Tag Archives: Book Review

BOOKS: “Be Funny or Die” by Joel Morris

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Be Funny or Die: How Comedy Works and Why It MattersBe Funny or Die: How Comedy Works and Why It Matters by Joel Morris
My rating: 5 of 5 stars

Author Site

Release date: Sept 4, 2025 [paperback, hardcover is already out]

This is a comedy writer’s guide to how humor is crafted. It’s a bit popular psychology and a bit of a how-to guide. If one is expecting, because it’s on comedy and humor, a book that is a laugh riot on every page, this isn’t the book for you. That’s not so say Morris doesn’t pepper the book with witty commentary and humorous examples, but it’s ultimately a book about how the sausage gets made and is, thus, somewhat analytic — if in a readable style.

At the core of Morris’s theory of comedy is a three-component structure: construct, confirm, and confound. Other major ideas are the fundamental tribalism of comedy and the connections between comedy and music. It wouldn’t be a present-day book on comedy if there wasn’t some discussion of the idea of offense and the “limits” of what can be said.

I can’t say all of Morris’s ideas found immediate resonance with me, but even when I didn’t fully buy the argument, I did find the presentation thought-provoking. For example, I don’t know that I buy Morris’s argument about the importance of tribality to comedy. I do agree that one needs a common language and some overlap of experience, but all of humanity has a domain of overlap of experience. Yes, one may have an easier time the more extensive that overlap is, but ease doesn’t necessarily mean one can’t get big laughs from an audience whose worldviews and experience are radically different from one’s own. [Of course, I may just be being overly sensitive as a traveler in a tribal world.]

For writers, the end of the book has a few chapters that are more about story than comedy – per se, and – while these chapters compare and contrast comedy and drama writing – they provide information useful to any writer engaged in storytelling.

I’d highly recommend this book for any readers interested in comedy writing, be it of standup material, scripts, or other content.

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BOOKS: “Soseki Natsume’s Collected Haiku” trans. by Erik Lofgren

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Soseki Natsume's Collected Haiku: 1,000 Verses from Japan's Most Popular Writer (Bilingual English & Japanese Texts with Free Online Audio Readings of Each Poem)Soseki Natsume’s Collected Haiku: 1,000 Verses from Japan’s Most Popular Writer by Natsume Sōseki
My rating: 5 of 5 stars

Publisher Site — Tuttle

Natsume Soseki is widely considered one of 2oth century Japan’s greatest writers. While he is best known for his novels, such as Kokoro and I Am a Cat, Soseki wrote broadly, including the one-thousand haiku collected in this volume.

The collection, as is common among haiku volumes, is organized seasonally. Season words being a common feature of classical haiku. That said, these poems are not all classical haiku (though most are.) With respect to form, they are all haiku, but – with respect to content – some are senryū (a style that is the same as haiku in form, but uses more humor and humanistic elements and is less strictly natural and imagist) and others are more idiosyncratic experiments.

One excellent feature of this collection is that it includes both the Japanese characters and Romanized phoneticizations for each poem. This is great for readers who know some level of Japanese, but having the pronunciations allows readers to take in the sound quality of the original — even if they don’t read Japanese.

The translations are optimized for readability by English readers. By this I mean that the translator, Erik Lofgren, doesn’t pare the lines down to maximize sparseness of sound. There are different strategies for translation, and I think Lofgren’s approach is best for a general readership because the translations don’t draw attention to themselves by reading in a fashion that is clunky or tone deaf in English. That said, I suspect some readers would prefer translations more stripped of articles, conjunctions, and other function words.

If you enjoy haiku and modern Japanese literature, I’d highly recommend this book.

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BOOKS: “The Life of Hiuen-Tsiang” by Hui-li [trans. by Samuel Beal]

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The Life of Hiuen-TsiangThe Life of Hiuen-Tsiang by Hui-li
My rating: 4 of 5 stars

Available free online through the Indian Gov’t

Those familiar with Chinese Literature (or smash-hit video games) will be acquainted with the tale of Sun Wu Kong, the Monkey King. The central event of the novel Journey to the West is a Chinese Buddhist monk traveling to India to gather a complete set of the Buddhist canon. In the novel (and video game, Black Myth: WuKong,) the monk’s name is Tang Sanzang (in translations – and movie / television – he’s sometimes called Tripitaka, which is actually the name of the Pali Canon — the original Buddhist books, themselves.) In real life there was also such a monk, and his name was Xuanzang (玄奘, Romanized as Hiuen-Tsiang in an earlier system,) and this book describes his travels to, through, and back from India.

