Tag Archives: Book Review

BOOKS: “The Book of Five Rings” by Miyamoto Musashi [trans. by Thomas Cleary] [w/ Yagyu Munenori’s “Book of Family Traditions”]

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The Book of Five Rings: A Classic Text on the Japanese Way of the Sword (Shambhala Pocket Library)The Book of Five Rings: A Classic Text on the Japanese Way of the Sword by Miyamoto Musashi
My rating: 5 of 5 stars

Publisher Site – Shambhala Publications

This edition, i.e. The Shambhala Pocket Library edition, contains two guides to strategy, tactics, and philosophy of combat by famous early Edo Period swordsmen. The titular work is Miyamoto Musashi’s The Book of Five Rings, but the volume also contains Yagyu Munenori’s The Book of Family Traditions. The naming of the book is meant to capitalize on the continuing popularity of Musashi, who remains well-known to this day not only because of his own works and legend, but because of an afterlife in pop culture that ranges from Eiji Yoshikawa’s novel to a recent Netflix animated series. That said, one shouldn’t conclude Yagyu Munenori was some sort of slouch. He was, in fact, a martial arts teacher to the Shogun’s son, and he founded a branch of his family’s martial arts school that continues to this day.

It is interesting to see these two guides back-to-back, being by authors whose lifespans largely overlapped, though – in other ways – their lives were quite different. While there is some conceptual overlap in these guides, the two definitely show two very different minds at work, Musashi the pragmatic eccentric and Yagyu the Zen philosopher of noble standing.

Miyamoto Musashi is probably the most famous swordsman in Japan’s history. Oddly enough, he’s not known for his experience in battle (he lived at the tail end of the Warring States period and was only in a couple battles), but – rather – for his 62 duels. The Book of Five Rings and other works he left behind are certainly important factors in his continuing fame. Musashi was a bit of a renaissance man: painter, poet, and sculptor in addition to a swordsman. He also left behind a school of swordsmanship, Niten Ichi-ryū.

The Book of Five Rings is divided into five parts: earth scroll, water scroll, fire scroll, wind scroll, and void scroll.

The earth scroll provides an overview of martial science and an introduction to Musashi’s school, which is noted for its simultaneous use of both the large and short sword. A section is devoted the rhythm of martial arts, a crucial topic. It also includes what might be considered Musashi’s 9-point budō kun (a list of warrior precepts.)It’s worth mentioning a couple of these:
#7 Become aware of what is not obvious.
#9 Do not do anything useless.

The Water scroll describes Musashi’s approach to swordsmanship. It covers a range of elements of a martial art including footwork, the focus of one’s eyes, physical posture, mental posture, techniques, and approaches to cutting and thrusting.

The Fire scroll deals with the strategic or interactive aspects of the battle.

The Wind scroll explores other martial arts. Musashi discusses martial arts that use an unusually long sword, an atypically short sword, that focus on powerful strikes, and those that focus on many rapid strikes. He contrasts other martial arts with his own on subjects such as their focus with the eyes and their footwork.

The void scroll deals with, well, emptiness. It’s actually a short wrap-up.

Yagyu’s guide is much more philosophical and mind-centric. It’s not that Musashi doesn’t deal with such topics, but he also devotes considerable space to more practical nuts and bolts of swordsmanship and strategy. It’s also true that Yagyu gets into technical considerations such as control of distancing (if in a bit more poetic way than Musashi.) One can get a feel for the nature of Yagyu’s Book of Family Traditions [on the Art of War] by seeing how it is organized into three parts: “The Killing Sword,” “The Life-Giving Sword,” and “No Sword.” The latter two indicating the author’s belief in the importance of not equating warrior and killer (nor winning with killing) as well as not fixating on the sword.

These two men had great insight into strategy and the tactics of swordsmanship, their guides are worth being read and reread. And the two authors do offer two intriguingly different approaches to a similar subject.

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BOOKS: “Linguistics: A Very Short Introduction” by P.H. Matthews

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Linguistics: A Very Short IntroductionLinguistics: A Very Short Introduction by P.H. Matthews
My rating: 4 of 5 stars

Publisher Site – OUP

This book offers an overview of the territory studied by the discipline of linguistics, from general topics such as what a language is and what distinguishes human language through more technical and scientific subjects such as the nature of vocal sound and the role of the brain in language.

