BOOK REVIEW: “New Story of the Stone” by Jianren Wu [Trans. by Liz Evans Weber]

New Story of the Stone: An Early Chinese Science Fiction NovelNew Story of the Stone: An Early Chinese Science Fiction Novel by Jianren Wu
My rating: 5 of 5 stars

Publisher Site – Columbia University Press

This book is presented as a sequel to the Chinese literary classic (alternatively) known as Dream of the Red Chamber or Story of the Stone. The central character is a scholarly traveler by the name of Baoyu. The first part of the book is set in China around the time of the Boxer Rebellion, an event that features in the story. Throughout this portion, the book reads like historical fiction. However, Baoyu’s travels eventually bring him to a hidden realm, a technologically advanced utopia within China. It is here where Baoyu’s adventures get fantastical and otherworldly, and the book ventures into the domain of Science Fiction.

The setting of the book reminds me a little of Marvel’s Wakanda from Black Panther. Perhaps both instances of worldbuilding were motivated by the humiliated colonists’ fantasy of being more advanced than those who pull the strings for once, or of showing their (respective) lands to be places of “crouching tigers and hidden dragons” (i.e. where great talents exist but remain unseen.) (Note: While China wasn’t on-the-whole colonized by a Western country, its interaction with England and other Western nations left it forced to accept terms unfavorable and undesirable to China (not to mention the outright colonized enclaves such as Hong Kong and Macau.) While the publisher has emphasized the science fiction aspect of this work, it is an anticolonial work through and through. The book can come across as xenophobic and nationalistic in places, but this only reminds the reader of how such positions might be arrived at under the boot of foreign influence.

The book is readable though philosophical and is well worth reading for those interested in developing a deeper insight into Chinese perspectives.

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BOOK: “White Teeth, Red Blood” by Various

White Teeth, Red Blood: Selected Vampiric VersesWhite Teeth, Red Blood: Selected Vampiric Verses by Lord Byron
My rating: 5 of 5 stars

Publisher Site – Pushkin Press

This anthology gathers poetry with at least a vaguely vampiric theme. About half of the poets fit into the category of well-known to a general readership (e.g. Goethe, Byron, Coleridge, Tennyson, Yeats, Dickinson, Kipling, Baudelaire, Millay, etc.) and the others will be less familiar to most readers — either by virtue of being modern poets or having a body of work that didn’t age as well, on the whole. Even the pieces from familiar poets don’t tend to be among those artists’ most anthologized works by virtue of the specialized theme of the selection. Most of the pieces are older works, but there are modern poems included as well, and it follows that most of the works are rhymed / metered, with free verse mostly seen among the newest poems.

The twenty-nine poems in the anthology are arranged between three sections. The first is the longest part, taking up about 3/4th of the book, and consists of nine poems (including a few excerpts of book-length narrative poems,) all of long format. The second section includes eleven shorter poems (between one and a few pages long,) and the last section contains nine poems, most of which are quite short (as short as a quatrain.)

There is a brief introduction by Claire Kohda, but otherwise there is no ancillary matter. That was fine by me. There is no padding, and — even though there are fewer than thirty poems — the poems fill out the book because so many of them are long pieces or excerpts.

I enjoyed this book and its varied selection of poems. While I read poetry extensively and have read my share of vampire fiction, this was the first work I can remember reading at their intersect. This meant that, for me, there was a good amount of unfamiliar material (despite there being relatively few recent poems.) If you’re in the same boat, you’ll probably enjoy this anthology.

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BOOK: “The Pocket Rumi” ed. / trans. by Kabir Helminski

The Pocket Rumi (Shambhala Pocket Library)The Pocket Rumi by Jalal ad-Din Muhammad ar-Rumi
My rating: 4 of 5 stars

Publisher Site – Shambhala

This is a selection of writings (mostly poetry) of Rumi (formal name: Jalāl al-Dīn Muḥammad Rūmī.) Rumi was a mystic of Sufi Islam, and so the poems tend toward the devotional — though with more reference to the experience of intoxication than one might expect from a 13th century Islamic poet.

This selection consists of three sections organized by poetic form, each section progressively longer than the preceding one. The first section is ruba’i, the second is ghazals, and the last is from Rumi’s Mathnawi.

