DAILY PHOTO: Sri Aurobindo Ashram of Bangalore
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Category Archives: Philosophy
Five Wise Lines [June 2024]
The man who says to me, “Believe as I do, or God will damn thee,” will presently say, “Believe as I do, or I shall assassinate thee.”
Voltaire, in On superstition
The real voyage of discovery lies not in seeking new landscapes but in having new eyes.
Marcel proust
The translation of a poem having any depth ends by being one of two things: Either it is the expression of the translator, virtually a new poem, or it is as it were a photograph, as exact as possible, of one side of the statue.
Ezra pound
The people are of supreme importance to the ruler,
Chinese adage
food is of supreme importance to the people.
All translators face two choices: leave the reader in peace and drag the author closer, or leave the author in peace and drag the reader closer.
Friedrich schleiermacher (1768-1834)
[Referenced in Twenty-Nine GOODBYES, ed. by timothy billings]
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“Love’s Philosophy” by Percy Bysshe Shelley [w/ Audio]
The fountains mingle with the river
And the rivers with the ocean,
The winds of heaven mix forever
With a sweet emotion;
Nothing in the world is single;
All things by a law divine
In one spirit meet and mingle.
Why not I with thine? --
See the mountains kiss high heaven
And the waves clasp one another;
No sister-flower would be forgiven
If it disdained its brother;
And the sunlight clasps the earth
And the moonbeams kiss the sea:
What is all this sweet work worth
If thou kiss not me?
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“Fluid” [Poetry Style #24] by Sikong Tu [w/ Audio]
Like water spilling over rocks?
Like a bead's roll across the floor?
Cliches, they fail to tell the story,
As no doll shows life's splendor.
But the Earth' unsupported spin through space,
As the heaven's pivot and sprawl for more...
If you could find how it all began,
You'd see it'll be as it was before.
The high and bright realm of the gods
Returns to nothing and nevermore.
And if you lived ten-thousand years,
You might find yourself in days of yore.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a translation of the twenty-fourth of the twenty-four poems. This poem has been alternately titled “The Flowing Style,” “Fluid,” “Motion,” etc. by varied translators from its Chinese title of 流动.
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PROMPT: Spirituality
If by “spirituality” one means some kind of attachment to the supernatural, then not at all important. If by “spirituality” one means experiencing the world with a sense of awe, wonderment, and unmitigated bliss, then very important.
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“Abstract” [Poetry Style #22] by Sikong Tu [w/ Audio]
Lonely and longing to travel;
All alone and lacking a tribe.
Like the crane up on the mountain,
Or the cloud that enshrouds its peak.
Like the portraits painted by past
Masters, of souls you couldn't have known.
Like a leaf drifting on swift winds,
Bounding through the boundless spaces.
You'll never be able to hold it,
But can hear the song it dances to,
Those who accept this can tune in,
And the signal will only get stronger.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a translation of the twenty-second of the twenty-four poems. This poem has been alternately titled “Abstraction,” “Elegance,” and “Drifting Aloof” by varied translators, but its original title is 飘逸.
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“Form” [Poetry Style #20] by Sikong Tu [w/ Audio]
Quit seeking to firm up the soul;
Return to the unadorned truth.
One can seek the shape of water;
One can write of a pleasant spring.
Winds shift the shapes of clouds,
Flowers stand tall, and flowers droop.
The great waves of a sprawling sea,
The mountain's craggy ruggedness...
They all emulate the Great Way.
Every wonderful thing is dust.
Find semblance beyond shape or form.
In this person, the multitudes.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a translation of the twentieth of the twenty-four poems. Translated titles vary. This one has been titled “Descriptive” and “Form and Feature” by varied translators.
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PROMPT: Passionate
Being a better version of myself with each new day.
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“Much Madness is divinest Sense” (620) by Emily Dickinson [w/ Audio]
Much Madness is divinest Sense --
To a discerning Eye --
Much Sense -- the starkest Madness --
'Tis the Majority
In this, as all, prevail --
Assent -- and you are sane --
Demur -- you're straightway dangerous --
And handled with a Chain --
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BOOKS: “Improv Wisdom” by Patricia Ryan Madson
Improv Wisdom: Don’t Prepare, Just Show Up by Patricia Ryan MadsonMy rating: 4 of 5 stars
Publisher’s Website
One might expect this to be a book about how to perform improvisational comedy, but it’s better described as a philosophy of life that employs lessons from improv. There are books that take a much more tailored approach to building an improv act. This one, rather, broadens its target demographic from those interested in theater and comedy to everybody. It discusses applying lessons such as default to positivity (the famous “Yes, and…” of improv) both on and beyond the stage.
Each of the thirteen chapters is built around a maxim that might be heard in an improv theater or troupe. The crux of the matter is building the confidence and sense of freedom to be able to behave spontaneously in an environment that’s stressful and somewhat chaotic. Most of the lessons approach an aspect of the problem of surrender and free response action, though there are broader lessons such as the benefits of gratitude and helpfulness. While I call the book’s content a philosophy of life, the author doesn’t spend a lot of time drilling down into established philosophies, with the exception of Buddhism — specifically of the Zen variety. As one might imagine, Zen — with its emphasis on non-attachment and avoidance of overthinking — has a substantial overlap with the approach to living that Madson is proposing.
“Improv Wisdom” is set up as a self-help book, featuring not only lesson-based organization but also offering a few exercises in each chapter.
This is a quick read and might prove to be of great benefit to those who have never thought much about the challenges and lessons of improv. The book can’t be said to be groundbreaking in terms of the lessons it presents, but its focus on what improv elucidates about these lessons is interesting and unique.
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