PROMPT: Inspired

Daily writing prompt
What’s a movie or book that inspired you to travel?

I would say it’s much more common for travel to inspire me to read a particular book than the other way about. I can’t think of a case in which reading a book was the prime mover in a decision to travel to a given place. But I do try to read some literature from every country or literarily active city that I visit.

PROMPT: Out of a Movie

Daily writing prompt
What’s a moment in your life that felt like it was straight out of a movie?

I once slipped and fell on ice, and it was like an outtake from a Jackie Chan movie.

PROMPT: Expected to Hate

Daily writing prompt
What’s a movie you expected to hate but ended up loving?

I’ve had it the other way round (i.e. disliked a movie I expected to like,) but I can’t really say I’ve ever watched a movie that I expected to hate. Do people do that? In the very short life one has, are there people who sit around entertaining themselves with movies they expect to not be entertaining? Despite all that I have learned in this life, people perplex me more and more each day.

PROMPT: Erase

Daily writing prompt
If you could erase one movie from your memory and watch it again for the first time, which one would it be?

If Eternal Sunshine of the Spotless Mind taught us anything, it’s that one shouldn’t go around erasing memories. So, I decline to answer. [FYI: Eternal Sunshine of the Spotless Mind is not my answer because I don’t need the lesson all over again.]

PROMPT: Movies or TV Series

Daily writing prompt
What movies or TV series have you watched more than 5 times?

Kung Fu Panda, Kung Fu Hustle, and The Matrix. Together, they contain the sum of all wisdom.

PROMPT: Movies

Daily writing prompt
What are your top ten favorite movies?

No particular order: Kung Fu Hustle, Caddyshack, Matrix, Inception, John Wick 4, Airplane, Monty Python and the Holy Grail, Blazing Saddles, Hero, and Drunken Master II.

PROMPT: Rewatched

Daily writing prompt
What movies or TV series have you watched more than 5 times?

Movies: The Matrix (1999), Kung Fu Hustle (2004), and – possibly – The Dark Knight (2008) and Inception (2010). [Really, I could watch any Christopher Nolan film more than once (and probably need to in order to fully get them.)]

TV Series: None. I can’t think of a series that I’ve watched more than once — except maybe in reruns as a kid, watching episodes out of sequence and on a hit or miss basis.

PROMPT: Movies

Daily writing prompt
What are your top ten favorite movies?

In the order in which they popped into my head: 1.) Caddyshack (1980); 2.) The Matrix (1999); 3.) Hidden Fortress (1958); 4.) Alien (1979); 5.) Casablanca (1942); 6.) Seven (1995); 7.) Kung Fu Hustle (2004); 8.) The Dark Knight (2008); 9.) Inception (2010); 10.) Unforgiven (1992)

BOOK REVIEW: The Gothic: A Very Short Introduction by Nick Groom

The Gothic: A Very Short IntroductionThe Gothic: A Very Short Introduction by Nick Groom
My rating: 5 of 5 stars

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Gothicness is the perfect kind of subject for the VSI series because it’s one of those areas about which everybody knows something, and yet knows nothing, really. Goth is [or has been] a people (or some people’s perception of other people,) an architectural style, a literary / cinematic genre, a contemporary lifestyle, and a political motif. Because of this diversity, even people who have a degree of expertise on some aspect of gothicness may have little understanding of other aspects or how these varied forms of gothicness relate (if they do, and – if they don’t — why enough people believe they relate to have made this well-formed, consensus view of connectedness.)

The downside of this diversity is that this book will almost certainly be dry, verging on tedious, at some point in the reading, depending upon one’s interests. For example, I found the portions on Gothic literature and cinema to be fascinating, but the part that dealt with gothicness in Whig politics to be boring. [With the architecture bit somewhere in between.] That said, one needs to follow this throughline to see how so many varied domains came to be Goth. Also, the book is quite short, so one isn’t likely to be bored to death because there’s not enough space spent on any one topic for that to happen.

I learned a lot about what it means to be “Goth” [or “goth”] from reading this book. It covers the history in some detail, but also brings it around to present-day movies and art. If you seek to know more about what “Gothic” means, you should definitely look into this brief guide.

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BOOK REVIEW: Better Living Through Criticism by A.O. Scott

Better Living Through Criticism: How to Think about Art, Pleasure, Beauty and TruthBetter Living Through Criticism: How to Think about Art, Pleasure, Beauty and Truth by A.O. Scott
My rating: 4 of 5 stars

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There’s a chasm between title and book. The title, which is clearly meant to play on the Dupont motto turned recreational drug user motto that substitutes the word “chemistry” in place of “criticism,” suggests a book that will be directed toward a reader, teaching said individual how to hone his or her skills of art criticism. This book, on the other hand, reads more like a review of the criticism industry that is meant to be received by an audience. In other words, it feels more like you’re in a Ted Talk than that you’re having a private lesson or conversation. It’s a fine book, witty, thought-provoking, and insightful by turns, but not the book one would expect from the title, subtitle, and blurb.

This essay (or collection of six shorter essays – if you prefer) examines the life and livelihood of art critics and how the endeavor has ebbed and flowed over the years. While the author is a film critic, he adeptly uses examples and stories from across the arts: poetry, paintings, music, theater, etc. In addition to the six chapters, there are three dialogues that are presumably meant to be reminiscent of Oscar Wilde’s essay / dialogue “The Critic as Artist,” a piece that is referenced and quoted in the book.

While the book is generally readable, it would probably benefit from more clarity of message while dialing down attempts to be witty and interesting. It seems like the author may have aimed to do what the films that film critics tend to love do, leave one walking away wondering what it is that one just consumed.

If you want to know more about the criticism “business,” i.e. who does it and how the job has changed (and continues to change,) you’ll enjoy this book. On the other hand, if you’re looking for a book that (as this book’s subtitle suggests) will help you better understand “how to think about art, pleasure, beauty, and truth,” then this might not be the book for which you’re looking.


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