There once was a virtuous, old monk
Who never, ever had sex or got drunk.
He lived in silence,
And practiced non-violence...
Till one day, in a funk, he kicked a young monk
In the junk.
Monk’s Limerick
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Lone Pine [Haiku]
a lone pine stands --
mangled and misshapen --
above other trees.
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DAILY PHOTO: Watching Cloud Layers from a Mountaintop
Image
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Harmony [Free Verse]
Tap the resonance
And vibrate at the rate
Of those eternal emanations --
The thrumming under-pulse
Of the Universe.
The ripples that can't be heard
Or felt haptically,
But must be tuned into
To feel, otherwise.
Downshift what is you --
Put your Self into idle.
Don't panic
As you start to slide --
Frictionlessly,
A lack of friction that's
Unfamiliar & Uncomfortable,
But which will be the way
One's worldline plays out --
Effortlessly -- to the end.
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“Natural” [Poetry Style #10] by Sikong Tu [w/ Audio]
Stoop anywhere and pluck it up,
But if you look 'round - it's not there.
Any path may lead you to it.
A stroke of the brush becomes Spring,
And the flowers are in full bloom. --
It's like seeing a new year dawn:
Snatch at it and you won't have it.
Seize it by force and you'll be poorer.
Be like the old mountain hermit --
Like duckweed gathered by stream flow.
Find calm amidst storms of feeling
By knowing Heaven's harmonies.
NOTE: The late Tang Dynasty poet, Sikong Tu (a.k.a. Ssŭ-k‘ung T‘u,) wrote an ars poetica entitled Twenty-Four Styles of Poetry. It presents twenty-four poems that are each in a different tone, reflecting varied concepts from Taoist philosophy and aesthetics. Above is a translation of the tenth of the twenty-four poems.
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Actress Limerick
There once was a popular actress
Who most found cruel, catty, and tactless,
But the very worst part
Was the state of her art,
She only played herself in a different dress.
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DAILY PHOTO: Dang Hyang Nirartha Statue, Uluwatu
Sparrow Curiosity [Haiku]
BOOKS: “Play” by Stuart Brown
Play: How It Shapes the Brain, Opens the Imagination, and Invigorates the Soul by Stuart M. Brown Jr.My rating: 4 of 5 stars
Amazon.in Page
Why does biology encourage play? Why does it stop encouraging play at some point? Should play end, or should one maintain a dedication to play throughout life? These are principal questions addressed by this book.
Brown explores the advantages of leading a playful life, and he doesn’t restrict himself to childhood play. In fact, the book doesn’t restrict itself entirely to human play, but also presents insights derived from the study of other playful species. One of the most profound lessons from the book comes from a story about a sled dog that has repeated playful interactions with a polar bear — a hungry polar bear, at that.
The book is presented more like an essay or a collection of essays than the usual popular science or pop psychology book. That is to say, it is not annotated and lacks a bibliography. The author sites the occasional book or study in the text, but it’s in the manner one would see in journalism or essays. This approach has its advantages, but the flipside of those advantages are the disadvantages. On the positive side, the author is able to communicate more freely, including the ability to discuss more speculative possibilities than one would expect from scientific reporting (with its usual “just the facts” approach.) Of course, the extensive speculation will be frustrating to readers who want to know what evidence has been produced for the proposed benefits. Furthermore, it often feels like the speculation in question is of the “when you’re a hammer every problem is a nail” nature — i.e. when one is a play researcher, one may be inclined to see play as a panacea for all the ills facing humanity (it surely is for some, but probably not all.) [To be fair, the book is almost fifteen years old, and I suspect it was / is probably harder than pulling teeth to get academic funding for play research outside of early childhood development, and so part of what the book was probably trying to do was build enthusiasm for supporting this kind of research, which necessitated talking about possibilities that were outside the known.]
The book does have a chapter on “the dark side of play.” It deals with compulsive behaviors like gambling and video game playing addiction (i.e. not people who like playing video games once in a while, but those who go 48 hours without sleep and who live in cave-like darkness to limit screen glare.) Much of the chapter argues that, while those problems are real and of concern, the activities aren’t play, not as per the definition presented early in the book.
This book does make a sound case for a number of benefits of play and for not abandoning play in one’s youth. If you’re interested in how play can help one to cope in a world of uncertainty, to keep one’s mind and body healthy, and to maintain or grow one’s capacity for imagination, this book is well worth reading.
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“Dulce et Decorum Est” by Wilfred Owen [w/ Audio]
Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots,
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of gas-shells dropping softly behind.
Gas! GAS! Quick, boys! -- An ecstasy of fumbling
Fitting the clumsy helmets just in time,
But someone still was yelling out and stumbling
And flound'ring like a man in fire or lime. --
Dim through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams before my helpless sight,
He plunges at me, guttering, choking, drowning.
If in some smothering dreams, you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues, --
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.
NOTE: Dulce et decorum est pro patria mori is a line written by Horace in Latin that translates to: “It is sweet and fitting to die for one’s country.”
Tiger Riding for Beginners 