Tag Archives: Book Review

BOOKS: “Letters from a Seducer” by Hilda Hilst

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Letters from a SeducerLetters from a Seducer by Hilda Hilst
My rating: 5 of 5 stars

Publisher Site – Pushkin Press Classics

Release Date: May 27, 2025

This is an upcoming English translation of a 1991 novella from Brazilian author, Hilda Hilst, from what has been called her “obscene cycle.” It is mostly an epistolary novella in which a man, Karl, writes his sister, Cordelia, informing her about his recent sexual adventures and attempting to coax a confession out of her about her own activities long in the past. We never see any replies from Cordelia. (And that is part of what makes the book fascinating.) The only indication of her responses that we get are Karl’s references to Cordelia’s comments from her last letter in his present letter. However, we can’t necessarily be certain that even those occasional suggestions of dialog represent the truth.

To understand why one might have doubt, one must be aware of what else is going on in this book. There is one other narrative voice, and that is of Stamatius. Stamatius is in socio-economic terms the opposite of Karl. Karl being of the gentlemanly class — his behavior and letters to his sister notwithstanding — and Stamatius is a starving artist (a writer, to be precise.) The two men speak of each other, though always in deprecating terms. However, there’s reason to think the two men might be one. Stamatius, while condemning Karl’s sex obsession, also mostly engages in tales of his own sexual adventures as well as presenting those of others. In fact, the end of this novella is a collection of short vignettes of the nature one might see in a smutty letter magazine, only better (and sometimes poetically) written.

By the author’s own description, this novella is intentionally pornographic. While the same thing is said of Hilst’s The Obscene Madame D I did not find that book particularly graphic or sex-centric. This book, however, is quite graphic and if one took away references to sexual activities
nothing of substance would remain. (Not true of The Obscene Madame D.)

I found this book to be intriguing, despite the fact that it is quite sloppily arranged (presumably on purpose,) but it does present some splendid use of language (at least in this translation — the original is in Brazilian Portuguese) and character psychology.

I’d recommend this book for readers of literary fiction who don’t mind plotlessness and pornographicness.

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BOOKS: “Swimming: Made Easy” by Terry Laughlin

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Swimming Made Easy: The Total Immersion Way for Any Swimmer to Achieve Fluency, Ease, and Speed in Any StrokeSwimming Made Easy: The Total Immersion Way for Any Swimmer to Achieve Fluency, Ease, and Speed in Any Stroke by Terry Laughlin
My rating: 4 of 5 stars

Google Books Page

I learned a lot from this book’s emphasis on how to smooth out and lengthen one’s strokes. The author describes his approach as teaching “fishlike” swimming, and effortlessness is emphasized.

The book covers all four of the strokes one sees in competitive swimming (i.e. crawl [a.k.a. freestyle,] backstroke, breaststroke, and butterfly.) For each stroke one learns how to improve balance, stroke length, and fluidness, as well as a bit about breath and coordination.

The book is presented in two parts. The first is the more theoretical bit and the second describes drills one can use to improve one’s technique. Part one is longer, more detailed, and written in more readable prose. Part two is shorter, more picture-laden, and tends to stick to bullet points. Photos are monochrome, mostly from above water level, and of varying degrees of clarity / informational value.

My biggest peeve with the book is that it frequently breaks into advertisement for other products (i.e. DVD’s [dates the book, as I’m pretty sure no one has an operational DVD player anymore] and gear.)

I’d recommend this book for readers interested in learning to swim more efficiently. The book is geared toward competitive swimmers interested in shaving time, rather than recreational swimmers who are just interested in a move pleasant experience (e.g. if one swims for fun, one will probably not be running a sequence of drills as that kind of defeats the fun of the activity.)

