Category Archives: Magic

BOOK: “Senjutsu to Ninjutsu” by Doshi Shigetsu (Trans. by Eric Shahan)

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Senjutsu to NinjutsuSenjutsu to Ninjutsu by Doshi Shigetsu
My rating: 4 of 5 stars

Author’s Amazon Site

This essay presents thoughts about the practices of what Taoists would call “Immortals.” (The work was apparently created as a speech or lecture.) The translation used in the book is “mountain ascetics,” which might lead readers to believe that it is talking about Shugenja or Yamabushi. I don’t know a great deal about the Japanese language or those systems, but the character used — 仙 (Xiān, in Chinese) — is almost always translated as Immortal in the Chinese language. Shugendo is a syncretic tradition of Esoteric Buddhism, Shinto, Taoism, and folk religion, and it certainly has some overlap (mountain setting, Taoist influence, harsh training practices, etc.) but I don’t know that the two systems would be viewed as equivalent. (Though maybe they were considered so at the time and place of publication.) The author does try to clarify who it is he is talking about, largely by distinguishing them from Celestial Maidens (天人) and Tengu (天狗, crow-goblin-swordsmen.)

At any rate, the primary objective of the lecture / essay is to counter the tendency to be dismissive of these systems. The piece is dated 1901, and so there was an increasing proclivity to dismiss the supernormal as mere superstition. The author argues that practitioners who develop unwavering self-confidence through the practice of intense / death-defying activities (e.g. fasting) may be capable of things that would be unfathomable by ordinary people, leading ordinary lives.

The “ninjutsu” bit of the title results from the proposition of a linkage of the methods and approaches between Japan’s famous caste of warrior-spies, i.e. the ninja, and the ascetics / immortals discussed throughout most of the book.

This is an interesting read, particularly so because of its timing (after the era of Samurai and Ninja, but before modernity so advanced that the supernatural was entirely relegated to a societal fringe.)

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PROMPT: 10 Years

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Daily writing prompt
Where do you see yourself in 10 years?
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Ask me in ten years.

Funny thing about time, I won’t be able to see myself in ten years for ten years.

It’s a river I’ve never run before. How could I possibly know where it goes?

PROMPT: A Break

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Daily writing prompt
Do you need a break? From what?
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Yes. The manipulation. Attention merchants selling space in our heads to AI-powered rage bait creators for a magical misdirect on a scale never before seen. While people are pointing fingers of outrage, the last thin dime is being pried out of their pockets to fuel wildly depraved existences, and the robbed are left to wonder how the people they were pointing at — who they had their eyes on the entire time — managed to pull off a pickpocket.

#bamboozledbybillionaires

PROMPT: Magic Genie

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Daily writing prompt
You have three magic genie wishes, what are you asking for?
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For any wish number one, wish number two always has to be that one suffer no adverse consequences of the law of unintended consequences (i.e. like Midas who turns his food and even his daughter into solid gold.) Wish number three should be that the receipt of wish number one does not rob one of any experience that makes one a better version of oneself in the long-run (e.g. like the lottery winner who had been chugging along through life just fine and then ends up broke and suicidal because of both the additional pressures and the lack of need to be frugal and satisfied with simple things.)

Personally, I don’t know that it’s worth it. The bill always comes due.

But, if forced:

1.) To be contented with what is.

2.) Healthfulness all around.

3.) To die a good death (in due time.)

BOOK: “Tell My Horse” by Zora Neale Hurston

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Tell My Horse: Voodoo and Life in Haiti and JamaicaTell My Horse: Voodoo and Life in Haiti and Jamaica by Zora Neale Hurston
My rating: 5 of 5 stars

Author’s Book Site — Zora Neale Hurston Trust

This is a beautifully written and fascinating look at Jamaica, Haiti, Voodoo, Zombies, and the sinews that run between them. The first half of the book reads largely like a travelogue of, and introduction to, Jamaica and Haiti, respectively. In this half, Voodoo is only mentioned here and there as an aside. There is much more discussion of culture, race, and politics, notably the disheartening politics of Haiti. (I should point out for those unfamiliar with Harlem Renaissance figures, this book dates to the 1930’s — so current affairs are not addressed, but — unfortunately — Haiti has a long history of troubles.) The second half of the book delves much more intensely into Voodoo and the supernormal happenings broadly connected to it. Hurston’s exploration is neither as a tried-and-true believer, nor as a hardcore sceptic; rather she takes a more journalistic objectivity.

