Tag Archives: Taoism

PROMPT: Principles

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What principles define how you live?

Before traveling, empty my cup. Before returning home, empty my cup.

Collect experiences, not geegaws.

Wishing for the world to be some other way is a grand waste of time.

If there is a river flowing toward where I want to be, surrender to it.

See humor everywhere, especially in myself.

Be content with who I am at the moment, while struggling to be a better version in future editions.

Strive to find the non-adversarial path.

Keep looking until I see what is beautiful in all things and creatures.

Don’t attempt to construct anyone else’s list of principles to live by.

Feel the sensations that arise without letting the mind amplify them out of proportion.

Seek only simple pleasures, enjoy them fully, and then move on.

DAILY PHOTO: Quán Thánh Temple, Hanoi

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BOOK: “The Poetry of Zen” Ed. / Trans. Sam Hamill & J.P. Seaton

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The Poetry of ZenThe Poetry of Zen by Sam Hamill
My rating: 5 of 5 stars

Publisher Site – Shambhala

This poetry anthology consists of translations of Chinese and Japanese poetry that play in the Zen aesthetic. They are not Zen Buddhist poetry in the sense of being sutras or sutra-like expositions on Buddhist philosophy or theology (at least, not mostly.) And while there are many monks and Buddhist layperson poets represented, not all of those included were Buddhists. (In fact, there is even some verse from the Daodejing included, though Taoism is certainly philosophically related to Zen.)

About half the book is Chinese poetry, including pieces from Han Shan, Li Bai, Bai Juyi, Wang Wei, Du Fu, and many other greats of Chinese poetry. (Note: my spellings of author names varies from those used in the book because Hamill and Seaton use Wade-Giles spellings.) The other half of the book consists of works by Japanese poets, including: Saigyo, Dogen, Basho, Ryokan, Buson, Issa, and others. The Japanese part includes a few haibun (prose poems interspersed with haiku,) adaptations of Chinese-style poems, as well as the various Japanese fixed form styles (i.e.. haiku, tanka, etc.)

The two translators, Sam Hamill and J.P. Seaton, initial the poems that each translated (some were dually translated and others singularly.) I enjoyed the translations and felt they were fine reading in their own right. With haiku and tanka, the translators stuck fairly close to the traditional form (in as much as the aesthetic could be maintained doing so,) but with Chinese lyric styles they often took a freer approach to form.

If you’re interested in poetry that conveys Zen sentiment, this book is worth investigating.

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“Drinking Alone in the Rainy Season” by Tao Yuanming [陶渊明] (a.k.a. Táo Qián, or 陶潜]

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Whatever lives must meet its end --
   That is the way it has always been.

If Taoist immortals were once alive,
   Where are they today?

The old man who gave me wine
   Claimed it was the wine of the immortals.

One small cup and a thousand worries vanish;
   Two, and you'll even forget about heaven.

But is heaven really so far away?
   It is best to trust in the Tao.

A crane in the clouds has magic wings
   To cross the earth in a moment.

It's been forty years of struggle 
   Since I first became reclusive.

Now that my body is nearly dead,
   My heart is pure. What more is there to say?

NOTE: This is the translation of Sam Hamill found in The Poetry of Zen (2004); Shambhala Publications: Boston, MA, p.24.

Fish Wu Wei [Haiku]

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in flowing water,
 fish trio effortlessly
  remains in place.

DAILY PHOTO: Bronze Guardian Lion

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“The Taoist Temple Revisited” [再游玄都观] by Liu Yuxi [刘禹锡]

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In half of the wide courtyard only mosses grow;
   Peach blossoms all fallen, only rape flowers blow.
 Where is the Taoist planting peach trees in this place?
   Only I come again after my new disgrace.

Note: This is the joint translation of Xu Yuanchong and Xu Ming found in the edition of <em>Golden Treasury of Quatrains and Octaves</em> on which they collaborated (i.e. China Publishing Group: Beijing (2008.))

The “new disgrace” referenced was Liu Yuxi’s second exile.

BOOKS: “Wen-Tzu” Trans. by Thomas Cleary

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Wen-TzuWen-Tzu by Lao-Tzu
My rating: 5 of 5 stars

Publisher Site – Shambhala

This work is presented as “further thoughts of Laozi [老子].” Readers of the Dàodé jīng [道德经] will recognize many a familiar statement of that work, but this book is much more extensive and detailed. I say “presented as” because scholars no longer believe this was a product of Laozi and his lifetime (if such an individual ever existed.) For one thing, the book seems more syncretic than the Dàodé jīng, that is to say there are points at which it sounds strikingly Confucian — rather than purely Taoist.

As with the Dàodé jīng the Wénzǐ [文子] covers a lot of ground from metaphysics to individual ethics to political philosophy, but this book has more room to sprawl on each subject.

As with other Cleary translations, it’s a pretty readable translation.

I’d recommend it for readers interested in Chinese Philosophy.

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Yin / Yang [Haiku]

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shady side:
 sight of sunlit mountain 
  warms one's core.

BOOKS: “Practical Taoism” ed. / trans. by Thomas Cleary

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Practical TaoismPractical Taoism by Thomas Cleary
My rating: 4 of 5 stars

Publisher Site – Shambhala

Like a number of Eastern systems, Taoism is thought of in many different ways by many different people, and a few of those ways are fairly “out there.” To some, it is a philosophy. To others, it is a religion. To still others, it is a style of magic. By “practical Taoism” Cleary is suggesting that the many varied sources from which he drew snippets, assembling them together to make a coherent whole, reflect some of the more down-to-earth philosophy of “inner alchemy.” [Not to be confused with the “alchemy” in which lead is turned to gold, but sharing the central idea that methods exist to convert a low-quality entity into a high-quality one, but in the case of inner alchemy these methods are breathwork, meditation, and movement techniques that improve one’s vitality as a human being.]

The good news is that Cleary does collect a group of ideas that seem less arcane and cryptic than the average Taoist inner alchemy manual content (or, at least, they are translated so as to seem so.) The bad news is that the average Taoist inner alchemy manual was apparently pretty darn arcane and cryptic, such that even this selection isn’t exactly clear as a limpid stream. Some parts of it are straightforward, but one still has some work to do to make sense of what the original authors were trying to get across. [Some readers will enjoy that more than others.]

Presumably owing to the attempt to simplify through selection and translation, the book isn’t annotated, nor does it feature much ancillary material besides a relatively lengthy introduction to setup the reader with a contextual backdrop. So, there is not a lot of help to clarify ideas that are murky. (I do recognize the translator’s challenge in that there is only so much he can do to try to clarify ideas without imposing upon the authors’ intensions.)

I enjoyed, and learned from, this book — even if I didn’t always feel I was reading a “practical” guide to self-betterment.

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