters.

I would break this book up into three parts. The first (and by far the bulk of the story) focuses on a trio of great warriors that form a kind of blood-brother pact: Xuande, Guan Yu, and Zhang Fei. Under Xuande’s leadership, these men fight to keep the Han imperial line intact. (It’s fair to say it could also be seen as focusing on the opposition to these men, notably Cao Cao.) The next bit continues the action as the masterful strategist, Kong Ming, tries to keep the wheels rolling on Xuande’s army after the dramatic deaths of the aforementioned trio, and finally there is a section in which it is as though all the great warriors are gone, resulting in an inevitable reunification as there are no longer those who can fight insurmountable odds. As I describe it, it might seem anticlimactic, but it is far so, but I would count it a tragedy.

To me, this book read more like historical fiction than did Water Margin, the latter (also excellent) is almost like fantasy: its characters are so much larger than life as to be veritably superhuman. That said, this novel does feature some magic, but the characters feel much more life-sized — if not without a measure of grandiosity.

I’d highly recommend this book for readers of historical fiction. It’s highly engaging and readable, despite being long and of epic of proportions.

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BOOKS: “The Complete Poems of Paul Laurence Dunbar” by Paul Laurence Dunbar

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The Complete Poems of Paul Laurence Dunbar (AmazonClassics Edition)The Complete Poems of Paul Laurence Dunbar by Paul Laurence Dunbar
My rating: 5 of 5 stars

Available online at Project Gutenberg

As the title suggests, this is all the published poetry of Paul Laurence Dunbar. With a career pre-dating the Harlem Renaissance, during which lyric poetry ruled the roost, Dunbar may not be as well-known today as several of the African American poets who came later, but it’s not for being any less masterful.

The collection includes a wide variety of lyric forms from simple quatrains to intermediate length poems of several pages. The content and tones also vary, and there is often a sense of whimsy in the poems that goes beyond just being lyrical in form. Dunbar wrote both in dialect and in standard English. He was a big fan of James Whitcomb Riley’s dialectal work, as a poem in Riley’s honor attests. The dialect poems are easy enough to follow and are a pleasure to read. Dunbar was by no means limited to dialectal writing; he also wrote in Standard English cleverly, and the juxtaposition of his very “proper” poems and the dialectal ones shows a great range.

I’d highly recommend this collection for poetry readers, particularly those who enjoy lyric and dialectal poems.

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BOOKS: “The Obscene Madame D” by Hilda Hilst

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The Obscene Madame DThe Obscene Madame D by Hilda Hilst
My rating: 4 of 5 stars

Publisher Site – Pushkin Classics

Release Date: May 27, 2025

This strange novella features a lot of stream-of-consciousness exchanges between the lead and her common-law spouse / lover. Hille, the protagonist, is a woman who’s decided to withdraw from her normal life and live a celibate, hermetic existence in a recess under the stairs of the home she shares with Ehud (her lover / long-time partner.)

It is a thought-provoking and philosophical work and will be most of interest to readers who like such books. On the other hand, it isn’t likely to have much appeal for readers of commercial fiction. It’s not story-driven and isn’t even deeply character-driven. [Except in the sense of showing thought processes that encourage the reader to drill down into the character’s psyche.] This book has been placed in the genre of (and titled as) erotica (or even pornography,) but I would say that it is much less accurately defined as such than other works of that category, including Hilst’s “Letters from a Seducer.” This isn’t to say the book doesn’t use graphic language or mention past sexual activity, but it’s not erotic at the core. It’s not shy about sex or “vulgar language” by any means, but it is a book about a woman who has given up sex along with other activities of ordinary life.

Ultimately, I’d recommend this book for readers of psychological and philosophical literary fiction. It is not intensely readable as a story and is not intensely erotic as erotica, but it does keep a curious person wondering about the motives and future of Hille.

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