DAILY PHOTO: Adiyogi of Chikballapur

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Photograph of the Adiyogi bust at the Chikballapur Isha Center, near Nandi Hills on the outskirts of Bangalore.

PROMPT: Negative Thoughts

Daily writing prompt
What’s the best way to deal with negative thoughts?

Feel the feelings but cut short the rumination with the realization that negative thoughts are waking dreams and have no more inherent reality than sleeping dreams.

PROMPT: Inspired

Daily writing prompt
Who are you most inspired by?

Those who reached the escape velocity necessary to truly write their own stories: e.g. Drukpa Kunley, Diogenes the Cynic, Hánshān, Ikkyū, Socrates, and the various Avadhuta.

PROMPT: Happiness

Daily writing prompt
What’s a common misconception people have about happiness?

That it’s a worthy object of pursuit, as if it is a stable state. I think both the Taoists and the Buddhists have instructive views on the matter. In Taoism, the Yang contains the seed of Yin and one flows inexorably into the other. In this view, the rock bottom worst life has to offer is a time to rejoice because the light will follow. Whereas, when one thinks life is the best it can get, a fall will come. As for Buddhism, our happiness may reflect an illusion that we’ve momentarily achieved our desires, when desires are inherently great white whales. Aim for contentment. Experience happiness when it comes.

PROMPT: Fear and Self-Doubt

Daily writing prompt
How do you handle fear and self-doubt?

Feel it but don’t feed it. I feel whatever emotional sensation it brings with my whole attention, but don’t ruminate — i.e. don’t let the mind go into worst-case scenario building or pity partying or self-criticism. Use the sensation as an anchor for one’s awareness. This honors the source of consternation while recognizing that one’s mental (/ emotional) experience of an event is not the event, itself — i.e. that one has influence over one’s experience even when one has zero influence over the event. Gain confidence with the small emotional experiences and work toward the big ones.

This was the great gift I received in being taught sakshi bhava, the yogic practice of dispassionate witnessing.

PROMPT: Nervous

Daily writing prompt
What makes you nervous?

Chemical interactions in (and between) my nervous, enteric nervous, and endocrine systems make me nervous.

PROMPT: Read Over

Daily writing prompt
What book could you read over and over again?

孙子兵法, i.e. “The Art of War” by Sunzi (孙子) is one that I can and have read more than twice.

I’m not a huge re-reader, but others include “Patanjali’s Yoga Sutras,” “Hamlet,” “Leaves of Grass,” and Miyamoto Musashi’s “Book of Five Rings.” Translated literature is often good for more than one read because translations vary so much.

BOOK: “The Yoga Tradition of the Mysore Palace” Trans. / Ed. / Introduction by N.E. Sjoman

The Yoga Tradition Of The Mysore PalaceThe Yoga Tradition Of The Mysore Palace by N.E. Sjoman
My rating: 5 of 5 stars

Online

This book consists of a translation of The Śrītattvanidhi, a description of 122 Hatha Yoga postures (asana) that has been attributed to Krishnaraja Wodeyar III (Maharaja of Mysore – b.1794 – d. 1868,) as well as notes and commentary on the postures by the Sanskrit scholar, N.E. Sjoman, notes that serve to map said postures to their present-day counterparts. Sjoman also writes an extensive introduction that explores the evolution of the body of yogasana as we now know them, with discussion of varied sources, his research rooted in archival study in Mysore. A copy of the original The Śrītattvanidhi, (of varied readability) is included in the text.

Because India is top-heavy in terms of population and influence, outside of India yoga practitioners might be forgiven for failing to understand how important Mysore and the patronage of the Wodeyar royalty to T.T. Krishnamacharya was in the development of asana-centric yoga as we know it today. Krishnamacharya taught Pattabhi Jois (Ashtanga Vinyasa,) B.K.S. Iyengar (prop yoga,) and Indira Devi (Yogini to the stars,) among other prominent 20th century teachers. It is from these teachers onward that yoga practice would be recognizable to the average practitioner of today.

This book links the postures of The Śrītattvanidhi to the names / versions known today (typically linked by the names from B.K.S. Iyengar’s Light on Yoga.) Sjoman also maps these asana to other prominent sources like Hatha Yoga Pradipika, Gheranda Samhita, Krishnamacharya’s Yogamakaranda, Pattabhi Jois’s Yoga Mala, and Yogeshwaranand Parmahansa’s First Steps to Higher Yoga, linking them primarily through a series of indices.

If you’re interested in the evolution of yoga postures over time, I’d highly recommend this book as a quick way to get a basic grasp of the subject.

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BOOK: “Swami Kripalu’s Ladder of Yoga” by Richard Faulds

Swami Kripalu’s Ladder of YogaSwami Kripalu’s Ladder of Yoga by Richard Faulds
My rating: 4 of 5 stars

Publisher Site – Monkfish

Release Date: April 7, 2026

This book discusses the organizational structure of yoga as described by prominent 20th century yoga guru, Swami Kripalu, an approach that draws on (but distinguishes itself from) the 8-limb (Ashtanga) framework outlined by Patanjali in the Yoga Sutras. Swami Kripalu deemphasized yogic ethics (Yama and Niyama,) and put great emphasis on hierarchy among the elements of yoga — i.e. that one must pass through the lessons of some limbs before you can begin to move up to the next. (This idea is certainly taught in Patanjali’s Sutras, but not with the same emphasis — hence Kripalu’s “ladder,” rather than “limbs” — making clear that these are not independent elements but rather are completely dependent.)

The greatest strength of this book is in distinguishing concepts like dhyana (meditation) from samadhi, distinction of which is often given short shrift with simplistic soundbite-like definitions in books on yoga. The book is not the usual yoga text in that it spends a great deal of time discussing the “higher limbs” of yoga (to resort back to Patanjali’s formulation.) Faulds adds benefit by discussing his own subjective experiences, the lack of access to subjective understanding often gives even students actively training with teachers doubts about their experiences.

I should point out that the book does also spend a good deal of page count (perhaps more space than any other subject) on pranayama (breathwork,) both covering it over several chapters in the book’s midsection and then further in a couple appendices that get into the physiology of breathwork.

One nice feature is that almost all of the chapters end with sections entitled “Be a Discerning Student” and “Applying this Chapter in Practice” to help readers with practical insights into what is by and large a philosophical discussion. There are also several appendices (the most useful one to me was a discussion of the shifting understanding of the term “samadhi” over time and across disciplines.)

If you want to explore what the higher limbs are and how they are distinguished, I’d recommend this book. (As I said, it also deals with Pranayama in some detail, but that will likely offer less new insight for students and teachers of yoga who’ve received an education in [and maintain a practice of] yoga.)

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PROMPT: Negative Feelings

Daily writing prompt
What strategies do you use to cope with negative feelings?

Sakshi Bhavan, the dispassionate witness, giving feelings one’s full attention without allowing rumination that compounds the effect.

Not technically a strategy, but I think it’s on point.