DAILY PHOTO: Adiyogi of Chikballapur
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Feel the feelings but cut short the rumination with the realization that negative thoughts are waking dreams and have no more inherent reality than sleeping dreams.
Those who reached the escape velocity necessary to truly write their own stories: e.g. Drukpa Kunley, Diogenes the Cynic, Hánshān, Ikkyū, Socrates, and the various Avadhuta.
That it’s a worthy object of pursuit, as if it is a stable state. I think both the Taoists and the Buddhists have instructive views on the matter. In Taoism, the Yang contains the seed of Yin and one flows inexorably into the other. In this view, the rock bottom worst life has to offer is a time to rejoice because the light will follow. Whereas, when one thinks life is the best it can get, a fall will come. As for Buddhism, our happiness may reflect an illusion that we’ve momentarily achieved our desires, when desires are inherently great white whales. Aim for contentment. Experience happiness when it comes.
Feel it but don’t feed it. I feel whatever emotional sensation it brings with my whole attention, but don’t ruminate — i.e. don’t let the mind go into worst-case scenario building or pity partying or self-criticism. Use the sensation as an anchor for one’s awareness. This honors the source of consternation while recognizing that one’s mental (/ emotional) experience of an event is not the event, itself — i.e. that one has influence over one’s experience even when one has zero influence over the event. Gain confidence with the small emotional experiences and work toward the big ones.
This was the great gift I received in being taught sakshi bhava, the yogic practice of dispassionate witnessing.
Chemical interactions in (and between) my nervous, enteric nervous, and endocrine systems make me nervous.
孙子兵法, i.e. “The Art of War” by Sunzi (孙子) is one that I can and have read more than twice.
I’m not a huge re-reader, but others include “Patanjali’s Yoga Sutras,” “Hamlet,” “Leaves of Grass,” and Miyamoto Musashi’s “Book of Five Rings.” Translated literature is often good for more than one read because translations vary so much.
The Yoga Tradition Of The Mysore Palace by N.E. Sjoman
Swami Kripalu’s Ladder of Yoga by Richard FauldsSakshi Bhavan, the dispassionate witness, giving feelings one’s full attention without allowing rumination that compounds the effect.
Not technically a strategy, but I think it’s on point.