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Tag Archives: comedy
PROMPT: Topics
I’d like to know more about the capabilities and limitations of AI, a rabbit-hole that I have only recently stumbled upon, but which I am tumbling down hard. Particularly, how to best use it for language acquisition as I am currently learning Chinese and would like to increase my literacy so I can open myself up to a whole new world of books.
I’m also curious about pratfalls and physical comedy all of a sudden.
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PROMPT: TV Shows
Andy Griffith Show, Carol Burnett Show, Dick Van Dyke Show… wow, they were not creative with names in those days.
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BOOK: “How to be an Alien” by George Mikes
How to Be an Alien: A Handbook for Beginners and Advanced Pupils by George MikesMy rating: 5 of 5 stars
Publisher Site – Penguin
This book is hilarious… unless you’re British — in which case it probably reads like a swift kick in the crotch. Well, if you’re from continental Europe, many of the comparisons with Britian are no more favorable to Europe and are just as comically searing. But if you’re American, it’s a laugh riot. Well, except for when it delivers reminders of the absurdity of xenophobia, triggering realizations that one’s own country is in the midst of a crisis of that malady. However, the book is not primarily a rebuke of xenophobia, but rather an accounting of what immigrants to Britain find strange and unwieldy about their new country.
George Mikes, born Mikes György, was a journalist and humorist of Hungarian birth who lived most of his life in England, and it’s this experience that the author draws upon to describe of what immigrants to Britain must accustom themselves.
Among Mikes’ prolific body of writings, there are a number that take this form — humor disguised as a how-to guide. The first one that I read was How to Be God, which was his last such book. The book under review was his first and continues to be the most popular.
I’d highly recommend this book for humor readers… unless you’re British… or European… or are experiencing dread over the Pheonix-like rebirth of xenophobia in the world. If there’s any one left after that who reads in English, this is the book for you.
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PROMPT: Movies
No particular order: Kung Fu Hustle, Caddyshack, Matrix, Inception, John Wick 4, Airplane, Monty Python and the Holy Grail, Blazing Saddles, Hero, and Drunken Master II.
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Five Wise Lines from George Carlin [April 2025]
Have you ever noticed that anybody driving slower than you is an idiot,
and anyone going faster than you is a maniac?
Isn’t making a smoking section in a restaurant
like making a peeing section in a swimming pool?
I don’t believe there’s any problem in this country,
no matter how tough it is,
that Americans,
when they roll up their sleeves,
can’t completely ignore.
Here’s all you have to know about men and women;
women are crazy,
men are stupid.
And the main reason that women are crazy
is that men are stupid.
I like it when a flower or a little tuft of grass grows through a crack in the concrete.
It’s so fuckin’ heroic.
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BOOKS: “Be Funny or Die” by Joel Morris
Be Funny or Die: How Comedy Works and Why It Matters by Joel MorrisMy rating: 5 of 5 stars
Author Site
Release date: Sept 4, 2025 [paperback, hardcover is already out]
This is a comedy writer’s guide to how humor is crafted. It’s a bit popular psychology and a bit of a how-to guide. If one is expecting, because it’s on comedy and humor, a book that is a laugh riot on every page, this isn’t the book for you. That’s not so say Morris doesn’t pepper the book with witty commentary and humorous examples, but it’s ultimately a book about how the sausage gets made and is, thus, somewhat analytic — if in a readable style.
At the core of Morris’s theory of comedy is a three-component structure: construct, confirm, and confound. Other major ideas are the fundamental tribalism of comedy and the connections between comedy and music. It wouldn’t be a present-day book on comedy if there wasn’t some discussion of the idea of offense and the “limits” of what can be said.
I can’t say all of Morris’s ideas found immediate resonance with me, but even when I didn’t fully buy the argument, I did find the presentation thought-provoking. For example, I don’t know that I buy Morris’s argument about the importance of tribality to comedy. I do agree that one needs a common language and some overlap of experience, but all of humanity has a domain of overlap of experience. Yes, one may have an easier time the more extensive that overlap is, but ease doesn’t necessarily mean one can’t get big laughs from an audience whose worldviews and experience are radically different from one’s own. [Of course, I may just be being overly sensitive as a traveler in a tribal world.]
For writers, the end of the book has a few chapters that are more about story than comedy – per se, and – while these chapters compare and contrast comedy and drama writing – they provide information useful to any writer engaged in storytelling.
I’d highly recommend this book for any readers interested in comedy writing, be it of standup material, scripts, or other content.