It turns out the monk was not escorted by a god-tier mythical creature and his two superpowered compatriots (i.e. Pigsy and Sandy.) For this reason, the actual Xuanzang occasionally got threatened, robbed, and was once almost killed by riverine pirates. This book is a travelogue of Xuanzang’s journeys through China, Central Asia, [present-day] Afghanistan and Pakistan, and throughout India.

Needless to say, this book isn’t as taut and thrilling as the fictional account with its gods and monsters, but – for those with historical and geographic interests – it’s not without appeal. It does have extensive description of Xuanzang’s visits with various monks and royalty that is dry reading as well as discussions of where Xuanzang’s collection stood at any given point, but there are a few intense events and harrowing moments.

If you’re interested in Buddhist history, you may want to give this book a look.

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BOOK REVIEW: “Becoming Ghost” by Cathy Linh Che

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Becoming Ghost: PoetryBecoming Ghost: Poetry by Cathy Linh Che
My rating: 5 of 5 stars

Publisher Site – Simon & Schuster

This collection is built around the surreal emotionality of the author’s parents having both lived through the war in Vietnam and also having served as extras in the film, Apocalypse Now. [For those unfamiliar, Apocalypse Now was a Francis Ford Copp0la film based loosely (and partially) on Joseph Conrad’s novel,Heart of Darkness. The film follows a military officer sent upriver to assassinate a rogue Special Operations colonel during the Vietnam War, and shows the war from various perspectives as the would-be assassin travels through the country to complete his mission.]

At times, the poems read like a poem-shaped biography, but that’s not all there is to the book. There are points that imagery and language are used to shoot beyond a mere telling of events, in order to create emotional resonance with the core strangeness of living through a traumatic event only to portray a background individual (someone like one’s own past self) in a fictional retelling of events based on those through which one lived.

The poetic forms vary somewhat, though all within the modern, free verse style. Most notably, the author uses the golden shovel approach of Terrence Hayes extensively.

This collection grabbed me both with its clever language and its thought-provoking central premise. I’d highly recommend it for readers of poetry.

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BOOKS: “A Man Was Going Down the Road” by Otar Chiladze

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A Man Was Going Down the RoadA Man Was Going Down the Road by Otar Chiladze
My rating: 5 of 5 stars

Publisher Site

This is the English translation of a novel considered to be one of the most important literary works of Georgia (i.e. the country, not the state) in the twentieth century. The multigenerational tale adapts from Greek Mythology, most notably the story of Jason and the Golden Fleece and Daedalus and Icarus (the former taking place early in the book and the latter towards the end.)

Given its pacing, multigenerational sprawl, and the rambling ordinary life interactions between big events, this book isn’t of the highest readability, but that has its benefits. Supposedly, the author was taking digs at the Soviets and their invasions and operations in Georgia, but – apparently – the Soviet censors never made the connection due to the abstruse nature of the story. Otherwise, we might not have this book to read, today.

Regardless of my comments about readability, the book does have a number of positive things going for it. I found the translation to have some beautiful stretches of language. There was an opening paragraph of one of the latter chapters that floored me. Also, it’s not all soap opera, the more intensely plot-driven bits are compelling, most notably the Golden Fleece story.

I’d highly recommend this book for readers who don’t mind the challenge of literary fiction pacing and everyday minutiae.

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BOOKS: “Troublesome Words” by Bill Bryson

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Bryson's Dictionary of Troublesome Words: A Writer's Guide to Getting It RightBryson’s Dictionary of Troublesome Words: A Writer’s Guide to Getting It Right by Bill Bryson
My rating: 5 of 5 stars

Publisher Site – Penguin Books

This is a guide to English words (and loanwords) that challenge even professional writers. It’s organized as a dictionary, and – in fact – the earliest edition of the book was entitled The Penguin Dictionary of Troublesome Words. However, the entries are far from mere definitions, and typically include examples of grammatical, stylistic, or spelling offenses, examples that are sometimes humorous (as are Bryson’s explanations.)