The language of this book is splendid, and Hurston produces many a quotable line. It is true that the subject matter, Voodoo, is extremely compelling, but this book is more than just a collection of tales of magic, superstition, and the weird. It also offers depth of insight into the cultures of these countries and their peoples. Hurston frequently mentions the differences between classes on the matter of Voodoo, the upper-class rejecting it as mere superstition and the lower classes often engaging with it as a way of life.

I’d highly recommend this book, not only for those interested in learning more about Caribbean Voodoo practices, but also for travelers with an intense curiosity about culture.

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PROMPT: Guaranteed

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What’s something you would attempt if you were guaranteed not to fail.

Cast a magic spell? Everything I know of in this world comes with no such guarantee — at least anything worth one’s time. It’d be better to spend one’s time learning to thrive under uncertainty.

BOOKS: “Magic: A Very Short Introduction” by Owen Davies

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Magic: A Very Short IntroductionMagic: A Very Short Introduction by Owen Davies
My rating: 5 of 5 stars

Publisher Site – OUP

The first thing that a potential reader should be aware of is that this book isn’t about stage magic or sleight of hand, and that form of magic — in which all parties are aware that techniques are being used to exploit perceptual limitations so as to create the illusion of a supernatural occurrence — doesn’t even really come up as an aside. This book is about magic that (at least some) people believe is a demonstration of actual supernatural happenings in the world.

The book looks at the topic largely from a historical viewpoint; though special emphasis is given to the relationship between religion and magic, in both its congruous and adversarial aspects. That said, for the most part, it’s not arranged historically but rather topically. It does have one chapter on historical perspectives (ch. 3) and one that addresses the ways and degrees to which magical thinking still exists in the modern world (ch. 6.) But it also has chapters on the anthropology of magic (ch.1,) the shifting landscape of thinking about what magic actually is (given that it’s clearly something to many people but isn’t likely the actual exploitation of loopholes in the laws governing the physical world that believers feel it to be — ch. 3,) the role of language in magic (ch. 4,) and the practices of magic (ch. 5.)

The book does focus heavily on the Abrahamic world (Judeo-Christian-Islamic) and its Janus-faced relation to magic over time, but not exclusively so. It brings in African, Chinese, Caribbean, and Native American traditions here and there as well.

I found this book interesting and thought-provoking and would highly recommend it for anyone looking to gain a better insight into how humanity has thought about magic over time and how those beliefs have aligned – or conflicted with – religious beliefs and practices.

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A Spell [Free Verse]

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Write me a spell:
   A tiny bit of magic --
      Nothing massive
       Or mind-blowing --
   Just a simple piece
      Of Magic.

Introduction to Spellcasting [Lyric Poem]

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We cast our spells by way of words --
 Each sound, sacred. Its magic blurred
 By mundane ways and untrained ears --
 Failure to feel one's way to tears.

So, we're lost upon silent seas
 Even when one could hear with ease:
 Because boundless is speech's spread,
 And boundless, still, within one's head.

Some seek their way to the magic
 By means that are truly tragic,
 When all they really need to do
 Is listen as it passes through.

A Feather in Flow [Free Verse]

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How do I roll like a
   feather in flow?

The one that can't be
   pulled from the pool.
 It slips around the 
   lifted hand,
 Retreating back into 
   the water that it never
     really left.

It's like sleight of hand
   one plays upon oneself:
     at once magician & mark.

The faster one snatches at it, 
   the greater the miss.
 The slower one moves,
   the more frustratingly
     one sees one's failure. 

How to roll like a feather in flow?