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BOOKS: 孙子兵法 [Sunzi’s Art of War] by Sunzi

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孙子兵法白话全译孙子兵法白话全译 by 史哲 文
My rating: 5 of 5 stars

Available online – YellowBridge

In thirteen short chapters, Sunzi lays out a masterclass in strategy. One sees in Sunzi’s work the mark of a Taoist mindset, seeing it in the book’s emphasis on engaging in warfare only when necessary, doing things the easy way whenever possible, and never letting one’s ego write checks one isn’t able to cash in lives.

There is good reason that this is one of the world’s most well-known (if not the most well-known) treatise on warfare. Far from being complicated and technical, this guide is full of pithy teachings such as: “War is the way of deception.” “No country ever benefited from a long war.” “Defeating the enemy without fighting is supreme excellence.” “To be undefeated lies in oneself, to be victorious lies in the enemy.” “Know the enemy and yourself and victory is assured; know heaven and earth and victory is complete.” (And these teachings are even more concise in the original Chinese.)

In addition to basics like leadership, maneuver, and terrain, the book devotes chapters to both the use of fire and spies in warfare. (One’s level of understanding is central to strategic victory throughout Sunzi’s teachings.)

I’d highly recommend this book for anyone interested in strategy, martial arts, or other strategic pursuits. The book may be ancient, but it’s not obsolete by any means.

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BOOKS: “Shaolin: How to win without fighting” by Bernhard Moestl

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Shaolin: How to win without fightingShaolin: How to win without fighting by Bernhard Moestl
My rating: 4 of 5 stars

Publisher Site

This is a self-help book that nominally draws on the philosophy of Shaolin Kung fu and its Chan Buddhist underpinnings, but – more broadly – employs quotes and examples from many, mostly Eastern, sources. For example, the ideas and stories of Miyamoto Musashi are perhaps as common as any source (Musashi was Japanese, not Chinese, and was not noted for being Buddhist. In his own words, he respected the gods and buddhas, but didn’t expect their help.)

The book offers a fine discussion of Eastern philosophic thought in action, particularly that which arose from warrior sources, but it isn’t particularly ground-breaking in any way. For those who like homework, the book does include many exercises to make the reading a more interactive experience.

I enjoyed reading this book well enough, but it didn’t distinguish itself and will soon fall into the mind-space of a fuzzy amalgamation of similar books I’ve read over the years.

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BOOKS: “Jñāna-Yoga: The Way of Knowledge” by Ramakrishna Puligandla

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Jnana-Yoga--The Way of KnowledgeJnana-Yoga–The Way of Knowledge by Ramakrishna Puligandla
My rating: 5 of 5 stars

Google Books Page

This is one of the most useful books I’ve read on the topic of Jñāna-yoga — the approach to yogic philosophy employed by the studious / inquisitive (in contrast to Bhakti-Yoga [the yoga of those for whom faith and devotion works] and Karma-Yoga [the yoga for those for whom a course of self-less action appeals.]) There are Jñāna-yogic Hindu sects and Buddhism — in general — can be thought of as a school of Jñāna-yoga. The author draws from the teachings of both, principally Sankara for Hindu thinking and Nagarjuna for the Buddhist approach.

A word of warning, the author is a scholarly philosopher, and so — while not as unreadable as many works of academic philosophy — it will be a slog for those who are not used to reading scholarly writing.

That said, Puligandla does a fine job of laying out what he views as the central tenets of Jñāna-yoga in a concise fashion and reviewing them at the end. This is not to say I would agree with all that he proposes, herein. In particular, his Chapter 3 conclusions about consciousness are insufficiently justified to be considered core principles of Jñāna-yoga (in my view.) Of course, the beauty of Jñāna-yoga is that it not only doesn’t insist upon coming to the same conclusions, it generates explanations as to how it’s perfectly possible / reasonable to come to different conclusions (see “The Principle of Superimposition,” herein.) Furthermore, since the author is reporting the ideas of Sankara and Nagarjuna, I can’t really hold these ideas against him.

If you’re interested in Jñāna-yoga, and can handle scholarly prose, I’d highly recommend this book.