The most common classes of troublesome words are those that are redundant (or otherwise fail to add information) and pairs or groups of words that are frequently confused because of similar spellings or close — but not identical — meanings. That said, there are many other varieties of linguistic challenges confronted by the book, such as spelling mistakes and migrating meanings.

The book is dated. For some readers, that will make the book obsolete, but students of language may find it’s even more useful in showing the evolution of the language. This can be seen with respect to migrating meanings, words whose meanings started out being one thing but against the efforts of grammarians and other linguistic guardians were dragged into an alternate meaning by the force of mass usage. There are some instances where Bryson advises one to honor the original meaning and other cases where he points out that the ship has sailed and to just go with the flow. I’m sure these positions would shift if this book were to be updated again. (Originally written in the 1980’s, the book was revised and update in the early 2000’s, but language has continued to shift in these 20+ years.) In several cases words for which he suggests we stick to the original meaning have now completed their slide. (And many of the words he tells us to accept the changed meaning of are now so far past that original meaning that few readers will be aware the word ever meant something different.)

That being said, the book isn’t completely obsolete. As mentioned above, one of the most common classes of offenses are redundant and meaningless words, and these are almost all still relevant to writers today.

Bill Bryson has a unique relationship to the language, being both British and American, and one nice feature of the book is that he points out differences in spelling and usage that exist between the two countries.

There is an appendix discussing proper punctuation, a bibliography, and a glossary of linguistic terms.

If you’re reading this out of an interest in language, I’d recommend it. It’s light and humorous. However, if you’re in the market for a reference guide, you can surely find a more up to date (if less humorous) guide.

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BOOK: “The Short Story: A Very Short Introduction” by Andrew Kahn

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The Short Story: A Very Short Introduction (Very Short Introductions)The Short Story: A Very Short Introduction by Andrew Kahn
My rating: 4 of 5 stars

Publisher Site – OUP

This guide provides an overview of the short story, particularly literary short stories (though it’s not without mention of genre fiction.) The book is well organized and offers some fascinating food for thought, particularly regarding the psychology of character and the distinctions between short stories and novels. (The former are not to be thought of as pared down versions of the latter.)

I will say that, for a concise introduction, the book does occasionally get into the weeds on specific issues, potentially losing the non-specialist reader who this series is ostensibly geared toward.

I found the book’s organization to be logical and productive to its task. After an introduction that explores the advent and history of the short story, most of the chapters deal with structural or compositional aspects of story, including: openings, voice, setting, plot, irony / reversal, and endings. One chapter (Ch. 6) stands out as a bit different in that it zooms in on Chekhov and his influence on the short story as we’ve come to know it. While this could be said to demonstrate the author’s tendency to zoom in the specificity more than is usual for such a guide, I did find the chapter interesting and enlightening.

If one is interested in the short story (as a reader, writer, or both) one will find this guide worth one’s attention.

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BOOKS: “A Carpet Ride to Khiva” by Christopher Aslan Alexander

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A Carpet Ride to Khiva: Seven Years on the Silk RoadA Carpet Ride to Khiva: Seven Years on the Silk Road by Chris Aslan
My rating: 5 of 5 stars

Publisher Site – ICON Books

“Travel-centric memoir” is how I’d classify this book, but it’s one of those books that isn’t easily categorized. The author cleverly interweaves explorations of Uzbek history and culture with his own story of living in the Uzbek city of Khiva for seven years as an NGO worker and traditional crafts entrepreneur. The side voyages into history and culture not only support the readers’ contextual understanding of the author’s story but also make for a fascinating journey of understanding of the locale. Uzbekistan has had many lives, from beating heart of the Silk Road to forgotten backwater of the Soviet Union, and these many lives have shaped what Uzbekistan is, and what it’s becoming.

I should point out that Uzbekistan has apparently made a hard shift since the days described in this book (late 90’s early 2000’s, i.e. fairly early in the wake of independence from the Soviet Union.) I mention this to avoid discouraging travelers through discussion of the author’s experiences. [I, myself, am planning a trip in the near future.] I’m sure that Uzbekistan continues to have deep-seated problems, but it seems to be making great efforts to be tourist-friendly these days. Which is not to say that the individuals were ever unfriendly to travelers. The author describes an Uzbek people who are warm-hearted, welcoming, and helpful. But when the author was there it was also on the list of the biggest human rights violators, corruption was ubiquitous, and tourism was almost non-existent. In fact, the penultimate chapter of the book describes the author’s experience of a visa denied, ping-ponged deportations, and a life sharply diverted by corruption.

