1.) Good company; 2.) studiousness; 3.) a sense of humor, and 4.) the capacity to let go of that which has no value.
Category Archives: Philosophy
PROMPT: Three Books
This poetry collection teaches that most challenging of human skills: how to be insanely confident that you can do anything without being a jerk about it. (Also, how to see beauty beyond the societal consensus of what’s beautiful.)
Zhuangzi by ZhuangziThe virtues of a carefree, spontaneous, minimalist, and down-to-earth approach to living explained through tiny stories.
The Tragedies of William Shakespeare by William ShakespeareA master class in things that can turn a life into a tragedy.
Titus Andronicus: Live by the sword = tragedy (An eye for an eye, and everyone dies.)
Romeo & Juliet: Grudges (+ Lust) = tragedy
Julius Caesar: handing your adversary the mic (/ the fickleness of crowds) = tragedy
Hamlet: indecisiveness = tragedy (i.e. On or off the crazy-bus.)
Othello: jealousy = tragedy
Macbeth: excessive ambition = tragedy
King Lear: needing gratuitous signs of affection = tragedy
Timon of Athens: expectations of reciprocity = tragedy
Anthony & Cleopatra: mixing one’s love and work lives = tragedy
Coriolanus: a crotchety old warrior in peace time = tragedy
BOOKS: The Mind of Adi Shankaracharya by Y. Keshava Menon
The Mind of Adi Shankaracharya by Y. Keshava MenonMy rating: 4 of 5 stars
Amazon.in Page
This book does a good job of that at which the title hints, offering the reader insight into the philosophy of Adi Shankaracharya. Along the way, Menon presents clear descriptions of Indian philosophical concepts such as Maya, Avidya, Antahkarana, etc., and also compares and contrasts Shankaracharya’s philosophy with those of other philosophers (from both the East and West) as a means to clarify ideas that can be subtle and complex.
That said, what the book isn’t is an unbiased and objective look at Shankaracharya’s ideas. While Menon doesn’t go as far as to support the supernatural myths of Shankaracharya’s life (which are only discussed in the Appendix,) and he skirts that 800-pound gorilla of Hindu philosophic controversy, caste, he does present the philosophy as an advocate for Shankaracharya rather than as an indifferent scholar who merely wishes to deliver arguments and ideas while inviting thought among his readers.
While the book deals with epistemology, ethics, and various aspects of metaphysics, the biggest single subject is Self. I found the explanation of this topic to be fascinating. I had previously understood that among the major differences between Shankaracharya and Buddha was on this question. While I still find the Buddhist approach to Self (or, more properly, lack of Self — i.e. Anatta) to be the more compelling and parsimonious explanation, I feel that I was provided with about as clear an explanation of the Hindu (generally) and Shankaracharyan (specifically) views on Self as one could wish for.
I’d recommend this book. If you’ve come away from reading about subjects like “Maya” (Is it illusion? Is it NOT illusion?) this book can definitely help offer clarification, and (as books on philosophy go) it’s readable and not too jargon-laden. That said, if one is looking for a book that is not advocating a philosophy but, rather, objectively providing ideas and contrasting explanations, this book may bias your views.
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Hannah Arendt Limerick
Idealist Limerick
Hit by a Hard Word [Free Verse]
How is being hit by a hard word different from being hit by a brick or a bat? To burn, the spark of a hard word must find some kindling inside the recipient, elsewise it can't ignite. If someone points at me and screams: "YOU ARE SUBPAR AT ALGEBRA!" I remain unwounded. [I'd like to say that it doesn't burn simply because it's true, but the truth or falsity of hard words is -- perhaps sadly -- not a major ignition factor. The kindling is a thing that sits inside one -- something that makes one care, probably a complex mélange of factors. The truth of hard words? That is an outside factor.] Even if I were to discover that, to the person who issued the insult, there is no greater disparagement than to cast aspersions upon a person's middle school-level mathematics competency, I would remain unwounded. If I were to feel any sort of way about uncovering that knowledge, it would be to feel sort of bad for the person who issued the taunt. Now, how to burnproof one's soul, that is the question?
Five Great Yarns from Kahlil Gibran’s The Madman
The Madman by Kahlil GibranMy rating: 5 of 5 stars
Project Gutenberg Page
The Madman is a collection of poems and short fiction (often micro-fiction) of a philosophical nature. The protagonist claims he became a madman when a thief broke into his house and stole his masks, the masks that people wear to fit into society and appear “normal.” Beyond the thread created by this mad character, the entries meander along, each with its own moral and with little discernible overarching plot.
There are many clever stories in this collection, offering food-for-thought on religion, philosophy, and psychology. I’ll discuss five of my favorites:
“The Sleepwalkers” A mother and daughter are both sleepwalkers. When they are somnambulating, they speak to each other in horribly cruel terms, but when they wake up, they display (at least a veneer of) love and affection. Besides demonstrating the nature of the aforementioned masks, the loss of which gets one designated “crazy,” this story encourages the reader to discern the differences between conscious and subconscious mental activity.
“War” This one presents an analogy for war in which a thief breaks into the wrong building, walks into a machine, pokes his own eye out, and then takes the building owner to court seeking “justice” for his lost eye. The craftsman / shop-owner says he can’t lose an eye because he won’t be able to do his work, but he knows a neighboring craftsman who could have his eye removed without great loss of productivity. This story builds upon the well-known “An eye for an eye…” Bible verse with the added absurdity of violence being doled out randomly and without concern for whether the victim had anything to do with the events in question.