It introduced me to some interesting ideas that I hadn’t previously given much thought, such as: the importance of redundancy in language, the idea that a word can’t necessarily be thought of as simply a label put on a pre-existing notion or thing, the question of whether language developed once or multiple times (independently,) how languages are learned, and how speaking influences thinking and vice versa.

Until the penultimate chapter (Ch. 8 – “Sounds”) I felt the book was doing a fine job of sticking to the basics, being interesting but not obscure. The “Sounds” chapter seemed to get more into the weeds than the rest (but, I’ll concede, it may have been part my relative interest in the topic, your results may vary.)

The book, like others in the series, has a few monochrome graphics as well as a “Further Reading” section.

If one is looking for a broad introduction to linguistics, I’d recommend this as a fine place to start.

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BOOKS: 道德经 by 老子 [a.k.a. Daodejing by Laozi]

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老子道德经校释（简体中文版）: 中华传世珍藏古典文库 (Chinese Edition)老子道德经校释（简体中文版）: 中华传世珍藏古典文库 by 王弼
My rating: 5 of 5 stars

Available in Traditional & Simplified Chinese [w/ multiple translations] at YellowBridge

Packed into the 81 brief chapters of this book is the core Taoist philosophy on life, human relationships, governance, and war. Most often, it offers a wisdom that turns conventional wisdom on its head, advocating for inaction over action, less over more, simplicity over complication, and for recognizing the usefulness of what isn’t.

Some of the book’s central ideas are captured in these quotes:

上善若水。水善利万物而不争. “The greatest good is like water. It benefits all without fighting.” [Ch. 8]
金玉满堂，莫之能守 “A house full of jade and gold cannot be guarded.” [Ch. 9]
知人者智，自知者明。胜人者有力，自胜者强。“He who knows others is smart; he who knows himself is enlightened. He who conquers others has power; he who conquers himself is mighty.” [Ch. 33]
柔胜刚，弱胜强。“Softness overcomes hardness; weakness overcomes strength.” [Ch. 36]
道常无为而无不为。“The Dao is constant inaction, yet nothing is left undone.” [Ch. 37]
善者，吾善之；不善者，吾亦善之；德善。“The good, I treat well; the bad, I also treat well. Yeah Virtue!” [Ch. 49]
知者不言，言者不知。“He who knows does not speak; he who speaks does not know.” [Ch. 56]
千里之行，始于足下。“The journey of a thousand li (“miles”) begins with a single step.” [Ch. 64]
天之道，不争而善胜 “The way of heaven is to win without fighting.” [Ch. 73]
信言不美，美言不信。“True words aren’t pleasing; pleasing words aren’t true.” [Ch. 81]

I think this is one of those works that should be read and reread. It may help rewire your brain in useful ways.

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BOOKS: “Strange Tales from a Chinese Studio” by Pu Songling [Trans. by John Minford]

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Strange Tales from a Chinese StudioStrange Tales from a Chinese Studio by Pu Songling
My rating: 5 of 5 stars

Publisher Site – Penguin

This is a collection of short stories, almost entirely speculative fiction, dating from the Qing Dynasty (specifically, the late 1600’s to early 17oo’s.) Ghosts, folkloric creatures, and Taoist magic all feature prominently in the stories. The stories average about five pages, but with a wide deviation from stories scarcely longer than today’s micro-fiction to extensive pieces. The Penguin edition collects 104 out of a much larger collection of stories.

The best of these stories are clever and highly engaging, and there are many such tales. Being from Qing Dynasty China, the stories offer a perspective different from one’s typical horror and fantasy short stories. Many of the stories prominently feature eroticism, but not graphically so.

As for the weakness of the volume, even though it selects only a portion of Pu Songling’s original, there are many stories that blend together, failing to distinguish themselves. This is most notable among the fox-spirit stories, of which there are just so many. [A number of them are fantastically unique, but others are just variations on the same.] So, the book can seem a bit repetitive in that sense. However, before you get to the point where you feel you can’t read one more fox-spirit story, you’re quite likely to read a tale that blows your mind.

I greatly enjoyed many of the stories herein. Perhaps, the volume could have benefited from further abridgement, but it’s well worth the read.