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BOOKS: “The Romance of the Three Kingdoms” by Luo Guanzhong

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Three Kingdoms (4-Volume Boxed Set)Three Kingdoms by Luo Guanzhong
My rating: 5 of 5 stars

Publisher Website – Penguin

The edition that I read was the Penguin abridged version that fits this sprawling epic into a single volume of a little over 600 pages. This is one of the four Great Classics of Chinese literature (along with Journey to the West, Water Margin, and Dream of the Red Chamber.) It offers a fictionalized telling of a period of Chinese history featuring a three-way civil war, especially centered upon the Han attempt to maintain its Imperial line against challengers, a fight that would ultimately end in the reunification under the Jin.

I’ve loved reading the Chinese classics. While this book and Water Margin feature massive ensembles of characters and could become clunky and cumbersome to read, they don’t because stories are told in intense battle-sized chunks and with a profound capacity to build character hooks that maintain clarity despite so many characters.

I would break this book up into three parts. The first (and by far the bulk of the story) focuses on a trio of great warriors that form a kind of blood-brother pact: Xuande, Guan Yu, and Zhang Fei. Under Xuande’s leadership, these men fight to keep the Han imperial line intact. (It’s fair to say it could also be seen as focusing on the opposition to these men, notably Cao Cao.) The next bit continues the action as the masterful strategist, Kong Ming, tries to keep the wheels rolling on Xuande’s army after the dramatic deaths of the aforementioned trio, and finally there is a section in which it is as though all the great warriors are gone, resulting in an inevitable reunification as there are no longer those who can fight insurmountable odds. As I describe it, it might seem anticlimactic, but it is far so, but I would count it a tragedy.

To me, this book read more like historical fiction than did Water Margin, the latter (also excellent) is almost like fantasy: its characters are so much larger than life as to be veritably superhuman. That said, this novel does feature some magic, but the characters feel much more life-sized — if not without a measure of grandiosity.

I’d highly recommend this book for readers of historical fiction. It’s highly engaging and readable, despite being long and of epic of proportions.

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BOOKS: “The Complete Poems of Paul Laurence Dunbar” by Paul Laurence Dunbar

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The Complete Poems of Paul Laurence Dunbar (AmazonClassics Edition)The Complete Poems of Paul Laurence Dunbar by Paul Laurence Dunbar
My rating: 5 of 5 stars

Available online at Project Gutenberg

As the title suggests, this is all the published poetry of Paul Laurence Dunbar. With a career pre-dating the Harlem Renaissance, during which lyric poetry ruled the roost, Dunbar may not be as well-known today as several of the African American poets who came later, but it’s not for being any less masterful.

The collection includes a wide variety of lyric forms from simple quatrains to intermediate length poems of several pages. The content and tones also vary, and there is often a sense of whimsy in the poems that goes beyond just being lyrical in form. Dunbar wrote both in dialect and in standard English. He was a big fan of James Whitcomb Riley’s dialectal work, as a poem in Riley’s honor attests. The dialect poems are easy enough to follow and are a pleasure to read. Dunbar was by no means limited to dialectal writing; he also wrote in Standard English cleverly, and the juxtaposition of his very “proper” poems and the dialectal ones shows a great range.

I’d highly recommend this collection for poetry readers, particularly those who enjoy lyric and dialectal poems.

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BOOKS: “The Obscene Madame D” by Hilda Hilst

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The Obscene Madame DThe Obscene Madame D by Hilda Hilst
My rating: 4 of 5 stars

Publisher Site – Pushkin Classics

Release Date: May 27, 2025

This strange novella features a lot of stream-of-consciousness exchanges between the lead and her common-law spouse / lover. Hille, the protagonist, is a woman who’s decided to withdraw from her normal life and live a celibate, hermetic existence in a recess under the stairs of the home she shares with Ehud (her lover / long-time partner.)