The “Pocket” of the book’s title and series is figurative as the paperback is too big of both format and thickness for any pocket I own, personally, but the point is that it’s a quick read at only about 200 pages of (mostly) poetry [meaning white space abounds.]

I enjoyed reading this selection. I can’t say how true to message the translations are as I have no knowledge of Persian. I can point out that the translators opted to abandon form in favor of free verse. Hopefully, this gave them the freedom of movement to approach the message and tone of the originals.

If you are interested in a short, readable English translation of Rumi’s poetry, this book offers a fine place to start.

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BOOK: “Masala Lab” by Krish Ashok

Masala Lab : The Science of Indian CookingMasala Lab : The Science of Indian Cooking by Krish Ashok
My rating: 4 of 5 stars

Publisher Site – Penguin

Many books have come out in recent years that explore the intersection of science and cooking, but this is one of the few that I’ve seen take on the sub-theme of science’s role in a particular cuisine — in this case Indian. Indian food, while broad and diverse itself, does present a unique palette of considerations. Few cuisines can make claims to the same level of complexity as Indian with all its spices and such. Also, Indian food tends to use heat to a different extent / in different ways than other cuisines, which is partly why, while Indian food is as tasty as food gets, aesthetically it tends toward a visually unappealing gloopy-gloppyness.

Ashok examines what applied heat does to food and why, how flavors are balanced and enhanced and why, what acids do and why they are essential, what value added is gained by pressure cookers and other specialty equipment, and how an experimental approach can be taken in lieu of a recipe book? The book takes a few controversial stances, such as in favor of sodium bicarbonate and MSG, but to a large extent is a straightforward discussion of how science informs culinary technique and ingredients.

The author maintains a light and readable tone throughout the book. I’d recommend this book for readers interested in the intersect of science and food, doubly so if one has a particular interest in Indian food.

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BOOKS: “HK24” by The Hong Kong Writers Circle

HK24: Twenty-Four Hours of Hong Kong Stories (Hong Kong Writers Circle Anthology Book 13)HK24: Twenty-Four Hours of Hong Kong Stories by Stewart McKay
My rating: 4 of 5 stars

Publisher Site – Hong Kong Writers Circle

This collection of twenty short stories is connected by the theme of events taking place in a single day in Hong Kong. Besides this commonality of setting, there is no other connective tissue between the stories. Tonally, the pieces range from hilarious to tragic. There are suspenseful genre fiction stories as well as realist literary fiction (i.e. telling the story of work-a-day characters engaged in events of everyday life.)

I found “Mummy, Daddy, Angry Birds” by Carsten John and “Rent” by Sharon Tang to be the best humor pieces, and “Egrets” (Paul Clinton Corrigan,) “Help Yourself” (Edmund Price,) and “Joss” (Dimple Shah) to be the most thrilling and intriguing dramatic pieces. All the stories were well-crafted, but some did stand out more than others. A few of those realist pieces that explored “mundane” expat life in Hong Kong made for engaging and distinctive reading. And Hong Kong is uniquely situated for tales of an urban shaman or a Triad shooting.

This is the thirteenth volume of a series put out by the Hong Kong Writers Circle. Each volume has a different theme (besides being Hong Kong connected.) Hong Kong is one of those places that is authentically itself, not to be confused with anywhere else, and that offers a great opportunity to build fascinating tales that could only take place there. [I found it interesting that “should I stay or should I go” was a repeated theme across multiple stories.]

I picked this book up as a piece of travel literature for an upcoming visit to Hong Kong (I make sure to read a work of literature from every country I visit — provided I can find anything translated.) I’d highly recommend this book for readers interested in short fiction with that distinctive Hong Kong flavor. I intend to look into other volumes in the series, myself.

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BOOK: “Kim Jiyoung, Born 1982” by Cho Nam-Joo

Kim Jiyoung, Born 1982Kim Jiyoung, Born 1982 by Cho Nam-Joo
My rating: 4 of 5 stars

Publisher Site – Simon & Schuster / Scribner

This fictitious biography explores the tribulations of being a woman in modern-day South Korea. It tells the tale of the titular lead from birth through a middle-aged motherhood. It discusses issues ranging from disappointment at having girl children to feelings of anxiety in a world laden with horny boys to the subtle sexism of the modern workplace.


