Category Archives: creativity

FIVE WISE LINES [November 2025]

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Taken at Fo Guang Shan, near Kaohsiung in Southern Taiwan.

A thing is mighty big when time
and distance cannot shrink it.

Zora Neale hurston; Tell my horse

…if you want to be elected, it is better
to be Mean than to be Funny.

hunter s. thompson; Better than sex

And whosoever shall compel thee to go a mile,
go with him twain.

jesus; Matthew 5:38-40

The only gamblers who will talk openly
are the ones who don’t make money.
The successful ones keep their mouths shut.

Kit chellel; lucky devils

To live a creative life,
we must lose our fear of being wrong.

joseph chilton pearce

Wen Fu 10 “Originality” [文赋十] by Lu Ji [陆机] [w/Audio]

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Splendid thoughts arise from joined words --
   Lucidity is awakened:
 Luminous like adorned brocade,
 Doleful as a string serenade.
 But if crib suspicions aren't killed,
 It'll be just one more pulp piece.
 Though you may be these word's weaver--
   Some ancestor, the prime conceiver. 
 You must be just and rise above,
 Though it kills words you've grown to love.

The original lines in Simplified Chinese:

或藻思绮合，清丽千眠。
炳若缛绣，凄若繁弦。
必所拟之不殊，乃暗合乎曩篇。
虽杼轴于予怀，怵佗人之我先。
苟伤廉而愆义，亦虽爱而必捐。

BOOKS: “Wild Thing” by Mike Fairclough

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Wild Thing: Embracing Childhood Traits in Adulthood for a Happier, More Carefree LifeWild Thing: Embracing Childhood Traits in Adulthood for a Happier, More Carefree Life by Mike Fairclough
My rating: 4 of 5 stars

Publisher Site — Hay House

This short self-help guide aims to encourage adults to recapture some of the bliss-inducing traits of children. Over six chapters, it examines the virtues of play, rule-breaking behavior, imagination, resilience, gratitude, flow, daydreaming, discovery, exploration, and awe.

Each chapter, in true self-help fashion, ends with a bulleted set of practical tips and practices. The book has an Introduction and Afterward, but no other ancillary material.

I felt the book was at its strongest when the author was discussing his personal experiences. Otherwise, the book can dip into the “no-duh” plight common among self-help style books — where it seems to state the obvious without adding depth of insight.

I enjoyed reading this book. It’s a nice, short pep-talk — though it’s unlikely to leave readers with any burning revelations or new insights.

View all my reviews

“Sometimes with One I Love” by Walt Whitman

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Sometimes with one I love I fill myself with
   rage for fear I effuse unreturn'd love,
 But now I think there is no unreturn'd love,
   the pay is certain one way or another
 (I loved a certain person ardently and my
   love was not return'd,
 Yet out of that I have written these songs).

“Art” by Herman Melville [w/ Audio]

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In placid hours well-pleased we dream
 Of many a brave unbodied scheme.
 But form to lend, pulsed life create,
 What unlike things must meet and mate:
 A flame to melt -- a wind to freeze;
 Sad patience -- joyous energies;
 Humility -- yet pride and scorn;
 Instinct and study; love and hate;
 Audacity -- reverence. These must mate,
 And fuse with Jacob's mystic heart,
 To wrestle with the angel -- Art.

PROMPT: Blog

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Why do you blog?

A quick and easy fix of creative output.

That said, by the original definition of “blog,” it could be argued that I don’t blog and never did much of it, as my posts are not of a journaling / thoughts on “X” variety and rarely have been.

BOOKS: “Imagination: A Very Short Introduction” by Jennifer Anna Gosetti-Ferencei

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Imagination: A Very Short Introduction (Very Short Introductions)Imagination: A Very Short Introduction by Jennifer Anna Gosetti-Ferencei
My rating: 5 of 5 stars

Amazon.in Page

This is a concise guide to the subject of imagination, the capacity to conceptualize that which does not exist in reality. Philosophy is the primary dimension through which the subject is investigated, though the insights of poets (particularly Romantics,) authors, and artists are frequently presented — in several cases, in detail. Also, the author does discuss ideas from other disciplines as relevant (e.g. psychology, anthropology, science.) This is notable, for example, in Chapter 2, which looks at early signs of imagination in the human record and the evolution of this capacity.

Philosophical views on imagination have varied to the greatest possible extent, from Plato’s belief that imagination represents untruths and is therefore dangerous to various views suggesting that imagination is a good thing, is fundamental to what it means to be human (e.g. to empathy,) and is inescapable for humans. This Plato against the world dispute is revisited in several places throughout the book. Besides those of Plato, the views of Kant, Nietzsche, Wittgenstein, and Sartre are particularly extensively examined.

Creative types will find the final chapter (Ch.6 “Creativity from invention to wonder”) the most engaging part of the book as it deals with what makes for creativity. The chapter discusses topics such as whether constraints help or hinder creativity? Take, for example, poetry: does free verse poetry produce more imaginative material, or — on the contrary — is rhymed and metered verse more innovative and novel. If you think you know the answer, you might be surprised by the arguments that have been put forth.

I enjoyed reading this book and found it thought-provoking and worthy of the time.

View all my reviews

PROMPT: Creative

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How are you creative?

By nudging letters into words, words into lines, and then dancing the mess into something that sings. By trying to tune into the Great Spontaneous.

BOOKS: The Creative Act by Rick Rubin

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The Creative Act: A Way of BeingThe Creative Act: A Way of Being by Rick Rubin
My rating: 5 of 5 stars

Amazon.in Page

This book offers Rick Rubin’s philosophy of creativity and art. For those unfamiliar with Rubin, he’s a ZZ Top-looking music producer who contributed to a lot of successful albums, ranging from hip hop to the rock-n-roll of Tom Petty. He was a major player behind the Run DMC cover of Aerosmith’s “Walk This Way” that blew peoples’ minds in the 80’s. Interestingly, Rubin is neither a musician nor a technologist, and I heard him say in an interview that his great value-added was having an extremely high level of confidence in knowing what he liked. Rubin has a persona that is as much guru as music producer, and this book reflects this broad insight and wisdom.

In the book, Rubin lays out his view of the creative process and the mistakes people make with it, but along the way he offers insight into such interesting questions as why some artists only seem to have one major work in them. While Rubin’s experience is mostly with music (though he also worked with comedian Andrew Dice Clay on Clay’s albums,) his book is broadly targeted towards all artists, and he seems to use as many examples from literature and graphic arts as he does from music.

Rubin does sound a bit woo woo here and there, but I found that many statements — e.g. those that spoke of the universe’s role in artistry — could be interpreted in a way that wasn’t necessarily superstitious. While woo woo sounding statements often get on my nerves, I felt Rubin’s use was poetic and spoke to a broader truth.

I’d highly recommend this book for artists and creative types, regardless of field.

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PROMPT: Writing

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Daily writing prompt
What do you enjoy most about writing?
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First, the infinite variety of ways it allows one to express oneself. Second, the puzzle of dancing letters into sentences. Finally, the thought that the right combination of letters might cause someone to pee himself.