“The Wise King” A disgruntled witch poisons a city well with a substance that makes drinkers insane. The King avoids the well water and is spared insanity. However, the townspeople begin to plot against the king because, in their insanity, they believe him (as one who acts differently) to be insane. The king eventually drinks the well water in order to come back into synch with his subjects. This entry speaks to the arbitrary nature of classification of sane and insane, an idea that has been discussed in modern times by mental health experts such as R.D. Laing.
“The Two Cages” A bird is caged next to a lion. The bird’s confidence provides the central lesson, knowing they’re both imprisoned separately, the bird refers to the lion as “fellow prisoner.” The power dynamic has changed from that of the jungle. Perhaps, the bird has even happily exchanged its freedom — either for safety or to tear the lion down a little.
“The Eye” In this story, the other sense organs mock the eye after it comments upon how grand a mountain is. The ear can’t hear the mountain and the skin can’t feel the mountain. Therefore, the other senses assume that the eye is either lying or is delusional. This tale speaks to the risk of denying something based on one’s own limited perception.
This book was originally published in 1918 and is in the public domain (most places.) It’s definitely worth the short time investment required to read it.
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Of Samurai & Cats: Issai Chozan’s Neko no Myōjutsu
Cat & Lantern (1877) by Kiyochika Kobayashi
BACKGROUND: Issai Chozan’s Neko no Myōjutsu (“Eerie skills of the Cat”) was published in the book Inaka Sōji in 1727. It’s an example of dangibon, a light-hearted form of instructional short story, a form for which Issai Chozan is said to have been one of the originators. On the surface a story of rat-catching cats, in reality it’s a lesson in strategy and philosophy of combat.
SYNOPSIS: I’ll include citations and links below, so you can read the story in its entirety, should you choose to do so. But for now, a brief synopsis: A samurai, Shoken, has a rat in his house, and it’s driving him crazy. Shoken’s housecat is terrorized by the rat. The samurai brings in the best rat-catching cats from the neighborhood, and each is soundly defeated by the rat. Shoken decides to take matters into his own hands, chasing after the rat with a wooden sword (bokken,) but the rat evades each attempted strike and, ultimately, bites the samurai on the face. Finally, Shoken brings in a legendary elder cat from across the city, a cat who doesn’t look like much, but who effortlessly evicts the rat from Shoken’s house. The balance of the story is a conversation between the successful old cat and three of the skillful younger cats who’d failed to catch the rat (as well as with Shoken.) Each of the three explains its approach to achieving victory, and in turn the master cat explains the limitations of each one’s approach. The old master goes on to explain how when he was younger, he’d met a tomcat who slept all day, and yet no rat would come within miles of it. He asked how the tomcat achieved this, but the tomcat was unable to explain it.
THE LESSON: The first cat, a young black cat, explained that it was a master of technique. The black cat was agile and strong in movement of all kinds and practiced diligently to streamline and perfect all of its techniques. The old cat pointed out that focus on technique still left the black cat with too active a mind, thinking too much about how it would defeat its opponent. The master went on to say that there is value in technique, but it can’t be allowed to be the extent of one’s abilities. He emphasized that one’s clever actions must be in accord with the Way.
The second cat, a tabby, proudly proclaimed that all of its effort went into building its energy or spirit (ki, also called chi,) and that it could defeat most rats with a gaze (though not the one in question.) The old master explained that spirit is a fine thing but being too conscious of it hurt the second cat’s ability. The master went on to say that one can never be sure that the opponent won’t have more spirit than one, and so complete reliance on ki can lead one to a defeat.
The third cat, a gray one, said that its philosophy relied on yielding and never forcing a fight. The old master explained that this was a misunderstanding of the principle of harmony, and that this kind of yielding was a man-made contrivance that was not in accord with nature and often led to muddiness of the mind. While the old cat goes on to say that none of these elements (technique, ki energy, or yielding) is without value, it’s clear as he continues that the answer isn’t as simple as being a combination of them, but rather requires a completely new way of being, of experiencing and perceiving the world.
To Shoken, the old cat explained the importance of not thinking of swordsmanship as a means to defeat an enemy but, rather, a means of understanding life and death. The old cat went on to discuss mushin (i.e. “no mind,”) a serene state of mind that allows one to be flexible to whatever comes along. The old cat emphasized the importance of eliminating distinctions of object and subject through a process of self-realization and explained that the process of seeing into one’s being one can trigger satori (sudden enlightenment.)
CITATIONS:
Matheson Trust for Comparative Religion translation, available online at: https://terebess.hu/zen/neko.pdf
Ozawa, Hiroshi. 2005. The Cat’s Eerie Skill. Essence of Training in Japanese Culture: Technique Acquirement and Secret of Kendo. Online at: https://tenproxy.typepad.jp/recent_engagement/files/essence_of_training_in_japanese_culturee.pdf
Suzuki, D.T. 1959. The Swordsman and the Cat. Zen and Japanese Culture. New York: Pantheon Books. pp. 428-435
Wilson, William Scott. 2006. The Mysterious Technique of the Cat. The Demon’s Sermon on the Martial Arts. Tokyo: Kodansha International
PROMPT: Quote
Do you have a quote you live your life by or think of often?
Four, actually:
Be kind, for everyone you meet is fighting a hard battle.
Plato (attributions vary)
There is nothing either good or bad, but thinking makes it so.
William Shakespeare (in HamLet)
Contentment comes not so much from great wealth as from few wants.
Epictetus
If you reject the food, ignore the customs, fear the religion, and avoid the people, you might better stay home.
James a. Michener