The book blurb calls this book “riveting, original, and uncompromising.” I’ll give it “uncompromising,” and I have insufficient experience with the book’s “peers” to challenge the “original” claim, but I do have to call BS on the “riveting” bit. In fairness, the point of the book seems to be to offer a brutally typical life experience — not the novel-shaped extremes of a rollercoaster existence. The fact that the book is not riveting doesn’t make it unimportant or unworthy of reading. However, this is not the book one should pick up expecting to read on the edge of one’s seat. It’s well-crafted literary fiction with an important message, but “compelling” is not an appropriate descriptor. The book suffers from a progressive increase in drag as one reads onward.

Still, I’d recommend it for readers of literary fiction interested in varied cultural experiences. It’s a quick read with fine character development.

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PROMPT: Book from Childhood

Do you remember your favorite book from childhood?

Green Eggs and Ham is the earliest children’s book that made an impression — mostly for its catchy lyricism. Robinson Crusoe was the first story that resonated.

BOOKS: “Violence: A Very Short Introduction” by Philip Dwyer

Violence: A Very Short Introduction (Very Short Introductions)Violence: A Very Short Introduction by Philip Dwyer
My rating: 4 of 5 stars

Publisher Site – Oxford University Press

This is a brief overview of various types of violence, starting with the question of what counts as violence. The book explores violent acts carried out by individuals, mobs, movements, governments, and religions. It reflects upon how the nature of violence has changed over the centuries while hinting at potential reasons for said changes (along with counterarguments.)

This book raised some provocative questions, such as: Why would people go to watch executions? Does Steven Pinker’s hypothesis that humanity is becoming less violent hold water? [Pinker made this argument in his book The Better Angels of Our Nature, but it has been refuted on number of grounds — definitional, methodological, etc. Though Dwyer only briefly touches on Pinker’s book and its critics in this book and a detailed critique will require looking elsewhere.] How (and why) do violent tendencies vary across cultures. And, when and how did governments end up with a monopoly on legitimate use of force.

I found this book interesting and informative and would recommend it for those looking for answers as to why and how our species is so violent.

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BOOKS: 千字文 [Thousand Character Essay] by 周兴嗣 [Zhou Xingsi]

千字文千字文 by 周兴嗣
My rating: 4 of 5 stars

A version with English commentary can be found at the IFA Gallery

This short work, consisting of just one-thousand characters, is first and foremost a teaching tool for children. While it presents a thousand of the most important Chinese characters, it also delivers lessons on history, ethics, philosophy, and culture by way of short sayings.

It’s arranged into 250 4-character phrases (125 sentences) and reads as a lyric poem, though because it dates to the Sixth Century, the degree to which the rhyme scheme holds varies depending upon the which spoken language one speaks (e.g. Mandarin, Cantonese, or Hakka.)

There have been different versions of this work over the centuries.

This is a much beloved work of literature among Chinese, though its sayings do not necessarily hold up as well as works like Sunzi’s Art of War or Laozi’s Daodejing. Some do, but most are much less relevant than when written.

As someone learning Chinese, I’d highly recommend this work as a way to expose oneself to language while gaining insight into Chinese culture.

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BOOKS: “A Horse’s Tale” by Mark Twain

A Horse's TaleA Horse’s Tale by Mark Twain
My rating: 4 of 5 stars

Project Gutenberg Page

Among the lesser-known works of Twain, A Horse’s Tale mixes an epistolary by a military officer at a remote outpost with dialogues between animals of the post (principally the protagonist, a horse called Soldier Boy.) The principal subject of the epistolary is a precocious girl who lives at the outpost and who is adored by all as the one soft, sweet creature in a world of warfighting men and their animals. The conversations between animals offer the most amusing portion of this book, largely for the fun being poked at humanity’s expense.

In its best moments, this novella is intensely touching or hilarious. However, it does suffer from inconsistency of pacing and tone.

If you enjoy Mark Twain’s humor and storytelling, this novella is well worth reading. If you’re primarily a reader of present-day genre / commercial fiction, it probably won’t be your thing.

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