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BOOKS: “Essential Zen” ed. by Kazuaki Tanahashi & David Schneider

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Essential ZenEssential Zen by Kazuaki Tanahashi
My rating: 5 of 5 stars

Google Books Page

This is a collection of short writings (poems, koans, and prose excerpts) on Zen Buddhism arranged into loosely themed sections. The writings tend toward the artistic, creative, and metaphorical, with relatively few straightforward descriptions of technique or philosophy. The writings range from those of Chinese and Japanese monks who lived hundreds of years ago to present-day poets and Zen practitioners. Among the more frequently drawn from sources are: Hanshan, Ikkyu, Dogen, Ryokan, Hakuin, Gary Snyder, Robert Aitken, Seung Sahn, John Daido Loori, Thich Nhat Hanh, and Peter Levitt. But there are many others, including some who have only a single piece included.

There’s a substantial “Notes” section that gives source, translation, and — in some cases — background information. Most of the translations (both Japanese and Chinese) are by the editors, Kazuaki Tanahashi and David Schneider. There are illustrations, but they are all ensō (circular brush paintings) and related forms.

This is a highly readable and insightful collection of short writings, and I’d highly recommend it for individuals interested in Zen or Eastern Philosophy more generally.

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BOOKS: “Buddha Jumps Over the Wall” by Ying Chang Compestine

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Buddha Jumps over the Wall, and Other Curiously Named Classic Chinese Dishes: A Graphic Cookbook—26 Recipes & StoriesBuddha Jumps over the Wall, and Other Curiously Named Classic Chinese Dishes: A Graphic Cookbook—26 Recipes & Stories by Ying Chang Compestine
My rating: 5 of 5 stars

Publisher’s Site – Chronicle Books

Cookbooks don’t get more interesting than this. As the title suggests, the author selected dishes that have colorful names (and often histories or folklore to match) and presents lessons in culinary history as well as teaching the reader how to make each dish. The graphic novel format conveys these stories compactly and with a bit of added liveliness. The graphic novel approach is also used to “demonstrate” the preparation process — in lieu of photographs.

In addition to the twenty-six recipes (5 appetizers, 16 main course, and 5 desserts,) the book has five appendices and some front matter to both help readers who are entirely new to Chinese cooking as well as those who’d like a bit more depth of culinary cultural insight. (I should point out that the book looks at Chinese food broadly, including items like Chop Suey and Fortune Cookies that developed outside of China, and either don’t exist within China or have subsequently been introduced from foreign lands.)

If you are interested in learning to cook Chinese food, or are interested in Chinese culinary history and culture, I’d highly recommend this book.

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BOOKS: “Nightwing, Vol. 1: Leaping into the Light” by Tom Taylor

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Nightwing, Vol. 1: Leaping into the LightNightwing, Vol. 1: Leaping into the Light by Tom Taylor
My rating: 5 of 5 stars

Publisher Site – DC Comics

As in a lot of the Batman stories, in this volume, Nightwing (Dick Grayson) is fighting a two-front war. On the one hand, there is a mysterious central villain du jour, Heartless — an augmented masked criminal who is killing in impoverished neighborhoods by (literally) stealing his victims’ hearts. Then, on the other hand, there is the usual systematic corruption and organized crime of his chosen city, Blüdhaven. These two fights bump into each other here and there but are largely independent of one other (at least as far as one can tell in this, the first, volume of a run.) Barbara Gordon and Tim Drake / Robin participate in the story, but other than that the only hero appearances are cameos.

I enjoyed the pacing and emotional arc of this story. My reading pleasure surprises even me because I think I would ordinarily feel the book had a poor resolution to hook ratio. (i.e. I would feel that not enough was resolved to make this feel like as satisfactory standalone story.) However, there was a resolution that offered satisfaction, but it was just not what I (or -probably- the typical reader) would think of as a normal comic book resolution. (i.e. It was not a resolution achieved by kicking and punching, but rather by soul-searching.)

At any rate, I’d highly recommend this book for comic book readers.

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BOOK: “Mad About the Mekong” by John Keay

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Mad About The Mekong: Exploration and Empire in South East AsiaMad About The Mekong: Exploration and Empire in South East Asia by John Keay
My rating: 4 of 5 stars

Publisher’s Site

This book is largely, but not exclusively, an accounting of the Mekong Exploration Commission’s two-year (1866-1868) expedition of the Mekong River. The French undertook this expedition in the expectation that the Mekong, like other of the world’s major rivers, would allow ocean-going ships to traverse deep inland — possibly even up into Yunnan, China. The explorers were quickly disabused of this notion, but they relentlessly kept going – despite suffering from disease and the exhaustion of a trip that involved a lot more portaging and other intense physical activities than they’d hoped for.

