“Gubbinal” by Wallace Stevens [w/ Audio]

That strange flower, the sun,
Is just what you say.
Have it your way.

The world is ugly,
And the people are sad.

That tuft of jungle feathers,
That animal eye,
Is just what you say.

That savage of fire,
That seed,
Have it your way.

The world is ugly,
And the people are sad.

Green Door [Free Verse]

What mysteries lie behind
That old green wooden door:
Carved elaborately
In bygone days?

On a street that features only sights
Both newer and more decrepit,
It stands out as a grand entrance
That begs something special
Beyond.

I’d hate to think it’s just
Old paint cans —
Half empty and congealed
Beyond usefulness.

I doubt it’s a brothel or speakeasy —
Too silent…
But a vault of lost masterpieces,
Inhabited by a hairy-legged spider,
Might not be too much to ask.

FIVE WISE LINES [May 2025]

It is a happy talent to know how to play.

Ralph waldo emerson

Just living is not enough… one must have sunshine, freedom, and a little flower.

Hans christian andersen

Don’t abandon kindness, mercy, and sympathy in an emergency.

Qiānzì wén [千字文], Ch. 3

Logic will take you from A to B. Imagination will take you everywhere.

albert Einstein

You must live in the present, launch yourself on every wave, find your eternity in each moment.

Henry david thoreau

BOOKS: “Wild Thing” by Mike Fairclough

Wild Thing: Embracing Childhood Traits in Adulthood for a Happier, More Carefree LifeWild Thing: Embracing Childhood Traits in Adulthood for a Happier, More Carefree Life by Mike Fairclough
My rating: 4 of 5 stars

Publisher Site — Hay House

This short self-help guide aims to encourage adults to recapture some of the bliss-inducing traits of children. Over six chapters, it examines the virtues of play, rule-breaking behavior, imagination, resilience, gratitude, flow, daydreaming, discovery, exploration, and awe.

Each chapter, in true self-help fashion, ends with a bulleted set of practical tips and practices. The book has an Introduction and Afterward, but no other ancillary material.

I felt the book was at its strongest when the author was discussing his personal experiences. Otherwise, the book can dip into the “no-duh” plight common among self-help style books — where it seems to state the obvious without adding depth of insight.

I enjoyed reading this book. It’s a nice, short pep-talk — though it’s unlikely to leave readers with any burning revelations or new insights.

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PROMPT: Animal

Daily writing prompt
Which animal would you compare yourself to and why?

A mythical one to be sure. Cobbled together and a product of pure imagination. Griffin, Minotaur, Dragon, Vietnamese Unicorn (not to be confused with the kind hung as posters on the walls of pre-teen American girls,) or something of that nature.

“Beggar to Beggar Cried” by William Butler Yeats [w/ Audio]

"Time to put off the world and go somewhere
And find my health again in the sea air,"
Beggar to beggar cried, being frenzy-struck,
"And make my soul before my pate is bare;

"And get a comfortable wife and house
To rid me of the devil in my shoes,"
Beggar to beggar cried, being frenzy-struck,
"And the worse devil that is between my thighs.

"And though I'd marry with a comely lass,
She need not be too comely -- let it pass,"
Beggar to beggar cried, being frenzy-struck,
"But there's a devil in a looking glass.

"Nor should she be too rich, because the rich
Are driven by wealth as beggars by the itch,"
Beggar to beggar cried, being frenzy-struck,
"And cannot have a humorous happy speech.

"And there I'll grow respected at my ease,
And hear amid the garden's nightly peace,"
Beggar to beggar cried, being frenzy-struck,
"The wind-blown clamor of the barnacle-geese."

BOOKS: “A Child’s Garden of Verses” by Robert Louis Stevenson

A Child's Garden Of VersesA Child’s Garden Of Verses by Robert Louis Stevenson
My rating: 5 of 5 stars

Amazon.in Page

Until recently, I was only acquainted with Stevenson as a novelist, but I had a powerful experience with his poem “The Hayloft” (included in this collection.) I was intrigued by how a poem written by a nineteenth century Scot could prove so nostalgia-inducing for me, having been a 20th century American farm-boy. So, I read the collection, and found that “The Hayloft” was only one of many examples that had such an effect. Others include: “Land of Counterpane,” “Block City,” and “Land of Nod.” The nostalgic power of the poems derives from the fact that Stevenson does a phenomenal job of capturing a child’s enthusiasm for play, and in that regard I’m sure the collection will resonate more broadly than just I, or even than just farm kids.

Afterall, there’s a lot of Stevenson’s experience that is dissimilar to mine. Besides his era and his nationality, his mentions of nurses, gardeners, and cooks is surely much different from my own upbringing, being devoid of household staff. But the book only needs to draw upon that love of play and imagination to take one back.

For a work from the nineteenth century, this collection of 50+ lyric poems has aged well. There is the occasional word like “gabies” or “whin” to send one to a dictionary, but those archaic or obsolete terms are rarities. Furthermore, the lyricism of the poems makes them easily read or sung.

I’d highly recommend this collection for poetry readers, particularly children or those looking to reexperience childhood.

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BOOKS: “Imagination: A Very Short Introduction” by Jennifer Anna Gosetti-Ferencei

Imagination: A Very Short Introduction (Very Short Introductions)Imagination: A Very Short Introduction by Jennifer Anna Gosetti-Ferencei
My rating: 5 of 5 stars

Amazon.in Page

This is a concise guide to the subject of imagination, the capacity to conceptualize that which does not exist in reality. Philosophy is the primary dimension through which the subject is investigated, though the insights of poets (particularly Romantics,) authors, and artists are frequently presented — in several cases, in detail. Also, the author does discuss ideas from other disciplines as relevant (e.g. psychology, anthropology, science.) This is notable, for example, in Chapter 2, which looks at early signs of imagination in the human record and the evolution of this capacity.

Philosophical views on imagination have varied to the greatest possible extent, from Plato’s belief that imagination represents untruths and is therefore dangerous to various views suggesting that imagination is a good thing, is fundamental to what it means to be human (e.g. to empathy,) and is inescapable for humans. This Plato against the world dispute is revisited in several places throughout the book. Besides those of Plato, the views of Kant, Nietzsche, Wittgenstein, and Sartre are particularly extensively examined.

Creative types will find the final chapter (Ch.6 “Creativity from invention to wonder”) the most engaging part of the book as it deals with what makes for creativity. The chapter discusses topics such as whether constraints help or hinder creativity? Take, for example, poetry: does free verse poetry produce more imaginative material, or — on the contrary — is rhymed and metered verse more innovative and novel. If you think you know the answer, you might be surprised by the arguments that have been put forth.

I enjoyed reading this book and found it thought-provoking and worthy of the time.

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Covert Cave [Lyric Poem]

Do you know how deep the darkness goes?
 No. Chiaroscuro black conceals
  all but what's divulged by echoes,
   and figments spastic minds reveal.   

Spared the Human Curse [Free Verse]

Seven Sages were spared the sickness
 of perceiving the possibility of perfection,
  a "perception" of the patently impossible --
   in truth, just dim and flimsy imaginings of mind,

   and, so, they didn't mind the inevitable
     flaws of the human world.