little Zen Garden
evokes a craggy cliff
despite scale issues.
Zen Garden [Haiku]
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Tag Archives: Zen
BOOKS: “Improv Wisdom” by Patricia Ryan Madson
Improv Wisdom: Don’t Prepare, Just Show Up by Patricia Ryan MadsonMy rating: 4 of 5 stars
Publisher’s Website
One might expect this to be a book about how to perform improvisational comedy, but it’s better described as a philosophy of life that employs lessons from improv. There are books that take a much more tailored approach to building an improv act. This one, rather, broadens its target demographic from those interested in theater and comedy to everybody. It discusses applying lessons such as default to positivity (the famous “Yes, and…” of improv) both on and beyond the stage.
Each of the thirteen chapters is built around a maxim that might be heard in an improv theater or troupe. The crux of the matter is building the confidence and sense of freedom to be able to behave spontaneously in an environment that’s stressful and somewhat chaotic. Most of the lessons approach an aspect of the problem of surrender and free response action, though there are broader lessons such as the benefits of gratitude and helpfulness. While I call the book’s content a philosophy of life, the author doesn’t spend a lot of time drilling down into established philosophies, with the exception of Buddhism — specifically of the Zen variety. As one might imagine, Zen — with its emphasis on non-attachment and avoidance of overthinking — has a substantial overlap with the approach to living that Madson is proposing.
“Improv Wisdom” is set up as a self-help book, featuring not only lesson-based organization but also offering a few exercises in each chapter.
This is a quick read and might prove to be of great benefit to those who have never thought much about the challenges and lessons of improv. The book can’t be said to be groundbreaking in terms of the lessons it presents, but its focus on what improv elucidates about these lessons is interesting and unique.
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BOOKS: “Bohemian Manifesto” by Laren Stover, Paul Himmelein, and Patrisha Robertson
Bohemian Manifesto: A Field Guide to Living on the Edge by Laren StoverMy rating: 5 of 5 stars
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The central premise of this book is that not only does the Bohemian artist live on, but she does so in five distinct varieties: the Beat, the Zen Bohemian, the Dandy, the Folkloric Bohemian, and the Nouveau Bohemian. While the title calls this book a “manifesto,” the term used in the subtitle, i.e. “field guide,” is far more apropos. Like a field guide to birds or mushrooms, it lays out
characteristics and distinctions, the characteristics of Bohemians, generally, and the five flavors thereof, more specifically, and it does so in a way that separates them from the other varieties of human.
One might be wondering, why are these varied categories classed as Bohemian, as it seems they are their own distinct class. One way to understand this is to consider the “Zen Bohemian,” who often bears little resemblance to the “Zen Buddhist” for which one might mistake him. The Zen Buddhist has both a strong connection to and a depth of knowledge of Zen Buddhism, but the Zen Bohemian often rather has a strong connection to a broad hodge-podge of Eastern philosophies and spiritual traditions that he may or may not properly understand the distinctions between.
This book is quite readable, and informative in an easy-going way, but it’s also perplexing. It’s informative in that it clarifies the characteristics of Bohemians across many criteria (e.g. food, clothing, tastes in literature, art, movies, and music, interest in boxing, etc.) It’s perplexing in that it starts with the premise that Bohemians are, at their core, free spirits who refuse to be hemmed in by convention, but then the bulk of the book is about the various tribe-signaling boxes that the Bohemian puts himself within to conform to the norms of the group. It seems that the authors are aware of this and actually produce humor through oddly specific statements such as, “They [Bohemians] still adore Laurie Anderson even though their yuppie brother went to see her.” It feels like they are aware that, to the extent Bohemians are truly free spirits, any description the authors give will be wrong at some level of granularity, and so they lean into it with great (sometimes comedic) specificity.
I enjoyed reading this book and picked up a number of interesting references to other books and whatnot. (I’m currently reading Kliph Nesteroff’s “The Comedians” because of a reference to it in this book.) I did find bits on subjects like wardrobes and astrology to be a bit tedious, but just skimmed through them.
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Ikkyū’s Poetry: The John Steven’s Wild Ways Selection / Translation
Wild Ways: Zen Poems of Ikkyu by IkkyuMy rating: 5 of 5 stars
This is the John Stevens selection and translation of poetry from Ikkyū’s Crazy Cloud Anthology. Ikkyū was what might be called a mad sage of the Rinzai sect of Zen Buddhism. He once showed up at a temple in his vagabond rags and was turned away, when he came back the next day in the ceremonial robes that revealed him as a preeminent monk and was subsequently treated like royalty, he took the robes off and told the abbot that it was apparently the robes that were honored and deserving of a meal. Ikkyū was known not only for his rejection of dogmatic and highfalutin approaches to Buddhism, but also for his love of sex, brothels, meat eating, and poetry. Much of the poetry touches on those two subjects (disdain for dogma and pretension and love of pleasure,) though there are also poems that explore nature and the kind of imagery one might be more likely to expect in Japanese poetry.