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BOOKS: “Improv Wisdom” by Patricia Ryan Madson
Improv Wisdom: Don’t Prepare, Just Show Up by Patricia Ryan MadsonMy rating: 4 of 5 stars
Publisher’s Website
One might expect this to be a book about how to perform improvisational comedy, but it’s better described as a philosophy of life that employs lessons from improv. There are books that take a much more tailored approach to building an improv act. This one, rather, broadens its target demographic from those interested in theater and comedy to everybody. It discusses applying lessons such as default to positivity (the famous “Yes, and…” of improv) both on and beyond the stage.
Each of the thirteen chapters is built around a maxim that might be heard in an improv theater or troupe. The crux of the matter is building the confidence and sense of freedom to be able to behave spontaneously in an environment that’s stressful and somewhat chaotic. Most of the lessons approach an aspect of the problem of surrender and free response action, though there are broader lessons such as the benefits of gratitude and helpfulness. While I call the book’s content a philosophy of life, the author doesn’t spend a lot of time drilling down into established philosophies, with the exception of Buddhism — specifically of the Zen variety. As one might imagine, Zen — with its emphasis on non-attachment and avoidance of overthinking — has a substantial overlap with the approach to living that Madson is proposing.
“Improv Wisdom” is set up as a self-help book, featuring not only lesson-based organization but also offering a few exercises in each chapter.
This is a quick read and might prove to be of great benefit to those who have never thought much about the challenges and lessons of improv. The book can’t be said to be groundbreaking in terms of the lessons it presents, but its focus on what improv elucidates about these lessons is interesting and unique.
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BOOK: “How To Be The Best Improviser On Earth” by Will Hines
How To Be The Greatest Improviser On Earth by Will HinesMy rating: 5 of 5 stars
Amazon.in Page
This guide to performing improv comedy alternates chapters that explore various tenets of the art with chapters that present exercises to help one carry out said tenets in practice. So, it is both a philosophy of improv and a how-to manual. The tenets include: “be present,” “be changeable,” “be brave,” “be authentic,” and “be funny” — among others.
Being a neophyte to the subject, I knew nothing beyond the oft joked upon advice to always “Yes, and…” during a scene, a lesson intended to keep a scene moving and which also provides much material for wisecracks. This book doesn’t spend much time on that rule beyond discussing when one should break it, and how one can do so without bringing a scene to a halt. The key takeaways of the book were about pacing and the need for normality in contrast to the absurdity to make a scene funny. That is, one can’t just go to the whackiest place possible out of the gate and with all characters, instead it is the contrast between everyday conversation and the introduction of an absurd premise that makes a scene funny. As with the “straight man” of a comedic duo, one needs straight elements or characters.
I found this book to be informative. It’s a quick read and offers much food-for-thought that could benefit one offstage as well as on.
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BOOKS: “Gothic Tales” by Marquis de Sade [Trans. by Margaret Crossland]
Gothic Tales by Marquis de SadeMy rating: 5 of 5 stars
Amazon.in Page
Release Date: September 3, 2024
This collection of short fiction is an excellent entry point for the reader wishing to be introduced to the philosophy and literary stylings of the Marquis de Sade. It is less visceral and explicitly violent than the works for which Sade is most famous (i.e. Justine, 120 Days of Sodom, and Philosophy in the Boudoir.) While it does deal in libidinal issues throughout and has a few stories that are explicitly erotica (notably the last couple pieces,) it never ventures up to or over whatever thin line separates erotica from pornography.
While all the pieces share Sade’s signature philosophy and interests, it is in other ways a quite diverse collection of writings. The first piece, “Eugenie De Franval,” is a novella that takes up about half the book, and it is followed by a piece that, in today’s parlance, might be called flash fiction, “The Horse-Chestnut Flower.” Pieces such as “Eugenie De Franval” and “Florville and Courval” are tragedies while the comedies include: “Emilie De Tourville,”[granted with grim elements] “The Husband Who Played Priest,” “Room for Two,” and “The Self-Made Cuckold.” Those last three – as well as “The Horse-Chestnut Flower”– are comedic in a modern sense, not just the literary sense.
I can’t say how much of the difference in tone and intensity of these pieces from Sade’s other stories is owed to the selected source material and how much is owed to translation and editorial decisions, but it makes for a read that is more intriguing in story and less shocking and disturbing than many other translations of Sade’s work.
I enjoyed these stories. They had many clever twists and turns that I don’t recall experiencing in Sade’s novels. Several stories rely on a great deal of deus ex machina coincidences, but I think that works just fine — particularly in the more humorous stories. I’d highly recommend this for readers looking to ease into the work of the Marquis de Sade.
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Tiger Riding for Beginners 