As I mentioned, Keay doesn’t stick purely to description of the activities of these nineteenth century explorers. Along the way he also brings in fascinating stories from other periods as well as discussion of what the river is like (e.g. its ecology, infrastructure, role in geopolitics, etc.) these days. So, while it would be excessive to call the book a history of the Mekong, it is in some regards — albeit the highlights reel. Some of the diversions were among my favorite parts of the book. Perhaps my favorite was the story of Tony Poe, whose story is said to be the model for Col. Kurtz of Apocalypse Now. I’d long heard that that movie was based on Joseph Conrad’s Heart of Darkness, and it is (the name “Kurtz” is clearly from Conrad’s novella, though Poe’s occupation more closely mirrors the Col. Kurtz character played by Marlon Brando.)

While the book sometimes shines the light more broadly than he Mekong Exploration Commission Expedition, it also narrows its focus much of the way, putting the expedition’s most colorful character, Francis Garnier, front and center. Garnier was not only the most intriguing member of the leadership, he also led the group to what was the end of the line for the expedition, deep in China, when the Captain, Ernest Doudart de Lagree, became incapacitated by disease.

If you’re interested in history, travel, or exploration, I’d recommend this book.

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BOOKS: “Birds, Beasts, and A World Made New” by Guillaume Apollinaire & Velimir Khlebnikov [ed. / trans. Robert Chandler]

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Birds, Beasts and a World Made New: Guillaume Apollinaire and Velimir Khlebnikov (1908-22) (Pushkin Press Classics)Birds, Beasts and a World Made New: Guillaume Apollinaire and Velimir Khlebnikov (1908-22) by Guillaume Apollinaire
My rating: 5 of 5 stars

Publisher Site – Pushkin Press

This poetry collection recalls a time and tells a story. Perhaps it’s not right to call it a poetry collection, not because it isn’t one, but because that’s not all it is. Most of the book consists of selections of poetry from Guillaume Apollinaire and Velimir Khlebnikov juxtaposed by themed grouping. But there is also backstory and biography included throughout as well as in the book’s final section.

One might wonder why anyone would construct a two-poet collection featuring a Frenchman and a Russian. Well, the two men did have a number of things in common, most disturbingly that they both died young in the early twentieth century. Apollinaire died at age 38 in 1918 and Khlebnikov died at 36 in 1922. The fact that these men’s writing careers so overlapped is one of the reasons the book works. They waded through a common zeitgeist. Another commonality that makes the collection relevant and intriguing is that both poets had a penchant for experimentalism in their work.

Seeing the work of these poet’s organized as the volume does, one recognizes both similarities and differences. This includes the fact that the tone of each poet’s work ranges widely from whimsical to the brutal morosity of poems on war and the suffering it entails.

I found this collection to offer a powerful reading experience and would recommend it highly to all poetry readers.

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BOOKS: “Chinese Grammar Wiki BOOK: Elementary” ed. by John Pasden

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Chinese Grammar Wiki BOOK: ElementaryChinese Grammar Wiki BOOK: Elementary by John Pasden
My rating: 5 of 5 stars

Publisher Site

Confronted with a vast sea of Chinese grammar texts, this is the series I chose, and I’ve been happy with my decision. This, the beginner level grammar guide, is reasonably priced, logically organized, easy to use, and has all one needs without time-wasting excesses.

The core of the book consists of 135 grammar points (40 “A1” level and 95 “A2” level.) For each point there is a clear but simple explanation of the rule, a formulaic statement of said rule [an easy to find timesaver when reviewing,] a number of examples (with Chinese characters, pinyin, and an English translation) and any cautions to consider (i.e. common mistakes, ways Chinese grammar differs from English, and common exceptions to the rule.) The examples used simple and common words and phrases to drill basic and useful vocabulary.

This book is organized to put bite-sized chunks of learning at hand so that one can do more or less, depending upon one’s schedule.

I’d recommend this book for anyone looking for a basic Chinese Grammar text.

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