It is a thought-provoking and philosophical work and will be most of interest to readers who like such books. On the other hand, it isn’t likely to have much appeal for readers of commercial fiction. It’s not story-driven and isn’t even deeply character-driven. [Except in the sense of showing thought processes that encourage the reader to drill down into the character’s psyche.] This book has been placed in the genre of (and titled as) erotica (or even pornography,) but I would say that it is much less accurately defined as such than other works of that category, including Hilst’s “Letters from a Seducer.” This isn’t to say the book doesn’t use graphic language or mention past sexual activity, but it’s not erotic at the core. It’s not shy about sex or “vulgar language” by any means, but it is a book about a woman who has given up sex along with other activities of ordinary life.

Ultimately, I’d recommend this book for readers of psychological and philosophical literary fiction. It is not intensely readable as a story and is not intensely erotic as erotica, but it does keep a curious person wondering about the motives and future of Hille.

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BOOKS: “American Intellectual History: A Very Short Introduction” by Jennifer Ratner-Rosenhagen

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American Intellectual History: A Very Short Introduction (Very Short Introductions)American Intellectual History: A Very Short Introduction by Jennifer Ratner-Rosenhagen


Publisher Site – OUP

This is a brief guide to the philosophies and major developments in United States’ academia from pre-colonial times to the 1990’s. But both of those end points require a bit of clarification. The discussion of pre-colonial scholarly history is largely a mea culpa for beginning with colonial history because Native American tribes weren’t big on recording their philosophical and other scholastic ideas in writing. There is an appendix that discusses America scholarship in the era of globalization (and beyond.) My point is that if you’re hoping for discussion of what’s happened in the last couple decades, you won’t find it herein. (There are a few bibliographic references from the 2010’s, but that’s it.) It is a history book, but some readers may be curious because there’s been a lot of talk of late about issues related to scholarship in America.

Overall, I believe the book covered the topic solidly. There is considerable discussion of the debates triggered by the ideas of Charles Darwin arriving on American shores. As one would expect, there is also quite a bit of discussion of Transcendentalism and Pragmatism, two philosophies closely associated with America. The author covered a wide swath of ground including both progressive and conservative thinkers and viewpoints. One conspicuous absence was any mention of Objectivism / Ayn Rand. I know that isn’t a popular topic in academic circles and is widely dismissed with contempt, but on the grounds of: a.) Objectivism’s considerable influence (e.g. we had a Federal Reserve Chairman – Alan Greenspan – who served almost 20 years under both Republican and Democratic Presidents who was from that school of thought,) b.) its distinctive Americanness, I’m shocked that it didn’t merit at least a sentence or any mention of a book in the bibliography.

All in all, it’s an interesting book that offers unique insight into the history of the United States.

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BOOKS: “Kokoro” by Natsume Sōseki 

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KokoroKokoro by Natsume Sōseki
My rating: 5 of 5 stars

Publisher Site – Pushkin Press

I first read this many years ago in college for a course on Japanese culture. I didn’t have a good reading experience then because this novel is too quiet to hold the concentration of a fidgety mind. However, on rereading it, I found it to be an intense and moving reading experience. It’s a brutally realistic piece of literary fiction, featuring quiet and unexpressive characters who are never-the-less experiencing a kind of agony of living.

The book’s beginning revolves around the relationship between a young man just finishing college and an older, somewhat hermetic, man. By “relationship” I’m not talking about a sexual or otherwise intimate interaction. This strange relationship might best be made sense of by the fact that the young man calls the older, “Sensei” (i.e. “teacher.”) So, it is largely an informal mentor-mentee relationship, but the reader may not really understand why “Sensei” is a reasonable honorific for the old man until the end. The latter portion of the book is Sensei’s “confession,” or the telling of formative events of his life. It is in this confession that we learn that Sensei is not so much a teacher by virtue of conveying abstract scholarly information but rather he teaches by showing the young man his own life story as a cautionary tale.

You must be in a quiet state of mind to keep attuned to this book, but – if you can do so – it is well worth reading. I’d highly recommend it for readers of literary fiction.

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