The final chapter is intensely compelling and describes the author’s (late 2000’s) visit to Afghanistan to help apply the lessons he learned in Uzbekistan to building a rug weaving operation in that war-torn country (allowing women to make some money, an activity disallowed by the Taliban before and since.)

This is a fascinating book, and I’d highly recommend it for travelers and those interested this lesser-known part of the world. Even the descriptions of silk production, rug weaving, and natural dyes (topics that I expected wouldn’t resonate with me) were interesting and engaging.

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BOOK: “Rocket Yoga” by David Kyle

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Rocket® Yoga: Your Guide to Progressive Ashtanga VinyasaRocket® Yoga: Your Guide to Progressive Ashtanga Vinyasa by David Kyle
My rating: 5 of 5 stars

Publisher Site – Human Kinetics

This book provides an overview of Rocket Yoga, which is newcomer to yoga’s ranks that adapts from the Ashtanga Vinyasa school of Pattabhi Jois. The objective of Rocket is to make the practice more adaptable, both in terms of being suitable for a broad range of students and for individual students to adapt the practice in ways that would fit their objectives, strengths, and limitations. There are also adjustments made in the sequence to streamline the flow.

For those unfamiliar with Ashtanga Vinyasa, it is a fixed form flow style. Fixed form means that at a given level one is repeating the same sequence the same way every session until one bumps up to the next level. This offers great advantages for building fitness, muscle memory, and connection to the practice, but many find it tedious and the threat of burnout is ever-present. Rocket attempts to keep the benefits of fixed form practice but to mitigate the burnout factor by having three sequences that can be interspersed in one’s practice, as well as by allowing more room for individual variation. Ashtanga Vinyasa is also often perceived as daunting because as a flow form it involves a lot of vigorous transitional movement and also because even some of the preliminary series asana (postures) are challenging for your average practitioner. While Ashtanga Vinyasa generally allows for modification, Rocket leans into this a bit more. (That said, the Rocket system also has ways to step up the challenge as well.)

As with many system-centric yoga books, much of the book is description of the asana (postures) that make up the system as well as elaboration on how they are sequenced. However, the book does open with philosophical and historical background and ends with discussion of how the practice might be adapted (e.g. there is a section for pregnancy.)

The book has a lot of color photographs that are clear and well captured (if of limited perspective.)

If you are an Ashtanga Vinyasa practitioner (or perspective practitioner) and are curious about how the basic concept might be adjusted to mitigate potential burnout or make the system more flexible, I’d recommend giving this book a look.

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BOOKS: “The Habsburg Empire: A Very Short Introduction” by Martyn Rady

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The Habsburg Empire: A Very Short IntroductionThe Habsburg Empire: A Very Short Introduction by Martyn Rady
My rating: 5 of 5 stars

Publisher Site – OUP

“Habsburg” is one of those names recognized as a big deal, but if one isn’t a history buff one might know nothing – or near nothing – about them. For many, the Habsburg Empire is synonymous with Austro-Hungary, but – in its heyday – the Empire controlled territory as far-flung as the Philippines and Mexico through marriages with the Iberian Peninsula royals. This guide hits the highlights of the Habsburgs from their 11th century beginnings to their demise in the wake of World War I.

Rady drops a lot of fun facts in this book in order to make it more than the dry retelling of war and marriage that often make up histories. Because this is a concise guide, these fun facts aren’t necessarily elegantly introduced, but sometimes appear to be tucked in willy-nilly, as with the sentence:

“Franz Ferdinand, besides being a maniacal huntsman who bagged an estimated 270,000 creatures (mostly partridges, but including two elephants), was convinced that the Habsburg Empire depended for survival on its comprehensive reorganization.”

What does the clause about being an avid hunter have to do with the discussion at hand? Absolutely nothing as far as I can tell, but it does capture one’s attention.

I feel I came away from this book with a better understanding of the Habsburgs, as well as with a few fascinating tidbits stuck in my brain — such as about the strangely long jaw bones of inbred royals. If you know nothing about the Habsburgs, but would like to, I’d highly recommend this book.

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