an autumn sapling,
red leaves on a stiff twig,
shakes in the breeze;
i can't help but think of it
as a gray-haired baby.
Gray Baby [Kyōka]
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DAILY PHOTO: A Few More Murals from Malacca
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BOOK: “Mad About the Mekong” by John Keay
Mad About The Mekong: Exploration and Empire in South East Asia by John KeayMy rating: 4 of 5 stars
Publisher’s Site
This book is largely, but not exclusively, an accounting of the Mekong Exploration Commission’s two-year (1866-1868) expedition of the Mekong River. The French undertook this expedition in the expectation that the Mekong, like other of the world’s major rivers, would allow ocean-going ships to traverse deep inland — possibly even up into Yunnan, China. The explorers were quickly disabused of this notion, but they relentlessly kept going – despite suffering from disease and the exhaustion of a trip that involved a lot more portaging and other intense physical activities than they’d hoped for.
As I mentioned, Keay doesn’t stick purely to description of the activities of these nineteenth century explorers. Along the way he also brings in fascinating stories from other periods as well as discussion of what the river is like (e.g. its ecology, infrastructure, role in geopolitics, etc.) these days. So, while it would be excessive to call the book a history of the Mekong, it is in some regards — albeit the highlights reel. Some of the diversions were among my favorite parts of the book. Perhaps my favorite was the story of Tony Poe, whose story is said to be the model for Col. Kurtz of Apocalypse Now. I’d long heard that that movie was based on Joseph Conrad’s Heart of Darkness, and it is (the name “Kurtz” is clearly from Conrad’s novella, though Poe’s occupation more closely mirrors the Col. Kurtz character played by Marlon Brando.)
While the book sometimes shines the light more broadly than he Mekong Exploration Commission Expedition, it also narrows its focus much of the way, putting the expedition’s most colorful character, Francis Garnier, front and center. Garnier was not only the most intriguing member of the leadership, he also led the group to what was the end of the line for the expedition, deep in China, when the Captain, Ernest Doudart de Lagree, became incapacitated by disease.
If you’re interested in history, travel, or exploration, I’d recommend this book.
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“I never hear the word ‘Escape'” (144) by Emily Dickinson [w/ Audio]
I never hear the word "Escape"
Without a quicker blood,
A sudden expectation --
A flying attitude!
I never hear of prisons broad
By soldiers battered down,
But I tug childish at my bars
Only to fail again!
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Impala [Common Meter]
I'd never seen an Impala,
until one day I did.
Except an eighty-five Chevy,
back when I was a kid.
The Chevy was not lean, nor quick,
as real Impalas are.
Had this bovid ever been seen
by the namer of cars?
I tried to see commonality:
one was made and one born,
One was clunky and unagile,
but both came standard with horn.
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BOOKS: “Birds, Beasts, and A World Made New” by Guillaume Apollinaire & Velimir Khlebnikov [ed. / trans. Robert Chandler]
Birds, Beasts and a World Made New: Guillaume Apollinaire and Velimir Khlebnikov (1908-22) by Guillaume ApollinaireMy rating: 5 of 5 stars
Publisher Site – Pushkin Press
This poetry collection recalls a time and tells a story. Perhaps it’s not right to call it a poetry collection, not because it isn’t one, but because that’s not all it is. Most of the book consists of selections of poetry from Guillaume Apollinaire and Velimir Khlebnikov juxtaposed by themed grouping. But there is also backstory and biography included throughout as well as in the book’s final section.
One might wonder why anyone would construct a two-poet collection featuring a Frenchman and a Russian. Well, the two men did have a number of things in common, most disturbingly that they both died young in the early twentieth century. Apollinaire died at age 38 in 1918 and Khlebnikov died at 36 in 1922. The fact that these men’s writing careers so overlapped is one of the reasons the book works. They waded through a common zeitgeist. Another commonality that makes the collection relevant and intriguing is that both poets had a penchant for experimentalism in their work.
Seeing the work of these poet’s organized as the volume does, one recognizes both similarities and differences. This includes the fact that the tone of each poet’s work ranges widely from whimsical to the brutal morosity of poems on war and the suffering it entails.
I found this collection to offer a powerful reading experience and would recommend it highly to all poetry readers.
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DAILY PHOTO: Baba & Nyonya Heritage Museum (or Crazy Rich Asians — 19th Century)
A Spell [Free Verse]
Write me a spell:
A tiny bit of magic --
Nothing massive
Or mind-blowing --
Just a simple piece
Of Magic.
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“Nature” by Henry Wadsworth Longfellow [w/ Audio]
As a fond mother, when the day is o'er,
Leads by the hand her little child to bed,
Half willing, half reluctant to be led,
And leave his broken playthings on the floor,
Still gazing at them through the open door,
Nor wholly reassured and comforted
By promises of others in their stead,
Which, though more splendid, may not
please him more;
So Nature deals with us, and takes away
Our playthings one by one, and by the hand
Leads us to rest so gently, that we go
Scarce knowing if we wish to go or stay,
Being too full of sleep to understand
How far the unknown transcends the
what we know.
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Tropic Confusion [Haiku]
branches: bloom-laden
but devoid of leaves:
tropic confusion.