Ikkyū mostly wrote in quatrains, using a Chinese style of verse. Though Ikkyū was no more dogmatic about following poetic protocols than he was following monastic precepts, and often went with the flow.
I read the Stephen Berg translation, Crow with No Mouth several years ago. I would put this one on par with that one. There are actually several translated selections from the Crazy Cloud Anthology poems that are available. If you are interested in Ikkyū’s poetry, this is as good a place to start as any. It should be noted that while some of the poetry is around sexuality, it’s not particularly graphic but more suggestive.
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Crow Sound [Tanka]
the sharp caw of a crow triggers a monk's enlightenment. a second crow responds. a sailor doesn't look up.
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Ikkyū Limerick
There was a Zen master named Ikkyū who was thought by many to be cuckoo. He'd allow a toot on his very own flute. Which was unbecoming of flutists (& monks, too.)
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Satori [Free Verse]
It was a moment of silent spaciousness. In the midst of a fight, there was no enemy -- just the effortless dance of the thing. That moment expanded to the infinite, & snapped back to one tick after the tock. Since then, no catastrophe has felt too great for a smile.
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BOOK REVIEW: Singing and Dancing Are the Voice of the Law by Busshō Lahn
Singing and Dancing Are the Voice of the Law: A Commentary on Hakuin’s “Song of Zazen” by Bussho LahnMy rating: 5 of 5 stars
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Release Date: December 20, 2022 [In India, may be out in your area.]
This book consists of a collection of essays inspired by the poem, “Song of Zazen,” written by the 18th century Zen master, Hakuin. Hakuin’s poem is brief (about forty lines,) and the essays composed by a present-day Zen priest (Lahn) offer commentary on a stanza-by-stanza basis. The book is divided into fourteen chapters, though the final chapter isn’t a stanza commentary.
I enjoyed reading this book and learned a great deal from it. The book benefits from the fact that the author is not rigidly sectarian. Therefore, the book is not doctrinaire, which warms the reader to the teachings. It’s also useful because it allowed the author to freely draw examples and quotes from a variety of sources, some of which may be more familiar or relatable to neophyte readers.
The last chapter offers a discussion of the fundamentals of zazen (seated meditation) as well as some other ancillary information that may be useful to readers new to Zen Buddhism, its practices, and its sutras. If you’re interested in Zen Buddhist meditation and philosophy, you may want to give it a look.
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BOOK REVIEW: Dropping Ashes on the Buddha by Seung Sahn
Dropping Ashes on the Buddha: The Teachings of Zen Master Seung Sahn by Seung SahnMy rating: 4 of 5 stars
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This book’s one-hundred brief chapters mostly consist of interactions between the Korean Zen Buddhist teacher, Seung Sahn, and students of his. However, there are also some old Zen stories, and a few odds and ends: such as the transcript of a completely unproductive “dialogue” between Seung Sahn and a Hindu yogi. Some of the student-teacher interactions are epistolary, but others are face-to-face “dharma combat” or Q&A sessions (which also, ultimately, became dharma combat — given Seung Sahn’s teaching methods.) Dharma combat is a dialogue that resembles Socratic dialogue except that the goal isn’t to use logic and sound reasoning to persuade another, but rather to demonstrate a lack of attachment and proclivity to overintellectualize. It involves a lot of seemingly nonsensical answers and occasional shouting and slapping / hitting. It sounds unproductive, but the objective is to break established cognitive modes and to induce epiphany, rather than to build a rational argument.
It’s a thought provoking and informative book, if a bit repetitive. Most of the conversation revolves around less than a dozen ko-an [kong-an in Korean,] which are questions or statements that’re intended to provoke a kind of realization rather than to produce a straightforward / rational answer. It’s not a problem that there’s repetition, as these aren’t straightforward ways of thinking, and oftentimes it takes many varied looks at a ko-an to grasp what’s being conveyed. That said, I felt this book could’ve used some editing to streamline the dialogue a bit to make it feel a bit less punitively redundant.
If you’re interested in ko-an and dharma combat, this is a great book to look into. However, if you’re familiar with many of the popular ko-an and Zen stories, it may feel a bit redundant.
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Tōsui’s Rebuttal [Kyōka]
the Zen monk Tōsui, rebuked for handling manure, plead not guilty by reason of scrawny crops, and kept spreading shit
Tiger Riding for Beginners 